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#james mcmahon
wwemcumuscleslover · 1 month
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This thumblr user accepts the fate of be an OLD MAN LOVER....
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Is this your fate too? 🤔
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fame-ass-ers · 2 years
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msmoony7 · 4 months
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need my inhaler fics to get the same amount of likes as my marauders ones😩😩
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jamiemarsters · 1 month
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Pics of the Day: James Marsters & Julian McMahon proving they are indeed two entirely separate different people... in @marvelsrunaways #2.3 "Double Zeros"
@realjamesmarsters #JamesMarsters @julianmcmahonofficial #JulianMcMahon #MarvelsRunaways #ThisMaySurpriseSomePeople #WhoRegularlyConfuseTheTwo
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lecameleontv · 2 months
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La série Profiler (1996) qui a 3 épisodes-Incursions (Crossover) avec la série Le Caméléon (V.O. : The Pretender) et était diffusée en France le même soir sur M6, et aux USA sur NBC.
Statut : terminée Nb Saisons : 4 Nb Episodes : 64
Réalisation : - Ian Toynton (6 épisodes) - James Whitmore Jr (2 épisodes) - Chuck Bowman (1 épisode), ...
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Distribution principale : - Ally Walker, qui recroisera Leland Orser dans l'Ep. 12.13 de la série Urgences; - Robert Davi, qui avait déjà croisé Richard Marcus dans l'Ep. 1.07 de la série Hôpital St. Elsewhere (1982) et qui croisera Jason Brooks dans Alerte Astéroïde (2014); - Julian McMahon, vu dans la série Charmed; - Roma Maffia, vue dans la série Pretty Little Liars; - Jamie Luner, de la série Melrose Place; ...
Distribution secondaire : - A Martinez, vu dans les feuilletons Des jours et des Vies et Hôpital Central; - Gregory Itzin, vu dans l'Ep. de la série 1.15 de la série Le Caméléon (V.O. : The Pretender), puis dans la série 24 heures chrono et Mentalist ; ...
De nombreux lieux de tournage et de participations exceptionnelles sont similaires avec la série Le Caméléon (V.O. : The Pretender) .
Ep. 3.19
Ep. 4.10 : > avec Max Martini, qui croisera Jeffrey Donovan dans l'Ep. 2.07 de la série Burn Notice; et qui participe également à l'incursion 4.10 de la série Le Caméléon (V.O. : The Pretender)
En 2020, Claire Cornillon, Maîtresse de Conférence à l’Université de Nïmes, a donné une conférence virtuelle “Héros et héroïnes de la Trilogie du samedi “ au GeekFest avec cette série au sommaire.
source : imdb
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PO THINGS
Opening this weekend:
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Kung Fu Panda 4--The titular mammal, Po, has been promoted from "Dragon Warrior" to the more exalted status of Spiritual Leader, and is expected to find and train a replacement for his former position. But he'd rather not; he'd like to just keep having butt-kicking adventures on his own.
This entry, set again in a fairy-tale Chinese past inhabited by talking animals, has Po capturing Zhen, a light-footed cutpurse fox. The "Furious Five" of the earlier films is away on assignment, so the imprisoned Zhen talks Po into letting her serve as a guide on a quest to the distant lair of a villainous shape-shifting lizard, The Chameleon. See where this is headed?
This Dreamworks series has been at the less exhausting, more rewarding end of the CGI animated family flick spectrum starting with the original, back in 2008, and continuing with the first two sequels. It's hard to say if it will be sustainable from now on, but this fourth film, at least, keeps the streak going. The story deals in the usual kid-movie platitudes, but the lighting-fast yet precise slapstick sequences are exciting, and rise at times to laugh-out-loud funny even for adults.  
The voice cast in this film, as in the earlier films, is unusually strong too. Jack Black is exuberant as ever as Po, and is joined again by Dustin Hoffman as the red panda master Shifu, Bryan Cranston as Po's biological father and the great James Hong as Po's adoptive father (a goose, you'll recall). Ian McShane returns from the first film as a sinister snow leopard. New cast members include Ke Huy Quan as a pangolin bandit, and the mighty and menacing Viola Davis as The Chameleon. But the showcase new role is Awkwafina as Zhen; she fits the series like a glove.
In another pretty good touch: Tenacious D rousingly covers "Hit Me Baby One More Time" over the credits.
Opening today at Harkins Shea 14:
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Pitch People--Back in the late '60s I was fascinated by the Veg-o-Matic, the infamous manual vegetable chopper sold on TV by Ronco; it's one of my earliest consumerist memories. After numerous appeals to my poor Mom, she wearily ordered one, and we quickly learned that it did not significantly improve the efficiency of her kitchen. Decades later my kid, around the age of eight, insisted on ordering a Snackeez, a drinking cup with a compartment for snacks at the top likewise peddled on TV. The speed with which she lost interest in it was ineffably heart-tugging to me; I could hear "The Circle of Life" playing in my head.
This documentary, directed by Stanley Jacobs, is about the people who have sold products of all kinds, with kitchen gadgets a special favorite, by "pitching" them; demonstrating them with a performer's panache. The art goes back thousands of years, no doubt--it's described here as "the second oldest profession"--but this movie's focus is on the American and British practitioners who took it from boardwalks, notably Atlantic City, to state fairs to shopping malls to TV commercials and later, after Reagan-era deregulation, to "infomercials." 
It's a brisk, amusing, revealing chronicle. Strikingly, many of the veterans we meet here are related to each other, members of the Morris family, with connections to the Popeil family behind Ronco (the credits pointedly declare that "RON POPEIL WOULD NOT GRANT AN INTERVIEW FOR THIS FILM"). They gleefully dissect the strategies for separating audience members from their money, but they don't seem contemptuous of them, and we're told that they truly believe in their products. In any case, they show a certain guileless pride in their performing skills. It's as if the entertainment value of their pitches should offset any disappointment in what they're selling.
Along with Arnold and Lester Morris, talking heads here include Ed McMahon, an Atlantic City pitch veteran before his TV stardom, and Wally Nash, a Brit whose effortless old-school pitch of the "hand-hammered wok from the People's Republic of China" I watched countless times on late-TV in DC. Re-watching it on YouTube I was amazed at how much of I could still say along with him; I wanted to buy one every freakin' time I saw it. 
Inevitably the extended footage of performances makes up the strongest passages of Pitch People. It's also hilarious when we see behind-the-scenes footage of an infomercial rehearsal in which the presenters break several demo models of a slicer before realizing that they're using it wrong.
Alas, a number of the pitchers featured here have left us, as this movie was made in 1999. It saw play at festivals back then but was not picked up by a distributor, and actually had to be restored before it could get a proper release, a quarter of a century after it was completed. There's a delicious and stinging irony in the fact that this movie about selling failed, until now, to sell. Maybe it needed a better pitch.
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Barbas, the Demon of Fear, returns stealing Cole's powers and again battles the Charmed Ones using their darkest fears against them.
     5x07       Sympathy for the Demon
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takaraphoenix · 1 year
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Cole and Phoebe was my first ship. Tweenage me was so into Julian McMahon.
Same!! Like, it really was my first ship. Everything else was just... canon stuff that was going on. But this was the first time I got genuinely invested in a ship, in the sense of actively shipping it.
And Julian McMahon still sparks so much joy, when I see he is in something I will check it out. Childhood actor just got that going, at least for me. Seeing them makes me happy.
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zonetrente-trois · 4 months
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my-castles-crumbling · 4 months
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Falling asleep in the dorms... part 2
a prequel to the original
...
"James?"
"Yeah?"
"Marlene and I broke up today."
"Shit, Pads. That sucks."
"Nah. I'm not upset, really."
"Alright...brilliant, then."
...
"James?"
"Yeah, Pads?"
"I don't think I ever liked Marls like that. I think we're better off as good friends."
"As long as she doesn't steal you from me."
"Never."
...
"James?"
"What's up, Padfoot?"
"I don't...I don't know if I ever liked any girl like that."
"Well damn, a lot of girls are going to be disappointed, mate. Little Ella McMahon might just cry."
"Fuck off."
...
"James?"
"Yes, Pads?"
"Are you disappointed?"
"About what, Padfoot?"
"That I don't like girls? That I like..."
"Cats? Yes, very disappointed."
"Boys....Are you mad?"
"Padfoot, you can like whoever you want, as long as it's not Evans. The drama would kill us."
"Right."
...
"James?"
"Yes, Padfoot?"
"What if I like someone else that might cause...drama?"
"We all know you're in love with Minnie. But alas, your love shall never be."
"Dick."
...
"Erm...James?"
"Pads?"
"It's Moony."
"I know, Padfoot. You look at him like the sun shines out of his arse and you're currently sleeping in his jumper."
"I...yeah? That's...alright?"
"Yeah."
"Oh...right."
...
"James?"
"Go to sleep, Padfoot. We can moon over Moony tomorrow. Talk all about his lovely arse or whatever."
"Erm...Right. Thanks, Prongs."
...
"Sirius?"
"Fuck. Yes, Remus?"
"I think Moony likes you, too."
"Oh...that's good to know."
"Yeah?"
"Yeah."
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hope-ur-ok · 2 years
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reading about election candidates on this Sunday afternoon, and let me tell you that the republican candidates for governor and attorney general are so gross and bad
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msmoony7 · 4 months
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12 days of fics!!
Hi guys! I'm doing winter themed blurbs for the twelve days leading up to Christmas (December 14-25)!!! I’ll update these with the links to the fics once they’re posted. These are what and who I'm writing about! I’ll be doing some for inhaler and some for the marauders. all of them are fluff but the last one, which is nsfw.
Day 1: playing in the snow with james Day 2: NYC trip with ryan Day 3: baking cookies with sirius Day 4: gryffindor christmas party with remus Day 5: holiday decorating with bobby Day 6: mistletoe with james Day 7: snowboarding with josh Day 8: movie night with remus Day 9: decorating gingerbread houses with ryan Day 10: ice skating on the great lake with sirius Day 11: inhaler christmas show with eli Day 12: snowed in with james (nsfw)
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jamiemarsters · 1 year
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Pic of the Day: @realjamesmarsters & Pride lookin' like they never even *met* a villain... bts of @marvelsrunaways 2019 #JamesMarsters #MarvelsRunaways @julianmcmahonofficial #JulianMcMahon #brigidbrannagh @jamesyaegashi #JamesYaegashi @angelparkerla #AngelParker @theryansands #RyanSands @kevinweisman #KevinWeisman @anniewersching #AnnieWersching @officialevercarradine #EverCarradine @brittishibashi #BrittanyIshibashi https://www.instagram.com/p/Cn2_VbCg2Bd/?igshid=NGJjMDIxMWI=
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rival-sons-fans · 2 years
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This milestone episode features a conversation with one Jay Buchanan, the voice of Rival Sons and a lovely, deep, soulful dude to boot. In case you don’t know, Rival Sons are back in the UK any day now, to celebrate a decade of their 2011 album Pressure & Time, and so much of this conversation concerns Jay’s memory of the making of said record. We talk about the band signing to Earache Records – an alarming decision at the time, and yet one which makes a lot more sense with hindsight. Touring with Judas Priest. The art of Storm Thorgerson. And then, out of nowhere, Jay lays down some cosmic truths, which is very much the sort of thing I’m into. Apologies for the excessive whittering about the ongoing drama about who did or who didn’t eat curry and drink beer during the UK’s 2020 lockdown. The conversation takes a while to hit it’s stride. But we get there, so hang on in.
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It's wedding time again in the Halliwell household, which can only mean one thing...trouble.
          4x15        Mary-Go-Round
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silent-kit · 2 years
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“Johnsburg, Illinois* / Birds and Balloons / Break My Hands (Live Performance in Studio / Medley)”
Unearthed this live 2009 studio medley from the Silent Kit coffin. Starts with a take on Tom Waits’ beautiful song, “Johnsburg, Illinois”, from the 1983 album, “Swordfishtrombones,” and ends with two of my original songs—”Birds and Balloons,” and “Break My Hands”—which morphed into an unexpected medley on the spot. 
Thanks to the boys (credits, scroll down) for being pros and unknowingly following me wherever those elementary major chords took us. Always liked how this turned out because there was no heads up, no practice, and I didn’t know which songs to play until engineer, Mark Gustafson, wondered if it was okay to start recording.
Major props to all who caught the moment; and I ask, where did the last 13 years go?
This particular live performance of one of my favorite Waits songs had zero preparation. Hell, I made up the arrangement on the spot with a few G/C/D chords. The guys helped me out with showing up to the recording in late 2009 for the now-defunct but successful SockMonkeySound Podcast production. 
They were years ahead of the podcasting trend—grassroots DIY, all passion, sweat equity and a genuine joy of music and culture combined with taking a shit on our hometown, Rockford, Illinois, but at the same time, giving the midwest arts and music community the props it deserved that regional wouldn’t (because this entire region is marketed by conservative hillbilly-targeted media amateurs with no respect for most of us working artists)—but the lack of support in our region to generate revenue support to keep it going combined with youthful distractions and career goals put an early end to the show after 200+ episodes.
Major props to all who caught the moment, and I ask, where did the last 13 years go?Note that this is the first and last time I’ve played live with anyone in any setting. Not sure I could do it again without making an ass out of myself with regards to not knowing the names of chords I’m playing on the guitar or piano, the arrangements and rhythm changes are a foreign language, and the technical aspects that go into capturing a song in the right moment and light is a wonder to me. I know when a song is good or not, no matter how it’s recorded and with any given device.  There’s so much more to it all that makes collaboration key— I envy the incredible magic-making musical skills that audio producers, engineers, mixers, mastering pros—all of you—do to provide our lives a soundtrack to discover and enjoy.  It’s magical, take a bow. 
Anyway, thank you to all who made this memory.  Still grateful that anyone gave a shit to capture a past life where I was clearly producing creative work across all media at a focused and chaotic pace that I’ll never enjoy the energy of happening again.  That’s youth and ambition for ya, or foolishness. Okay, time to go tell myself to fuck off again.
Have a nice day on the internet,
Dave is Andy is Lord Derby / Silent Kit
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CREDITS
"Johnsburg, Illinois*/Birds and Balloons/Break My Hands (Medley)" Performed by Silent Kit Live @ SockMonkeySound November 19, 2009
SILENT KIT IS and NEVER WAS: Dave DeCastris, Vocals and Acoustic Guitar Daniel James McMahon,Accordion and Drums Mark Muraski, Lead Guitar Zach Staas, Hammond B3 Organ
Audio Recording by Mark Gustafson
Video Recording by Chip Copeland
Words and Music © 2009 Dave DeCastris (Silent Kit); *Except "Johnsburg, Illinois", Words © 1983 Tom Waits.
Notes:  The full-hour interview episode that accompanies these live, in-studio performances is available from SockMonkeySound and via their Podcast channel in the Apple Music Store. Click below for the direct links. 
EPISODES UNAVAILABLE TO STREAM, but that can change at any moment if one of the four podcast production founders hands the audio archive over to make it available again through a new distribution channel / host provider to resubmit the RSS feeds to Apple and many podcast app platforms etc.
Stream Silent Kit on SoundCloud
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Choose the FREE signup option at haveanicedayontheinternet.com and I’ll gift you the paid subscription within 24 hours.  Easy, no catch!
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