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#jonerys fan fic
qyburnsghost · 16 days
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The best thing about writing fan fiction , is being able to go back and reread the world you’ve created for comfort or escape.
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ashleyfanfic · 8 months
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Thank you for the NSFW recs! When you have the time, I would love to hear your favourite Jonerys slowburn fics 🔥
Oh slow burn. Alright, so full confession, I usually don't have the time for slow burn. It's infuriating sometimes because I'm like FUCKING KISS EACH OTHER and then they don't and it makes my anxiety fucking sky rocket!
BUUUUUT that isn't to say that there aren't fics out there that nail it to me. This is a small list of fics off the top of my head. Granted, most of these are modern AU because I guess, as a whole, this fandom just decided we're just gonna make them fuck right off the bat cause they both deserve it. I mean, there are a few that canon divergent - but show/book Jon/Dany deserved to fuck each other until they collapse. So, with that in mind, here they are in no particular order: (M for modern AU - C for canon divergent) Westeros' Most Eligible Bachelor by @muttpeeta - M After one too many public scandals, Prince Jon Targaryen agrees to be the new star of "Westeros' Most Eligible Bachelor." He just wants to clean up his act and change the public's perception of him as the black sheep of the family, but he might just get more than he bargained for. Enter contestant: Daenerys Targaryen. His aunt.
You Can Never Be Mine by @muttpeeta - C Jon Snow knows it's wrong to covet what his brother has. He's never begrudged Robb Stark his title or his claim as the heir to Winterfell. But when Daenerys is taken in as Lord Stark's ward and betrothed to Robb, Jon's honor is tested in a way he never expected.
Desirable Business by @dracoignisworld and @dragonanddirewolf - M - In 1960's New York, creative director Jon Snow is faced with a challenge. His new secretary Daenerys is everything he is not; kind, friendly and innocent. With her around the office, he finds it hard to distinguish between reality and his fantasies. There can be consequences to desiring someone you should not have.
Written in the Scars on This Heart by @jalenmara and @notpmahlem - M - Daenerys Targaryen, supermodel and face of House Targaryen, a rising star in the world of Fashion, is commonly known as the most beautiful woman in the world. And someone wants her dead. Jon Snow, running from the ghosts of his own past, lands the job any man would kill for— protecting her. But can he protect his own heart from her?
Where the Wild Things Are by @stilesssolo - M - Daenerys Targaryen has fought tooth and nail to get to the high-ranking position she has at Tyrell Outdoor Recreational Equipment, Inc, doing everything within her power to help the planet along the way. Jon Snow has a dog with over two million instagram followers, despite the fact that he can't figure out how to work the app to save his life. When sales drop enough to threaten Tyrell's environment-saving programs, Daenerys is determined to find influencers that can turn the tides for her company. And she has her eye on Jon. Or, well— technically, Ghost.
Her Life, Her Death by magicmoon11 - C - Swayed by the powerful words of a dying queen, Stannis Baratheon takes in baby Daenerys Targaryen as his ward. In the North, Eddard Stark is ordered to raise Jon Snow to wed and dishonor the Targaryen princess, by bringing bastard blood into her line, and ending the Dragons forever. Across the continent, and across the Narrow Sea, the wheel continues to turn, and the Great Game commences. Thus begins a series of events that would change the fate of Westeros forever. Familial relationship between gruff Stannis and his ward. Eventual Jon x Dany.
The Oasis - @fierypen37 - M - With uptight and stressed CEO Daenerys Targaryen's regular masseur on leave, she has to make do with the replacement Jon Snow. Relaxation is not something she can find with his hands on her. Too bad he doesn't feel the same. Except unbeknownst to her, he definitely does. When a threat on her life pushes them together, they must both learn to deal with their growing feelings.
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alwaysdaenerys · 8 months
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our great glory
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Chapter 18: Jon V
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first two chapters are up babes! -> (x)
A fun angsty AGOT au where Ned get smuggled out of King’s Landing to Castle Black - I wonder what sort of dramas could go on there 👀👀👀
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leesielex · 1 year
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Magic Awakens | CH 64: Jon Snow XVI
Summary: With Stannis at the Wall and the Lord Commander dead, the wars both North and South of the Wall have never been more dire. Jon must find a way to save as many as he can from the Others and bring the living together to fight against them. But will he be able to do that with so much animosity, prejudice, and strong personalities fighting for dominance and leadership? His dreams haunt him with death and destruction of those he loves and the Others taunt him even as he sleeps. (I still suck at summaries).
A Preview: They stood in the great hall, Jon watching the heated discussions from the back corner of the room. Stannis had summoned those nominated for Lord Commander to convene, as he grew increasingly frustrated each day that passed with no clear winner. Castle Black had become crowded and tense once the battle below the Wall was over.
The Free Folk that were rounded up were under guard by Stannis’ men in a camp just beyond the Wall. Mance was locked in the ice cells next to Tormund while he grieved for his wife, Dalla, who died during childbirth. Gilly now tended to him, raising him with her own.
Ygritte had escaped during the chaos with who knows how many, all scattered now and easy prey for the Others. They could only pray their people survived while they advocated for them to pass beyond the Wall.
Stannis had offered Robb a chance to take back Winterfell, even offering Val as his wife to unite the Wildlings to his cause and men. Robb had said his vows to the Night’s Watch before the weirwood, to the Old Gods, his father’s gods. To break such a vow would not win men of the North to his cause, and he doubted many would rally behind him after he led so many to their deaths. When they found out he still lived they would look upon him with contempt.
What kind of King of Winter did not die honorably beside his men? He told the King he named Jon his heir, and Jon swore no oaths. Stannis summoned him atop the Wall, escorted by his red priestess, Melisandre.
The woman was beautiful, no doubt, but her red eyes made him uneasy. He nearly jumped when her warm hand came to touch his cheek in the lift as they rode to the top of the Wall. She felt like fire, just as Dany did, but something was off about her. Her warmth did not bring him comfort; it did not make him feel whole, as Dany’s did.
Jon had refused the offer as well, though it was something he had dreamed of as a small boy, to be legitimized as a Stark and become Lord of Winterfell. But he wasn’t a Stark, had never been one, though his mother was. It felt disingenuous to take the name; like he would be spitting upon his parent’s tombs.
He sat upon his bed rereading the letters from his parents after he left Stannis. In them, he could see how proud his parents were that he was a Targaryen and of the name they had given him. He had read the letters so many times he had the words memorized. After many nights spent in his dreams with Dany, and many days spent immersed in the letters, he started to feel pride in his name and heritage.
His door burst open with a bang and had Jon scrambling to put the letters out of sight as he saw Robb stalk into his room. He barely had time to throw his furs over them before his brother was in front of him, his face red with anger.
“Why Jon? Why would you deny Stannis’ offer and not take back Winterfell for our house and family?”
“Robb, I can’t be Lord of Winterfell. You know this. That doesn’t mean I won’t fight to have it returned to House Stark,” Jon vowed calmly, trying to dispel the rage he felt rolling off his brother.
“They are boys, not yet ready to rule, and Bran a cripple at that. And Arya. I love her but a woman has never ruled the North and they would not take kindly to it. You know of my struggles to keep the stubborn and wild men of the north under control. Only you can do what needs to be done,” Robb pleaded.
Jon shook his head. “No, Bran ruled Winterfell in your stead. He was trained to do so. Rickon can be his heir, or Arya. I can advise or act as regent if absolutely necessary. But I’m not a Stark and I can not be named as such, nor can I rule the seat of power of the Stark’s.”
“Jon, you have always been a Stark. Our father’s blood runs through your veins, same as mine. He would want you to do this. I know he would.”
“I’m not, Robb. I have never been a Stark-”
“You have,” Robb yelled, getting in Jon’s face and grabbing his jerkin. Jon tried to remain calm though it became increasingly difficult. “You have to do this. You need to go back to Stannis and tell him you accept. Tell him you’ll be named as Lord of Winterfell, as Jon Stark. You’ve always been my brother so stop acting like a bastard and-”
At his brother’s words it was as if his last bit of control snapped. “I’m not a bastard. I was never a bastard. I’m not even your brother. Don’t fookin’ call me that again,” he told him as he pushed Robb off him.
At his brother’s look of shock and confusion, he realized what he let slip. He turned from his brother and ran his hand down his face as he walked towards the window, peering out. He heard his brother’s boots upon the stone floor as he approached, the only sound in the room.
Jon jumped at the hand laid upon his shoulder, but made no move to turn and face Robb. “Jon, I-” He felt the hand squeeze and heard a sigh leave Robb’s lips. “You are my brother, always. I apologize. I have made so many mistakes. It’s my fault we lost Winterfell and I pushed too hard for you to right my wrongs.”
“But I’m not,” Jon whispered, as he slowly turned to face his brother. They stood looking into each other’s eyes for a moment, trying to communicate without words. Jon wanted to tell his brother the truth but he feared what could happen if their conversation was overheard. Robb looked hurt and confused as he searched for answers.
There was one way Jon could show Robb the truth, without having to speak it, though he was reluctant to share them. They felt sacred somehow, private, but his brother deserved the truth. With a deep breath he walked to the bed, threw the covers away and picked up the letters and handed them to Robb.
“What are these? Some old parchments?” Robb asked, turning them over in his hands.
“Just read them. Father gave them to me when we visited Greywater Watch, before he left for King’s Landing and I traveled north to the Wall.”
Jon watched as Robb began to read, his face morphing from uncertainty, to disbelief, to anger and acceptance. Before finishing the first letter he stumbled over to the bed and collapsed upon it, his eyes never leaving the words written more than a decade ago. Jon sat down next to him and waited as he read the second, then the third, and the next and so on, never saying a word.
“Father lied to us, to mother, to everyone, my whole life. And you, you’ve known, all this time, and never said anything?” Robb accused, betrayal plain in his voice.
“To protect us all. For as long as the realm is at war, as long as a Lannister sits upon the Iron Throne,” Jon leaned closer and whispered in his ear. “Or a Baratheon finds safe quarter under the same roof as us, it isn’t safe for any to learn the truth. The more people who know the more likely it is to get out.”
Robb stood, handing the old time worn letters back to him. “I understand,” he replied tersely. “If you’ll excuse me.” He walked out of the room, never looking back.
Click here to read on AO3
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snowxstormworld · 4 months
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JonerysWinterWonderland2023 - masterlist
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Thanks so much to everyone who participated in Jonerys Winter Wonderland 2023! Despite the holiday season hubbub, you found time to celebrate our favorite couple Jon & Dany with your creativity, making the joyous season more festive for everyone.
And a HUGE shoutout to the #JONERYS fandom for supporting our artists by reading, reblogging, and commenting on their works. Here's to a Jonerys-filled 2024!
Below is the master list for #JonerysWinterWonderland2023:
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Day 1 - Holiday Magic; All I want for Christmas/Yuletide/Winter Solstice is You (Naked) 🎄 🎁 I wanna be your end game moodboard by @jupiterix 🎁 Tis' the damn season by @miss-celestia13 🎁 Yuletide fanart by @tatticstudio55 🎁 Winter Solstice is You fanart by @tatticstudio55 🎁 Til the End of Time by @evax3 🎁 Born as a dragon and raised as a wolf by @rhaegarblackfire 🎁 like the olden days, happy golden days of yore by @girlwithakiwi 🎁 All I Want for Christmas is You moodboard by @youwerenevermine 🎁 The Second Chance Holiday Club by @buttertheflame 🎁 A Perfect Christmas by @littledancer9
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Day 2 - There's no place like home for the holidays; A kinky Kris Kringle gift exchange🎄 🎁 Lover moodboard by @jupiterix 🎁 Secret Santa at the firm by @saltyd3 🎁 Wool to Brave the Seasons by @miss-celestia13 🎁 Annual Night's Watch Brewery Yankee Swap by Lemonzest111 🎁 A gift for Principal Targaryen by @rhaegarblackfire
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Day 3 - Baby it's Cold Outside; Who needs Santa when you have me?🎄 🎁 King of My Heart moodboard by @jupiterix 🎁 Yours First - A Christmas Special by @libradoodle1 🎁 An unexpected rescue by @rhaegarblackfire
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Day 4 - Kiss Me Under the Mistletoe; Ice & Fire; Naughty & Nice🎄 🎁 So It Goes moodboard by @jupiterix 🎁 A bride for the King in the North by @rhaegarblackfire 🎁 Love Story fan video by @axdragons
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Day 5 - Cheers to the New Year; A sexy sleigh ride; free choice🎄 🎁 Meet me at Midnight moodboard by @jupiterix 🎁 Christmas Cookies fan edit by @libradoodle1 🎁 Enchanting Holidays by @saltyd3 🎁 Dashing through the Snow fic teaser by @magalidragon 🎁 ...Peace by @jellybeanficwriter 🎁 Fake it Till We Make It by @rone-of-house-targaryen 🎁 Happy New Year moodboard by @youwerenevermine
*credit goes to @youwerenevermine for the beautiful headers. We love your creative flair; thanks for always making us so extra!
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sayruq · 7 months
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99 percent of the shit Arya stans do/say is in reaction to Sansa stans and it's not even funny anymore lmao, like it's actually concerning. My favorite in recent memory is how Arya stans saw Sansa fans becoming fans of/defending Alicent and now all of a sudden Arya fans just loveeeee Rhaenyra and Team Black (after not giving a single fuck about her or any of the Fire and Blood background targs) and are now writing and sharing metas about how evil and misogynist the Sansa/Alicent stans and how Girl Boss Slay Rhaenyra is lmaoo. Truly living rent free in their minds.
This coupled with the Dany stans who used to talk shit about Rhaenyra back in 2018 and 2019 and would write posts saying Dany was a good queen whereas Rhaenyra was lazy and incompetent but now Dany stans have latched onto Rhaenyra and have included her alongside Dany at the head of the Wronged Dragon Queen Slay Girl Boss Martyr Table is fucking hilarious. LMAO.
My favorite in recent memory is how Arya stans saw Sansa fans becoming fans of/defending Alicent and now all of a sudden Arya fans just loveeeee Rhaenyra and Team Black
They did this with Dany. It's been a long time but I definitely remember when the anti Dany tag had more Arya fans than Sansa fans. They only started to switch when S7 aired and it became obvious to everyone (even those in denial) that Sansa wasn't going to be riding on the Jonerys/Targ restoration train.
This coupled with the Dany stans who used to talk shit about Rhaenyra back in 2018 and 2019 and would write posts saying Dany was a good queen whereas Rhaenyra was lazy and incompetent but now Dany stans have latched onto Rhaenyra and have included her alongside Dany at the head of the Wronged Dragon Queen Slay Girl Boss Martyr Table is fucking hilarious. LMAO
I def remember this too. This need for Dany stans to pretend they like every single Targaryen is new (and strange). Rhaenyra was very unpopular before the show aired and I personally don't think she's popular now so much as the audience recognising that she's a protagonist (alongside Alicent). The fanbase is more interested in writing Daemon/Aemond/Aegon reader fics than anything to do with Rhaenyra. I actually only see her in posts that are more to do with Team Black as a concept than Rhaenyra herself.
Anyway HOTD content is nothing more than GoT fans fighting over the same shit they've been arguing over since 2017. I can't say I blame them, it isn't like the show's writing can inspire any real passion.
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terrainofheartfelt · 1 year
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Gossip Girl Appreciation Week | Day 6: AU
The Grossly Indulgent Pop Music AU I will never write:
Inspired by one of the only Jonerys fics I like. 
Not quite a fic, but not not a fic, here’s an unhinged idea that grabbed hold and wouldn’t let me go. The music is a loose jumping off point of inspiration, in that all the characters have one or two artist equivalents. I use their music as the characters’ work in this universe. So it’s like an AU of pop musicians’ lives, but not really, since I don’t know their biographies, just their music. It’s fanfic, you know how it is.
Enclosed beneath the cut you shall find: dairfair, negatively painted jenny/damien & chair, some positive jenate, and a inkling at my newest ot3 vanessa/aaron/serena. And lots of opaque music references.
image sources: (x)(x)(x)(x)(x)(x)(x)(x)(x)
Blair and Serena come up in a lab-grown pop girl group in their teens (sample track here), but break off for their own solo acts after a few years. They have a friend breakup after that. Diss tracks are written. (Inspo: Honey & Bad Blood) the final (supposedly) proverbial nail in the coffin of their friendship is when Blair marries record label exec Chuck Bass.
(Needless to say, Chuck is a piece of shit. Living off family money and power, using his title to back young women artists into a corner. Blair thinks she conquered the beast by putting a ring on it but, well, you know.) (While Jenny Humphrey is coming up she’s one of the artists Chuck harasses. She refuses to sign with his label and tells him to fuck off.)
The rumors as to why their girl group break up run wild, and they mutate with each tabloid run, growing more and more ridiculous, but, like many rumors, they did spring from a small seed of truth. 
Blair was ambitious, and always used the act as an opportunity to set herself up for a solo career. Serena was her best friend, but whereas Blair had to work hard at everything that came with this job, it was like Serena didn’t have to try at all. She was the darling of the interviews, of the fans. The favorite on the covers of magazines and music videos. Serena was getting solo offers since their debut, but turned them down, until she didn’t. 
Their group toured with a team of dancers, also all carefully selected by the label. Nate Archibald was one of the fan favorites, and the label quickly paired him and Blair together for publicity. Blair was always just a little more invested than Nate was. He wasn’t even sure if this career, this lifestyle was what he wanted, but Blair was more than sure, was constantly working to get ahead. But the label kept them together, until they figured they could pair Nate with Serena instead. (And Nate didn’t fight it, because he’d always carried a torch for Serena anyway).
It wasn’t the first fight between the friends, nor the last, but it was the big frisson that they couldn’t come back from. The group held on for another album, but it was clear that they couldn’t go on. Blair and Serena signed solo contracts, and Blair got close with Chuck Bass, and that was the final straw for Serena. 
Nate tried to stay friends with both of them through it, but he was also coming to the conclusion that he didn’t want to keep up this lifestyle. He quit performing to go to school, and he found his niche teaching dance to kids—not at a university level, not with the intention to make future professionals, but just to young people looking for something to love. It suits him, and he becomes a reality check for his two high profile best friends. Or he tries to be, but their lives keep pulling them away from New York, so he sees them less and less.
(The other two members of the group move on to other adjacent things. Kati founds her own fashion label—available in Targets everywhere!—and Iz becomes a judge on one of those America’s Got It Factor Talent Shows).
Post girlgroup, Serena runs a Kesha-like life, pop hits made for club dancing. Her character is much more glittering and reckless than Serena might prefer to be, but she’s in the game so long that it sort of – becomes her from time to time.
Serena works tirelessly, keeps trying to break out of her brand of the out of control party girl, but her label, the one she was brought up on, founded by her maternal grandfather, wants her to keep making what sells. Her brother Eric tries to fight her corner, but he’s only a junior employee. After a handful of solo albums and years of endless touring, she burns out. Eric gives her a place to be and rest, and she tries to figure out what the hell she’s going to do. She wants to make more music, but of what?
Blair is taylor-esque, clinging to her brand of The Good Girl from her teen career into adulthood. The reputation and her general effervescence add sparkle to the Bass brand, clean it up a little. It’s a symbiotic business relationship, until it isn’t. 
Chuck progressively tries to exercise more control over the music she puts out, to the point that Blair just…doesn’t. Her last album under the Bass label is the one she released with tracks that allude to their relationship, her victory lap for landing the billionaire bachelor whale, as it were (Style, Wildest Dreams, Wonderland, I Know Places). She’s more clever than some give her credit. For example, the tongue-in-cheek “Blank Space” belies an artistic self-awareness. Which is why, even though they aren’t in the same genres, Jenny Humphrey respects her. 
Speaking of Jenny: the Humphreys!
Rufus Humphrey, frontrunner of the early 90s outfit Lincoln Hawk, enjoyed a good run when his kids were little, then a less lucrative run as a solo artist, before he finally settled into producing. He runs a small, proud independent label with his old bandmate, and they pride themselves on supporting talent that the bigger corporate labels pass over. Both his kids, Dan and Jenny, make music with him. 
They grew up playing piano, then graduated to guitar, then spiraled on from there. Dan joins his first band when he’s sixteen, playing keys for his best friend’s big sister’s band. Ruby Abrams and her bandmates affectionately call him an honorary lesbian, and after gigging with them for about a year, Dan comes out as bi. (his three sisters: Jenny, Vanessa, and Ruby, are already out)
His best friend Vanessa is also a musician. She tries to go the classical route, wanting to usurp her parents’ and her sister’s expectations, but ultimately finds her happy in the indie folk niche that Rufus curates. (Think Lucy Daucus & Maya Hawke) Vanessa’s favorite instrument is bass, but she can find her way around a keyboard or guitar. 
Jenny is the real prodigy, though. She has her guitars and piano and even a mandolin, but she’s restless at sticking to just one sound, so she experiments with them all. Fulfilling, absolutely, but it’s a long time before she puts out a full length record. 
Dan and Jenny’s parents break up while the kids are in college. With Rufus touring as much as he was when they were young, Alison did the heavy lifting raising them, and now that they’re grown she kind of – has a Mom Drop. She moves back home to the Bay Area, and Dan ends up following her to California, needing to get out of New York and get some distance from his dad. 
Jenny stays in New York, taking classes, making music. She starts dating a much older artist—he’s not on her dad’s label (which is part of the appeal) —but he has a complimentary sound. After the mess that was her model gf Agnes, Jenny is hoping for something steadier, but that’s not what it becomes. Being with Damien Dalgaard, darling of the Guy with Guitar genre, ends up being more of a mindfuck. (John Mayer. Damien’s basically John Mayer.)
Rufus tries to put his foot down (even though Jenny’s an adult) and Vanessa tries to help, but it’s one of those things where the toxic relationship just has to run its course, even if it puts Jenny into major spotlight for the first time. It’s rough on her, but she makes it through and out of the relationship. And, at least she comes out of it with enough material to graduate from EPs and make for her first full length album: Badlands.
Jenny starts out this au Halsey-like, but evolves her sound back to her rock folk indie origins, a sound like Julien Baker. 
Meanwhile, Dan tries his luck as a musician on the West Coast, immersing himself in the scene there. He joins the roster of another band, and has enough skill to make income as a session musician to cover the difference, which leads him to another band. He still tries writing, but he’s so busy making other people’s music come alive that he doesn’t get far. 
At one concert or another he bumps into Serena van der Woodsen. She’s fun, and smart, and stupid hot, and more miraculously, she is into him. They date for a while, but her life in the spotlight as a partying popstar gets more and more chaotic, and Dan can’t keep up, and he’s not really sure he wants to. The break up amicably, but it still stings enough to generate some songs, ones he doesn’t have time to record. 
He keeps dating around. Serena sets him up with one of her friends, an actor, Carter Baizen, but he works so much too that it doesn’t go anywhere at the time. And then, there’s Georgina,
At the beginning, Georgina the heiress from Bel-Air just seems like another in a line of innocuous bad decisions Dan’s made since moving to LA. She’s crazy, but she’s hot, and fun, and it’s a good time until it fizzles out. 
Then, months later, when Dan’s offered a spot in a backup band for someone, Georgina shows up at his door, pregnant. 
The Milo plot unfolds, Dan steps away from his music, works only on what will pay bills and keep life stable for the baby. Georgina flakes, and flakes, until she doesn’t, until she decides to tell Dan the truth about Milo’s paternity and take him with her, all the way back to her parent’s mansion in Connecticut. 
After everything, his parents, Serena, Georgina, everything going on with Jenny, Dan just kind of…breaks. He deflates, struggles, holes up in his crummy apartment on the eastside of Los Angeles until Vanessa bullies him into coming back to New York. 
Being around each other again helps the Humphrey siblings reset. Jenny is already promoting Badlands, and Dan becomes her roadie, proudly cheering her on from the sidelines, even while the contents of her lyrics are absolutely gutting. 
He keeps trying and failing to write, until both V and Jen tell him that he’s trying too hard to “make it into something.” Jenny just tells him to write and see what comes out, and however it sounds, it sounds. 
 So he does. It’s not quite the folk his mother raised them on, or the 90s rock of their dad, or the punk that Dan’s been a support player in all these years. It’s softer than that, but more jagged too. But he plays a demo for Jenny and Vanessa and keeps on going. 
Jenny is a big believer in using songwriting as some sort of “exorcist.” Spit out all the bad shit, pour it into a song, put it into a vessel that doesn’t hurt you anymore. Dan’s style is a little bit different from his sister’s. She’s braver than he is – is okay to take her emotion and throw it out into her singing, but Dan thinks he might not be that tough. 
For example, the stuff about Milo, Dan can’t even say it directly. He writes about it sure, but it comes out a mess, until he’s not sure if he’s talking about himself, or Milo, or even Georgina. He can’t even bring himself to mention either of them by name, just names a song after an approximation. Georgia. He also writes his first of many storytelling songs: You Missed My Heart.
He gets enough positivity from the demo for a record deal, and the leading single, Motion Sickness, does better than Dan thought it would. He says it has to be because there’s more residual interest in one of Serena van der Woodsen’s exes than he thought. Jenny and Vanessa share a look, because he really is that good though. 
And after years of work behind the curtain, Dan Humphrey is getting vested interest in his own songs, and what’s more, he’s written something worth singing. Stranger in the Alps launches an entirely new phase of his career, and, as it turns out, his personal life. 
Blair doesn’t travel in the circles of the mid-level artist, but at a festival, purely by chance, she ends up in Dan Humphrey’s car. 
It’s not Dan’s first festival gig, but this is definitely the biggest, and the best spot he’s ever gotten in a lineup. The true sign that he’s on the up and up, though, is that he’s provided transportation. 
After sound check before his gig, he’s herded back to his car, to go back to his hotel before he goes on later tonight.
But then this girl gets in with him. 
Blair had had it with her handler (her husband’s goon), and paparazzi were starting to catch the scent—as far as the public knew, she still had the perfect fairytale dream marriage—so she co-opted this nobody indie guy’s ride as her getaway car. 
Dan’s bewildered, and irritated, but also kind of charmed. It’s a nice break in the routine, accidentally kidnapping a princess of pop. 
He invites her to see his set, which she scoffs at, but she googles him as soon as she’s back in her hotel room. And then, she pulls strings so she can watch his set from backstage. (He covers “I’m on Fire,” and she absolutely does not think that it’s hot). 
They have a drink in the green room after, and don’t stop talking until a festival staff person kicks them out because the venue’s shutting down for the night. 
AND SO IT BEGINS. 
She arranges for him to see her headlining set, and then after, she asks him what he thought, and he tells her. Like, actually tells her. She’s a good artist, with talent, but she keeps dumbing it down, and why? 
He essentially says she’s better than this, and she tells him to fuck off, and tells him that just because not every single one of my songs is about angsting alone on the bedroom floor doesn’t make me shallow, Humphrey. (and that’s his Moment.)
She’d been after compliments, some vague idea that he’d be blown away by how good she is, and she’d get a positive review for once. Which is so stupid, why should she even care what a nobody like Dan Humphrey thinks?
But he is not a nobody, not anymore.
She looks him up after the festival. His star is definitely rising. A child of nepotism, his father was in a popular band in the late 80s and early 90s, and so Dan and his little sister grew up close to the business. Humphrey’s been in a couple bands since he was sixteen (started young like her), but after those broke up, and a couple lost years that google can’t account for, he released a solo album and just like that, people are paying attention, beyond just the indie bubble. 
Blair recognizes his sister, Jenny Humphrey, and even has one of her albums saved in her library. Not something Blair would make, but it’s decent. 
She digs a little more, trying to figure out those lost years, but comes up empty. She does find, however, that Humphrey famously dated Serena a few years back, Google is rife with paparazzi photos of them in LA. And he accused her of making shallow music? Serena’s solo work is nothing but her belting about parties and drugs and sex to heavy beats. Club music. Music to have parties, drugs, and sex, too. 
Finding out his history with Serena is enough for Blair to write off Dan Humphrey as a hack, an aberration. A way to pass the time at a festival gig and distract herself from her own life. 
But, Blair finds Dan Humphrey is becoming increasingly unavoidable. He’s doing one talk show appearance while she’s at another studio a few floors up. He’s moved back to New York, he tells her, just until he goes on tour again. He invites her to a show, at some dive in Brooklyn she’s never heard of. For that, she nearly doesn’t even go. 
But then, she does. 
For security reasons, she sneaks in the back, aided by her assistant Epperly, and watches from the closet that counts as a backstage. It’s an acoustic set, and Dan plays arrangements of his solo album (that she absolutely did NOT listen to), plus some covers. In fact, he covers one of her songs. “Blank Space,” mashed up with “Stand by Me.” He introduces it by saying, “I really love the melodies in this song, I think it’s just really good melody writing.” And it feels like…an apology. 
They keep meeting up, but now, it’s on purpose, not accidental. They’re both in New York for the time being anyways, Dan is getting some rest before the European leg of his album tour, and Blair is supposed to be working on a new album before her own, but she’s got…nothing. Less than nothing. And Chuck knows that, which means it’s harder and harder to have him around. 
Besides, there’s no rule that she can’t have friends. Honestly, with how her career is, she doesn’t really have any. There’s Epperly, and Dorota, maybe Nate. She’s married, but she’s not sure she would call Chuck her friend. 
She and Dan though, they have a real connection. And they can be just friends. 
Since she has absolutely no new songs to record, she leaves for Europe a couple weeks early, she tells Chuck it’s to visit her parents in Paris and get inspired, but then, at the last minute, she changes her itinerary, and goes to Dublin instead, where Dan’s first gig is. 
Blair’s been letting herself and this friendship live in plausible deniability, but as she’s learned more about Dan, about the kind of person and artist that he is, she knows that isn’t really his thing, and when she appears at his show in Dublin, he refuses to let it go, and Blair, worn thin by…literally everything else, can’t keep up the denial anymore, and tells him to bring her back to his hotel. 
It’s a mistake, it’s such a mistake. Blair’s life is already precarious enough as it is. Chuck’s label owns her contracts, her catalog, and basically her. She’s been over and over it, and can’t see a way out. She wanted to be on top, and that was the price. 
But, Dan. 
Being with him feels like waking up after spending her entire adult life asleep. She’s excited about music again, about making something. She writes, then hides it all away, because she can’t record songs about being in love with someone else on her husband’s dime. 
She has her tour, and Dan has his, but they meet on every overlapping date. Sometimes she’s so tired after a concert all she has energy to do is sleep in his arms, but even that stolen time feels sacred. 
When their tour legs end, Dan tentatively asks if it’s the end, but she really doesn’t want it to be. 
He’s back in New York City at first, so that’s easier, and harder, because Chuck is there too. Thankfully, Blair’s sales were high enough that she’s in his good graces, and when she slips away it’s easy enough to say she’s working on something new. She practically sees cartoon dollar signs flash in Chuck’s eyes when she does. How she ever thought that this could be her happily ever after, she’ll never know. 
She and Dan talk about that, about living in stories and wanting fairytales but being smacked down by real life. She tells him that she doesn’t feel like she belongs to herself anymore, how she doesn’t want to write anymore if it means that Chuck will profit off it, but if she walks away, all those things she believed, promised, sung, was all of it for nothing? 
She wrote love songs about Chuck, for Chuck. Her life’s work is tangled up in him, and she’s not sure she wants to pull away from all of that, much less if she even could. 
Dan tells her about Milo, about loss, about the shadow his father cast and how hiding in it was safe so he didn’t try to break out of it, but now he’s out. He talks about loving his parents but resenting them for not staying in love, and resents himself for falling out of love in the past. 
“What did you do about it?” she asks him. 
He waggles his eyebrows at her, and reaches behind him to grab his guitar. 
It’s unfair, she knows it’s unfair. Blair comes to rely on Dan too much, to center her, to hold her, to love her even when it’s not his place. But she keeps going to him, and he’s always there, arms open. 
He’s writing about her. She knows before he even tells her. She can sense it sometimes, when he’s looking at her, and she just knows he has lyrics running in his head. 
But it’s unfair. He’s bicoastal, going to and from LA for gigs and appearances. When he’s gone, Blair does her own, always beginning and ending with paparazzi shots of her on Chuck’s arm, smiling like she’s still in love with him. Her heart belongs to someone else now, but she’s afraid she’s in too deep to break away. 
In the meantime, Dan, Jenny, and Vanessa come back to their roots: each other, and decide to do a project together, write an EP (boygenius. It’s boygenius). They have a fair mix of songs, and all of Dan’s lyrics are fed by his relationship to BLair, that he’s told no one about, but it bleeds out of everything he writes. They’re approaching an impasse, he can feel it, but selfishly, he wants to avoid it as long as possible, to keep her as long as possible. 
In addition to his EP with Jenny and Vanessa, Dan has a deal for a next record, and a handful of songs to put on it already. When he’s in LA, he’s working on his own music, and when he’s in New York, he’s either working with Jen and Vanessa, or he’s with Blair. 
But it can’t last. Blair is feeling the pressure from Bass Records, and if she were to get caught in an affair, or separate from Chuck, Chuck would hold her catalog hostage. Her entire life’s work wouldn’t be hers anymore. And maybe Dan’s right when he says that she can’t stay with her husband, but she’s right when she says she can’t leave him either. 
She can’t even record new music for the label either, because everything new she’s written is covered in Dan. She even wrote a song about that. She is covered in him. 
But Dan has his own wounds, and they make him push, and push, and self sabotage, and after one gruesome, draining fight, Blair calls it off. 
In the meantime, Jenny and Vanessa are doing work of their own, on their music and on themselves. 
Vanessa plays her solos up and down the east coast, through the Midwest, and back in New York. Through Rufus, she meets Aaron Rose, a jack-of-all-trades of sorts. Like Rufus, he was a musician first, but mostly works now as a producer. They hit it off, and after working on a thing or two, they start dating, but only casually. After several years and multiple musical acts, Aaron’s star as a producer is rising, and he’s working with bigger and bigger names. 
Jenny is still healing from all her garbage (Agnes, Damien, etc.), and the music helps, and the project with Dan and Vanessa does too—it’s an excuse to reconnect with each other, and she becomes close to two of her favorite people again. It helps. As does the therapy, and all the other things she does. 
One such thing, recommended by her therapist and her parents, is to do creative things that are outside of her purview as a musician. She’s always sort of been into fashion, so she gets into sewing, into designing her own looks. And when that’s not active enough, she puts in time at the dance studio in Brooklyn where her mom used to teach, where she took classes once upon a time. 
She isn’t interested in lessons, or classes with other people, but the owners still know her, and love Alison, so they’ll give her solo studio time when she asks for it, and one afternoon, one of their new staff walks into the wrong studio. 
Jenny kind of bites his head off, but he kind of likes that. He says his name is Nate, he’s the new hire to take over the beginner classes. And — he’s hot, obviously, but Jenny is on permanent hiatus in that department. Not that that stops her from looking. 
But after that first meeting, Nate is just always around, and Jenny doesn’t really want to deal with all the shit that having him around kicks up within her, but she likes hanging out with him, so she tells him – firmly – that she only wants to be friends, and he respects that. What a thing, to have a guy respect her boundaries. 
She keeps putting it all in her music, Turn Out the Lights doesn’t make the same splash as Badlands, apparently people care less the more distance she puts between herself and Damien, but Jen decides she’s okay with that. 
Reeling from another heartbreak that Dan can’t really talk about, he puts it into his music, in the EP with Jen and V and in his new album. His sophomore solo album, Punisher, comes out to a great reception. Well, great within the small circle of people who actually know who he is. 
The gigs that began with his debut keep rolling in, late night shows, radio appearances, festivals, and now mixed in with those are engagements for his act with Jen and Vanessa. To his surprise, people are interested in that music because of him. He doesn’t know how to feel about that. If you ask him, Jenny and Vanessa are way better at what they do than he is. 
Dan’s public profile grows bigger and bigger, but Blair can’t be happy for him, because it makes him increasingly unavoidable. She refuses to listen to the new music he releases, she’s afraid it’s too cruel towards her, or worse, it’s too kind. 
But, just like their accidental first meeting, she stumbles across a single he put out after the new album. Typical Humphrey. A goddamn overachiever, kept on writing even after the album was done. She didn’t mean to see it, but she was scrolling through All Songs Considered, and there he was, talking about Audrey Hepburn, of all things. 
There’s this line in the movie Sabrina, where she says “I have learned to be in the world and of the world, and not just stand aside and watch.” And that’s really what this song’s about, about falling in love with a person because they’ve taught you how to live, how to appreciate everything the world has to offer. And there’s – there’s a tremendous amount of joy in that, but there’s also fear, because gaining that now means that it’s possible to lose it too. So – I guess this is sort of trying to reconcile those ideas within a song. 
Blair listens to “Sidelines,” and it makes her so angry that she scribbles off a song idea of her own, because he still doesn’t get it. He meant her while she was in the middle of running away, so why won’t he just let her run?
She worries fleetingly about getting caught, because Audrey is her thing, and Dan knows that, but Audrey is a ubiquitous enough icon that no one but she would ever make the connection. He’s good at that, Dan is, of coding a message to her that only she could understand. It’s the same skill that makes him such a good writer. 
Blair writes songs because she can’t help it, but she won’t record them. A new album would mean adding to Chuck’s empire, and the thought of Chuck owning these songs too, the only things of Dan she’s allowed herself to keep…she can’t stomach the thought of it. 
She’s stayed with him to protect her work, but now her work is dead on arrival because of him, and that’s really what drives her decision to divorce Chuck. 
She has to do it carefully, of course. She sets up a place of her own to go to in New York, moves in all the things that mean the most to her. Puts her notebooks in a safety deposit box—just to be sure. And, finally, she reaches out to her mother, to get a recommendation for a divorce attorney familiar with entertainment law. 
On a first impression, Cyrus Rose doesn’t look like much beyond a short, ebullient, overly cheery middle-aged man, but Blair quickly learns that when he’s practicing law, he turns into a bulldog. He fights for her and for her work so fiercely that for a little while, Blair lets herself believe that it will all come out her way. 
But there’s all the media coverage, and it paints her out as a bitter, gold-digging, ungrateful woman, villainizing a man who doesn’t deserve it. It pisses her off to no end, but Cyrus tells her to hold her silence, and she trusts him, so she does.
In the end, Cyrus is able to get her out of her marriage and most of her contract with Bass Records. She’s not destitute, she still has her family money, and a comfortable settlement, but Cyrus is ultimately unable to save her music. Bass will still own her masters, and the residuals from those masters. It’s that that breaks her heart the most—more than how quickly Chuck turned the media cycle against her, more than how many people followed his lead, more than the evidence Cyrus discovered of his multiple affairs, of his mismanagement of the company—but that her work cannot belong to her, that hurts the most. 
But, bulldog that he is, Cyrus digs out a loophole. Since going solo, Blair has been the prime writer of all her songs, which gives her the legal right to rerecord her masters. So while she can’t stop Chuck from doing whatever he wants with her old work, anything she makes now can be entirely within her control. 
She just has to find someone willing to work with her. And who she trusts enough to work with. 
Worn out, Blair retreats from the public eye, it’s lonely, but thankfully, not too lonely. 
The divorce process set Blair to looking back at lots of her life, at things and people she wishes she had handled differently. After she privately filed her petition, she reached out to Serena, and, miraculously, Serena answered. 
Before anything else is fixed, Blair and Serena’s friendship is fixed. They reconnect, because everything they’ve been through, together and apart, has made them want to focus on what matters, and what matters is each other. 
They talk all the shit through, Blair’s marriage, Serena’s struggles, their respective creative blocks. They start appearing in public together, and the tabloids gobble that shit UP.
Serena is working on a comeback record of her own, her first since burning out with her grandfather’s label. It’s zany, and bright, but doesn’t shy away from the heartache she’s been through. It’s so incredibly her, that Blair can’t help but love it. She loves it, no matter that the liner notes give credit to a Dan Humphrey on a few tracks
Free from Bass Records, Blair wants to work on a new album, but she’s unsure of where to begin. Serena offers to introduce her to this producer she’s been dating (out of the public eye for a change), Aaron Rose. 
Blair doesn’t quite know what to make of Aaron, of his music, of his open relationship with her newly restored best friend, but she looks up his previous acts and thinks…maybe working with him could be the change her sound needs. 
Dan is moving in—if not the same—adjacent circles to her. Enough so that she can’t get him out of her head, can’t get over wanting him. She spills the whole thing to Serena, who she knew was also Dan’s ex, but didn’t know that they were still friends. Serena tells her to stay optimistic, Blair says Serena just thinks that because she’s okay sharing a boyfriend. 
Her engagements have been sparse, she’s not wanted many, and not many have wanted her, but Austin City Limits is still on her calendar. In the promotional materials, they highlight her on one stage, and Dan’s band with Jenny and Vanessa on another. 
She doesn’t intend to seek him out, but fate conspires against her, and they end up thrown into the same green room. Again. 
Dan doesn’t want to want her anymore. His career has forward movement and even if the music he makes is about her, the people who like it don’t know that, nor do they care. They care that it’s good. His career is good, he’s been dating Netflix Original darling Carter Baizen for months now, happily and uncomplicatedly. (Serena put them in touch, then one dm led to another, and it’s nice). Not that Carter doesn’t have his own damage—no one in LA is without damage, but they can forget about their damage with each other. It’s not love, but it’s not not love. 
Dan doesn’t want to want her anymore, But, oh, he does. 
They nearly miss their calls—his set, her soundcheck—while talking (well, talking, fighting, kissing, then talking some more). But they fulfill their contracts, and just like it started three years ago, they end up backstage after their shows, drinking, and talking, and talking until a harrowed stage manager is begging them to leave. 
Dan sets a limit, makes himself go back to Jen and Vanessa, instead of going home with her, but he says he’s going straight to New York after this, and asks if she’ll be around. 
Blair says yes. 
After the divorce, Blair sold off the real estate she’d kept from her marriage. It was all too haunted, too high up, too far from reality. While looking for a new place, Epperly showed her a listing for a remodeled carriage house in the West Village; Blair would have bought it sight unseen if anyone but Epperly had been there. 
Back in New York, Dan invites her to a secret acoustic show he’s playing near NYU. She goes, of course, and this time, when she asks him to come home with her, he says yes. 
It takes time. For them to trust each other, and reconnect. But they do, and Blair feels like her life is finally making sense. 
She and Dan take one day, one step at a time, in secret, for both their sakes, and meanwhile, she, Epperly, Cyrus, and Aaron negotiate a new contract with Rose Records.
Her best-friendship, record deal, and love life all fall into place, and then Blair is writing like never before.
Aaron is….unconventional, and doesn’t let her push him around, which she finds infuriating, not for least of which is the direction he wants to take this album. She fights it at first, but if she really does want to make a departure from the pop princess songs she was generating, maybe following down his path is not the worst idea. And if she hates it, then she can just walk. 
It’s still pop, but it’s bigger, less bubbly and more….glittering. It’s….darker isn’t exactly the right word, but like she’s not trying to be the Good Girl anymore. It’s just crafting a record that’s hers, one song at a time. 
She offers Dan the option to co-write, more than once, but he turns her down. Not because he doesn’t care, but because this is the first time the music she’s making entirely belongs to her, and he doesn’t want to get in the way of that. 
“Church and state,” he says one late night in her cozy house on Cornelia Street. 
“And which one’s this?” 
“Church,” he answers immediately before kissing her. “Obviously.”
Speaking of church and state, and despite their expectations, they’re able to keep them out of the public eye. Blair’s friends know, and Dan’s family knows, but no one else does. By some miracle, they keep out of the tabloids. Blair keeps working on her album, Dan keeps working with his sister and best friend. They go out into the world and make music and go home to each other at the end of the night. 
Blair and Aaron Rose make a surprisingly good time. They finish the album fast, and nine months after Blair’s divorce from Chuck and Bass Records, reputation drops. 
She has a whole slew of promotions to do for the release, but that midnight, she and Dan open a bottle of wine and listen to the whole thing start to finish. (“Church and State, honey, I’ll listen when it’s done,” he’d said). He’s a fan. 
She and Aaron were both intent on it not being a “divorce record,” but it is about her, exploring who she is as a person and an artist after her carefully constructed life fell apart, and about the love and truth she found in the wreckage. It's not a divorce record; she never point blank references Chuck, or their marriage, but the argument could be made that there’s a rebuke against him in every track. Even in the love songs she wrote about Dan, her writing of him is an antithesis of who Chuck was as a partner. The most pointed tracks are even able to claim plausible deniability. There are some people on the internet, though, who criticize the single “Look What You Made Me Do,” as a phrase habitually used by abusers, to which Blair says (in private, of course): “Yeah, that was the whole fucking point.”
The album doesn’t out perform her Bass releases immediately, but no one denies that the Queen B is back, she charms on late night shows, radio spots, and a months-long tour kicks off with high sales. There’s another legal fight about her having to pay for the right to perform her own songs on the tour, and as infuriating as that is, Blair is restored at having herself as an artist back. 
Of course, to the public, the addressee in many of the songs is a mystery. Who is “Gorgeous” about? Or “Dress”? Or “Call It What You Want”? Many a pop culture think-piece is written on the topic, but no one guesses right. The most popular theory though, since they appear in public so often nowadays, is that Blair is dating Serena. It turns out to be a pretty good cover for keeping their real relationships private, so they play it up. 
(sidebar: in the effort to hold of the Divorce Record allegations, Aaron had her tweak the bridge in Gorgeous, the original lines she demo’ed for him were: you make me so happy it turns back to sad / there’s nothing I hate more than what I can’t have / guess I’ll just stumble on back to my man / unless you want to take me home)
(It’s actually a testament to the loyalty and restraint of the people around them, because Blair and Dan are shit at being subtle while they’re together. )
Speaking of the people around them, it’s a bit hilarious how their lives all intertwine and overlap. There’s Dan’s sister, who’s hated Blair’s ex-husband for years, and who’s now decidedly not dating Blair’s ex-boyfriend. (“Just friends,” she and Nate insist to anyone who even comes close to asking, but Blair thinks they doth protest too much). And there’s Blair's best friend who was her former nemesis and Dan’s ex but is now dating Blair’s colleague and producer. Speaking of her colleague and producer, Aaron—who just so happens to be her lawyer’s son—he’s also in a poly-relationship with Dan’s best friend and bandmate, Vanessa Abrams. Vanessa who, on more than one occasion, Blair has caught giving Serena the eye, and vice versa.
They are all kind of a mess, but Blair finds she loves it that way. Her supposedly pristine life had been fake anyway. She much prefers this. 
She and Dan keep their relationship a secret through her stadium tour and into awards season, when they decide to finally come out of the shadows. 
“I’ve never really come out before,” Dan jokes, “everybody just already kinda knew.”
They pick the American Music Awards as the event. Blair gives him one last out in the limo ride over, but he doesn’t want to take it. He’s not ignorant of the public attention and pressure she lives with, but he loves her more than he’s afraid of that. 
He gets out of the car first on his side, then comes around to open her door and help her out onto the red carpet. She kisses him as soon as she’s on her feet, limo door still open, cameras flashing in front of them. 
The internet loses its collective mind. Intrigue suddenly sprouts up around this unassuming sad boi indie artist. Streams of Punisher and Strangers in the Alps hit all time highs. Dan’s been represented by his dad this whole time, but now Rufus jokes, “I think I can’t afford you.”
To ask him if his life has changed is stupid, of course it has, but his focus doesn’t. Dan’s attention is always only on the music. On the music, and on Blair. 
Every year, Vanessa orchestrates a benefit show at one of their old favorite clubs in Brooklyn. It’s usually just Vanessa, Jenny, and Dan, but once she’s earned the trust of Dan’s sisters, Blair appears too. People go feral for a bootleg when they hear through the grapevine that she covered “A Case of You,” with Dan on the dulcimer. 
For two people who love playing music, and love playing music together, they don’t do it in public very often. It becomes something that they save for just each other, and only occasionally will they perform together in public. Dan plays on Blair’s NPR TIny Desk once, and once for WFUV, they do a cover of “Dust to Dust.” it’s OBSCENE. sex in the studio amirite
The dark corners of the internet (fangirls) start looking a little too closely at their lyrics, and it’s only a matter of time before a fan tweet theorizes that Blair Waldorf had an affair with sad boi indie guy while she was married.
Chuck jumps on the rumor, plays it up in an attempt to smack Blair down after the success of her latest record. He calls her a cheater, a gold-digger, all the accusations he floated during the divorce and more. 
In response, Blair releases a single. She wrote it while she and Dan were first together all those years ago, and kept it for her. At the time, she never planned on letting it see the light of day, she wasn’t even sure she would share it with Dan. But where she is now, she feels happy and safe in sharing this piece of her soul. 
When she drops “ivy,” it's a confirmation of the rumors, but unapologetic. Comedians applaud her gall on late night shows. She was accused of having an affair, and she said, yeah I fucked him, and I wrote this ballad about it. 
It isn’t pristine, or the most graceful thing to admit, but Blair is happy, and she won’t pretend to be sorry for being happy. She releases another album (Loneliest Time), then another (Lover), as does Dan (the more rockabilly Sleepwalkers). And three years after her divorce, they marry in a private ceremony with only their nearest and dearest in attendance. They keep the marriage quiet for six months after the fact. And, in the meantime, Blair sits down with Aaron to strategize re-recording her masters. 
She starts with a single from her last record under the Bass umbrella. She’d written “This Love” about her and Chuck’s on-again, off-again relationship before he finally gave in and married her. On touring, she’d grown increasingly tired of it, she’d hated it for a while there. But her life and heart have come full circle, and now she can sing it with a new perspective. 
When “This Love (B’s Version)” drops, she posts a set of photos on instagram: 
The cover of the new single, which is a close up of her face, eyes closed, lips red, another set of lips kissing her cheek
The original photo used for the cover, zoomed out to see Dan kissing Blair’s cheek.
Another photo of Blair and Dan in their home at the West Village, forehead to forehead, facing each other. 
A candid shot of Blair in the studio, wiping her eyes after tearing up while recording vocals. 
Another candid of Blair and Aaron hugging once they wrapped. 
Blair writes the caption of the post herself, which reads:
It’s funny how the meanings of songs can change as you change. When I first recorded “This Love,” I hadn’t even met the love of my life yet. I thought my big, magical, cyclical love story was done. Then, when I learned it wasn’t that magical at all, I couldn’t bring myself to sing the song anymore, its meaning had become tainted, hurtful. But then, after enough time, and with the right person, something amazing happened. I found a new meaning in it, deeper, happier, and it was like my life had finally caught up to what I had written all those years ago. These hands had to let it go free, but “This Love” has finally come back to me, and now I share it with you. xoxo, B
And CURTAIN
PS: this is how they announce Blair’s pregnancy when it happens
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fir3-and-bl00d · 3 months
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fanfic writer questions
(answered 01/21/24)
How many works do you have on AO3?
My page says 16, but 2 of those got combined into 1 fic, so it's really 14.
What's your total AO3 word count?
1,382,274
What are your top 5 fics by kudos?
In order from most to least it's: The Night We Met, A Marriage of Convenience, A Little Help From Your Family, Dragons Across The Sea, & A Song For Dragons
Do you respond to comments? Why or why not?
I try my best to because I think it's important to interact with my readers and to explain the writing choices I make. I've gotten really bad at responding lately, but I promise I read every single comment. Getting a really detailed comment saying why/what you liked about a certain chapter always makes my day ❤️
What's the fic you've written with the angstiest ending?
None because I only write happy endings for jonerys and also all of my long-term fics are still ongoing!
What's the fic you've written with the happiest ending?
I mean The Chamber of the Painted Table had a happy ending in that jonerys ends up engaged lol. But like I said above, all my fics will have happy endings for Jon & Dany and all their targlings.
Do you write crossovers? If so, what's the craziest one you've ever written?
I don't write crossovers! Only GoT/HoTD/TWOIAF for me!
Have you ever received hate on a fic?
Unfortunately, yes on both Dragons Across The Sea and A Little Help From Your Family. Most of the time it's people bashing a specific character (usually Jon or Dany).
Do you write smut? If so, what kind?
When I first started writing fanfic, no. But now ... definitely lol. Is it even one of my fics if we don't have some dominant Jon, the Targaryen breeding kink, and an aunt/nephew kink?
As for the kind, M/F with a focus on dirty talk since I think that's hot. I'm not the biggest fan of reading smut that's just big long blocks of description with no dialogue, so I try to avoid that.
Have you ever had a fic stolen?
Not that I'm aware of!
Have you ever had a fic translated?
I don't think so. I'm open to it as long as I'm credited as the author!
Have you ever co-written a fic before?
NO but that should change (hopefully) sometime later this year! Robbaery & Jonerys nation keep an eye out ... 👀
What's your all time favorite ship?
JON SNOW/DAENERYS TARGARYEN and they have no other competition in my mind.
What's a WIP you want to finish but don't think you ever will?
Hmm, that's a good one. I think Dragons Across The Sea simply because of where the story is right now. (jon and dany are still very far away in Essos - Yunkai to be exact - and with everything I have planned for that story, it's going to take a longggggg time to write all of it)
What are your writing strengths?
I personally think dialogue and inner monologue come easily to me, specifically with Jon and Dany. It's also very easy for me to write romantic scenes for my ships, I love writing my babies being in love!
What are you writing weaknesses?
Definitely describing clothing and locations. Also battle scenes make me want to throw my laptop out a window. I have such respect for the authors out there that can really write a good battle sequence without losing the audience's interest. Same with people who can describe clothing so well that I can picture it in my mind.
What are your thoughts on writing dialogue in other languages in a fic?
Well if y'all have read my stuff, you know the only other language I use is Valyrian. I think it's natural for characters like Dany, Rhaenyra, Daemon, Maester Aemon, Aemon the Dragonknight, Naerys, etc to speak it since they grew up learning it. I especially adore taking terms of endearment in English and translating them into Valyrian. Examples include ñuha jorrāelagon (my love) and ñuha prūmia (my heart).
You'll usually see me writing Jon picking up on Valyrian since Dany uses it with him. I just think it's super adorable for jonerys to call each other pet names in both the Common Tongue and Valyrian (the language of their ancestors). And of course, there's times where I write them speaking it in nsfw situations hehe.
What was the first fandom you wrote for?
Game of Thrones/ASOIAF and it's the only fandom I've written for so far.
What's your favorite fic you've written?
I'll say my favorite fic I've written/currently writing is The Night We Met. The progression of jonerys' relationship in that fic is everything to me, and I got super emotional when I wrote their wedding on Dragonstone. There's so many moments in that fic where I show how devoted they are to each other <3
here's my AO3!
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girlwithakiwi · 7 months
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Fic Authors Self Rec
Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love 💕💗
Tagged by @whimsicalmeerkat
I've got some beloved oldies on my FFN account but I'm going to stick with completed/permanently hiatused works on AO3 for this one.
In reverse chronological order:
1.) The Terrible Things - Arthur Conan Doyle's Sherlock Holmes AU. I don't think this was the start of the Mirror Darkly AU, where Moriarty and Moran pretend to switch places in their professional roles so Moriarty can commit crimes to her heart's extent. This is the first and only second-person fic I've written and it is probably my first fic published on AO3 in my current...voice? Style?
2.) Arcana - The Dresden Files. Ah, right. The last "big" fic before the Great Five-Year Hiatus, a fic currently stuck in permanent hiatus. Even though I've fallen out of love with both the author and the fandom, Elaine Mallory is still one of my favorite characters and I had such a fun time writing the backstory for her and Harry.
3.) the gather, the bend, the bringing forth - Game of Thrones, S8 alternate ending. Hmm, this monstrosity. My first foray into writing for the ASOIAF universe, clocking in at just shy of 500k. And even though I was a bookverse fan only with only casual interest in the show and definitely nowhere near a Jonerys shipper, here I am four years later, completely and utterly eyeballs deep into this fandom and this ship
4.) the silhouette of a single memory - Game of Thrones, Jon Snow/Daenerys Targaryen reincarnation AU. Honestly, this is the one fic of mine I reread the most. I love both the reincarnation trope and the star-crossed lovers trope and this is equal amounts angsty, smutty, and light-hearted for me.
5.) where ruin also exists - A Song of Ice and Fire, post-Dance AU. Listen, I just love giving everyone's favorite 17-year-old leader of a penal colony more trauma. This was also my first bookverse!Jonerys fic and honestly, I'd love to write more of this. I certainly don't have anything planned for October. Not all.
Tagging @moon-ruled-main @moondancer71 @jellybeanficwriter @libradoodle1 @evax3 @arielchelby
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buttertheflame · 5 months
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A List of Things To Come
*a long post*
I was on hiatus for about 5 years, but I think it's worth the risk of coming back. These are some thoughts and hot takes I've had since then up to now. My professional life is busy, but when I have the time, I'll share. Anyone interested?
Here's a preview, categorized by fandom:
A Song of Ice and Fire:
For asoiaf canon, I’ll speculate on what Jon and Val could have been, and what they could have had together, if he had not kicked the bucket. I’ll also contrast it with Jon's dreams of a life with her, and why he put the torch to it. :( Because of the root of her dislike of Mel and Shireen, I figure she will not be pleased with un-Jon.
Game of Thrones:
In GoT canon, Jon did not love Dany as much as the script suggested he would. In fact, they both failed to take responsibility for the other person. I haven't seen anyone make a statement like this before. (The PTSD is real.) But fic writers did pick up on this and tried to fix it in canon compliant stories, with a lot of success.
Supernatural:
In Supernatural s12-s14, Mary should have found her sons to be way more weird, specifically with each other. But given what we see of her in s6, her characterization is consistent. She would have, and did, ignore the red flags for an idea of family.
I’ll share approving thoughts on Sam and Dean's relationship in the final seasons, disapproving thoughts on the final season of Supernatural, and how I speculated it would either go Gencest or Destiel. We know what happened. No one walked away happy and I think the fandom was all the better for it.
Destiel is not canon. It only became a one-sided love confession. (I know there's a lot of speculation on what happened b/w the studio, the writer's room and the post-production team. Idc. Not gonna touch it.) Thoughts on how I think SPN could have made Destiel go 100% canon involve tweaking the execution and balancing out the themes of Sam and Eileen's love story, the big bad plot, and Dean and Cas's 'love' story.
Outlander:
Outlander (show-only) thoughts, foremost on Roger Mackenzie. He has vexed me from the first time he appeared on screen. I love him dearly, but he vexes me, for how he consistently affects the plot and how that defines his role among the main cast. Later on, I'll run through my favorite moments, episodes and narrative arcs.
Miscellaneous:
I'll share a list of favorite ship-centric fics I've collected over many, many, many years. (Gotta be over 10 years' worth). Along with blurbs that explain my recommendation in a non-spoilery way. Fandoms include: Harry Potter, LOTR, Supernatural, The Walking Dead, ASOIAF, Game of Thrones, Star Wars (Sequel Trilogy), The Flash, Shadowhunters [look away book fans <3], Hannibal (show-only).
I'll also post drafts of fics I never got right and never finished. Mostly GoT-canon divergent Jon/Dany fics.
Most importantly, some very dear friends have encouraged me to vent and hype up my Jonerys fic series "We Could Live Together" as I write it. It's GoT-canon divergent, but I alter some of what occurred before 6x09. Then the story re-enters book territory and moves toward ADOS conclusions. I'd also love to break down and discuss songs from the playlists when it strikes me.
This is the summary of Part 1, "A Long Way Home" (published):
After the Battle for Winterfell, Jon was captured by Bolton men then later found by Daenerys not far from Dragonstone. Their meeting blossoms into the most honest love--until Jon suddenly leaves for Winterfell, only to return to Dragonstone months later with more terrifying tales of dead men and Winter storms. When Daenerys chooses to send her armies north to fight the dead, all is certain but the matter of their bond. After the pain they'd endured, can they come together again? Or will separation be too powerful to overcome? *or* A romantic tale of choice and second chances.
This is the summary of Part 2, "Awake For Ever In Sweet Unrest" (in-progress and unpublished):
Winter has come and further fractured the realm. Yet Jon and Daenerys's betrothal and alliance is well known throughout the Seven Kingdoms. The secret that threatened to break them has made their love stronger, casting a fragrance of hope that draws to the last Targaryens all who seek refuge from political turmoil. Cersei Lannister has fled King's Landing in favor of establishing a bank in Lannisport, to guard against her deposition by the Iron Bank. Euron Greyjoy has set up a naval blockade at Oldtown, yet manages to beguile the Hightowers. And Walder Frey's sundown years threaten to pull his House into a civil war. From the Wall, Jon and Daenerys begin to wage war on the Others. Yet the age of wonder and terror, of gods and heroes, leads them and their enemies in the least expected ways. It begs the question: does all happen the way it must? *or* A romantic telling of the new War for the Dawn.
This is what I've been doing the past few years: working, (dating lol), re-reading the books and joining theory discussions on other sites. What touched my heart was readers asking for me to continue the fic series. Even as I considered it, I was conflicted. Since the show and book canon are so enmeshed, I think we were really vulnerable to being whipped and scored by D&D. But we all found ways to lick our wounds. I'm grateful we were able to become closer and stronger. I'm glad to be a part of it.
So that's my preview. If you've read this far, thank you. <3
There's more to come.
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ashleyfanfic · 9 months
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Jonerys prompt please
29) just because you can doesn’t mean you should.
+
49) I do not have an answer for you
I've gone over and over this one in my head and even written it out twice. I can only come up with angsty things. I don't like writing angst most of the time. Only with JW. So, let's see what we get.
Not betaed. We die like Eddie Munson.
Jonerys fic
*~*
Jon watched her at the feast, laughing with the Dothraki leader. Her hand rested on his forearm and he turned away, hating the ache that sat in his chest. He did this to himself, caused his own bloody heart break, all because of a secret that was better left buried.
He felt a hand slap on his shoulder and a horn of something pressed into his hand. He looked up at Tormund who had probably had more to drink than the entire country. "What's got you looking so fucking sad, Little Crow? We stand in a feast of victory."
He shook his head. "Nothing. You know me. Not known for smilin'."
"True. You're a sour fucker. But not since that queen came around and started fucking you regularly. What's the matter? She stop?"
He heaved a sigh. "I stopped."
Tormund stared at him for a moment then stood and swiped a hand over his tangled hair. "You mean she's available?" Jon yanked on his heavy furs and the man laughed and resumed his seat beside him. "She's not available."
"You just said..."
"I know what I said."
Tormund sighed. "What's the problem. You're both young, beautiful, unmarried rulers. Isn't that the usual thing your lot does? Unite your kingdoms and all that?"
"Usually."
"I fail to see the problem."
Jon was quiet, knowing if there was one person he could tell that wouldn't bat an eye at the revelation, it was probably Tormund. "An unexpected problem has presented itself."
"She is married?"
"No."
"She tried to kill you?"
"No," he answered as he rubbed a hand over his face.
"Then tell me, Jon Snow, why you're being so fucking stupid."
Jon leaned closer to him. "I found out that she's my aunt."
Tormund looked at Dany and then back at Jon. "And?"
"And... we're related."
"Did you know that when you started fucking her?"
"No. I didn't find out until a few days ago."
Tormund nodded. "I see. For a man who died and was brought back to life, you really take the long way around to get somewhere."
Jon drank down his own drink and grimaced in Tormund's face. "What does that mean?"
"Do you love her?"
"Yes," he answered without question.
"Do you want to lay with her?"
"Yes, but--"
Tormund cut him off with a raised hand. "Can you live with the idea that she might someday marry someone that isn't you? That might not love her, but only use her for her title?"
"No."
"What about you? Your people would require you to marry a woman eventually. Produce an heir." Jon shook his head. "Let me give you a piece of advice, Jon Snow. Just because you can, doesn't mean you should put distance between the two of you. A woman like her... I don't know that there's actually been a woman like her through out all of history and time. And she loves you, you stupid fucker."
Jon looked up to find Dany staring at him, and she raised her glass to him. He raised his back and bowed his head. "It's only a matter of time before the lords start circling around her, each one wanting to use her for something. Her dragons, her arms, her title. None of them seeing her the way you do. Loving her the way you do. What you feel for her is very rare and you should relish it. So many of us are unfortunate that we never find it or we do and lose it. So she's your... family. From what I've heard from Arya, that's sort of what Targaryens do, isn't it?"
He took Tormund's drink from him and finished all of it. "You're right."
"I know. So get up and go claim your queen."
Jon stood on wobbly legs and grimaced at the taste in his mouth. He held his goblet up for a boy passing with wine, had it filled, and drank all of it in one swallow. He stumbled around his chair but righted himself and took slow steps towards her. She dismissed those standing near her and soon they were standing alone.
"How drunk is Tormund?"
He glanced back at his ginger friend who was now in a drinking game with Tyrion. "I don't have an answer for you," he replied and turned back to her. Her smile was bright, even if it didn't reach her eyes. "Dany, I want--"
"I plan to have my armies march south starting tomorrow morning," she interrupted. "It's in everyone's best interest, I feel, if my people and I are no longer in your country."
"So soon?"
"There are people who aren't happy about our presence, and to be honest, I don't like it here."
He sat on the table in front of her and cautiously took her hand. "There's still things you haven't seen."
She nodded. "I agree. Many things you promised to show me. But I'll not pressure you, Jon Snow. I've loved and lost and lived through it. I'm fairly certain I could do it again, if I must."
"What if you didn't have to?" he said softly.
She shook her head, confusion marrying her pretty face. "I don't understand you. You've avoided me for days and when you finally do acknowledge my presence you shake everything I've ever known to its very core. And now, I'm supposed to be happy that you've made up your mind?"
He stood. "Come with me."
She sighed. "Jon, I'm tired. I'm tired of games played with leaders and I'm tired of getting my expectations up only to then be disappointed."
He squeezed her hand and pressed a kiss to her palm. "Come with me," he prodded.
She reluctantly allowed him to lead her out of the room and through the lit corridors out to the courtyard. He pushed open the gates and they trudged through the sloshy snow together toward the heart tree. She looked up at the tree that appeared to be crying, along the white bark and up to the red leaves.
"The Night King died here," he said softly. "Bran was just here," he said, facing her, "and Arya came in from this end. She had made it past all of his guard and actually got the drop on him, from what Bran said."
She folded her hands in front of her and stared at him. He could feel her eyes on his skin as well as the eyes of countless others, always watching. "I've heard all of this, Jon. We were briefed this very morning, in fact."
He took a deep breath and lowered his head. "I never expected to survive the fight. I thought my destiny was to kill the Night King and that was the reason I was here. Once my purpose was finished, that would be it. I'd go back to wherever Melisandre pulled me from. To be very honest, Your Grace, Dany, I never allowed myself to look past that."
Dany's frown deepened. "So, am I to understand that you fully believed you'd die and yet you never thought to share this information with me, the person you claim to love who very clearly loves you?"
Jon shifted his weight to his other foot and lowered his head. "Yes. And now, I can only ask your forgiveness for my foolishness."
"What foolishness is that? That we became involved or that you're ending the involvement now that the world is no longer in peril."
"Neither," he answered quickly. "Dany, I never said I wanted to die. I only said that's what I thought would happen. It kept me from hoping beyond the battle for anything more."
She walked past him to the tree and he watched her placed her gloved hand over the bark and look up at the leaves. "Jon Snow, you're the most insufferable man," she said with a shake of her head. She then turned her frustration on him. "What is this? Why bring me out here? Are you telling me that you'd like to explore other options now that you're alive? That you want to stay in this Gods forsaken wasteland for the rest of your life with your sister, excuse me, cousin, constantly doubting every decision you make?" He shook his head and she stepped forward. "I've never taken you for a coward."
His jaw clenched and his hands tightened into fists at his side. But she continued as if he hadn't had any reaction to her words. "You came into my throne room and demanded my help. You defiantly refused to bend the knee. You dared to pet a dragon when neither of us knew what would happen." She huffed out a breath. "You took my hand and offered me your heart. You openly declared your allegiance to me when it would have been far easier to lie. You knocked on my door, Jon Snow. You rode a dragon into battle. But in front of me, faced with the possibility of a beautiful future together, you're cowering away?"
"I'm not cowering away."
"You could have fooled me. I ask you again. What do you want?"
"You," he said softly and her shoulders slumped. "I'm torn up about it, Dany. Bran and Sam telling me all they have... I still want you. I can't think about you with someone else because it makes me want to destroy the world," he said as he cupped her face in his hands. "I don't give a damn about the Iron Throne, but I'll fight until my dying breath to see you upon it."
She grasped his wrists and shook her head. "You have to live, Jon. You have to." She whispered gently against his lips. "You're the one who told me that the witch wasn't a good source for information. You were right," she guided his hand down to her belly and he looked up at her in surprise. "I had gone to the crypts to find you and tell you. But I found you so lost and sad that I didn't get the chance. And then the dead were here. But we've both lived and I believe we're both here to bring peace to this world. Both of us together. And our children after us."
He kissed her, his lips pressed against hers desperately. His arms looped around her waist and he lifted her to swing her in a circle. "You're magic, Dany."
She laughed and swatted at him. "Put me down before you make me sick." He placed her back on her feet and kissed her again. "Stay with me tonight," he whispered to her. "Let me... celebrate you."
Dany brushed her finger over the cut on his cheek. "I suppose I can allow that. I'll count it as your apology for being stupid."
He laughed and caught her around the waist. "No. Don't. Let my apology be separate."
She furrowed her brow. "Why?"
"Any reason to get on my knees for my queen."
"What if I told you that you didn't need a reason? I'd accept anytime you'd like to kneel for me."
He smiled and kissed her again. "Then I shall start in my chambers, Your Grace. Tonight. If you'll have me."
She wrapped her arms around his neck and buried her face against his chest. "I'll have you, Jon Snow. Until the end of my days."
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adecila · 2 years
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I think they are doing this to us on purpose...
I love this fandom, I was sad and depressed because of the 💩 ending but after reading all of this amazing jonerys fics I felt happy and no matter what I still found comfort on this.
Please I now it's a lot to ask but don't go don't let them took away this bubble of happiness (you and the others on this fandom created for all of us) from us too.
On purpose? Yes if by that you mean the purpose of doubling down on the season 8 ending and milking whatever they can from the old Game of Thrones fan base. You know, the same ones who are so easily swayed by CGI dragons and will tune in to watch The House Of The Dragon. And the ones who think that the only thing wrong with the ending was that Dany's turn was too quick (but they thought she was mad in the first place, so that's not why they're raging about the ending), the ones who wanted Jon to kill the Night King instead of Arya and the ones who wanted Jon to end up on the Iron Throne.
WE ARE NOT THE SAME WHAT THE FUCK IS NOT CLICKING
Now that I'm heated again and in light of what Emilia said, I'm gonna say this respectfully but you're giving too much credit to HBO AND Kit.
Let me refresh your memory!!!
HBO agreed to the ending we got. Have y'all suddenly forgotten?? The HBO CEO watched the rough cut of the 6 episodes and thought hey these are great
In fact HBO stood by the ending after the petition to redo the season gained worldwide popularity
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HBO even thought it appropriate to insult the fans even further and stick by their ending when they gave D and D a cameo in Westworld in which they chop up Drogon
While Kit himself feared that the ending would be divisive, he thought that it was justified:
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I'm not saying he wasn't traumatised because it obviously fucked with his head having to kill off his friend on screen (READ THAT AGAIN) I'm just saying y'all are mistaking his grief related to the end of GoT as to the grief for Dany's botched up story.
In fact Kit thought that Jon's ending was "really sweet" 🙃
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I cannot overstate how much Kit has in fact stuck by the writing choices
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Emilia saying now that this spin off (told y'all the news was real and legit, even if it the spin off might currently be in just the very beginning stages) is certified by Kit doesn't mean shit to us Dany fans!!!
Because tell me what in everything I showed you that Kit said regarding season 8 sounds like a man who would ONLY do a Jon Snow spin off in order to revive Dany and retcon season 8?? It just sounds to me that he loves the character so much he'd probably play it again in most circumstances now that he has had time to deal with his mental health.
Like an asoiaf podcaster said, who if given $10M to play Jon fucking Snow would say no out of principle?
Exactly.
And I'm not "letting them take away anything." Please. I was amongst the last women standing when the last episode aired. I was one of the few still trying to hold everyone's hand through the grief we've had to deal with. I have and still am pouring my heart into so many jonerys fics and I will continue to do so until I can't do it anymore. I've stuck with jonerys through all the shit Kit has said since the ending of GoT, I just tune him out now (after the proper rant ofc) because I really don't trust his judgement on a lot of things 😃
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And before you come for me I can still like Kit and drag him for all the shitty things he's done and said. It's called nuance 🤍
Go read an old jonerys fic today and show the author some love. We don't need HBO. We don't need shitty spin offs. We've done well for ourselves for the last 3 years, this isn't going to suddenly make me love jonerys more. Thank god my love for Jon Snow (the legit one, not the s8 one), Daenerys Targaryen and jonerys doesn't depend on what Kit Harington says or does.
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magalidragon · 2 years
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Hi! Big fan of your stories! ♥️ Are there any Jonery’s fics that you’re reading that you’d recommend? And any one shots that you love to reread?
Oh anything by @nlights37 , @angryminion , @mysticmyllee , @moondancer71 , @jellybeanficwriter and @libradoodle1 ! They are all amazing and fantastic writers!
One shots I love rereading are definitely Strictly Business by NorthernLights and Remember When by Libradoodle.
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snowxstormworld · 4 months
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Hi!!! I’ve been thinking about who to ask this and thought maybe y’all might know 😭 (because of y’all hosting the Jonerys events a lot) so, sorry if y’all have no idea but…
Anyone know what happened to wolfmaid??? I was going through the many (many, many) fic tabs I have open and clicked on the tab for their fic “Forget the World” and I got an error page 😔 then I searched for their AO3 profile & it’s also gone! 🥺
They’re one of my favorite fic writers. I couldn’t tell you how sad I am to see them gone like this!
So, please, if you know what’s happened or can share this and maybe someone who knows can let the people know! 🫶🏽
Hi Anon,
Unfortunately, no one we've spoken with knows what happened to Wolfmaid and we're as perplexed as everyone else that she left the fandom. We're holding out hope she'll return someday because many people miss reading her wonderful stories.
In the Jonerys discord server we belong to, some of her fans had the foresight to download her fics before deletion and they've been kind enough to share copies with each other. You're more than welcome to join the server and ask around.
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dragonanddirewolf · 2 years
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(Sneakily sharing lineart of my next piece! It’s actually ready to post but I’m spreading out the joys 😉 )
Thanks so much for the tag @cheesy-cryptid !
fandom tag game credit –> @dances-and-dolly-dresses
Were you an Austin, Baz or Elvis fan before seeing the movie? How about after?
100% Baz Luhrmann fan. I loved Romeo and Juliet, Moulin Rouge and Great Gatsby (my personal favourite). He was the reason why I went to see the movie (and knowing that Måneskin recorded a version of ‘If I can dream’!).
I always liked Elvis’ music but knew nothing about his life really so I went in pretty blindly
What is/are your favorite look(s) that Austin sports in the film?
Oh man there are SO many. I love his original pink and black suit, the black leather outfit in ‘68 come back and the black lace shirt with high waisted cream trousers. Those are my top three but, as a special extra, I must mention the silk printed shirt and chain belt he wears during the Vegas rehearsal 🤤
Most memorable scene or line?
Soooo many. I loved the whole Trouble performance so much and I think the bit where he sings ‘Glory glory’ in the opening sequence is one of the most powerful cinematic experiences I’ve ever had
But my absolute favourite must be the initial bit where Colonel meets Elvis. The way they shot that with only showing Elvis from behind and then the big reveal at the end. I thought it was so beautifully done.
Favourite (sad) quote : Daddy, I’ve been playing this mausoleum for a hundred years how are we broke?
What are your top 3 favorite songs on the soundtrack?
Baby let’s play house
Trouble
If I can dream
How many times have you seen the film in theaters?
Five. I bought an unlimited cinema card especially for this purpose. I’m still planning to come back next week 🙈
What kind of fan content do you like to create/consume? (fics, gifs, ect)
Fanart! I’ve been drawing for different fandoms throughout the years but now I’m a full Elvis/Austin convert
Wherabouts in the world are you from? (be as general or as specific as you’re comfortable with)
I’m from the UK 🇬🇧
Are you active in other fandoms? If so, which one(s)?
I’m still relatively active in the Jonerys fandom (GoT)
List 3 fun facts about yourself/your interests.
I have drawn over 300 Jonerys illustrations in a space of two years and the following year I posted a finished drawing every day on Instagram for 6 months. I like to draw 🤣
I love historical romance novels- Philippa Gregory is my favourite
I have a gorgeous white fluffy cat called Bobby
Unfortunately I’m very new to the fandom so haven’t made many friends yet! Please feel free to take part if you feel like it 😊
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