Ik 'hand in unlovable hand' has been memed to fuck but like it is honestly such a good lyric. The first time I heard no children and he sang that my brain went in on itself like a rotting pumpkin (complementary). john darnielle blow my balls clean off challenge 2k22.
Like many established artists, the Mountain Goats suffer from preconceived notions about their work. Grow popular enough or stick around long enough and, welp, suddenly you’re the villain. Whether the fans get in the way of enjoying the art, or the artist themself is simply too precious to be tolerated, there are any number of reasons one might avoid their work. Or maybe there’s just so many albums that you don’t know where to begin. Maybe you’re suffering from an oeuvre-dose?
Jenny from Thebes is a sequel to the Mountain Goats landmark All Hail West Texas. Jenny, who we first meet on that album, and who has been a recurring character in Darnielle’s work, returns. While Jenny from Thebes is a self-proclaimed rock opera, it defies the expectations of that genre inasmuch as it’s not a sprawling, self-indulgent double album. Moreover, it stands on its own.
As always, Darnielle can be a bit too expository lyrically. He creates vignettes with each song and sets them within the tableau of the album. What’s especially poignant about this chapter in Jenny’s story is how her home is a shelter for the vulnerable in her orbit. At a time when marginalized communities are under attack with little support from those meant to protect them, a rock opera about mutual aid sends a message that they’re not alone.
Honestly, more artists should record sequels to their earlier work. Unlike what’s happening in relentlessly serialized American cinema, there are characters whose lives we could revisit without veering into Forrest Gump territory. There are themes that evolve meaningfully over time. Dan Bejar did this with “Jackie” and “Jackie (Dressed in Cobras).” Those songs were written just five years apart. They’re excellent! The depth of the Mountain Goats’ body of work — and their rapt audience — lends itself to this kind of exploration.
Musically, it’s a straightforward indie record with the kind of production we’ve grown accustomed to over the last 20 years. It’s gorgeous. More artists should sound like current-vintage Destroyer and Lambchop. Or, failing that, that one really good Christopher Owens record with the saxophone motif. Horns and strings are good!
With Jenny from Thebes, Darnielle continues to redefine the scope of the Mountain Goats and his evolution as a songwriter and storyteller puts him in rarefied air.
Michael Shannon & Jason Narducy and Friends – Music Hall of Williamsburg – February 14, 2024
Brooklyn’s Michael Shannon and singer-songwriter and multi-instrumentalist Jason Narducy got to together to play R.E.M.’s universally acclaimed debut LP, Murmur, last summer in Chicago, celebrating its 40th anniversary, and it went so well that they decided to take their act on the road with the help of some very talented friends, drummer Jon Wurster, guitarist Dag Juhlin, bassist Nick Macri, and pianist Vijay Tellis-Nayak. And on Valentine’s Day, they closed out their brief February tour by playing the album in full at a sold-out Music Hall of Williamsburg.
Photos courtesy of Adela Loconte | www.adelaloconte.com