#james tenney

[sivavakkiyar]

James Tenney

#james tenney

[ozkar-krapo]

V/A

"Tellus #14 : Just Intonation"

(cassette. Tellus. 1986) [US]

#compilation #1986 #cassette #usa #experimental #contemporary #avant garde #harry partch #David Hykes #Lou Harrison #Jon Catler #John Bischoff #League Of Automatic Music Composers #Ben Johnston #Erling Wold #James Tenney #Larry Polansky #Alexis Alrich #Youtube

[dustedmagazine]

Carl Stone — Electronic Music from 1972-2022 (Unseen Worlds)

Electronic Music from 1972-2022 by Carl Stone

Unseen Worlds brings us their third installment of Carl Stone archival releases. Following "Electronic Music from the Seventies and Eighties" and "Electronic Music from the Eighties and Nineties," "Electronic Music from 1972-2022" makes a stab at filling in some of the gaps from Stone's sizable list of works. Presumably by the time this review gets published Stone will have added another release to his vast discography from the last 50 years.

"Electronic Music from 1972-2022" offers an until now unheard documentation of Stone's very earliest work in the two compositions "Three Confusongs" and "Ryouund Thygizunz," both realized in 1972 at CalArts, where Stone was studying with the composers Morton Subotnick and James Tenney. The voice of Carl's old friend and band mate, the late Z'ev (at this time still known as Stefan Weisser) was used on both these pieces. In stark contrast to the other tracks on this compilation, "Three Confusongs" and "Ryouund Thygizunz" develop slowly with heavy use of delays and resonance. Yet similarly to Stone's later works' extensive use of sampling, recordings of the voice of Z'ev reading his concrete poems provide the basic working material that launches in motion these haunting and mysterious pieces.

It was also while studying at CalArts that Stone's sampling practice found its future direction. Working as an archivist in the school's library, Stone got saddled with the job of transferring thousands of vinyl records to tape. This saturated Stone's ears with a vast and seemingly incongruous selection of music that included classical repertoire, electronic composition, world music and jazz, just to name a few. Stone had to transfer multiple discs at the same time, thus creating incorrigibly random collisions from this wealth of archival material. Through this process Stone began to see the juxtaposition and repetition of musical soundbytes as the modus operandi for his compositional practice.

Working in a vein with much in common to the use of sampling in hip hop, Stone has never shied away from plumbing the depths of popular music in a fearless and unabashed disregard for any notions of what might be regarded as good taste. It is perhaps this attitude, as much as the actual samples themselves, that imbues much of Stone's work with a heavy dose of humor and playful confrontation. The composition "Vim"  from 1987 provides a good case in point, with samples from The Beach Boys' "Fun Fun Fun" being looped and chopped nearly beyond all recognition while still creating this nagging feeling of "Where have I heard this before?" Only towards the very end of the piece does it become apparent what one has just been subjected to in the form of this insidious earworm.

Stone's work can also be eminently danceable, often employing samples of drums and percussion in a process of accretion that can lead to dizzying heights of tension and release, not far in essence from Derrick May's work, such as the seminal "Strings of Life" from1987. Stone adds to this his experience from the trippy sixties, notching up the density and movement of his compositions till they take on a distinctly psychedelic feel. One can imagine whirling dervishes, The Master Musicians of Joujouka or your favorite neighborhood rave where ecstasy meets a discombobulated vortex of looping samples and very grooving beats.

Parallel to a summary of Stone's work during this fifty years, "Electronic Music from 1972-2022" also gives an overview of the development in electronic music technology which, as much as any conceptual preoccupations, often seems to have provided the impetus for much of the development in Stone's compositions. From working with Buchla synthesizers at CalArts to early samplers and Apple computers, each advancement in all this musical hard- and software has enabled Stone to dig deeper into his proclivity for iteration and sonic disorientation.

Track eight, the 2007 piece "L'os a Moelle," is a good example of this. Developed during a residency at the Groupe de Recherches Musicales studios in Paris, Stone devised a way of injecting new musical material into the shell of another piece of music. In the case of "L'os a Moelle,"  this involves using a brazenly strutting sixties rock riff as the shell and injecting a cavalcade of disparate and confusing samples, all following the tonal and rhythmic form of the original riff, which by the end of the piece has become completely subsumed by the injection of sampled material. If this description sounds confusing, then wait until you hear the track.

Three pieces from 2022 close out this compilation and in a way encapsulate all the ideas and techniques from the preceding tracks. For long-standing fans or listeners just discovering Stone's work, "Electronic Music from 1972-2022"  will provide a fascinating look back over this composer's output from the last 50 years, straddling that fine line between rigorous experimentation and hilarious irreverence.

Jason Kahn

#carl stone #electronic music from 1972 to 2022 #unseen worlds #jason kahn #albumreview #dusted magazine #electronic music #sampling #Morton Subotnick #James Tenney

[takeyourlithium]

(via Experimental music notation resources - Process - lines)

#James Tenney #music notation #experimental #music #classical music #aesthetic #art

[hatsunomio]

23年コンサート#36

3月24日　上野の森美術館

ギター　山田岳、土橋庸人
電子音響　有馬純寿
アコーディオン　太田智美

ジェイムス・テニー（1934-2006）七重奏曲
マウロ・ヘルティヒ（1989-）ピン・ポル
ハヤ・チェルノヴィン（1957-）風変わりな騎士
シュテファン・バイヤー（1981-）顧客のほとんどは戻ってくる
キャシー・ファン・エック（1979-）ソング No.3
ベン・ワイリー（1992-）An inequality: wind flower
スティーヴ・ライヒ（1936-）エレクトリック・カウンターポイント

「現代美術と音楽が出会うとき」シリーズの演奏会。1930年代生まれのテニーとライヒの曲を始めと終わりに、間には若い世代の作曲家の曲メイン。また、各曲間には出演者の即興演奏が挿入された。

休憩後に演奏された（演じられた）キャシー・ファン・エックの「ソング No.3」が怪作でインパクト大。山田岳氏が画用紙に丸い穴を開けてそこにスピーカーを取り付けた半仮面をつけ、マイクを持って歌にならない歌のパフォーマンス。スピーカーから出た音をマイクが拾って循環する？。ワタクシ、思わず呼応して立ち上がりそうになってしまいましたよ。山田さんは昨年にもこの曲を演じているらしい。そのときはどんな様子だったのだろう。

今回取り上げられた作曲家の中で最も若いベン・ワイリーの「An inequality: wind flower」は微分音のステレオ効果に、一人風の強い草原に立っているような感覚になり、トリップしかけるが、その長大さのために正気に戻る不思議な曲。

締めのライヒの前の山田岳・有馬純寿両氏による即興演奏がチョーカッコいい。そしてライヒ「エレクトリック・カウンターポイント」の電子音なのにその響きの豊穣なこと！。

#james tenney #mauro hertig #chaya czernowin #stefan beyer #cathy van eck #ben wylie #steve reich

[pierppasolini]

Night of the Demons (1988) // dir. Kevin S. Tenney

#James W. Quinn #Clark Jarrett #Linnea Quigley #Night of the Demons #Kevin S. Tenney #my caps #my edits #*nightofthedemons

[rolledspinepodcasts]

Terminator NOW-ØØ1:

(1984-1988)

#tony akins #Thomas Tenney #James Cameron #Jim Cameron #comic book art #comic books #now comics #arnold schwarzenegger #lance henriksen #The Terminator (1984) #the terminator #Terminator NOW #Terminator Podcast

[faerie-hideaway]

U.S. users email your representatives this, and make sure to include your zip code:

I am your constituent. I am strongly in favor of defunding Israel. I want my opinion logged on every single one of these pieces of legislation. It is an atrocity that the USA is sending our taxpayer dollars, weaponry, and other support to Israel in order to aid in the genocide of the Palestinian people. It does not reflect the will of your constituents, and I demand that you correct this by voting for/against the following bills, resolutions, and legislation.

To be frank, I will be basing my vote for you in upcoming elections on this issue. I will be watching closely to see how you vote on issues regarding funding to Israel. I will not vote for you in the next election if you vote to send any money, support, or weaponry to Israel. I will be voting for you if you vote to block money, support, and weaponry to Israel.

This is the current legislation I am for, and the current legislation I am against. I would like your office to record my opinion for each bill, and I would like you to take this into consideration when you vote.

I am FOR the following, and expect you to vote for this and co-sponsor, either now or when matching legislation reaches your office.

H.Res. 786: by Rep. Cori Bush

H.Res. 388 by Rep. Rashida Tlaib

H.R. 3103 by Rep. Betty McCollum

I am against Joe Biden’s proposal to spend billions of dollars on Israel via a package for Israel, Ukraine, Taiwan, and the US border. Biden is asking for $100 BILLION for this package and it is only 1 YEAR'S worth of funding. This is ABSOLUTELY unacceptable, and I am against you voting for ANY bill that spends even $1 on Israel. I do not care what else is in the bill. If it gives money to Israel, I am against it.

I am AGAINST the following, and expect you to vote against this and not co-sponsor, either now or when matching legislation reaches your office.

S. 3083 by Sen. Bill Hagerty [R-TN]

S.Res. 417 by Sen. Charles “Chuck” Schumer [D-NY]

H.Res. 797 by Rep. Cory Mills [R-FL7]

S. 3081 by Sen. Steve Daines [R-MT]

H.Res. 796 by Rep. Ernest “Tony” Gonzales [R-TX23]

S.Res. 413 by Sen. Marco Rubio

H.R. 552 by Rep. Lance Gooden

H.R. 5959 by Thomas Tiffany

S. 3081 by Sen. Steve Daines

H.Res. 789 by Rep. Jefferson Van Drew

H.Res. 771 by Rep. Michael McCaul

H.R. 5932 by Rep. David Schweikert

H.Res. 768 by Rep. Michael McCaul

H.Res. 770 by Rep. Zachary (Zach) Nunn

H.Res. 701 by Rep. Bradley “Brad” Schneider

H.Con.Res. 61 by Rep. Janice “Jan” Schakowsky

S. 2587 by Sen. Jon Tester

H.Res. 606 by Rep. Andrew Ogles

S. 2413 by Sen. Robert “Bob” Menendez

S. 2438 by Sen. Christopher Coons

H.R. 4709 by Rep. Josh Gottheimer

S.Con.Res. 14: by Sen. Tom Cotton

H.Con.Res. 57 by Rep. August Pfluger

H.R. 4665 by Rep. Mario Diaz-Balart

S. 2265 by Sen. Dan Sullivan

S. 2226 by Sen. John F. “Jack” Reed

H.Res. 581 by Rep. Gregory Steube

S. 2240 by Sen. Christopher Coons

H.R. 4564 by Rep. Claudia Tenney

H.R. 4365 by Rep. Ken Calvert

H.R. 4076 by Rep. Chris Pappas

H.R. 3932 by Rep. Michael Turner

H.R. 3907 by Rep. Lois Frankel

S. 1802 by Sen. Gary Peters

H.R. 3792 by Rep. Joe Wilson

S. 1777 by Sen. Jacky Rosen

H.R. 3393 by Rep. Carlos Gimenez

H.Res. 409 by Rep. Carlos Gimenez

S. 1637 by Sen. Marco Rubio

H.R. 3266 by Rep. Brad Sherman

S. 1504 by Sen. Tom Cotton

H.R. 3099 by Rep. Michael Lawler

S.Res. 188 by Sen. Robert “Bob” Menendez

H.Res. 346 by Rep. Randy Weber

H.R. 2973 by Rep. Cathy Anne McMorris Rodgers

S. 1334: by Sen. Jacky Rosen

S. 1300 by Sen. Benjamin Cardin

H.Res. 311 by Rep. Ann Wagner

H.R. 2670 by Rep. Mike Rogers

H.R. 2531 by Rep. Bradley “Brad” Schneider

S. 1143 by Sen. Jerry Moran

H.R. 1777 by Rep. Joe Wilson

H.R. 1218 by Rep. August Pfluger

H.R. 1102 by Rep. Chip Roy

S. 510 by Sen. Tom Cotton

S. 489 by Sen. Rick Scott

S. 430 by Sen. James Risch

S. 431 by Sen. James Risch

H.R. 987 by Rep. Debbie Wasserman Schultz

H.Res. 92 by Rep. Josh Gottheimer

H.Res. 76 by Rep. Max Miller

H.R. 687 by Rep. Gregory Steube

H.R. 211 by Rep. Gregory Steube

S. 224 by Sen. Tom Cotton

S. 189 by Sen. Marco Rubio

I am against any legislation that allows troops to deploy to the Middle East in support roles for Israel, as proposed by Defense Secretary Lloyd Austin.

I am against Netanyahu’s ground invasion of Gaza, which will inevitably lead to mass killings of Palestinian civilians and escalate violence. If there are any future bills supporting this, you need to vote against them and not co-sponsor.

The U.S. Constitution and the War Powers Act stipulate that only Congress can authorize the president to use military force in a foreign war, except in cases of self-defense. Previous administrations from both parties have ignored this, with unauthorized strikes in places like Syria and Libya. I want you to stand against ANY use of military force that supports Israel or hurts Palestine.

And of course, I am against the usual funding of $3.8 billion PER YEAR to Israel. This 10-year agreement began in 2016. I do not want a renewal in 2026, and in the next election, I will vote for representatives who WILL NOT VOTE TO FUND ISRAEL. I will be keeping track of how you vote now, and I will not vote for you if you decide to fund Israel in any way.

I am a single-issue voter for this. I want you to defund Israel. I do not want a single dollar spent on supporting Israel. I will be paying attention to how you vote in the upcoming weeks and months, and if you vote to fund or provide weapons, troops, or intelligence to Israel, I will NOT vote for you in the next election.

We are paying attention to the budget. We know when you're giving aid to a country committing genocide instead of helping your constituents in the USA. Both myself and tens of thousands of other constituents have spent years saying that we don’t want our hard-earned taxpayer dollars going to Israel. The lack of willingness to fund anything for American citizens, but the quickness with which you take action for Israel is telling. It is unacceptable.

As an elected official, you have the opportunity to listen to the public and stand against genocide. Israel is currently committing war crimes against Palestine. You can stop this by defunding Israel. THOUSANDS of Palestinian people have been killed, 1/3 of them children, in just a couple of days. One child every 15 minutes is being killed. YOU can prevent this by refusing to send additional weapons and funding to Israel.

We are currently spending BILLIONS of dollars EVERY YEAR on Israel. I do not want my money going towards the ethnic cleansing and genocide of Palestinians. Not a dollar more.

#free palestine #palestine #defund israel

[doomandgloomfromthetomb]

Sonic Youth (and Friends) - Bowery Ballroom, New York City, April 1, 1999

Sonic Youth started the 1990s attempting to break into the rock and roll mainstream. The band ended the decade trying to get as far away from it as possible. To wit, this April Fool's gig in NYC — a live preview of the Goodbye 20th Century collection on SYR that would be released later that year. Aside from Lee Ranaldo's solo (and quite lovely) rendition of "Wish Fulfillment," the two-plus-hour set doesn't include any Sonic Youth songs; instead, it's made up of abstract improvisational quests and daring interpretations of pieces by such minimalist composers as John Cage, Yoko Ono, Pauline Oliveros and more.

It's a friends and family affair, with collaborators like Leah Singer, Wharton Tiers, William Winant, Ikue Mori, Takehisa Kosugi and more showing up to lend a hand. Oh and then there's Jim O'Rourke, who's making his debut #SonicSummer appearance — he'll be onboard for the next few years. Hello, Jim!

This ain't easy listening, of course, but it's perhaps more playful than pretentious — after all, the Yoko piece is primarily just Kim Gordon shrieking. And there's plenty of raw beauty, too: the simple, surging swell of James Tenney's "Having Never Written A Note For Percussion" is an impressive feat of collective energy, the players moving as one through the spaceways. Most of all, SY and their pals seem to be enjoying getting into these strange and beguiling compositions, still searching for unknown vibrations.

Bandcamp | Merch | Concert Chronology

#sonic youth #sonicsummer #jim o'rourke

[deanwasalwaysbi]

23 Republican Senators & 124 Congressmen signed an amicus brief to the Supreme Court asking for a 50 state ban on mifepristone, a drug safer than tylenol that is standard treatment for abortion & miscarriages, "due to safety concerns". The brief DARES to argue that banning the life saving drug would save women from 'reproductive control'. (x) These 147 people would rather have women die of sepsis than let women control their own bodies. If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

United States Senate

Lead Senator: Cindy Hyde-Smith (MS) John Barrasso (WY) Mike Braun (IN) Katie Britt (AL) Ted Budd (NC) Bill Cassidy (LA) Kevin Cramer (ND) Mike Crapo (ID) Ted Cruz (TX) Steve Daines (MT) Josh Hawley (MO) John Hoeven (ND) James Lankford (OK) Mike Lee (UT) Cynthia Lummis (WY) Roger Marshall (KS) Markwayne Mullin (OK) James Risch (ID) Marco Rubio (FL) Rich Scott (FL) John Thune (SD) Tommy Tuberville (AL) Roger Wicker (MS)

United States House of Representatives

Lead Representative: August Pfluger (TX–11) Robert Aderholt (AL–04) Mark Alford (MO–04) Rick Allen (GA–12) Jodey Arrington (TX–19) Brian Babin (TX–36) Troy Balderson (OH–12) Jim Banks (IN–03) Aaron Bean (FL–04) Cliff Bentz (OR–02) Jack Bergman (MI–01) Andy Biggs (AZ–05) Gus Bilirakis (FL–12) Dan Bishop (NC–08) Lauren Boebert (CO–03) Mike Bost (IL–12) Josh Brecheen (OK–02) Ken Buck (CO–04) Tim Burchett (TN–02) Michael Burgess, M.D. (TX–26) Eric Burlison (MO–07) Kat Cammack (FL–03) Mike Carey (OH–15) Jerry Carl (AL–01) Earl L. “Buddy” Carter (GA–01) John Carter (TX–31) Ben Cline (VA–06) Michael Cloud (TX–27) Andrew Clyde (GA–09) Mike Collins (GA–10) Elijah Crane (AZ–02) Eric A. “Rick” Crawford (AR–01) John Curtis (UT–03) Warren Davidson (OH–08) Monica De La Cruz (TX–15) Jeff Duncan (SC–03) Jake Ellzey (TX–06) Ron Estes (KS–04) Mike Ezell (MS–04) Pat Fallon (TX–04) Randy Feenstra (IA–04) Brad Finstad (MN–01) Michelle Fischbach (MN–07) Scott Fitzgerald (WI–05) Mike Flood (NE–01) Virginia Foxx (NC–05) Scott Franklin (FL–18) Russell Fry (SC–07) Russ Fulcher (ID–01) Tony Gonzales (TX–23) Bob Good (VA–05) Paul Gosar (AZ–09) Garret Graves (LA–06) Mark Green (TN–07) Marjorie Taylor Greene (GA–14) H. Morgan Griffith (VA–09) Glenn Grothman (WI–06) Michael Guest (MS–03) Harriet Hageman (WY) Andy Harris, M.D. (MD–01) Diana Harshbarger (TN–01) Kevin Hern (OK–01) Clay Higgins (LA–03) Ashley Hinson (IA–02) Erin Houchin (IN–02) Richard Hudson (NC–09) Bill Huizenga (MI–04) Bill Johnson (OH–06) Mike Johnson (LA–04) Jim Jordan (OH–04) Mike Kelly (PA–16) Trent Kelly (MS–01) Doug LaMalfa (CA–01) Doug Lamborn (CO–05) Nicholas Langworthy (NY–23) Jake LaTurner (KS–02) Debbie Lesko (AZ–08) Barry Loudermilk (GA–11) Blaine Luetkemeyer (MO–03) Tracey Mann (KS–01) Lisa McClain (MI–09) Dr. Rich McCormick (GA–06) Patrick McHenry (NC–10) Carol Miller (WV–01) Mary Miller (IL–15) Max Miller (OH–07) Cory Mills (FL–07) John Moolenar (MI–02) Alex X. Mooney (WV–02) Barry Moore (AL–02) Blake Moore (UT–01) Gregory F. Murphy, M.D. (NC–03) Troy Nehls (TX–22) Ralph Norman (SC–05) Andy Ogles (TN–05) Gary Palmer (AL–06) Bill Posey (FL–08) Guy Reschenthaler (PA–14) Mike Rogers (AL–03) John Rose (TN–06) Matthew Rosendale, Sr. (MT–02) David Rouzer (NC–07) Steve Scalise (LA–01) Keith Self (TX–03) Pete Sessions (TX–17) Adrian Smith (NE–03) Christopher H. Smith (NJ–04) Lloyd Smucker (PA–11) Pete Stauber (MN–08) Elise Stefanik (NY–21) Dale Strong (AL–05) Claudia Tenney (NY–24) Glenn Thompson (PA–15) William Timmons, IV (SC–04) Beth Van Duyne (TX–24) Tim Walberg (MI–05) Michael Waltz (FL–05) Randy Weber, Sr. (TX–14) Daniel Webster (FL–11) Brad R. Wenstrup, D.P.M. (OH–02) Bruce Westerman (AR–04) Roger Williams (TX–25) Joe Wilson (SC–02) Rudy Yakym (IN–02)

If your representatives are on this list, call them and tell their office you will be voting against them in the next election because they asked SCOTUS to throw the US medical drug system into chaos at the cost of American lives.

Help to patients who have to cross state lines to get medical care by donating to your local abortion fund here. (x)

#scotus #abortionpill #state of the uterus #abortion rights are human rights #us politics #miscarriage #vote blue #nnaf #yellowhammer

[sivavakkiyar]

In instances where

The Music Of James Tenney, Robert Wannamaker

#James Tenney #Robert Wannamaker #the present day composer refuses to die etc

[brokehorrorfan]

Witchtrap will be released on Blu-ray and DVD on June 13 via MVD’s Rewind Collection. The 1989 horror film reversible artwork and comes with a mini poster and slipcover.

Kevin Tenney (Night of the Demons, Witchboard) writes and directs. James W. Quinn, Kathleen Bailey, Linnea Quigley, Judy Tatum, Rob Zapple, Hal Havins, Kevin Tenney, and J.P. Luebsen star.

Witchtrap is presented in high definition from a 2016 2K restoration from an interpositive. Special features - including the VHS version - are listed below.

Special features:

Magnum Entertainment VHS version (standard definition)

Audio commentary by director Kevin Tenney, producer Dan Duncan, cinematographer Tom Jewett, and actor Hal Havins

Interview with director Kevin Tenney

Interview with actress Linnea Quigley

Interview with cinematographer Tom Jewett

Interview with special effects supervisor Tassilo Baur

Original trailer

Photo gallery

Allow me to take you on a tour of Lauterhouse. In the attic, we have a secret sacrificial altar where the former owner, Avery Lauter (J. P. Luebsen) was found dead. His heart brutally cut from his body... his restless spirit rumored to still be wandering these halls. In the living room, we find a team of experts assembled here at the request of Avery's sole heir and nephew Devon Lauter (Kevin Tenney), along with the sexy Ms. Ginger Kowowski (Linnea Quigley), who have no inkling as to the dangers that are about to befall them as they attempt to trap the evil spectre.

Pre-order Witchtrap.

#witchtrap #linnea quigley #horror #80s horror #1980s horror #mvd #dvd #gift #kevin tenney #hal havins #80s movies #1980s movies #night of the demons #witchboard

[alexlacquemanne]

2023 in 12 movies (1 per months)

January

The Horse Whisperer (1998) directed by Robert Redford with Robert Redford, Kristin Scott Thomas, Scarlett Johansson, Sam Neil, Chris Cooper and Cherry Jones

[First Time]

February

L'Horloger de Saint-Paul (1974) directed by Bertrand Tavernier with Philippe Noiret, Jean Rochefort, Jacques Denis, Yves Afonso, Julien Bertheau and Jacques Hilling

[First Time]

March

The Fabelmans (2022) directed by Steven Spielberg with Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Keeley Karsten, Julia Butters and Judd Hirsch

[First Time]

April

The Third Man (1949) directed by Carol Reed with Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard and Bernard Lee

[First Time]

May

The World, The Flesh and the Devil (1959) directed by Ranald MacDougall with Harry Belafonte, Inger Stevens and Mel Ferrer

[First Time]

June

La ciociara (1960) directed by Vittorio De Sica with Sophia Loren, Eleonora Brown, Jean-Paul Belmondo, Carlo Ninchi, Andrea Checchi and Pupella Maggio

[First Time]

July

Oppenheimer (2023) directed by Christopher Nolan with Cillian Murphy, Robert Downey Jr., Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett and Casey Affleck

[First Time]

August

Heat (1995) directed by Michael Mann with Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Diane Venora, Amy Brenneman, Dennis Haysbert, Donald Breedan and Ashley Judd

[First Time]

September

Catch Me If You Can (2002) directed by Steven Spielberg with Leonardo DiCaprio, Tom Hanks, Christopher Walken, Nathalie Baye, Amy Adams, Martin Sheen, James Brolin and Brian Howe

[First Time]

October

Le Grand Bain (2018) directed by Gilles Lellouche with Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-Hugues Anglade, Philippe Katerine, Félix Moati, Alban Ivanov, Balasingham Thamilchelvan, Virginie Efira et Leïla Bekhti

[First Time]

November

Fools Rush In (1997) directed by Andy Tennant with Matthew Perry, Salma Hayek, Jon Tenney, Carlos Gómez, Tomás Milián, Siobhan Fallon et John Bennett Perry

[First Time]

December

The Great Race (1965) directed by Blake Edwards with Tony Curtis, Natalie Wood, Jack Lemmon, Peter Falk, Keenan Wynn et Ross Martin

[First Time]

Honourable Mentions :

Airplane! (1980)

Duel (1972)

Les Sentiments (2003)

The Carpetbaggers (1964)

Scoop (2006)

Mon crime (2023)

To Have and Have Not (1944)

The Super Mario Bros. Movie (2023)

The Man Who Shot Liberty Valance (1962)

臥虎藏龍 (2000)

The Glenn Miller Story (1954)

Le Dernier Voyage (2020)

Dead Men Don't Wear Plaid (1982)

L'ingorgo (1979)

Indiana Jones and the Last Crusade (1989)

Adieu Gary (2008)

Conflict (1945)

Fahrenheit 451 (1966)

La Nuit américaine (1973)

Sorcerer (1977)

La Guerre des polices (1979)

Life of Pi (2012)

The Big Short (2015)

Le Hussard sur le toit (1995)

Excalibur (1981)

The Naked Gun: From the Files of Police Squad! (1988)

Bridget Jones’s Diary (2001)

Le Procès Goldman (2023)

Enter the Dragon (1973)

Matrimonio all'italiana (1964)

Chaplin (1992)

La Vie de château (1966)

Escape from Alcatraz (1979)

Au-delà des grilles (1949)

Second Tour (2023)

Le Couteau dans la plaie (1962)

The Eiger Sanction (1975)

JFK (1991)

Le Fugitif (1993)

Chef (2014)

Quai des Orfèvres (1947)

Appointment with Death (1988)

Bridget Jones: The Edge of Reason (2004)

Wallace & Gromit: The Curse of the Were-Rabbit (2005)

River of No Return (1954)

L'Assassinat du père Noël (1941)

Dances with Wolves (1990)

Die Glasbläserin (2016)

The Lion in Winter (1968)

Les Mystères de Paris (1962)

#2023 films #my top 12 #cinema #cinematography #the horse whisperer #l'horloger de saint paul #the fabelmans #the third man #the world the flesh and the devil #la ciociara #oppenheimer #heat #catch me if you can #le grand bain #fools rush in #the great race #films #movies of 2023 #bye 2023

[nnjzz]

ETERNITIES + earthworm + AUGUSTÉ VICKUNAITÉ + SIMONAS NEKROŠIUS + ALANAS GURINAS

MARDI LE 05.03

ETERNITIES us earthworm  us AUGUSTÉ VICKUNAITÉ lt SIMONAS NEKROŠIUS lt ALANAS GURINAS lt

TREIZE 24 rue Moret 75011 M° Couronnes / Ménilmontant

19:30 PORTES

20:00 ACTION !

P.A.F.6€

ETERNITIES us utah nyc " deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. We use harmonic tones from wind instruments played within feedback systems to create deep spectral drone. "

Duo composé de Katie Porter ( clarinette basse ) et Bob Bellerue  ( electronics, feedback ).

Musicienne spécialisée surtout dans la musique expérimentale / contemporaine ( interprétant p. ex. les musiques de John Luther Adams, Jason Ajemian, Mike Kelley, Michael Pisaro, Larry Polansky, Stephanie Richards, Morris Rosenzweig, Arthur Russell, James Tenney, Maayan Tsadka, Christian Wolff, entre autres ) mais pas que  ( "   She exists mainly in the experimental realm, but can sometimes be found elsewhere. " ) , Katie Porter est aussi curatrice, passionnée par la création de communautés musicales - elle a cofondé p.ex. Listen/Space (Brooklyn) et est commissaire des Listen/Space Commissions, responsables de 46 nouvelles œuvres pour groupes de chambre mixtes.

Elle co-dirige également le Symposium biennal VU pour la musique expérimentale, improvisée et électronique (Park City, Utah) et travaille sur un projet de longue haleine ( jeu de mots intentionnel ) pour clarinette solo dans l'installation Sun Tunnels ( 1976 ) - en cours de restauration -  de  la land-artiste, Nancy Holt, dans l'Utah.

Plusieurs projets dont le duo RED DESERT ENSEMBLE (   “a finely poised musical partnership”- THE WIRE,  ) avec le percussionniste/compositeur Devin Maxwell, qui a publié un album  sur le label de feu Phil Niblock, XI.

Bob Bellerue est artiste sonore / noisician, ingé-son, technicien et entre autres choses, curateur, entre autres, et notamment LE responsable principal de l'immensissime festival de musiques oufissimo-interlopissimes, ENDE TYMES. 

Sa pratique sonore tourne souvent autour des systèmes de rétroaction résonnante, utilisant des instruments, des objets, des enregistrements et des espaces amplifiés, en combinaison avec des composants électroniques et des logiciels écrits dans le langage de programmation de synthèse audio Supercollider.

Au cours des 30 dernières années, il a été impliqué dans la création et la présentation d'un large éventail d'activités sonores – entre noise, art sonore, musique expérimentale, percussions junk metal, gamelan balinais, bandes son pour la danse/théâtre/vidéo/art de la performance et  installations vidéo / son. 

Il a publié moult enregistrements, notamment chez Elevator Bath Records, iDeal Recordings, Banned Productions, Fabrica, P-Tapes, RRR Records, Love Earth Music, Prison Tatt Records, Los Discos Enfantasmes, Zelphabet, Peyote Tapes, No Rent Records ou sur ses propres labels, Anarchymoon Recordings and Sleepy Hollow Editions. 

earthworm us uk Nouveau duo / projet collaboratif composé de Christi Denton, artiste sonore et compositrice polyvalente originaire des États-Unis et de France, et de Margaret Fiedler McGinnis ( US / UK ), auteur-compositeur et multi-instrumentiste connue pour son travail avec au mitan des années 90s MOONSHAKE et LAIKA ensuite, et plus récemment avec  PJ Harvey & Wire ( excusez de peu).

 Dans une pièce spécialement composée pour Le Non_Jazz aux Nautes, elles s'aventureront dans le domaine de l'improvisation structurée. Conçu pour faire écho aux pousses vertes tendres de la saison, SPRINGS promet une expérience sonore immersive. Denton et Fiedler McGinnis créent une partition graphique unique pour l'électronique réactive, la guitare et d'autres éléments qui n'ont pas encore été révélés. Cette approche innovante s’entremêle avec les battements de cœur des musiciens et d’autres rythmes organiques, créant une interaction dynamique entre les interprètes et l’esprit éveillé de la saison.  https://www.christidenton.com/

AUGUSTÉ VICKUNAITÉ lt   Performeuse / collagiste sonore, avec une formation en sciences physiques ( ! ). Elle utilise principalement des magnétophones à bandes pour jouer, enregistrer et créer des compositions instantanées à base de d'enregistrements de terrain divers, dysfonctionnements de la technologie vintage ou encore des sons d'instruments enregistrés dans des environnements naturels.

Sa performance contiendra des boucles de bandes audio et des collages effectués à partir de de bandes trouvées.

SIMONAS NEKROŠIUS lt Artiste interdisciplinaire de Vilnius, spécialisé dans l'art sonore et la construction d'instruments électro-acoustiques et d'objets sonores faits maison.

Son travail est souvent associé aux notions de « ready-made » et de « DIY ». Il perçoit la créativité et les objets d'art comme un processus, réduisant ainsi l'importance des résultats finalisés dans ses projets. En conséquence, son travail a tendance à être indéterminé et transformateur au fil du temps.

https://www.youtube.com/@SimonasNekrosius 

ALANAS GURINAS lt Jeune artiste interdisciplinaire, adepte des performances sonores et des installations audiovisuelles.

Dans sa démarche, il explore le son en tant que phénomène textural, les thèmes de l'éphémère et les relations entre divers objets et espaces audibles et inaudibles.

A slightly light tone  ( Strained paper sheets, weights, vibro motors, various sound objects ) 

est une performance sonore acoustique live qui utilise le papier comme matériau principal pour produire du son. Différents types de papiers sont placés entre deux pinces en bois et, à l'aide de poids, sont tendus jusqu'à ce qu'ils trouvent leur état de résonance. En conséquence, différents tons, drones et textures générés par du papier en suspension sont produits. (La durée de la représentation est de +- 30 minutes)  

Fly - Jo L'Indien

[dustedmagazine]

Michiko Ogawa & Lucy Railton — Fragments of Reincarnation (Another Timbre)

fragments of reincarnation by Michiko Ogawa & Lucy Railton

The Berlin-based Harmonic Space Orchestra takes its name from a concept devised by the late James Tenney. He posited that harmony could be understood not as the limited, mathematically irrational system derived from equal temperament (your standard western tuning system), but a potentially infinite thing comprising mathematically rationale intervals. Its members meet weekly, and collaborate with each other on the development and realization of work made using just intonation and associated tuning systems. Fragments of Reincarnation, which was made by HSO colleagues Michiko Ogawa and Lucy Railton, investigates when different tuning systems coincide.

Both musicians are immigrants, who have found in Berlin a place where community and opportunity conspire to make it possible to get experimental work done. In Ogawa’s case, she has found the freedom to shift evolve from being a classical clarinetist into a more self-directed and less fixed musical identity. On this album she plays sho, a mouth organ traditionally used in Gagaku music, and a beat-up Hammond organ that was rescued gravestone-maker’s workshop and currently resides in her apartment. The long tones she plays on each throughout this peace require patience, precision, and responsiveness to outside influences, but not the virtuosity that a person who plays clarinet in a conventional orchestra must maintain if they want to keep their job. The sho, which was recorded first in performance with Railton, is tuned for Gagaku (a long-standing form of art music), and the Hammond, which was subsequently overdubbed, is in equal temperament modified by its mechanical decrepitude. Railton plays cello, which of course can be retuned as it is played.

The progress of the music is dictated by the duo’s intent to explore what happens when tunings are juxtaposed. Elaborate melodies are out of the question, since they’d just get in the way of the consonances and dissonances that result when sounds from different tunings manifest in the same space.  The vibrations of sho and organ create a psychoactive sonic space that corresponds to Tenney’s conception of harmony. Said space is simultaneously evident and insubstantial, like air currents flowing over the listener’s head. Railton’s contributions arc through that space, refracting Ogawa’s long-held chords so that one’s attention will be drawn to the roiling eddies left in her wake. It’s a zone eminently suitable for zoning out.

Bill Meyer

#michiko ogawa #lucy railton #fragments of reincarnation #another timbre #bill meyer #albumreview #dusted magazine #alternate tuning #berlin #Harmonic Space Orchestra #Gagaku #sho #cello #hammond organ

[redshift-13]

"[Ruth] Anderson thereafter largely abandoned acoustic instruments and devoted herself to electronics. Her work in the medium balances intelligence and intuition, distinguishing it from that of contemporaries like Milton Babbitt, James Tenney, and Kenneth Gaburo, who used technology to create music that was too fast, too dense, too precise for the human apparatus alone—a kind of alien sound. Though carefully constructed, Anderson’s pieces do not make their complexity obvious. She gives the material room to breathe, slowing the tape to a human speed and often using the human voice. One image or idea follows another, as in a conversation. Rarely are two sounds the same; repetition, she seemed to suggest, is a poor substitute for evolution."

More at the link.

#electronic music #music history #ruth anderson #annea lockwood #nate wooley #repetition vs. evolution