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#japanese director
juniper-girl · 4 months
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Love Letterラブレター (Shunji Iwai, 1995)
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catvcr · 1 year
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Beat Takeshi on the cover of Takarajima (宝島) April 1984
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shihlun · 1 year
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Hou Hsiao-hsien met Akira Kurosawa at his home in Setagaya, Tokyo, 1994.
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annoyingthemesong · 1 year
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SUBLIME CINEMA #653 - HANA-BI
Humanist take on a gangster picture that nabbed Beat Takeshi a Golden Lion in Venice and finally garnered him respect as an artist behind the camera as well as in front of it. 
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playitagin · 11 months
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2006-Shohei Imamura
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cannibalspicnic · 2 months
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LOVE UNDER THE CRUCIFIX (1962) dir. Kinuyo Tanaka
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speakingparts · 3 months
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KAIBUTSU 怪物 [MONSTER]
Hirokazu Kore-eda, 2023
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sapphireshorelines · 1 month
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Rent-a-cat (2012), dir. Naoko Ogigami
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pintoras · 2 years
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Kusama: Infinity (Heather Lenz, 2018)
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juniper-girl · 3 months
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Picnic (Shunji Iwai, 1996)
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catvcr · 1 year
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“Kitano” polaroid montage by Maurizio Galimberti
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shihlun · 2 years
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Director Kinuyo Tanaka and the crew on location in Nara for her second film as director, Tsuki wa Noborinu(The Moon Has Risen).  She is on the right of the camera, with supporting assistant director Shohei Imamura crouching in the foreground.
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annoyingthemesong · 2 years
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SUBLIME CINEMA #618 - GATE OF FLESH
Seijun Suzuki was Japan’s foremost nihilist director - he was a master of the underground, and of schlocky, surrealist B-movies, and overcame being blacklisted in Japan to finish out his career as an internationally renowned artist. His movies were so heightened and beautiful that many could also be called masterpieces.
Gate of Flesh is lesser known than Branded to Kill or Tokyo Drifter, but it’s no less great.  
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yourdailyqueer · 24 days
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Iizuka Kashou
Gender: Transgender Man
Sexuality: N/A
DOB: 11 June 1990
Ethnicity: Japanese
Occupation: Screenwriter, Director
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