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#jean-paul gaultier
raunchily · a month ago
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Jean-Paul Gaultier 2000-2001 Autumn & Winter haute couture fashion show, 2000
Photographed by Pierre Vauthey
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featherstonevintage · 21 days ago
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Jean-Paul Gaultier
Vogue, September 1997
Photographed by Annie Leibovitz
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oldcountrybear1955 · 22 days ago
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Jean-Paul Gaultier Fragrance 2019 - Jhona Burjack photographed by Gorka Postigo
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konvalia · a year ago
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JEAN-PAUL GAULTIER ROSE BAG
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evilrashida · 2 years ago
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Countess Vaughn as Kim Parker wearing a Jean-Paul Gaultier Spring/Summer 1996 Cyberbaba patchwork shirt on "Moesha" in 1996. 
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fashionbooksmilano · 7 months ago
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Maison Martin Margiela 
Author Maison Martin Margiela, Contributions by Jean-Paul Gaultier and Susannah Frankel and Andrée Putman and Vanessa Beecroft
Rizzoli Int., New York 2009, 368 pages, 33,7 x 25,4 cm.,  ISBN  978-0-8478-3188-3
euro 98,00
email if you want to buy [email protected]
The first book to document the work—from fashion and art to design and performance—of the Paris-based Belgian couturiere, one of the reigning luminaries of the current fashion scene.
Graduating from Antwerp’s Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction—a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliquéd details—to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela’s garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.
06/01/22
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anamon-book · 4 months ago
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キカ CINE SWITCH GINZA vol.32 編集:博報堂 株式会社ヘラルド・エース、株式会社フジテレビジョン Designed & co-edited by:クリエイティブ・エース、アイ・プランニング 監督:ペドロ・アルモドバル/衣装デザイン:ジャン=ポール・ゴルチエ/出演:ベロニカ・フォルケ、ピーター・コヨーテ、ビクトリア・アブリル、ロッシ・デ・パルマ ほか
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dixt · 2 months ago
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jean-paul gaultier ⋅ ss 07
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ollywears · 5 months ago
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Olly Alexander wearing a Jean Paul Gaultier “Les Marins” 2021 Collection Pink Sailor outfit in a photoshoot by Hugo Yangüela (November, 2021).
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ohyeahpop · 2 years ago
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Model in Jean Paul Gaultier dress, Vogue UK September 1984, Photographed by Peter Lindbergh
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loopersum · a year ago
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Friday night
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featherstonevintage · 20 days ago
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Jean-Paul Gaultier
Vogue, September 1997
Photographed by Annie Leibovitz
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girlsdressingrooms · 10 days ago
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Olivier Rousteing Loving Tribute to Jean-Paul Gaultier
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chaneajoyyy · 6 months ago
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The Jean-Paul Gaultier collection😩
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oldcountrybear1955 · 6 months ago
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Jean-Paul Gaultier - Jacob Bixenman photographed by Alessio Boni
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fashionbooksmilano · 9 months ago
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Beyond Desire
Composition Kaat Debo, Graphic design Paul Boudens
Ludion/ MoMu, Ghent 2005, 136 pages, 3250 copies, ISBN 90-5544-558-4
euro 25,00
email if you want to buy :[email protected]
"Beyond Desire", MoMu’s sixth important thematic exhibition, takes desire as its point of departure and examines the way in which two cultures, the African and the Western, influence one another and adopt each other’s visual idiom. When two cultures meet, how does that which appears on the surface become meaningful? How are attitudes – rather than identities – constructed? How can wearing, as well as owning, certain clothing (self-fashioning) function as a compensation strategy in a society?  In addition to fashion, the exhibition includes fashion photography, African studio photography, visual art, and documentaries.  European fashion designers have adopted the embellishments, scarifications, colours and textiles of the Masai, and combined them with elements of Western haute couture. In this way fashion creates a fantasy onto which elements such as seduction, eroticism, animality and exuberance are projected. However, the meeting of two cultures is both radical and confusing.Although the random mixing of ethnic and contemporary elements confirms the cliché of ‘the other’, its radicalness also contains a perverse beauty.
13/10/21
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wyrm-in-the-apple · 4 months ago
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Why yes, I did have a specific outfit in mind for Night’s daydream at the start of “Just Think of Blue Stop Signs“, why do you ask? (you did not ask)
The outfit was directly taken from (i feel it’s a bit of an understatement to say ‘inspired by’) the following piece from Jean-Paul Gaultier’s Fall 2011 Haute Couture collection:
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