#james remar

[k-i-l-l-e-r-b-e-e-6-9]

The Warriors (1979) directed by Walter Hill. 

#The Warriors (1979) #70's #1979 #The Warriors is a 1979 American action thriller film #Lizzies #Michael Beck #Swan #James Remar #AJAX #Deborah Gaye Van Valkenburgh #Mercy #David Patrick Kelly #David Harris #David Harris as Cochise #Tom McKitterick as Cowboy

[leavingubehind]

Bonus:

CHENFORD CANON PROJECT ↳ [1/1] favorite tim scene

#I don't know why but I just really love that scene #Tim is just so vulnerable and broken #eric's acting is always good but that scene #damn #he broke my heart #it gives me chills everytime I watch it #so yeah i guess that's why i chose this one #canon chenford project #tim bradford #tom bradford #lucy chen #chenford #tim x lucy #eric winter #melissa o'neil #James Remar #the rookie #abc the rookie #my stuff #mine #chenford edit #my gifs

[theactioneer]

48 Hrs. Japanese poster (Walter Hill, 1982)

#nick nolte #eddie murphy #james remar #sonny landham #48 hours #walter hill #80s #chirashi #japan

[brokehorrorfan]

The Warriors will be released on 4K Ultra HD and Blu-ray on December 12 via Arrow Video. Laurie Greasley designed the new cover art for the 1979 action thriller; the original poster is on the reverse side.

Walter Hill (48 Hrs., Deadwood) directs from a script he co-wrote with David Shaber (Nighthawks), based on Sol Yurick's 1965 novel. Michael Beck, James Remar, Deborah Van Valkenburgh, Marcelino Sánchez, and David Harris lead the ensemble cast.

The limited edition set comes with a 100-page book featuring new writing by film critic Dennis Cozzalio plus archival material, a double-sided poster, six art carts, and gang logo stickers.

Both the theatrical cut and the 2005 alternate version have been newly restored in 4K from the original camera negative, approved by Hill, with Dolby Vision. The theatrical cut is presented in its original 1.85:1 with original uncompressed mono, stereo 2.0, and Dolby Atmos audio. The alternate cut has stereo 2.0 and DTS-HD MA 5.1 audio.

Special features for the two-disc set are listed below, where you can also see more of the packaging and contents.

Disc 1 - Theatrical Cut:

Audio commentary by A Walter Hill Film author Walter Chaw (new)

Isolated score option

Interview with director Walter Hill (new)

Roundtable discussion on The Warriors with filmmakers Josh Olson (A History of Violence), Lexi Alexander (Green Street), and Robert D. Krzykowski (The Man Who Killed Hitler and then Bigfoot) (new)

Interview with editor Billy Weber (new)

Interview with costume designer Bobbie Mannix (new)

Costume designs and photographs from the archive of designer Bobbie Mannix (new)

Sound of the Streets - An appreciation on Barry De Vorzon's The Warriors score by film historian Neil Brand (new)

Filming location tour (new)

The Beginning - Making-of featurette with director Walter Hill, producer Lawrence Gordon, actor James Remar, and editor David Holden

Battleground - Featurette on shooting in New York City with director Walter Hill and assistant director David O. Sosna

The Way Home - Featurette on the look of the film with director of photography Andrew Laszlo

The Phenomenon - Featurette on the film's legacy with director Walter Hill and cast members

Theatrical trailer

Image gallery

Disc 2 - Alternate Version:

Introduction by director Walter Hill

Also included:

100-page book with new writing by film critic Dennis Cozzalio plus archival material

Double-sided fold-out poster with original and new art

6 postcard-sized art cards

Gang logo stickers

In New York the gangs outnumber the cops by 5-1. Together, they could rule the city. Gang-leader Cyrus has a dream to do just that and calls a summit. The gangs of New York gather in their thousands, Cyrus takes the stage. From somewhere in the crowd a shot rings out and Cyrus falls down dead. In the chaos that follows, a small gang from Coney Island – the Warriors – are blamed. Now everyone is out to get them. On foot, in enemy territory, can they make it through the night to get back across the city to the safety of home turf?

Pre-order The Warriors.

#the warriors #walter hill #james remar #michael beck #david harris #70s movies #1970s movies #exploitation #arrow video #dvd #gift #laurie greasley #sol yurick

[pierppasolini]

Miami Vice - 2.06 - Buddies

#Don Johnson #Philip Michael Thomas #James Remar #Miami Vice #my caps #my edits #*miamivice

[alien-theory]

Michael Biehn and the Aliens cast discusses his replacing James Remar as Hicks: Calgary Comic Expo “Aliens Exposed” Panel - 2014

#aliens 1986 #michael biehn #james remar #bill paxton #james cameron

[tfc2211]

Play Movie ▶ DRUGSTORE COWBOY (1989) 

#Drugstore Cowboy #Feature Film #Matt Dillon #Kelly Lynch #James Remar #Heather Graham #Gus Van Sant #James Le Gros #William S. Burroughs

[likeafantasy]

DEXTER REWATCH — 3.12 DO YOU TAKE DEXTER MORGAN? All my previous attempts at human connection have ended in, well, death. And now I have a partner for life, how did that happen? Am I drawn to the safety of belonging or being part of something bigger than me? Either way, I'm a married man, soon to be a father. But what do I have to offer a child? Just me. Demented daddy Dexter. Maybe I'm making the biggest mistake of my life, but who's perfect? Certainly not me. Certainly not Harry. Sure, I'm still who I was, who I am. Question is, what do I become? There's so many blanks left to fill in. But right now, at this moment, I'm content. Maybe even happy. I have to admit when all is said and done, life is good.

#dexter #dexteredit #dexter morgan #rita bennett #miguel prado #harry morgan #michael c hall #jimmy smits #julie benz #james remar #tvgifs #dexterrewatch

[chazz-is-a-zelda-fan]

semirealism practice with ajax from last night because i thought about the warriors too hard again

#the warriors 1979 #the warriors movie #the warriors #ajax #james remar #art by mech

[erstwhile-punk-guerito]

#Drugstore Cowboy #Matt Dillon #Kelly Lynch #James Remar #James LeGros #Heather Graham #William Burroughs #Gus Van Sant #1989

[denimbex1986]

'The behind-the-scenes details of Oppenheimer’s production demonstrate the craftsmanship and commitment that went into making the film a success. Christopher Nolan’s three-hour biopic of the father of the nuclear bomb J. Robert Oppenheimer has proven a hit with critics and audiences. The film has earned over $240 million at the box office and currently sits at 93% on Rotten Tomatoes. Reviews demonstrate a widespread appreciation for the movie’s numerous winning aspects, including its thoughtful script, powerhouse cast, and stunning visuals.

As one of the biggest directors working today, Christopher Nolan boasts a thoughtful vision, as well as the resources to pull it off. As such, the story of Oppenheimer’s production is a rich one. The ways in which Nolan chooses to challenge the conventions and standards of filmmaking demonstrate the director’s ambition and skill. However, the film also benefits from the keen insights and creative generosity of the director’s collaborators. Much like the film itself, Oppenheimer’s production paints the picture of a unique and staggering work brought to life by a creative visionary and his diligent team.

10. Oppenheimer's Atomic Bomb Explosion Was Done Practically

The defining moment of Oppenheimer is the successful detonation of the atomic bomb at the Trinity test. For Christopher Nolan, it was important that the Oppenheimer explosion was captured without CGI so that it could be “beautiful and terrifying in equal measure.” For Nolan, this effect can’t be achieved with CGI, something which “inherently is quite comfortable to look at.” Instead, the director chose to detonate a smaller real bomb, using a mixture that involved gasoline, petroleum, aluminum powder, and magnesium flares to produce the blinding light, plumes of fire, and mushrooming effect typical of an atomic bomb. Nolan used forced perspective to give the detonation a sense of scale.

9. Oppenheimer Features No CGI Shots

Oppenheimer’s dramatic explosion isn’t the only surprising use of practical effects. Christopher Nolan even made headlines in the lead-up to the film’s release by remarking that there are “No CGI shots in Oppenheimer”. However, this doesn’t mean that the film employs no CGI at all. Rather, not a single shot in the biopic is made up entirely of CGI. This is no mean feat, since some of the images, particularly the visualizations of atomic particles, would be far easier to render as fully CG creations. In the production of the film, these visualizations were created through a blend of VFX and practical filmmaking that gives the moments real, tangible weight.

8. Cillian Murphy's Oppenheimer Look Was Inspired By David Bowie

Cillian Murphy strikes a vivid figure in Oppenheimer. It’s hard to express exactly what sets Oppenheimer’s look apart from the dozens of other suit-wearing physicists in the movie, but there’s certainly an ephemeral quality to the look that makes it feel distinct. Christopher Nolan used David Bowie as an influence for the scientist’s appearance. According to Murphy (via Vulture), the director would send him photos of the rock star in the 1970s, “when he was so skinny and kind of emaciated but had these wonderfully tailored suits with the trousers, that was the Oppenheimer silhouette.”

7. RDJ, Emily Blunt, & Matt Damon Took Pay Cuts To Be In Oppenheimer

Oppenheimer boasts a shockingly stacked cast, from top-tier character actors to screen veterans and even current A-listers in supporting roles. While the movie’s budget of $100 million is high for a dramatic biopic, it wouldn’t be sufficient to pay the usual salaries of some of its biggest stars. Matt Damon, Emily Blunt, and Robert Downey Jr. are all big box office draws who could easily demand $10-20 million for a film appearance. However, Variety reports that an eagerness to work with Christopher Nolan encouraged the stars to drop their quote dramatically, although the stars all have deals for a share of the film’s backend profits.

6. Oppenheimer Required The Invention Of A New Kind Of Film Stock

One of the trademarks of the latter part of Christopher Nolan’s career has been the director’s employment of IMAX technology. The director meets the scale of his work by suiting its presentation to the largest screen possible. This commitment created a challenge with the black-and-white sequences of Oppenheimer since black-and-white IMAX film stock did not exist when Nolan began developing the film. Instead of compromising on his use of IMAX or the use of grayscale sequences in the film, Nolan had film stock manufacturer Kodak develop the first-ever black-and-white film stock for IMAX (via Collider).

5. Oppenheimer Is (Almost) Too Big For IMAX

Black-and-white stock isn’t the only new IMAX ground Christopher Nolan broke with Oppenheimer. Around the time of the film’s release, Nolan treated the internet to a look at the IMAX film print for Oppenheimer, which is the biggest ever. The reel is over 11 miles long and weighs over 600 lbs. The director is no stranger to pushing the limits of IMAX projectors; his previous IMAX epic Interstellar required a widening of the standard projector platter to accommodate the size of the 167-minute film. However, Nolan reports (via Collider) that the projector is now at its absolute limit with Oppenheimer since the projector’s arm can’t physically bear any more weight.

4. Oppenheimer's Kyoto Bombing Line Was Unscripted

For many viewers, one of the most harrowing moments in Oppenheimer isn’t a dramatic visual, but an offhanded comment made by a minor character. In the scene where US Secretary of War Stimson (James Remar) discusses which Japanese cities should be targets for the atomic bomb, he crosses Kyoto off the list, remarking that he and his wife honeymooned there. It’s a chilling moment based on actual history that powerfully skewers the calculating remoteness of those involved with the bombing. According to Nolan, the devastating Oppenheimer line was suggested by Remar himself, who had learned the fact while conducting his own research into the character.

3. Robert Pattinson Inspired Oppenheimer

Christopher Nolan credits Robert Pattinson, star of his previous blockbuster Tenet, with igniting his interest in the life of J. Robert Oppenheimer. According to CBR, Pattinson gifted Nolan with a book of Oppenheimer’s speeches towards the end of production on Tenet. Nolan became fascinated with the character of Oppenheimer and began to envisage a film that would tell the story. Unfortunately, Nolan wasn’t able to fit Pattinson into Oppenheimer, explaining (via Digital Spy) that the actor is “very much in demand these days”.

2. Most Of Oppenheimer’s Script Is Written In The First Person

Christopher Nolan has long held a reputation as a director who defies conventions, from the backward chronology of Memento to the alternating timeframes of Dunkirk. The director recently revealed to THR that he broke a major screenwriting convention with his Oppenheimer script, by writing large portions in the first person. Nolan explains that, in order to help differentiate the script’s timelines, everything in the film which takes place from Oppenheimer’s own perspective is told in the first person. In the film, this distinction is shown through color grading, with everything outside of Oppenheimer’s perspective shown in stark black-and-white.

1. Cillian Murphy Nearly Played Oppenheimer In A TV Show

Cillian Murphy has rightly seen a deluge of critical praise for his performance in Oppenheimer. Not only does the actor bear a physical resemblance to the real figure, he brings a riveting sense of alienated pathos to the role that effortlessly maintains audience engagement. However, this isn’t the first time Cillian Murphy was considered to play Oppenheimer. In 2014, the series Manhattan, another dramatization of the creation of the atomic bomb, featured the nuclear scientist as a secondary character. According to the series’ creator, Sam Shaw “We wanted Oppenheimer […] to feel alien, or other, in some ways. A thousand percent, Cillian Murphy was on that list.”'

#Cillian Murphy #Christopher Nolan #IMAX #Matt Damon #Emily Blunt #Tenet #Robert Pattinson #Manhattan #Memento #Dunkirk #James Remar #Robert Downey Jr. #David Bowie #Trinity Test #Rotten Tomatoes

[itsmyfriendisaac]

Mortal Kombat Annihilation: the remaining defenders of Earthrealm are challenged directly by Emperor Shao Kahn & his generals. In terms of abysmally bad video game adaptations, this sequel remains a guilty pleasure for the stylized fight scenes!

#scenes #1990s #mortal kombat #robin shou #versus #talisa soto #james remar #irina pantaeva #ladies #mortal kombat annihilation #poc #squad #villains

[rembrandts-spraypaint]

Fun fact!

It was said by James Remar in an interview that part of his costume for Ajax was a black leotard he had, pretty much means that Ajax canonically wears leotards. There isnt really anything I wanted to add to that I honestly just find it interesting the kinda stuff we learn from interviews lol [i'll link it in the comments]

#the warriors 1979 #the warriors movie #ajax (the warriors) #the warriors #the warriors (movie) #the warriors (game) #james remar #rembrandt (the warriors) #cochise (the warriors) #cleon (the warriors) #cowboy (the warriors) #fox (the warriors) #mercy (the warriors) #snow (the warriors) #swan (the warriors) #vermin (the warriors) #70s movies #interview #special interest

[clemsfilmdiary]

Tales from the Darkside: The Movie (1990, John Harrison)

12/4/22

#Tales from the Darkside #Debbie Harry #Christian Slater #Steve Buscemi #Julianne Moore #James Remar #Rae Dawn Chong #David Johansen #William Hickey #Alice Drummond #Robert Sedgwick #Mark Margolis #90s #horror #anthology #fantasy #comedy #mummies #egyptology #cats #revenge #gargoyles #witches #children #storytelling #artists #supernatural #Stephen King #Arthur Conan Doyle

[brokehorrorfan]

Bottleneck Gallery has released The Warriors 36x24 giclee prints by Andrew Rowland. The standard edition is limited to 100 for $50, while the black-and-white variant (below) is limited to 50 for $60.

#the warriors #walter hill #70s movies #1970s movies #michael beck #bottleneck gallery #andrew rowland #art #gift #james remar #deborah van valkenburgh #david harris #action movies #action film #cult classic

[2ndaryprotocol]

The sublimely schlocky sequel ‘Mortal Kombat: Annihilation’ stormed theaters this week 25 years ago. 🏯⚡️👊🏼

“𝚃𝚑𝚎 𝙴𝚊𝚛𝚝𝚑 𝚠𝚊𝚜 𝚌𝚛𝚎𝚊𝚝𝚎𝚍 𝚒𝚗 𝚜𝚒𝚡 𝚍𝚊𝚢𝚜; 𝚜𝚘 𝚝𝚘𝚘 𝚜𝚑𝚊𝚕𝚕 𝚒𝚝 𝚋𝚎 𝚍𝚎𝚜𝚝𝚛𝚘𝚢𝚎𝚍; 𝚊𝚗𝚍 𝚘𝚗 𝚝𝚑𝚎 𝚜𝚎𝚟𝚎𝚗𝚝𝚑 𝚍𝚊𝚢, 𝚖𝚊𝚗𝚔𝚒𝚗𝚍 𝚠𝚒𝚕𝚕 𝚛𝚎𝚜𝚝... 𝚒𝚗 𝚙𝚎𝚊𝚌𝚎!”

#mortal kombat #talisa soto #robin shou #james remar #brian thompson #sequel #1997 #otd #movies #liu kang #sonya blade #johnny cage #finish him #mortal kombat annihilation