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c-40 · 2 years

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A-T-2 247 Judy Nylon and Crucial

As a child I was made to watch a documentary on Nylon (the product, not Judy) I remember its name is a composite of NY for New York and Lon for London as it was invented in New York and London simultaneously or something

Judy Nylon moves from the US to the UK in 1970 and seems to fall straight into the London's glam scene. Nylon collaborates with Brian Eno and John Cale in the 1970s, in 1974 she is the Judy of Eno's "Back in Judy's Jungle" and sings on John Cale's "The Man Who Couldn't Afford to Orgy." Nylon is also credited on the sleeve of Brian Eno's 1975 Discrete Music. 'Judy collaborated with Brian Eno, and famously helped him create “Ambient”'

With Patti Palladin, Nylon form the punk duo Snatch. Snatch also collaborate with Eno on R.A.F. the b side of Eno's 1978 single King's Lead Hat. Snatch release three singles between 1977-1980 and in 1983 a compilation album appears. Patti Palladin joined The Flying Lizards in 1980 and duets with Johnny Thunders of The New York Dolls Judy Nylon meets Adrian Sherwood at John Lydon's house. Lydon knew Sherwood through his daughter-in-law Ari Up. "The Slits had been coming to our gigs - Prince Far I and Creation Rebel gigs - in 77-78, and then when they had their first tour they invited us to be on it. So on that tour I became friends with Ari"

Ari Up and Sherwood formed the group The New Age Steppers with a changing cast of players from Creation Rebel, The Slits, The Pop Group, The Raincoats, PiL. Some of the same musicians would become "Crucial" Judy Nylon's backing group for her debut album, Pal Judy. The album was produced by Nylon and Adrian Sherwood and released in 1982 on Sherwood's label On-U Sound

Live In A Lift

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A Room Without A View

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Trail By Fire - written by Patti Palladin

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Information Rain

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Sleepless Nights

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#1982 #judy nylon #adrian sherwood #on-u sound #post-punk #everyday #80s music #record collector

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paquesnoires · 2 years

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#Judy Nylon #No Wave

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minisinmedia · 11 months

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Jane Falbury as Judy Garland wearing a very short black mini dress with stockings on Summer Stock

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thebreakfastgenie · 2 months

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She's Got a Way And she's got a light around her And everywhere she goes

You Can Make Me Free Won't you color my eyes? I've been waiting so long

Everybody Loves You Now Feelings do not matter in your game Because nothing's gonna touch you anymore

Why Judy Why A man my age is very young, so I'm told Why do I feel so old?

Falling of the Rain Ah, but I don't want to know and I don't want to see Another rainy day without you lying next to me, ah

Turn Around You must begin again And all the roads that you have walked are comin' to an end

You Look So Good to Me I'm feeling the glory from that smile upon your face You lifted me high above my ordinary place, uh-huh

Tomorrow Is Today Though I'm living and I'm singing And although my hands still play

Nocturne Instrumental

Got to Begin Again Though I don't know how to start Yes, I've got to begin again, and it's hard

My favorite lyrics from each Billy Joel song

#billy joel #favorite billy joel lyrics #i'm gonna edit this post to link the other albums once i do them

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dolljunk · 2 years

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Here's my 50p Sindy doll I've added a bunch of paint and pastels on top of her factory paint, rerooted in Copper Nylon from @customdollhairAU and then placed on a modern Sindy body with joints. I'm really glad I didn't give up on this head after stealing her body for my Quick Change Sindy because I did want to finally customise my own Sindy doll to my tastes. I blushed her head with pastels so it's a pretty good thing it sorta matches her new body instead of being a deathly white tone. I did style her with the inspiration of Judy Garland in Meet Me in St. Louis.

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savage-kult-of-gorthaur · 9 months

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"THE QUALITY OF THE PICTURES WAS SO GOOD. I HAD A STINT OF HAVING IT WITH ME ALL THE TIME."

PIC(S) INFO: Mega-spotlight on behind-the-scenes Polaroids of English post-rock/post-punk/experimental music group PUBLIC IMAGE LIMITED, c. 1980-'81. 📸: Jeannette Lee.

OVERVIEW: "In late 1978, one year after the tumultuous break up of the SEX PISTOLS, John Lydon (a.k.a. Johnny Rotten) launched his new band, PUBLIC IMAGE LIMITED, featuring his childhood friend Jah Wobble on bass, and Keith Levene, former guitarist for THE CLASH, on guitar. Lydon had had a rough time of it; by the time the Sex Pistols disintegrated, he had no money, no privacy thanks to the band’s enduring notoriety and no real control over his punk past (former manager Malcolm McLaren had staked claim to the SEX PISTOLS’ image, forbidding Lydon to use the name Rotten for future endeavours). As a result, he deemed that Public Image Limited would be different: a band-cum-company comprised of trusted co-collaborators.

Shortly after founding the band he approached Jeannette Lee, now best known as the co-director of iconic independent label Rough Trade Records, inviting her into the PiL fold as a “non-musical member” of the group to help with press, promotion and general administration. Thus ensued a magical period of innovation and cooperation which saw PiL rise to greater and greater heights, blazing an avant-garde, post-punk trail. Now, a new limited-edition book of Polaroid photographs taken by Lee during her three or four-year tenure with the group, and published by IDEA, sheds candid light on this formative period of the band’s history.

Lydon and Lee had met through Don Letts, the then-manager of famous punk-reggae clothing store Acme Attractions on the King’s Road (where Lee also worked), and bonded over a shared love of reggae and their north London council estate backgrounds. “He came to me and said, "I’m starting this new thing. I want to work with people that I trust. I don’t want to work with any more idiots,"" Lee recalls in an interview with Jarvis Cocker – a close friend, whom she also manages and who helped her compile the publication – for the book’s accompanying text. “There was no real job description: just like-minded people joining forces.” Alongside the key band members, these included Don Letts, Sheila Rock, Judy Nylon and Plaxy Locatelli, among others, all of whom set up office in Lydon’s house in Gunter Grove, between Fulham and the King’s Road, and spent their days, in Lee’s words, "making manifestos and then living according to them."

It is in this intimate setting that many of Lee’s pictures are staged, taken from 1980 onwards, after the purchase of her Polaroid SX-70 camera on a trip to New York. “The quality of the pictures was so good. I had a stint of having it with me all the time. Taking pictures everywhere I went,” she tells Cocker. Lee was a natural photographer, her snapshots rendered in dreamy hues and boasting compelling compositions. Some of the images from the book will be recognisable to PiL fans – such as the brilliant photograph of Lydon gazing furtively into a spiderweb-etched mirror, which was used as the cover for the "Flowers of Romance" single – while many more have never been seen, and offer viewers wonderful insight into the very private world of PUBLIC IMAGE LIMITED. There’s a picture of one member tenderly clasping a puppy, one of Levene sitting in front of a strawberry milkshake, traces of its froth forming a moustache across his top lip, another of Lee and a boater-topped Lydon grinning goofily into the camera: the softer, sillier side of punk."

-- ANOTHER MAG, "Behind-the-Scenes Polaroids of Public Image Limited’s Heyday," by Daisy Woodward, c. May 2017

Source: www.anothermag.com/art-photography/9825/behind-the-scenes-polaroids-of-public-image-limiteds-heyday.

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submission4 · 10 months

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“I always think you guys look particularly stupid in a hogtie.” Judy told her cursing prisoner as she pulled the pantyhose tying Billy’s ankles tight and then meticulously fastened the nylon to the tights securing the humiliated man’s wrists. “It’s something about the way your legs stick up in the air and you can’t do anything about it!” The private detective giggled. “Comfy, sweetheart?” she gratuitously asked the anguished Billy after she had finished.

#strong women #prisoner #woman detective #man tied up by woman

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doomandgloomfromthetomb · 1 year

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John Cale - CBGB, New York City, December 31, 1978

After a Happy Lou Year in 1972 ... his old buddy John takes us into 1979 at CBGB. A raw night on the Bowery — even rawer than usual! This period is kinda transitional for Cale, finding a new repertoire after the Island Years and leading into the aggressive Sabotage years. There are still some glances back to the balladry of the earlier 1970s here, with the wounded "Only Time Will Tell" and "Don't Know Why She Came" as highlights.

The rowdy crowd seems to dig the wilder stuff a bit more, of course — hey it's a party, right? Why not get down to such snappy numbers as "Jack The Ripper," "Dance of the Seven Veils" (narrated in fine fashion by Judy Nylon) and a harrowing "Your Neighbour's Wife." Cale was hurling himself towards the end of the 1970s, pedal to the metal, taking no prisoners.

#john cale

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futuresandpasts · 2 months

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Intro DRILL – Within Reason The Signs are Coming THE REFLECTIONS – Keep It Easy ALARMING TRENDS – Rude Seduction LIZZY MERCIER DESCLOUX – Jim on the Move AUS – Der Schöne Schein A Game of Lose or Win MIŽERIJA – Flashback MODERN CLUB – Acid You GENTILESKY – On and On ARMED FORCE – Professional Pictures Left Unshown RHYTHM AND FAITH – Time to Run BALLON D’ESSAI – Armchair Tourist XS DISCHARGE – Frustration GHOSTS OF DANCE – Black Sheep Talking in Symbols PURPUR SPYTT – On a Circle THE INDIVIDUALS – Monkey FRIZBEE – Defective JUDY NYLON – The Dice Outro I.L.L.O. – The Unknown

#radio shows #maximum rocknroll

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mondoradiowmse · 11 months

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05/31/23 Mondo Radio Playlist

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "Do the Punk Rock", featuring punk-funk, mutant disco and more. If you dig it, don't forget to also follow the show on Facebook and Twitter!

Artist - Song - Album

James White And The Blacks - Contort Yourself (August Darnell Remix) - Off White

James Chance & The Contortions - Don't Stop Til You Get Enough (Live) - Soul Exorcism Redux

Bush Tetras - You Can't Be Funky - Boom In The Night: Original Studio Recordings 1980-1983

ESG - UFO - Dance To The Best Of ESG

Grace Jones - Nightclubbing - Nightclubbing

Judy Nylon And Crucial - Trial By Fire - Pal Judy

Lou Reed - Disco Mystic - The Bells

The B-52's - Dance This Mess Around - Nude On The Moon: The B-52's Anthology

The Waitresses - The Comb - Punk 45: Burn Rubber City, Burn! - Akron, Ohio: Punk And The Decline Of The Mid-West 1975-80

Pylon - Gyrate - Chomp More

Glorious Strangers - Move It Time - New York Noise, Vol. 2: Music From The New York Underground 1977-1984

Player Piano - Plinkety Plank Plunk In Hi Fi - S.F. Record Tid-Bits

Talking Heads - Mind - Fear Of Music

Lizzy Mercier Descloux - I'm Liquor - Zulu Rock

Talking Heads - I Zimbra - Fear Of Music

Material - Upriver - Memory Serves

John Lennon & Yoko Ono - Walking On Thin Ice - Double Fantasy

Liquid Liquid - Optimo - Def Jam Recordings 30

Public Image Ltd. - Swan Lake - Second Edition

Casino Music - Viol Af Dis - Bippp: French Synth Wave 1979-85

Suicide - Shadazz - The Second Album + The First Rehearsal Tapes

Blondie - Heart Of Glass - The Best Of Blondie

Tom Tom Club - Genius Of Love (Live) - Stop Making Sense

Blondie - Rapture - The Best Of Blondie

Common Sense - Voices Inside My Head - Disco Not Disco

Loose Joints - Tell You Today - Disco Not Disco

Kid Creole And The Coconuts - Darrio - The Last Party - Music Inspired By The Book The Last Party: Studio 54, Disco And The Culture Of The Night

Was Not Was - Tell Me That I'm Dreaming - The Last Party - Music Inspired By The Book The Last Party: Studio 54, Disco And The Culture Of The Night

The Clash - Rock The Casbah - Hits Back

The Clash - Radio Clash - Hits Back

#Music #WMSE #Milwaukee #Radio #Playlist #Mutant Disco #Punk-Funk

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muttonchopsalley · 2 years

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The Mysterious Murder of Judith Hakari (WARNING: Disturbing Descriptions)

On the morning of March 5, 1970 , 23 year old Judith Ann Hakari (hock-ah-ree) , a Registered Nurse and her fiance, 24 year old Raymond Willis , a college student; were working on restoring an old piano the couple owned at the apartment the two shared at 1720 Markston Road in Sacramento, California . The piano; a family heirloom; was the sole reason she chose an apartment on the ground floor. A little while after their work on the piano, Judy excused herself to go downtown to take care of some business. Among those things was stopping at a local photography studio to get some pictures taken of herself to announce her engagement to Willis in the local paper.

Little did anyone know, these would be the last photos taken of Judy alive.

Later that day, Judy began her shift at Sutter Memorial Hospital . That night, at around 11:30, Ray claimed that Judy had called him, telling him that she was coming home from work and would bring some food so the two could have a "late dinner" together. Hakari was then reported as clocking out and leaving. She was dressed in her nurse uniform, over which she had a blue coat with white polka dots, and white saddle shoes on her feet.

Midnight came and went, and Ray began to get worried. After about several more minutes, he left the apartment, and went out into the parking lot. There, in Judy's usual parking space, was her car. However, the door was partially open. Ray rushed over and looked inside.

In the vehicle, Judy's keys were on the floorboard, a white towel torn into strips was laying on the seats, as well as several scattered buttons from Judy's coat. Panicking, Willis ran back into the apartment, and first called Judy's parents, before then calling the Police.

A police investigation found that the towel was a Cannon brand, and that they were mainly sold to places with gymnasiums, such as schools. Police immediately suspected an obvious abduction and struggle had occurred.

The front desk clerk at Sutter said that a little while after Judy left, a young man in his early twenties, standing five feet seven to nine inches tall, with reddish hair and a beard and blue eyes walked into the lobby,

Approached her desk and asked if "Judith" was on duty. The receptionist informed him that she'd already left, and the man simply walked back out the door. Friends and relatives were immediately suspicious upon hearing about the man, as anyone who closely knew Hakari called her "Judy".

Later, another witness recalled seeing Judy's car pulling into the apartment complex's lot a while after she's recorded as leaving the hospital. Then, around midnight, a different witness recalls seeing a 1960 model sedan speeding out of the same parking lot with its lights off and almost getting into an accident with it.

Judy was then listed as a missing person, and a reward was offered for information leading to her safe return. Weeks passed with no news. Then, tragically; on the morning of April 26th , a couple hiking in the foothills of the town of Weimar California discovered a woman's body lightly concealed in a shallow grave.

Police responded to the scene, and were able to confirm almost immediately it was the body of Judy Hakari. Her nurse's nametag was lying inside the grave, and her hand still had the distinctive golden rose and diamond engagement ring she'd been given. Her purse was never found.

Judy had been dead for several weeks. She had received a vicious beating to her face. Her jaw had been broken in two places, and she'd been strangled with a nylon stocking. Her nurse's uniform had been ripped completely open, and she'd been raped. Another strip of towel was found loosely wrapped around her neck, indicating it'd been used as a gag. Also in her grave was one of her saddle shoes, a gray sweat jacket, and a white canvas bag that Police later learned was also used by the school system.

Police launched an intense investigation. In the meantime, Police suspicion turned towards Ray. He was called in for multiple interrogations. Why hadn't he immediately called Police? Why hadn't he seen Judy's car from his window or heard her scream? His excuses didn't seem to convince them. At different points, they tried to convince him to simply confess to the murder, but he refused. Ultimately, Ray was able to use a map of the area and Weimar to show that he couldn't possibly have been in the the area her body was found in. This seemed to quell their suspicions of him. Over time, his DNA was submitted, which also appeared to rule him out.

At around the same time, a man who owned the property Judy's body was found on came forward stating that several days after she'd disappeared, he'd come across three "well dressed" young men in their twenties digging in the field. He approached them and asked what they were doing. The man closest to him, who he described as being about six feet tall with short black hair, brown eyes and an olive complexion,

told him that they were digging for antique bottles. The owner found this suspicious, as the men were not dressed for digging. Noticing a car parked nearby, a late model sedan, with an open trunk, the owner then approached it, only to have another man warn him not to touch the car, and quickly shut the trunk. The owner told the men they were trespassing and would have to leave, before walking away.

Months later, in early September; Donna Lass (pronounced: loss) , another Nurse, was working at the medical station of the Lake Tahoe resort on the California/Nevada border, when she also mysteriously went missing after leaving work. Someone claiming to be The Zodiac Killer later took credit for her death. Her body has never been found.

Then, a month after that in late October, Sacramento court reporter, Nancy Bennallack (ben-ahl-uck) was found dead in her apartment. Her throat had been slashed to near decapitation. Her killer had climbed over a fence, scaled a water meter and climbed up to her second floor balcony. Nancy appeared to have hurt her attacker, as a trail of blood was found leaving the scene. Nancy's apartment was just down the street from Judy's .

Then, in mid-November, former dental assistant, Carol Hilburn's nude body was found in a field in Rio Linda . She'd been bludgeoned to death, but not raped.

The crimes were later referred to as "The Nightingale Murders" because several of the women had a connection to the medical field. Was that a factor in their deaths? Were they killed by someone they knew or a stranger? Was the same party responsible for all the killings? Was it an established serial killer like The Zodiac or Ted Bundy?

Nevertheless, years passed and Judy, as well as the rest of the women's cases, went unsolved.

However, decades later, in late 2020 ; a man calling himself "Rex" contacted the true-crime podcast "Solve Crimes with Rick and Gavin" and informed them that he had actually witnessed Judy's abduction!

According to Rex, he was Judy's paperboy, and would deliver the Sacramento Bee paper to her apartment. Her subscription name was "Ann Hakari" , so that's how he knew her.

On the day of Judy's abduction, which he claims actually occurred at late afternoon; Rex (who was around twelve years old) was walking near Judy's apartment building, after a wrestling match at his school and saw her car near its parking space being flanked by another car and surrounded by several well dressed men in dress shirts. The leader of which was a round-faced man with a necktie . The man demanded that Judy exit the car and come with them, also calling her "Ann" . Judy steadfastly refused.

Seeing Judy was obviously in distress, Rex picked up some rocks by the road, and began throwing them at the men. This distracted them enough that Judy came running out of the car. Rex then took Judy's hand and then had her run with him. She then kicked off her saddle shoes when they impeded her running, before picking one up. However, the men's car quickly caught up with them and two men; one well dressed and a fourth man who was casually dressed jumped out. The casually dressed man grabbed Judy, while the business suit wearing man grabbed Rex. Rex slipped out of his sweat jacket and ran further. The man chased him to where his neighborhood was, but Rex held him off by throwing more rocks. Suddenly, the men's car drove up and one of the men told the other to get in and leave, which he did. Rex could also see the casually dressed man struggling to hold someone down in the backseat (whom he believed to be Judy) before he landed a punch to her, and the man then relaxed himself. Rex then ran back home. Rex's father was a Sheriff's Deputy and when Rex told him of the story, his father told him not to tell anyone; likely fearing for his safety. Rex states that most accounts he heard on the news at the time were incorrect.

Other details that Rex recounted was that in the pocket of his sweat jacket was a towel from his school gym. His stepmother would yell at him whenever he'd accidentally bring them home. This might explain the sweat jacket and strips of towel in Judy's car and grave. He said that the car the men drove had an "E" for "Exempt" on its license plate

which indicated the men were officials of some kind. Rex also said the attacker with the round face looked very similar to a man named Duane Lowe ,

who later that year would be elected the Sheriff of Sacramento. Among other cases to investigate, he would also inherit Judy Hakari's.

Whether the established, or Rex's account of these events are more accurate, we can only hope that some kind of headway is eventually made and her killers are finally identified.

#True Crime #Judith Ann Hakari #Unsolved Mysteries #murder #mysterious #1970s #70s #Sacramento #California #mystery #retro

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