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Siouxsie and the Banshees in Japan, 1982.
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iamdangerace · 5 months
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Siouxsie and the Banshees 1981, photos by Alex Waterhouse-Hayward - Vancouver Magazine
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legendarytragedynacho · 11 months
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Siouxsie Sioux & John McGeoch during filming of 'Fireworks' video (1982)
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spilladabalia · 6 months
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Siouxsie And The Banshees - Halloween
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musickickztoo · 2 months
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John McGeoch † March 4, 2004
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thekingofgear · 2 months
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Jonny recording in the Control Room at Abbey Road Studio 2
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Earlier today, The Smile shared this photo of Jonny by Sam Petts-Davies on their official social media. Jonny is seen with his late-70s natural finish Gibson Les Paul Standard, a guitar he's used extensively for work outside of Radiohead.
The photo is quite similar to two others taken by Sam in the same room, as we've discussed previously. However, this one differs because it shows a few pedals. From right-to-left, we see the following:
Death by Audio Interstellar Overdriver
Boss DD-200 delay
Electro-Harmonix Stereo Electric Mistress XO flanger
The Interstellar Overdrive is a favorite of Thom's, and he even had two on his board at one point (one for guitar and another for bass). But this is the first time we've seen Jonny using one.
It's also the first time we've seen Jonny using an EHX Stereo Electric Mistress. Aside from a brief dalliance with a big-box EHX Polychorus (which he used more as a chorus) in the mid-2000s, Jonny has generally avoided flanger pedals through his career. Perhaps he's wanted to avoid sounding too much like John McGeoch (Magazine, Siouxsie and the Banshees), perhaps the guitarist who most influenced Jonny during his youth. According to Johnny Marr, "[McGeoch's] intention was to be modern and you hear that in the very deliberate choice of using the flanger on everything” (The Guardian).
But more recently, Jonny has been using an EarthQuaker Devices Pyramids flanger on performances of Read The Room. That's almost certainly the reason the song was briefly called It/Flangers. So it's very possible that this photo was taken during overdubs for Read The Room, with Jonny experimenting with new flanger pedals. The two pedals that are plugged in (Interstellar Overdriver and DD-200) certainly seem right for the track. There are several guitar overdubs, as we mentioned in our full analysis of the track, so it's easily to imagine the pedals being used for at least some of them.
Given that the Electric Mistress isn't plugged in, one can only guess whether it was used on the final recording. Perhaps Jonny opted to let Sam add studio (maybe tape) flanging to the finished recording. It's slower than tracking with the flanger added, but it's also safer since it allows Sam to lessen or remove the effect during mixing.
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jt1674 · 3 months
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drugst0re-c0wboy · 7 months
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John McGeoch performing with Magazine circa 1979
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valseorcstra · 23 days
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Siouxsie & John McGeoch Playing Guitar
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scrambledsignals · 6 months
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kickstarter
Kickstarter campaign to raise £40,000 for:
John McGeoch: The Light Pours Out Of Me
Feature documentary celebrating the life and musical legacy of a legendary Scottish guitarist who defined the post-punk sound.
Would love to see this seen through to completion - join me in sending a few ££ their way?
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guessimdumb · 2 years
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Magazine - Touch and Go (1978)
Magazine’s second single - they still hadn’t found their post-punk sound, with traces of Buzzcocks style punk rock still detectable. Fantastic stuff!
We are still cavemen Living in dark hearts
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cybershubunkin · 1 year
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John McGeoch’s SG1000 Yamaha guitar
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brusiocostante · 1 year
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I Wanted Your Heart (2007 Digital Remaster)
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spilladabalia · 4 months
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Visage - Fade To Grey
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