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#jason aaron's avengers
thebibliomancer · 1 year
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That could have gone better.
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avengerscompound · 2 years
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Tony Stark
Avengers (2018)
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absencesrepetees · 29 days
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namor mckenzie in the avengers #53 (james aaron/juan frigeri, 2022) + resurrection of magneto #2 (al ewing/luciano vecchio, 2024)
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vertigoartgore · 4 months
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Jason Aaron's Avengers roster (2018-2023) by the artist Khoi Pham.
Khoi Pham : "Avengers commission. I dig this lineup. 11x17."
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evilhorse · 9 months
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I don’t remember us taking a vote on that.
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theartofthecover · 2 years
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The Avengers: 1,000,000 B.C. (One-Shot) [Textless] (Variant Cover) (2022)
Art by: Alex Horley
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dynamobooks · 2 months
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Jason Aaron, Ed McGuinness & Paco Medina: Avengers by Jason Aaron, Volume 1: The Final Host (2018)
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thebuhonerodazorrow · 11 months
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Avengers Assemble Omega #1 (2023)
One last ride
Marvel
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scarlet--wiccan · 2 years
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Avengers #57 was not only failure, but a refusal to represent vital Romani history in spite of the identities-- and stereotypes-- it invoked.
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As Jason Aaron’s Avengers expands the history and mythology of Earth’s Mightiest Heroes, readers have been introduced to several new characters from several different time periods. Issue #57 introduced us to Sergeant Sebastian Szardos, an American military officer who had a brief tenure as Earth’s Sorcerer Supreme during World War II. Sebastian is a distant relative of Margali Szardos, who most readers will remember as Nightcrawler’s adoptive mother. The Szardos family are, notably, Romani, and like most Romani characters in superhero comics, they have deep ties to witchcraft and mysticism.
Sebastian makes frequent reference to his Romani ancestry, but rather than identifying as Roma, Rom, or even g*psy, he simply claims to have “witch blood.” What’s more, the character is fighting literal German Nazis, but the comic makes no mention of the fact that the Nazis actively attempted to commit genocide against the Romani people during the Holocaust-- something which should color Sebastian’s viewpoints and motives regarding the war.
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Why does this matter? For one thing, the Szardos family already have a number of racially charged, problematic elements in their narrative, so doubling down on these exaggerated stereotypes is not a great look. More importantly, however, Holocaust distortion and the erasure of Romani history are serious, ongoing problems in the real world that still cause actual harm today.
Romani people are constantly being written out of Holocaust and WWII history. The European Romani population was targeted for ethnic cleansing, interned, and executed in camps. Families, like mine, were separated and many had to go into hiding. We suffered enormous losses, but you almost never hear about it in history books, memorials, or even present day news coverage. [compare this article vs this one] In the UK, recent legislation has all but outlawed Traveler and Romani ways of life, but the majority population fails to understand that we are a marginalized and oppressed community. History refuses to name and acknowledge anti-Roma racism, and historical narratives refuse to give voice to Roma who were present and suffering during pivotal moments such as the Holocaust.
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Margali Szardos, who first appeared in 1980′s X-Men Annual #4, was a single mother who was able to raise three children by working as a fortune teller. She’s also a practicing witch.That, in and of itself, is not an unrealistic story. Fortune telling has, historically, served as a survival-based trade for Romani families, especially women who were unable to seek more conventional jobs. Witchcraft and folk medicine fall into a similar category, and so Romani witch characters like Margali are not necessarily false or offensive. The problem here is that Margali wasn’t written as a Romani woman with an authentic witchcraft background-- she was written as a witch whose Romani background serves only to add exotic flavor to her story. When you add the fact that Margali is often morally bankrupt, and there’s a lot of weird colorism happening with her biological kids, the material poses a lot of problems that no writer has ever really tried to fix.
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Thanos appearances post Infinity Wars- Avengers Forever (2022) #5
June 2022
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afistofkhonshu · 2 years
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>walk into Avengers compound
>beat their asses
>steal their powers
>beat the ass of your own God
>explain further
>they respect your reasoning and ask you to join them
>decline
>leave
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"...I'M ALSO PROUD TO PRESENT THIS COUNTRY'S NEWEST AND GREATEST HEROES..."
PIC INFO: Resolution at 1987x3056 -- Spotlight on a splash page of the newly-minted Squadron Supreme of America (in their first appearance), from the pages of "Avengers" Vol. 8 #10. January, 2019. Marvel Comics.
Story/script by Jason Aaron
Artwork by Ed McGuinness, David Marquez, Frazer Irving, Adam Kubert, Andrea Sorrentino
Colorists: Various
Letters by Cory Petit
MINI-OVERVIEW: "The Squadron Supreme of America was a team of superheroes construct created by the demon Mephisto and programmed by the Power Elite in cooperation with a recently-revived Agent Coulson to act as the United States of America's first line of defense, a role that once belonged to the Avengers. But secretly to further Coulson and Mephisto's schemes."
-- MARVEL WIKIA (Fandom)
Sources: https://marvel.fandom.com/wiki/Squadron_Supreme_of_America_(Earth-616) & https://scans-daily.dreamwidth.org/8050131.html?thread=198324947.
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avengerscompound · 1 year
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Tony Stark
Avengers (2018) #56
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agentxthirteen · 1 year
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Sharon-A-Day, Day 391 (1/26/23)
Avengers Vs. X-Men 3. On sale 5/2/12.
Writer: Ed Brubaker
Plotters: Jason Aaron, Brian Michael Bendis, Matt Fraction, Jonathan Hickman
Penciller: John Romita, Jr.
Inker: Scott Hanna
Letterer: Christopher P. Eliopoulos
Colorist: Laura Depuy Martin
Editor: Tom Brevoort
Wolverine pays attention to Sharon & Steve.
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vertigoartgore · 1 month
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The Avengers of 1,000,000 BC by Esad Ribic (soon after their first appearance in 2017's Marvel Legacy #1). Used as a variant cover for 2018's Avengers Vol.1 #677 (an issue of the No Surrender story arc).
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evilhorse · 9 months
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How much time do you need, doctor? For this…whatever the hell you call this?
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