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#jason loves the classics
trashmakerarticle · 6 months
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Everyone thinks that dick was the golden child when in reality it was Jason.
Clark: Bruce who was your favourite robin?
Dick: obviously it’s me?
Tim: it’s dick
Damian: I am superior robin, it will be me.
Bruce: it’s Jason
Everyone: WHAT?!?!???
Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week
*everyone looks at dick*
Bruce: he didn’t drop out of school
*everyone looks at tim*
Bruce: I didn’t have to stop him from killing everyone who annoyed him
*everyone looks at Damian*
Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy
Jason: stop spreading lies, I hate you go away
Bruce: my precious little boy
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inspisart · 1 year
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messy boy
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fortanuvasyama · 6 months
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I finally managed to pin down what exactly was eating at me after reading that whole bit of Jason Gets Mindfucked (aka Batman 138)
so Bruce's (or Zur Batman, or however you might interpret that slippery divide between Zur and Bruce) whole reason to give Jason a new flavor of ptsd-on-crack is to prevent him from killing again, right? Like he explicitly says "This is the only way," when he's speaking to Jason.
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and when he goes on to explain it further....
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Bruce says he's doing this to make him a better person. That this is the best way to make Jason stop doing what he wants and force him to live a 'normal' life.
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And Bruce is saying that in his eyes, what Jason is now experiencing isn't a punishment.
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Bruce calls this a gift. This is Bruce saving Jason from himself. This is how Jason will get a chance at a meaningful life. Bruce has decided that anything Jason chooses is wrong, and he is going to correct it.
Even if it means Jason is left unable to move.
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Even if it means Jason is left unable to defend himself.
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Even if it means Jason is left alone.
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And if this 'failsafe' can really, truly, wholly stop someone from killing....
Why isn't Batman putting this in every single one of his Rogues?
Bruce apparently has the key to ending all of the Gotham rogues' murderous escapades, so wouldn't it make sense to put this in the heads of every single one of them? Of every single convicted criminal who has ever killed another human being?
If this isn't a punishment, if this is a way to truly reform a criminal permanently... why only Jason?
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aalghul · 2 years
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THEY ARE BEST FRIENDS. THANK YOU.
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weaponizedmoth · 12 days
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Hook sketch.
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dceasesd · 3 months
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i miss jason’s stupid egg helmet it was so camp
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cirrocula · 20 days
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i've been racking my brains over what music jason todd listens to and the only logical conclusion is kate bush
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thegroovywitch · 1 year
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December 5, 2007: Led Zeppelin rehearse at Shepperton Studios, London, five days before their Ahmet Ertegun tribute concert at the O2 Arena.
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sasperine · 2 months
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reading this after the euripidean play is actual torture please let her be happy why why why
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ehghtyseven · 1 year
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ready to join the newsies cast
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fuckmeyer · 11 months
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"disturbed, depressed, inadequate": Edward Cullen & George Costanza, cringefail twinsies
as we all know, Twilight and Seinfeld are canonically set in the same universe. we see blatant clues scattered throughout both series. (e.g., Stephenie Meyer prefacing New Moon with the entirety of Jerry Seinfeld's opening stand-up from season 4's "The Outing;" Jerry making a Twilight reference in "The Soup" episode of Seinfeld, etc.) most notably, we see Edward Cullen & George Costanza's personalities mirror each other in a way that extends far beyond "pure" "coincidence." upon closer examination, they are the same person in parallel universes.
the two are, canonically, absolute losers seemingly broken beyond repair, self-saboteurs who waffle between moments of self-aggrandizement and self-loathing. their negative self-image, insecurities, & belief that they do not deserve love are recurring themes in their respective series.
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among other things, George describes himself as "disturbed, depressed, inadequate," ("The Visa," S04) "completely insecure, paranoid, [and] neurotic" ("The Beard," S06). he is the self-proclaimed "Lord of the Idiots" ("The Apartment," S02) who is sure of only one thing: "There is no bigger loser than me" ("The Strike," S09).
in the Twilight Saga, Edward repeatedly calls himself "selfish" & a "monster." in Midnight Sun, he's a "coward" (37), "evil" (374) & an "obsessed stalker" (94). clearly depressed in the way he describes his "long melancholy" (138) as "an unending, unchanging midnight" (136), he quickly pinpoints the feelings behind his hatred for Bella: "What I really hated was myself" (26). his distaste for Mike Newton & jealousy of Jacob Black stem from his insecurity, while his paranoia has him assuming, among other things, that a meteor will crash down & bonk Bella out of existence (131). Edward's telepathy has him always on the alert for intruders, resulting in baseless conclusions. "Idiot," Rose calls him (97, 129, 145, 202, 314). idiot, indeed.
Edward & George's low self-esteem compel them to lie, unable to live up to the perceived expectations of others. after Edward saves Bella from a car accident, he lies to her to keep her away. "I had a show to put on now. I knew the role I would play—I had the character down: I would be the villain. I would lie and ridicule and be cruel" (MS, 90). beyond shielding her from his true nature, he is shielding her from a deeper truth: "I didn't deserve any link, any claim to her at all" (728). that is, Edward does not consider himself worthy of Bella's love. he even point-blank admits it to her at prom: "I'm not worth it." (782)
George, too, struggles to live up to assumed perceptions: “You see, this is what I do with women. I start out too strong, now I have to become real. That's when it all falls apart. What good is real?" ("The Visa," S04) like Edward, he engages in deceptive tactics throughout the series to keep his partners at arm's length, from creating falsehoods about himself to preventing his fiancée from fraternizing with his friends & entering his world. ("The Pool Guy," S07) Edward, more succinct, sends Bella the same message in New Moon: "My world is not for you." (37)
in fact, one of the few traits George & Edward possess that is not negatively regarded is their ability to lie. Edward's declaration that "I was not an incompetent liar" (MS, 77) seems an understatement when, not 10 pages later, he says, "Perhaps I was too good a liar if I could fool Carlisle" (85). he claims to feel guilty; then again, Bella often notes him lying outright or by omission in the series.
"I lie every second of my life," George brags in season 2's "The Apartment." "My whole life is a sham." other characters acknowledge & praise this ability. in the episode "The Beard" (S06), Jerry begs George to help him beat a polygraph test, calling his ability "a gift." just as Edward dramatizes his lying to "putting on a show," George likens his talent to singing opera: "It's like saying to Pavarotti, 'Teach me to sing like you.'" the advice he gives Jerry aptly sums up George's philosophy: "It's not a lie if you believe it." how fitting that this is the mindset Edward employs to stay in Bella's life a little longer.
George & Edward's relationships not only showcase their ability to lie but follow similar paths. George faces Edward's exact dilemma: the choice to deny his nature (to the point of becoming vegetarian!) for an attractive woman in "The Secretary" episode of season 6. "You're luscious," he says to a beautiful applicant for an open secretary position. "You're ravishing. I would give up red meat just to get a glimpse of you in a bra." George chooses not to hire the attractive secretary... but ends up sleeping with his 'unattractive' secretary anyway. Edward, meanwhile, does the opposite: he chooses vegetarianism and to date the object of his affection, albeit with personal turmoil. where Edward chooses to be the man, George chooses to be the monster.
unsurprisingly, however, their low self-esteem is a frequent barrier to their romantic pursuits. these insecurities even lead them to preemptively decide to break up with their significant other. in George's case, the breakup in season 3's "The Pez Dispenser" is a means for him to protect himself & regain control:
“A preemptive breakup. This is an incredible idea. I got nothing to lose. We either break up, which she would do anyway, but at least I go out with some dignity.”
Edward seemingly breaks up with Bella to protect her. he knows he will leave her by page 368 of Midnight Sun. by page 746, he admits he's lying when he swears he won't leave her. "[T]he time would come, I was sure now, when I would have to convince her [I didn't want her]" (747). best-case scenario, he thinks, she will outgrow him (781), though it's clear she intends on forever. despite the evidence from Alice that Bella will be a catatonic mess, he leaves...several months later, after a near-fatal brush with Jasper. one might argue Edward's fear of love & intimacy leads him to break up with her as a means to protect himself from the harsh reality that she will die.
ultimately, George & Edward's failures in physical & emotional intimacy are rooted, at least in part, in an aversion to sex.
for both, the desire to feed presents a barrier to their lovemaking. Edward is unable to prolong his kisses with Bella, citing his thirst. he compares himself to "an alcoholic" & Bella to "a glass of hundred-year-old brandy, the rarest, finest cognac..." (Twilight, 13). similarly, in season 9's "The Blood," George finds he is always hungry around his partner & can't make love to her without eating. his attempt to introduce strawberries, chocolate sauce, & pastrami on rye into the bedroom snowballs into him sneaking sandwiches into bed. though George, unlike Edward, can satiate himself without murdering his girlfriend, his desire to feed still leads to his demise.
this aversion to sex extends beyond a conflict with their baser selves, however. we see George & Edward's insecurities & low self-esteem take a central role in their inability to engage in intimate relations.
“I don't like when a woman says, ‘Make love to me,’" says George in season 3's "The Stranded." "It's intimidating. The last time a woman said that to me, I wound up apologizing to her.”
this quote perfectly encapsulates Edward & Bella's wedding night. despite being intimidated by Bella's demand for sex, Edward acquiesces. upon discovering he bruised Bella, Edward confirms his worst fears, calls himself a monster, and says: "I'm...so sorry, Bella. [...] I am more sorry than I can tell you" (Breaking Dawn, 61). he then promises, "I will not make love with you until you've been changed. I will never hurt you again." (66)
oddly enough, the bleak outlook Edward takes on his sex life (i.e., not possible (Twilight, 147) & unrealistic (Eclipse, 299)) mirrors George's feelings re: sexual intimacy in "The Pony Remark" (S02):
“You know, I've been thinking. I cannot envision any circumstances in which I'll ever have the opportunity to have sex again. How's it gonna happen? I just don't see how it could occur.”
is this aversion to intimacy with women a product of George & Edward being queer-coded characters? even if Edward didn't worship the ground on which Carlisle "the soul of [the] family" (MS, 96) walked to the point where he hopes his face resembles Carlisle's "perfect" one (24, 387), he constantly thinks of his creator & tries to live up to Carlisle's perception of him (28, 347, 383, 387). this seems innocuous enough until we consider the fact that the vampire genre itself has queer roots. vampires have always served as a symbol for social outcasts; homosexual depictions, from the 1872 novel Carmilla to the 2020s reboot of Interview with a Vampire, are a common feature of the genre. through this lens, the virginal Edward Cullen pushing away his heterosexual partner while he envisions Carlisle's face takes on different connotations.
George, deeply in denial of his sexuality, upholds odd "rules" to avoid being seen as gay, from refusing to sit "boy-boy-girl" in a car ("The Ex-Girlfriend," S02), to reminding Jerry of his "unblemished record of staunch heterosexuality" before declaring Jerry's new jacket "fabulous." (his singing show tunes throughout "The Jacket" (S02)  still earns him the title of gay by another character, however.) he frequently goes into a gay panic: from being called out on his attraction to Jerry ("The Cartoon," S09), to being accused of falling in love with his friend Tony ("The Stall," S05), to being explicitly labeled as Jerry's romantic partner in season 4's "The Outing," he responds to challenges to his heterosexuality with anger, anxiety, dismay, & denial. he even shouts "IT [his penis] MOVED!" in response to being touched by an attractive male masseuse ("The Masseuse," S05). regardless of whether George may be gay or bisexual, George's record of "staunch heterosexuality" seems not as "unblemished" as he would like us to believe.
given all the similarities, one might think the biggest difference is their species: Edward is a mindreading vampire and George is a human. but George does note having an advanced sense of perception akin to Edward's telepathy: "I was personable, I was bright. [...] I was perceptive. I always know when someone's uncomfortable at a party" ("The Opposite," S05). additionally, while George may not be a literal vampire, he does have a parasitic nature. cheap & selfish, he frequently mooches off his friends & leaves them footing the bill. he also lies & manipulates for his own gain, including but not limited to faking a disability to have access to his own private bathroom at work ("The Butter Shave," S09), setting up a fake charity to avoid buying Christmas presents for his coworkers ("The Strike," S09), & falsifying statements to extend his unemployment benefits ("The Boyfriend, Part 1," S03). leeching off of others & the community is a hallmark of vampirism.
ultimately, the uncanny parallels between these two characters are impossible to ignore. George & Edward seem indeed the same person mirrored into different universes. so, what does this say about their creator(s)? this "coincidence" naturally begs the question: Are Jerry Seinfeld and Stephenie Meyer the same person? in Part 2 of this essay, we expl—
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amaraudermind · 1 year
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I just know Duke loves celebrating the Ides of March
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batfamfucker · 2 years
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I will now be personally headcanoning that Bruce pulled Tim aside one day to ask his opinion on if Tim would ever consider changing or adding Alfred to his middle name(s). I've always interpreted Jack Drake as having been abusive towards Tim, due to some of the comics where he's been violent and such (Like the time he destroyed some of Tim's belongings and such when he was angry at him, or the straight up neglect when Jack and Janet went to explore the world regularly and leave Tim behind, forgot his birthday, etc), and so I feel like sometimes Tim would feel icky about keeping his middle name as 'Jackson' after his biological father (I'm surprised he ever kept 'Drake' and didn't just fully move to 'Wayne', but alas). I feel like Bruce would also be aware that Tim sometimes feels left out of the family, especially due to the early years of him and Damian's dynamic and constantly being told he was never Bruce's 'real son'. It doesn't take a lot of common sense to realise those kind of words will linger, even after the brothers have improved their relationship. I had originally thought to consider this with Damian, but he's already named after Thomas, so I feel as though Bruce would choose Tim so that he gets to both honour his second father, and let Tim know that he will always be Bruce's son and a part of the family, regardless of DNA. Tim accepts, and so his middle name becomes Alfred, instead of Jackson.
Alfred doesn't find out until he's going over some family legal documents and sees it. He cries when he does.
#I feel as though Bruce would have also considered Jason especially when Jason adores Alfred#And he knows Jason can also feel estranged from the family for obvious reasons#So I feel he would've discussed it with him too as well as Dick to let them know that he isn't trying to leave either of them out#Or make them feel like they're not his sons. But he thinks it would really help Tim's ongoing doubts whilst ensuring he wasn't named#After his abuser (Again I'm ignoring the Drake thing)#And I think Jason and Dick would be understand of it. Dick is named after his biological dad who he loves so he's all good. And Jason is#Aware that Bruce loves him after some therapy and family counselling sessions that Bruce took them to to improve their relationship#Which worked. So Jason knows Bruce is always going to cherish him as his son despite their history. And also both#Brothers are very aware of Tim's feelings (Jason and Tim have bonded over it. He knows how bad Tim can get mentally when he thinks about it#too much) so Jason is completely fine letting his baby brother have the name. Makes up for those bad early days between them a little#Which Jason does still feel guilty about and has talked over with Tim during some of their deep talks where he apologised for it.#Either way I feel like it's the classic Big BrotherTM who also wants his Baby BrotherTM to be okay even if he doesn't admit it#I'm also headcanoning that Cass who didn't have a middle name was approached by Bruce who asked if she liked Martha as a contender#She definitely did#Anyway- I won't tag everyone because I've used half the tag limit already so just the ones in the post#Tim Drake#Bruce Wayne#Alfred Pennyworth#Robin#Red Robin#Batman#Agent A#Tim Drake Wayne#Tim Wayne#Batfamily#Abuse mention tw#Headcanon
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idlesuperstar · 2 years
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Q: Will there ever be any more Case Histories? Jackson Brodie is one of my favourite characters.
A: Case Histories [writer] Kate Atkinson has written another book, Big Sky, which I narrated as an audiobook. The written Jackson Brodie gets married, gets divorced, wins the lottery, has kids, moves to Paris and does a bunch of stuff. But my Jackson Brodie does none of those things and lives in Edinburgh. Talk about parallel universes. I’m ready to get beaten up and fail in love week after week. I’d have to get down the gym because Jackson has a rack that long ago faded in the rear view mirror.
Jason Isaacs giving - as ever - the best value for money in this awesome Q&A from the Guardian.  [my personal fave: Q: Do you consider yourself gifted at accents? A: I consider myself a twat in almost every area.]
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theveryattacheduser · 11 months
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Jason who is a literature nerd
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