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iasikaijutopia · 1 year

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No idea what this is but its what came to mind

#nicholas d'agosto #trial and error #josh segal #sitcom #suits tv #mike ross #patrick j adams #csi #crime scene investigation #greg sanders #eric szmanda

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clemsfilmdiary · 2 years

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Scared Stiff (1987, Richard Friedman)

10/19/22

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camyfilms · 10 months

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INSIDE OUT 2015

Okay, caution, there is a dangerous smell, people. Hold on, what is that? That is not brightly coloured or shaped like a dinosaur; hold on. Guys... it's... broccoli!

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ulrichgebert · 5 months

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Jake Gyllenhaal und Anne Hathaway als Pharmavertreter und vergleichsweise junge Parkinson-Patientin sind niedlich und haben einige vielbeachtete Bettszenen, können sich aber nicht recht entscheiden, ob sie sich in einer romantischen Komödie mit milder Kapitalismuskritik und Viagra-Scherzen oder einem herzerreissenden Krankheit-als-Schicksals-Drama befinden.

#Love And Other Drugs #Anne Hathaway #Jake Gyllenhaal #Josh Jad #Oliver Platt #Hank Azaria #Gabriel Macht #George Segal #Jill Clayburgh #Film gesehen #Edward Zwick

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laserpinksteam · 2 years

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On second viewing: Flirting with Disaster (dir. David O'Russell, 1996)

Given how many mediocre films I watched on VHS tapes as a teenager in the 1990s, no wonder this one seemed to me then as genuinely brilliant. I grew aware of Russell around that time also due to Spanking the Monkey, showed on Polish TV on a Sunday late night, as this used to be the time slot for more "ambitious" films. Decades later, this film doesn't seem so fresh, mostly due to the character writing, heavily relying on tropes. What I see now is that Stiller is, as usual, the film's toxic heart. Everyone around him seems way more interesting, also because the cast is stellar: Jenkins, Tomlin, Alda, Segal, Weston, and Tyler Moore are a massive fun to watch.

#filmafterfilm #the 1990s #on second viewing #david o russell #ben stiller #patricia arquette #tea leoni #mary tyler moore #george segal #lily tomlin #alan alda #josh brolin #richard jenkins #celia weston

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senorboombastic · 2 years

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This One Song… Flat Worms on Into The Iris (from 'Live In Los Angeles')

This One Song… Flat Worms on Into The Iris (from ‘Live In Los Angeles’)

Tell you what – we love hearing from artists when things go right. We equally love hearing from artists when things go dreadfully wrong. A song that was a piece of piss, written in 20 minutes? Or years in the making and a bastard to write? Whether it’s a song that came together through great duress or one that was smashed out in a short amount of time, we’re getting the lowdown from some of our…

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#Antarctica #Birthday cake for breakfast #Condo Colony #Flat Worms #Frontier Records #Into The Iris #Josh Erkman #Live In Los Angeles #Motorbike #Red Hot Sand #Ty Segall #Will Ivy #Zebulon

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musicalcastingideas · 1 month

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The Princess Bride Musical Dreamcast

The fact that with all the new broadway musicals are adaptations and NO ONE has done the Princess Bride yet is absolutely criminal, so if that were to hypothetically happen, here's my dream cast list.

Framing Device:

Grandchild: I can't really put anyone for grandchild, since I don't know many child actors, but I do think there should be a rotating cast, like they had with Mathilda on Broadway.

Grandfather: Mandy Patinkin, aka the original Inigo Montoya.

Mother: Robin Wright, aka the original Princess Buttercup.

I think it would be really sweet and fun to have two of the original movie's cast play parts in the framing device, almost like they're passing the baton of telling the story to the next cast.

Main Story:

Westly: Joshua Henry

I don't know if this is a controversial statement, but Westly is a baritone, and I think Joshua Henry would be absolutely perfect. He's charming as fuck, he's a phenomenal actor and vocalist, and he's absolutely gorgeous. Perfect leading man for a story that is about telling the best story ever.

Buttercup: Maria Bilbao

I think Buttercup would be a legit soprano, and as a big fan of Sweeney Todd and the recent revival, Maria Bilbao, who played Johanna, would be absolutely perfect for it. Just go listen to her Green Finch and Linnet Bird and you'll get it.

Inigo Montoya: Colman Domingo

Does Colman Domingo sing? I don't know. Could he act the absolute SHIT out of the confrontation between Inigo and the Six-Fingered Man? ABSOLUTELY. I have this vision of how to adapt the scene, which would also kinda translate Inigo's arc to a musical version. So in the original, the Six-Fingered Man trying anything to manipulate him, mocking him, that great "you have an overdeveloped sense of vengeance line, and Inigo is just not having it. He just keeps repeating the iconic line over and over again. In the musical, I would have the six-fingered man sing, like he's trying to get Inigo to sing with him, to give in to the performance, but Inigo won't sing, he just keeps repeating his line over and over. He refuses to conform to the typical "rising above" narrative and leave the Six-Fingered Man alive, he will be true to himself and his mission and won't let himself be distracted. Anyway, I don't know if this is a good idea, but Colman Domingo would be amazing either way.

Prince Humperdink: Aaron Tveit

I think Prince Humperdink should be the archetypal tenor boy and who is a better representation of current archetypal tenor boys on broadway than Aaron Tveit? Also he's really talented and I think he would act the shit out of this smarmy bastard role.

Count Rugen aka The Six Fingered Man: Josh Groban

I need Josh Groban on Broadway more, and I think he would do great at a quieter villain role, especially coming off a more angry and bloodthirsty role like Sweeney Todd. Also he looks a bit like the original Count Rugen, so that's a bonus.

Vizzini: Alex Brightman

I don't really have much behind this one, other than Vizzini is a weird little guy and Alex Brightman plays weird little guys really well.

Fezzik: Jason Segal

So ideally, I'd actually be able to cast an actor with gigantism to play the part, but I don't know of any, and couldn't find any while googling, so this is my backup essentially. During the lockdowns, a bunch of celebrities did The Princess Bride over zoom, and the scene with Rainn Wilson as Vizzini, Pedro Pascal as Inigo and Jason Segal as Fezzik is genuinely really great, but Jason Segal's Fezzik impression is spot-on and actually amazing. Also, we know from the Muppet Movie, How I Met Your Mother and Forgetting Sarah Marshall that he can sing so, I think he would do great.

Miracle Max and Valerie: Joey Richter and Lauren Lopez

I assume posting this to Tumblr, more people would know who Joey Richter and Lauren Lopez are than the average social media platform, but they are part of Team Starkid and Tin Can Bros and do some fantastic original musicals (please look up the Hatchetfield Trilogy and Spies Are Forever if you haven't seen them yet). They're both extremely talented performers, and also married in real life, so they would absolutely kill this.

Clergyman(Mawage guy): Brian d'Arcy James

I don't really have much of a reasoning behind this, I just think he'd do a good job.

Backups/Close Calls:

Denee Benton as Princess Buttercup

She's one of the best parts of Natasha, Pierre and the Great Comet of 1812, and that's saying something because that musical is (in my opinion) one of the best of all time

Pedro Pascal as Inigo Montoya

I don't know if he sings, and he would be amazing for this, but I wanted to challenge myself to think outside the most obvious choice. However, sometimes the obvious choice is a good one.

Bernadette Peters as Valerie

If the Witch from Into the Woods found love and inner peace

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fleursfairies · 4 months

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2023 was the year of rebirth

not only quarantine rebirth but also in the media

we got

hunger games movie and josh hutcherson renaissance

percy jackson show

supernatural season 16?????

and then at the golden globes i feel like almost everyone that got awards are having their second rebirth. like idk if its just me but i feel like all of the people nominated and rewarded had a super popular thing years ago

like jeremy allen white with shameless

margot robbie with harley quinn etc

ryan gosling with the notebook etc

emma stone with like...every movie in 2012

kieran culkin... like KIERAN CULKIN WON A GOLDEN GLOBE what year is it???

carey mulligan, rachel weisz, jennifer lawrence, natalie portman, emily blunt, jodie foster, julianne moore, rosamund pike, christina ricci, maryl streep, elle fanning, natasha lyonne, helen mirren, imelda staunton, keri russell, sarah snook, sam claflin, andrew scott, barry keoghan, bradley cooper, cillian murphy, leonardo dicaprio, joaquin phoenix, matt damon, nick cage, mark ruffalo, robert de niro, willem dafoe, james marsden, bill hader, jason segal, martin short, gary oldman

what year is this 💀

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dustedmagazine · 6 months

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Axis:Sova — Blinded by Oblivion (Drag City)

Photo by Krzys Piotrowski

The last time we caught up with Brett Sova he was bending the wild psychedelic overload of Motor Earth into the unsettling pop melodies of Shampoo You. That trend continues on steroids in this fourth full-length, the pandemic-shadowed, Ty Segall-produced Blinded by Oblivion, Sova’s most pop album yet.

Not that the New Pornographers should start looking over their shoulders. The guitar skree lurks in the background of even Sova’s most well-behaved songs, and the lyrical content is darker and more disturbing than you expect. “People,” for instance starts in a robot rumba of programmed rhythms, a minimalist foundation encroached on by swirls of sweetened, mid-range guitar. The words come in a soft, inoffensive warble, but watch for the kick in them: “People will be the end of people/people will snuff the light.” Yeah, not the happiest stuff.

“I’m a Ghost” blares with visceral, tactile bass (that’s Jeremy Freeze) that roils your innards. Its drums, live this time and played by Josh Johannpeter, rattle around in a boxy beat and break out, once in a while, in exclamation points. Sova shreds in a trebly, careening style instantly familiar to anyone who grew up with 1970s guitar bands, but the singing is clipped and futuristic. It’s a weird mesh of Devo and Iron Maiden, but exciting. “Join a Cult,” later on, is constructed from the same materials, the ankle deep murk of bassy undertow, the sci-fi deadpan singing, the crazy things that happens when Sova’s guitar gets loose. These are songs, not jams, the trio is always blasting verse-chorus structures apart.

That last song’s chorus, by the way, has more than a whiff of producer Ty Segall in it. Like Fuzz or Ty Segall Band, it wraps thick, fuzzy blasts of overdriven guitar around the catchiest of melodies. Axis:Sova used to be more about texture and emotion. Now it’s more concerned with song structure. But you can do both. Ask Ty.

Jennifer Kelly

#axis sova #blinded by oblivion #drag city #jennifer kelly #albumreview #dusted magazine #guitar #psychedelia #punk #new wave #chicago #ty segall #Bandcamp

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still-single · 7 months

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Axis:Sova – Blinded by Oblivion (God?)

Fourth album by a Chicago group from whom every time I hear a new record, they seem to change for the better, but this one’s a big step forward. Written during the pandemic and recorded out in California with Ty Segall at his studio, Blinded by Oblivion definitely takes on atmospheres and perspectives that can’t be found in a Chicago winter. They took their soot-clogged gray-crusted battle machine through the car wash big time – still strong under the hood, but gleaming with a lighter, shinier armor, locking in as tightly as ever with synth pedals and an openness to living that plays like the second chance pivots many of us worked out in the intervening years. Brett Sova adds a live drummer, Josh Johannpeter, to play alongside the drum computers he and bassist Jeremy Freeze program, and it gives this set that harder thwack in the calves the band really needed to move forward. Sova's playing and singing sounds more open, and righteously indebted to commercial rock of the late ‘70s/early ‘80s (a little Tom Petty slant to this one here and there, an abstract nod towards Trans Am and how they handled this, and the best tracks have sardonic riffs that remind me of the Spicoli themes from Fast Times at Ridgemont High). It’s a clever reinvention, and if it took a while to get here, it was worth it. (Doug Mosurock)

#chicago #axis:sova #ty segall #mosurock #still single #review #bandcamp #Bandcamp

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musicblogwales · 9 months

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Frankie and the Witch Fingers - Futurephobic (Official Video)

Los Angeles psych-punk quartet Frankie and the Witch Fingers have shared new track “Futurephobic” alongside an official video. The song is taken from their seventh studio album Data Doom, due September 1 via The Reverberation Appreciation Society / Greenway Records. FLOOD Magazine gave the video an early debut, describing it as “in line with the album title’s vintage dystopian sci-fi connotations, swapping weed-smoke riffs for frigid new wave pulses and staccato vocal deliveries.”

“The main riff was an idea we came up with during the writing process for our album Monsters Eating People Eating Monsters… but we kept it in our back pockets, as it wasn’t quite fitting in with the theme of that album,” the band explains. “When we started writing Data Doom, it reemerged very organically and everyone latched onto the idea surprisingly fast and ran with it. We expanded on the main riff and came up with the other parts and overall arrangement while writing with our new lineup in our studio in LA. The whole process went surprisingly smoothly. We added backing vocals and overdubs while on tour last year in Europe, doing all the passes to complete the song from various apart-hotels, attics in France and Amsterdam.”

Though they’re currently in the midst of a massive trek across Europe, the band recently announced an extensive run of headline U.S. tour dates for this fall, which include performances at such esteemed venues as Warsaw in Brooklyn and The Troubadour in Los Angeles. See below for the full list of currently-announced dates.

Through six progressively expansive albums, innumerable live dates on an ever-expanding list of continents, and performances with the likes of Thee Oh Sees, Ty Segall, Cheap Trick, ZZ Top and more (to say nothing of their impressive headline dates), Frankie and the Witch Fingers have earned their throngs of global fans with their ecstatically wild live shows and layered, visionary recordings. With Data Doom, the band is poised to welcome even more uninitiated into the fold – it’s their most eclectic work yet, while remaining undeniably cohesive, and they’re supporting it with the biggest headline shows they’ve ever played.

Over the past decade Frankie and the Witch Fingers have operated as an outright force of nature, offering up a revelatory form of psych-rock that hits on both a primal and ecstatically mind-bending level. In the making of their new album Data Doom, the Los Angeles-based four-piece forged a sublimely galvanizing sound informed by their love of Afrobeat and proto-punk—a potent vessel for their frenetic meditations on technological change run rampant, encroaching fascism, and corrosive systems of power. Animated by the explosive energy they’ve brought to the stage in sharing bills with such eclectic acts as Ty Segall and ZZ Top, the result is a major leap forward for one of the most adventurous and forward-thinking bands working today.

Rooted in the cerebral yet viscerally commanding songwriting of co-founders Dylan Sizemore (vocals, guitar) and Josh Menashe (lead guitar, synth), Data Doom marks the first Frankie and the Witch Fingers album created with bassist Nikki “Pickle” Smith (formerly of Death Valley Girls) and drummer Nick Aguilar (previously a touring drummer for punk legend Mike Watt). In crafting their most rhythmically complex work to date, the band drew heavily from each new member’s distinct sensibilities: Smith tapped into her extensive background in West African drumming (an art form she first discovered thanks to her music-instructor parents), while Aguilar leaned into formative influences like longtime Fela Kuti drummer Tony Allen. Self-produced by the DIY-minded band and recorded direct to tape by Menashe, Data Doom ultimately took shape through countless sessions in their Southeast L.A. rehearsal space, with Frankie and the Witch Fingers allowing themselves unlimited time to explore their most magnificently strange impulses.

Once again showcasing the expansive and fantastically eccentric musicality of past efforts like 2020’s Monsters Eating People Eating Monsters..., Data Doom encompasses nine high-wattage songs constructed with both dizzying intricacy and unfettered imagination. On “Mild Davis,” for instance, the band shares a gloriously spaced-out track inspired by a piece from Miles Davis’s early-’70s electric period, cycling through a vast whirlwind of rhythms and textures and wildly spellbinding guitar parts. “We worked on that for two weeks straight, puzzle-piecing together different parts into one very weird and stream-of-consciousness song that’s mostly in a 7/4 time signature,” Menashe recalls. Meanwhile, Sizemore’s lyrics shift between savagely despairing the state of the world and resolutely dreaming of a brighter future. “I wrote the lyrics to ‘Mild Davis' in a moment of feeling pessimistic about what technology is doing to our society, especially as AI is creeping to the forefront more and more,” says Sizemore. “But then the bridge comes from a more optimistic perspective, where it’s questioning whether we could reboot the whole system and start all over.”

After opening on the epic majesty of “Empire,” Data Doom launches into the first song the band’s new lineup wrote together: “Burn Me Down,” an irresistibly jittery track that perfectly encapsulates the album’s transcendent collision of blistering riffs and polyrhythmic grooves. On “Electricide,” Frankie and the Witch Fingers unleash the LP’s most unabashedly punk offering, a bombastic rallying cry built on Aguilar’s breakneck drumming. One of several songs featuring Menashe on sax, “Syster System” slips into a hypnotically fluid tempo as Frankie and the Witch Fingers muse on the possibilities of partnership culture (a concept introduced by futurist Riane Eisler in her seminal book The Chalice and the Blade). “Riane Eisler talks about how our society has a very masculine energy that manifests as the need to exert power, which she refers to as dominator culture,” Sizemore explains. “The alternative to that is partnership culture, which has a feminine energy that’s more symbiotic with nature. The idea behind ‘Syster System’ is that if we could bring that energy into technology, it could help make everything more harmonious.” And on “Political Cannibalism,” Data Doom closes out with a dance-ready anti-anthem stacked with so many loopy details, such as a warped and otherworldly guitar part Menashe spontaneously composed in an attic in France.

To create the cover art for Data Doom (a co-release from Greenway Records and the Reverberation Appreciation Society), Frankie and the Witch Fingers reached out to Italian illustrator Carlo Schievano and UK-based graphic designer Jordan Warren, who then joined forces in assembling an elaborate mixed-media piece complete with its own language system and accompanying decoder. “It was really fascinating to see two different artistic voices working together to make something so unique, with all these hidden elements for people to figure out,” says Smith. Not only an echo of the album’s endlessly immersive quality, Data Doom’s visual component reflects the band’s devotion to unbridled collaboration in all aspects of the creative process. “There was no pressure and no real time constraint for this record, and because of that the creativity flowed in a very free way that probably wouldn’t have happened if we’d been on the clock in a studio,” says Sizemore. “It showed us that the more we take the time to communicate and share our ideas with each other, the more it feeds our creative energy and helps us to make something we’re all really excited about.”

#Frankie and the Witch Fingers #Futurephobic #BigHassleZack #Youtube

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drzito · 1 year

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Las 211 peliculas que he visto en 2022 (parte 2)

En negrita las que os recomiendo:

106. Azul oscuro casi negro (Daniel Sanchez Arevalo, 2006).

107. Destino Final 3 (James Wong, 2006)

108. El territorio de la bestia (Greg McLean, 2007)

109. Lake Mungo (Joel Anderson, 2008)

110. Las Ruinas (Carter Smith, 2008)

111. Los limoneros (Eran Riklis, 2008)

112. Superagente 86 de película (Peter Segal, 2008)

113. Petit Indi (Marc Recha, 2009)

114. Edificio España (Víctor Moreno, 2010)

115. El hombre sin pasado (Lee Jeong-beom, 2010)

116. Tron: Legacy (Joseph Kosinski, 2010)

117. Beyond the black rainbow (Panos Cosmatos, 2011)

118. La bicicleta verde (Haifaa al-Mansour, 2012)

119. The Bay (Barry Levinson, 2012)

120. Ahora me ves (Louis Leterrier, 2013)

121. El gran simulador (Nestor Frenkel, 2013)

122. The Borderlands (Elliot Goldner, 2013)

123. Frank (Lenny Abrahamson, 2014)

124. The Big Men (Rachel Boynton, 2014)

125. The Guest (Adam Wingard, 2014)

126. Caza al asesino (Pierre Morel, 2015)

127. El despertar de los dragones (Soi Cheang, 2015)

128. La juventud (Paolo Sorrentino, 2015)

129. Perdiendo el Norte (Nacho G Velilla, 2015).

130. Una pastelería en Tokio (Naomi Kawase, 2015)

131. Ahora me ves 2 (Jon M. Chu, 2016)

132. Cien años de perdón (Daniel Calparsoro, 2016)

133. Doña Clara (Aquarius) (Kleber Mendonça Filho, 2016)

134. El Caso Sloane (John Madden, 2016)

135. El Vacio (Jeremy Gillespie y Steven Kostanski, 2016)

136. La autopsia de Jane Doe (André Øvredal, 2016)

137. Paterson (Jim Jarmusch, 2016)

138. Reina de Katwe (Mira Nair, 2016)

139. The eyes of my mother (Nicolas Pesce, 2016)

140. Un italiano en Noruega (Gennaro Nunziante, 2016)

141. Ingrid Goes West (Matt Spicer, 2017)

142. Lady Bird (Greta Gerwig, 2017)

143. Tierra Firme (Carlos Marques-Marcet, 2017)

147. Verónica (Paco Plaza, 2017)

148. Default (Kook-Hee Choi, 2018)

149. El ombligo de Guie’dani (Xavi Sala, 2018)

150. Searching... (Aneesh Chaganty, 2018)

152. Silvio (y los otros) (Paolo Sorrentino, 2018).

153. Un pequeño favor (Paul Feig, 2018)

154. Upgrade (Leigh Whannell, 2018)

155. Así crecen los enanos (Raul Serrano, 2019)

156. Bliss (Joe Begos, 2019)

157. Brittany corre un maratón (Paul Downs Colaizzo, 2019)

158. Contagio en alta mar (Neasa Hardiman, 2019)

159. El bosque maldito (Lee Cronin, 2019)

160. First cow (Kelly Reichardt, 2019).

161. La cabaña siniestra (Veronika Franz y Severin Fiala, 2019)

162. La democracia en peligro (Petra Costa, 2019)

163. Los días que vendrán (Carlos Marques-Marcet, 2019)

164. Nación cautiva (Josh Wyatt, 2019)

165. Quien a hierro mata (Paco Plaza, 2019)

166. The Beach House (Jeffrey A Brown, 2019)

167. Vivarium (Lorcan Finnegan, 2019)

168. Aves de presa y la fantabulosa emancipación de Harley Quinn (Cathy Yan, 2020)

169. Casa Ajena (Remi Weekes, 2020)

170. Come true (Anthony Scott Burns, 2020)

171. El capital humano (Marc Meyers, 2020)

172. El hombre invisible (Leigh Whannell, 2020)

173. Hillbilly, una elegia rural (Ron Howard, 2020)

174. La boda de Rosa (Iciar Bollain, 2020)

175. Mandíbulas (Quentin Dupieux, 2020)

176. Mas allá de los dos minutos infinitos (Junta Yamaguchi, 2020)

177. Minari. Historia de mi familia (Lee Isaac Chung, 2020)

178. Murder Death Koreatown (anonimo, 2020)

179. Sputnik (Egor Abramenko, 2020)

180. Tenet (Christopher Nolan, 2020)

181. Underwater (William Eubank, 2020)

182. Un lugar tranquilo 2 (John Krasinski, 2020)

183. Black Widow (Cate Shortland, 2021)

184. Chavalas (Carol Rodríguez Colás, 2021)

185. El buen patrón (Fernando Leon de Aranoa, 2021)

186. Freaks Out (Gabrielle Mainetti, 2021)

187. Gaia (Jaco Bouwer, 2021)

188. Hombres lobo entre nosotros (Josh Ruben, 2021)

189. In the Earth (Ben Weathley, 2021)

190. Kate (Cedric Nicolas-Troyan, 2021)

191. La abuela (Paco Plaza, 2021).

192. La peor persona del mundo (Joachim Trier, 2021)

193. Los voyeurs (Michael Mohan, 2021)

194. No mires arriba (Adam McKay, 2021).

195. One Shot: Mision de Rescate (James Nunn, 2021)

196. Paris, distrito 13 (Jacques Audiard, 2021)

197. Petit Maman (Céline Sciamma, 2021)

198. Sin tiempo para morir (Cary Joji Fukunaga, 2021)

199. Spencer (Pablo Larrain, 2021).

200. Spiderman: No way home (Jon Watts, 2021)

201. Titane (Julia Ducornau, 2021).

202. Ultima noche en el Soho (Edgar Wright, 2021)

203. Un héroe (Asghar Farhadi, 2021)

204. Woodlands Dark and Days Bewitched (Kier-La Janisse, 2021)

205. Alcarras (Carla Simón, 2022)

206. Bullet Train (David Leitch, 2022)

207. El agua (Elena López Riera, 2022)

208. Kimi (Steven Soderbergh, 2022)

209. Minions: El origen de Gru (Kyle Balda, 2022)

210. Thor: Love & Thunder (Taika Waititi, 2022)

211. Todo a la vez en todas partes (Dan Kwan y Daniel Scheinert, 2022)

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everyonesonthespectrum · 7 days

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Please do Josh Segal from Trial & Error

Queued for August 29th!

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lukeevansgirl22 · 7 months

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How I Met Your Mother is hilarious!

Hey guys! I’m here to do a review on the show “How I Met Your Mother!” I loved watching this show growing up because it was hilarious! The show is about a father telling his children about the journey of how he met their mother through a series of flashbacks with his four best friends. With the cast of Josh Radnor, Jason Segal, Cobie Smulders, Neil Patrick Harris, Alyson Hannigan, Lyndsy…

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jfradioshow · 2 years

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#JFRS Daily Podcast: July 19, 2022

The John Fredericks Radio Show - GUESTS: Dr. Peter Mcullough, Rep. Warren Davidson, Courtney Kramer, Josh Gordon, Karyn Mulligan, Jerome Segal, Joe Morrissey, Phillip Patrick + your calls at 1-888-480-JOHN (5646) and on GETTR @jfradioshow #GodzillaOfTruth #TruckingTheTruth #OracleOfDeplorables

Check out this episode!

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cock-holliday · 2 years

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Shows my advisor my inspo moodboard and is immediately institutionalized

#charles foster offdensen #phoenix wright #saul goodman #miles edgeworth #carol anne keane #josh segal #vinny gambini

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