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#john f peto
the-cricket-chirps · 10 months
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The Old Violin, John Frederick Peto, c. 1890
National Gallery of Art, Washington, D.C.
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oncanvas · 11 months
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Afternoon Sailing, John F. Peto, circa 1890
Oil on canvas 30.5 x 50.9 cm (12.01 x 20.04 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain
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pwlanier · 11 months
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Lights of Other Days Date:
1906
Artist:
John F. Peto
American, 1854–1907
AIC
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azzandra · 10 months
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I was idly browsing Wikimedia for public domain or creative commons images that I could use as a cover image for Missed and Begotten, and I found one that has the Perfect Vibes.
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"Old Souvenirs" by John F. Peto
idk why, I just love the way he's rendered these otherwise mundane, beat up old objects. They really feel like someone's belongings.
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columbosunday · 1 year
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Toms River Yacht Club
John F. Peto
1904
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walls-to-the-ball · 1 year
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William Michael Harnett (1848–1892) & John F. Peto (1854–1907), letter rack paintings.
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nurmohammadblog · 7 months
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Exploring Art and Culture: A Journey through the Greenville County Museum of Art
Nestled in the heart of South Carolina's Upstate region lies a treasure trove of art and culture waiting to be discovered – the Greenville County Museum of Art (GCMA). Founded in 1936, this remarkable institution has been a cultural beacon in the community for decades. Whether you're a seasoned art enthusiast or just looking for an enriching day out, the GCMA promises a delightful experience that combines world-class art with Southern charm. In this article, we'll take you on a virtual tour of the museum, showcasing its rich history, remarkable collections, and the cultural significance it holds for the Greenville community.
A Historical Gem
The Greenville County Museum of Art is not just a repository of art; it's a place where history and culture converge. The museum's story began in the early 20th century when prominent local artists and art supporters recognized the need for a dedicated art space in the Greenville area. Their vision culminated in the establishment of the GCMA in 1936, making it one of the oldest museums of its kind in the Southeastern United States.
Over the years, the museum has evolved, expanding its collection and its role within the community. Today, it stands as a testament to the enduring passion for art and culture in Greenville County.
Diverse and Vibrant Collections
The GCMA boasts an impressive and diverse collection that spans centuries and artistic movements. As you step through its doors, you'll be greeted by an eclectic mix of artworks, from stunning American paintings and sculptures to exquisite decorative arts and contemporary pieces. Here are some highlights from the museum's collections:
American Art: The museum's American art collection is a true treasure, featuring works by renowned artists like Andrew Wyeth, Jasper Johns, and Mary Cassatt. The Southern collection, in particular, offers a glimpse into the region's rich cultural history.
Southern Artists: The GCMA proudly showcases the works of artists with ties to the South. You'll find pieces by William H. Johnson, John F. Peto, and many others, all of whom have made significant contributions to American art.
Decorative Arts: From intricately designed furniture to exquisite porcelain, the museum's decorative arts collection is a testament to craftsmanship and design through the ages.
Contemporary Art: The GCMA continues to embrace contemporary art with rotating exhibitions that feature works by emerging and established artists. This commitment to the modern art scene keeps the museum's offerings fresh and engaging.
A Cultural Hub
Beyond its stunning collections, the GCMA is a vibrant cultural hub that hosts a variety of events, educational programs, and workshops throughout the year. Whether you're interested in learning about art history, developing your own artistic skills, or simply enjoying a night of music and wine, the museum has something for everyone.
Additionally, the museum's beautiful setting adds to the overall experience. The GCMA is surrounded by lush gardens and scenic landscapes, providing a serene backdrop for art appreciation. It's a perfect spot for a leisurely stroll or a moment of reflection.
The Greenville County Museum of Art is not just a place to admire art; it's a place where you can immerse yourself in the rich tapestry of culture, history, and creativity that defines the Greenville community. With its extensive collections, engaging programs, and serene surroundings, the GCMA offers an enriching experience for visitors of all backgrounds and interests. Whether you're a local resident or a traveler passing through, be sure to include the GCMA in your itinerary and embark on a journey of artistic discovery in the heart of South Carolina.
Here is a local Business that supports the community 
Google Map - https://www.google.com/maps/dir/Greenville+County+Museum+of+Art
101 Yorkshire Dr, Greenville, SC 29615, USA
Be sure to check out this attraction too!
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fishsticksart · 1 year
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John F. Peto, Old Souvenirs, circa 1881-1901, oil on canvas
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bokluktm · 1 year
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Old Souvenirs & Office Board
John F. Peto American ca. 1881–1901 and 1885
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John F. Peto (1854-1907) "Oranges Wrapped"
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books0977 · 3 years
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Old Books on a Shelf. John F. Peto (American, 1854-1907). Oil on board.
This still life depicts books placed somewhat haphazardly on a wooden shelf. Peto is adept in showing wear and aging on the old volumes.
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oncanvas · 4 years
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Office Board, John F. Peto, 1885
Oil on canvas 24 ⅜ x 19 ⅞ in. (61.9 x 50.5 cm) The Metropolitan Museum of Art, New York City, NY, USA
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pwlanier · 2 years
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Lights of Other Days
1906
John F. Peto
American, 1854–1907
AIC
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The Old Cremona, John F. Peto, ca. 1887–90, American Paintings and Sculpture
Harris Brisbane Dick Fund, 1939 Size: 16 x 12 in. (40.6 x 30.5 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/11762
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Card Rack with a Jack of Hearts, John F. Peto , c.1895, Cleveland Museum of Art: American Painting and Sculpture
Peto specialized in a type of painting called trompe l’oeil, which is French for "fools the eye." Trompe l’oeil painters strive to trick viewers into thinking what they see is real. Peto achieved such an effect by depicting items that in actuality are almost flat, such as the scraps of paper and clothtape letter rack. As a result, viewers cannot rely on spatial clues to distinguish between reality and illusion. Peto’s choice of objects creates evocative associations. Here the well-known Matthew Brady photograph of Abraham Lincoln carries with it memories of the president’s assassination. The jack of hearts, often used as a wild card, alludes to elements of chance and luck. In a humorous touch, Peto rendered a cigarette butt at the bottom of the canvas, making it appear to rest on the picture’s frame. The exact meaning of this grouping remains unclear, but Peto evidently saw his world as simultaneously tragic and comic.Peto was a master of the "rack picture," a type of trompe l'oeil ("fool the eye") painting that depicts, with scrupulous detail, miscellaneous scraps of paper attached to a wooden board by strips of cloth tape. Portrayed here is a letter-rack grid with a central X, inside which the artist tacked envelopes, cards, a Jack of Hearts, and a well-known Mathew Brady photograph of Abraham Lincoln. Peto began painting these pictures to decorate offices--as illusions of bulletin boards. Peto was something of a recluse and worked most of his life in obscurity, first in Philadelphia and later in the seaside village of Island Heights, New Jersey. He was devoted to battered lamps, old candlesticks, dilapidated books, and similar things. In this he ran counter to the taste of his times, which preferred still lifes of rich, rare, and fancy objects. His work thus failed to attract a large audience during his lifetime. Size: Framed: 95.9 x 83.2 x 4.4 cm (37 3/4 x 32 3/4 x 1 3/4 in.); Unframed: 76.2 x 63.5 cm (30 x 25 in.); Former: 95.9 x 83.2 x 5.7 cm (37 3/4 x 32 3/4 x 2 1/4 in.) Medium: oil on canvas
https://clevelandart.org/art/1973.30
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drbronnerbutch · 3 years
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TIMB BOMB - A Short Story 
1. Lois Dodd // 2. original writing // 3. John F. Peto “Oranges Wrapped”
[Transcript: I have a son I did not ask for. His eyes are like planets. His eyes are like big promises I can’t keep. I was in a parking lot and then he was in my arms. The leaves came down like it was war again, like they were warning us. Trees that had not been there were there, suddenly, wallowing into the sky like tall, uncertain children. And what were we thinking? The world is too old for children. It would be better for them to be born full grown, having left their jacket at home, having waited too long at the coffee shop. /End Transcript]
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