#julia kuzmenko

[pinercafe]

Basic portrait retouching by julia kuzmenko mckim

#Basic portrait retouching by julia kuzmenko mckim professional

I knew that I had wasted a lot of time trying to learn non-relevant stuff because I did not know any better. It took a lot of researching, planning and dissecting my own learning process of the previous 5 years. Kuzmenko McKim: I started working on my teaching programs (both photography and retouching) in mid 2011 and my first students attended my online and local classes in the beginning of 2012. As I picked up my first camera in 2006 I started shooting all sorts of portraits and, after meeting a super talented makeup artist and hairstylist, Mikala Jean Vandenbroucke, a couple of years ago, I fell in love with Beauty and Fashion photography and we spent a lot of time refining our crafts together.īL: How long have you been teaching and/or writing about photography and how would you describe your teaching/writing style? I think it was a natural progression from my childhood hobby: painting and drawing pretty girls. Kuzmenko McKim: I specialize in Beauty, Fashion, and Portrait Photography. She was a Founder/CEO of Retouching Academy and currently runs Avenue Retouching Agency.īL: What is your photographic specialty and how did you become interested in it?

#Basic portrait retouching by julia kuzmenko mckim professional

She is an International College of Professional Photography (Melbourne) graduate represented by Aston Models Agency in Beverly Hills, CA. Julia Kuzmenko McKim is an internationally published beauty, fashion, and portrait photographer, digital artist, retoucher, and educator. This post has been updated and re-released to reflect recent gear recommendations.

#Basic portrait retouching by julia kuzmenko mckim

[yesterdayandkarma]

by Julia Kuzmenko McKim

[drrubinspomade]

#julia kuzmenko photo

WELL, YEAH

We post pinups daily! If you dig this pic we’ve found  online, u should investigate the creator/subjects of the above work and fan them, follow them, hire them.

If you’d like us to remove, or you know who made this so that we can credit, DM. Thanks. Greetings from Los Angeles.

DrRubinsPomade.com

[courseone]

Fstoppers - Master Dodge and Burn - For Beauty, Fashion, and Portrait Retouching with Michael Woloszynowicz The photographers at Retouching Academy have produced some of the industry's best work when it comes to beauty photography and retouching. Not only are their images stunning, the educational content they have produced has provided immense help to other photographers learning the industry. The last product we featured, "Studio Beauty" with Julia Kuzmenko McKim was such a big hit that we're bringing more of their post processing techniques to Fstoppers. In RA's latest production, Michael Woloszynowicz dives into one of retouching's most fundamental techniques, dodging and burning. Michael breaks down this fundamental, nondestructive process into a four section course that teaches both the theory and practical application that goes into dodging and burning an image. Here's a little more of what this course provides. What's Covered in This Tutorial? Lesson 1 It's important to understand some of the broader points of retouching an image before we dive into practical application. This lesson introduces you to the tools and settings needed throughout the course as well as the reasoning behind choosing D&B as a corrective technique. Underlying theory behind D&B, what is it, how it works, why it is so important, and how it compares to other techniques The elements of an image: Hue, Saturation, and Luminosity Local or Corrective D&B Global D&B or Contouring D&B vs. Other Retouching Techniques D&B types within your workflow Tools and Layers for your D&B work Working with Curves Adjustment Layers for Corrective D&B and Contouring Working with 50% Gray Layers for Corrective D&B and Contouring D&B as a part of your retouching workflow Lesson 2 In this lesson, we begin to use D&B for localized correction and to refine luminosity shifts in skin to make it look perfect. We also examine how the technique can be used in combination with other tools like the Healing Brush. While we walk you through practical application of using D&B, we'll also demonstrate some pitfalls to avoid which give your images unnatural looking results. Lesson 3 In the third lesson we dive into the idea of contouring or global D&B. We explore how adding accentuating highlights or shadows on certain areas of the face and body can give your subject more depth and dimension to give a more three-dimensional appearance. This lesson starts with a completed beauty image and then moves on to  completing the black and white image from lesson two. To finish this lesson, we contour a color image to give an extra example of this technique. As well as the standard contour process, we examine the best ways to go about reshaping areas of the face using light and how to organize your layers when doing so. Lesson 4 The final lesson will involve putting the final touches on all our images, particularly from a color standpoint. Although our focus with D&B is to correct luminosity shifts, we still have to pay attention to color. This course doesn't dwell on color correction techniques but it is important to be able to identify color issues and understand the most useful tools for correcting color. We'll explore how to use D&B to work on details such as harsh shadows, dark spots in the whites of the eye, as well as peach fuzz on the face, and deal with the resulting color problems in those areas. Bonus Materials In addition to the educational video lessons, this course provides the following: Michael’s D&B Actions RA D&B Tool Presets for D&B Brushes Practice file (Fabrics) Practice file (Beauty portrait) What's Included in This Tutorial Download? A PDF including course information and a course outline Four lessons teaching the theory and technique of dodging and burning 3.5 hours of video content Practice images to follow along Michael's D&B actions and brush presets

[krystalstuff]

Bose - It's Beautiful Up Here from Ian Pons Jewell on Vimeo.

Writer & Director: Ian Pons Jewell Writers: Cara Cecchini & Mia Rafowitz @ Grey Group Creative Director: Asan Aslam Creative Director: Jon Tonkes Production Company: RESET Executive Producer: Sasha Bevka Producer: Jon Adams @ RESET Films Producer: Olya Kosenko Production Manager: Julia Sotnikova Art Director: David Kharaishvili Director of Photography: Mauro Chiarello Editor: Tobias Suhm @ Whitehouse Post Production Designer: Robin Brown Unit Manager: Egor Pogrebniak: 1st AD: Dennis Sonnin 2nd AD: Sasha Stankevich Location Managers: Dmitriy Shevchenko & Vitaliy Batyschev AC: Sergey Kolesnik AC: Vitali Topchiy AC: Stanislav Kaminskiy PA: Vova Altsybeev Focus Puller: Kirill Shlyamin Playback: Sergey Rupos Playback: Eugene Ischenko Playback: Valentyn Gryb Playback: Vitaliy Schetynyn PC: Natalie Kit PC: Val Petyshkin Gaffer: Leo Sidorenko SFX: Anton Shpil Casting Assistant: Masha Ilyina Wardrobe Stylist: Stasia Monastyrkaia Wardrobe Stylist: Daria Lysyn Makeup Artist: Marta Skalska Makeup Artist: Anna Rebrikova Runner: Anatoliy Koval Runner: Matvey Ostroukh Chaperone: Vlad Khan Chaperone: Alex Stotskaya Dolly: Artem Pylypchuk Dolly: Valeriy Legosha

Composer: Phillip Kay Sound design: Jim Stewart, String and Tins Sound Supervision / Mix: Will Cohen, String and Tins

Time Based Arts: Executive Producer: Tom Johnson VFX Supervisor: Stephen Grasso 2D LEAD: Nina Mosand 2D TEAM: Ollie Ramsey, Matt Shires, Jamie Crofts, Adam Paterson, Will Robinson 3D TEAM: David Loh, Sam Osborne, Ben Cantor, Nick Smalley 2nd AD: Colour Grading: Lewis Crossfield VFX Producer: Jo Gutteridge

Art Department: Konstantyn Mikhno Andrew Lytch Nikolay Lych Dmitriy Fede Oleg Semako Aleksandr Sagal Dmitriy Nesterov Eugene Shvidler Oleg Leschenko Igor Kuzmenko Mykhail Popov Sergey Koryahin

CAST: Joana Garcia Tina Opera Amma Chuikova Nastya Kolenkova Mariiam Abdulmalik Natasha Kara Mokhamed Savazh Zhenya Larionov Bakhtiyor Ibragimov Yura Schebnyak Elene Anriette Mayla Serigne Toure Zatsyhniy Bogdan Sat Suan Zhenya Keselman

[remixinc]

BOSE - It's Beautiful Up Here DC from Mauro Chiarello on Vimeo.

Writer / Director: Ian Pons Jewell Cinematography: Mauro Chiarello Production Design: Robin Brown Stylist: Stasya Monastyrskaya 1st AD: Dennis Sonnin Editor: Tobias Suhm @ Whitehouse Post Composer: Phillip Kay Sound design: Jim Stewart, String and Tins Sound Supervision / Mix: Will Cohen, String and Tins Time Based Arts VFX Supervisor: Stephen Grasso 2D LEAD: Nina Mosand 2D TEAM: Ollie Ramsey, Matt Shires, Jamie Crofts, Adam Paterson, Will Robinson 3D TEAM: David Loh, Sam Osborne, Ben Cantor, Nick Smalley Colour Grading: Lewis Crossfield

Writers: Cara Cecchini & Mia Rafowitz @ Grey Creative Director: Asan Aslam @ Grey Prod Co: RESET Producer Jon Adams PM: Julia Sotknika

Executive Producer: Tom Johnson VFX Producer: Jo Gutteridge SASHA BEVKA EXECUTIVE PRODUCER OLYA KOSENKO PRODUCER

SASHA STANKEVICH 2ND AD

JULIA SOTNIKOVA PRODUCTION MANAGER

EGOR POGREBNIAK UNIT MANAGER

DAVID KHARAISHVILI ART DIRECTOR

LEO SIDORENKO GAFFER

VALENTYN GRYB PLAYBACK

VITALIY SCHETYNYN PLAYBACK

MASHA ILYINA CASTING ASSISTANT

MARTA SKALSKA MAKEUP ARTIST

ANNA REBRIKOVA MAKE UP ARTIST

STASIA MONASTYRSKAIA WARDROBE STYLIST

DARIA LYSYN WARDROBE STYLIST

NATALIE KIT PC

VAL PETYSHKIN PC

VOVA ALTSYBEEV PA

ANATOLIY KOVAL RUNNER

MATVEY OSTROUKH RUNNER

ANTON SHPIL SFX

VLAD KHAN CHAPERONE

ALEX STOTSKAYA CHAPERONE

KIRILL SHLYAMIN FOCUS PULLER

SERGEY RUPOS PLAYBACK

EUGENE ISCHENKO PLAYBACK

SERGEY KOLESNIK AC

VITALIY TOPCHIY AC

STANISLAV KAMINSKIY AC

DMITRIY SHEVCHENKO LOCATION MANAGER

VITALIY BATYSCHEV LOCATION MANAGER

ARTEM PYLYPCHUK DOLLY

VALERIY LEGOSHA DOLLY

KONSTANTYN MIKHNO ART DEPT.

ANDREW LYTCH ART DEPT.

NIKOLAY LYCH ART DEPT.

DMITRIY FEDE ART DEPT.

OLEG SEMAKO ART DEPT.

ALEKSANDR SAGAL ART DEPT.

DMITRIY NESTEROV ART DEPT.

EUGENE SHVIDLER ART DEPT.

OLEG LESCHENKO ART DEPT.

IGOR KUZMENKO ART DEPT.

MYKHAIL POPOV ART DEPT.

SERGEY KORYAHIN ART DEPT.

JOANA GARSIA CAST

TINA OPARA CAST

ANNA CHUIKOVA CAST

NASTYA KOLENKOVA CAST

MARIIAM ABDULMALIK CAST

NATASHA KARA CAST

MOKHAMED SAVAZH CAST

ZHENYA LARIONOV CAST

BAKHTIYOR IBRAGIMOV CAST

YURA SCHEBNYAK CAST

ELENE ANRIETTE MAYLA CAST

SERIGNE TOURE CAST

ZATSYHNIY BOGDAN CAST

DAT SUAN CAST

ZHENYA KESELMAN CAST

[montysworld]

BOSE - It's Beautiful Up Here DC from Mauro Chiarello on Vimeo.

Writer / Director: Ian Pons Jewell Cinematography: Mauro Chiarello Production Design: Robin Brown Stylist: Stasya Monastyrskaya 1st AD: Dennis Sonnin Editor: Tobias Suhm @ Whitehouse Post Composer: Phillip Kay Sound design: Jim Stewart, String and Tins Sound Supervision / Mix: Will Cohen, String and Tins Time Based Arts VFX Supervisor: Stephen Grasso 2D LEAD: Nina Mosand 2D TEAM: Ollie Ramsey, Matt Shires, Jamie Crofts, Adam Paterson, Will Robinson 3D TEAM: David Loh, Sam Osborne, Ben Cantor, Nick Smalley Colour Grading: Lewis Crossfield

Writers: Cara Cecchini & Mia Rafowitz @ Grey Creative Director: Asan Aslam @ Grey Prod Co: RESET Producer Jon Adams PM: Julia Sotknika

Executive Producer: Tom Johnson VFX Producer: Jo Gutteridge SASHA BEVKA EXECUTIVE PRODUCER OLYA KOSENKO PRODUCER

SASHA STANKEVICH 2ND AD

JULIA SOTNIKOVA PRODUCTION MANAGER

EGOR POGREBNIAK UNIT MANAGER

DAVID KHARAISHVILI ART DIRECTOR

LEO SIDORENKO GAFFER

VALENTYN GRYB PLAYBACK

VITALIY SCHETYNYN PLAYBACK

MASHA ILYINA CASTING ASSISTANT

MARTA SKALSKA MAKEUP ARTIST

ANNA REBRIKOVA MAKE UP ARTIST

STASIA MONASTYRSKAIA WARDROBE STYLIST

DARIA LYSYN WARDROBE STYLIST

NATALIE KIT PC

VAL PETYSHKIN PC

VOVA ALTSYBEEV PA

ANATOLIY KOVAL RUNNER

MATVEY OSTROUKH RUNNER

ANTON SHPIL SFX

VLAD KHAN CHAPERONE

ALEX STOTSKAYA CHAPERONE

KIRILL SHLYAMIN FOCUS PULLER

SERGEY RUPOS PLAYBACK

EUGENE ISCHENKO PLAYBACK

SERGEY KOLESNIK AC

VITALIY TOPCHIY AC

STANISLAV KAMINSKIY AC

DMITRIY SHEVCHENKO LOCATION MANAGER

VITALIY BATYSCHEV LOCATION MANAGER

ARTEM PYLYPCHUK DOLLY

VALERIY LEGOSHA DOLLY

KONSTANTYN MIKHNO ART DEPT.

ANDREW LYTCH ART DEPT.

NIKOLAY LYCH ART DEPT.

DMITRIY FEDE ART DEPT.

OLEG SEMAKO ART DEPT.

ALEKSANDR SAGAL ART DEPT.

DMITRIY NESTEROV ART DEPT.

EUGENE SHVIDLER ART DEPT.

OLEG LESCHENKO ART DEPT.

IGOR KUZMENKO ART DEPT.

MYKHAIL POPOV ART DEPT.

SERGEY KORYAHIN ART DEPT.

JOANA GARSIA CAST

TINA OPARA CAST

ANNA CHUIKOVA CAST

NASTYA KOLENKOVA CAST

MARIIAM ABDULMALIK CAST

NATASHA KARA CAST

MOKHAMED SAVAZH CAST

ZHENYA LARIONOV CAST

BAKHTIYOR IBRAGIMOV CAST

YURA SCHEBNYAK CAST

ELENE ANRIETTE MAYLA CAST

SERIGNE TOURE CAST

ZATSYHNIY BOGDAN CAST

DAT SUAN CAST

ZHENYA KESELMAN CAST

[emzeciorrr]

Bose - It's Beautiful Up Here from Ian Pons Jewell on Vimeo.

Writer & Director: Ian Pons Jewell Writers: Cara Cecchini & Mia Rafowitz @ Grey Group Creative Director: Asan Aslam Creative Director: Jon Tonkes Production Company: RESET Executive Producer: Sasha Bevka Producer: Jon Adams @ RESET Films Producer: Olya Kosenko Production Manager: Julia Sotnikova Art Director: David Kharaishvili Director of Photography: Mauro Chiarello Editor: Tobias Suhm @ Whitehouse Post Production Designer: Robin Brown Unit Manager: Egor Pogrebniak: 1st AD: Dennis Sonnin 2nd AD: Sasha Stankevich Location Managers: Dmitriy Shevchenko & Vitaliy Batyschev AC: Sergey Kolesnik AC: Vitali Topchiy AC: Stanislav Kaminskiy PA: Vova Altsybeev Focus Puller: Kirill Shlyamin Playback: Sergey Rupos Playback: Eugene Ischenko Playback: Valentyn Gryb Playback: Vitaliy Schetynyn PC: Natalie Kit PC: Val Petyshkin Gaffer: Leo Sidorenko SFX: Anton Shpil Casting Assistant: Masha Ilyina Wardrobe Stylist: Stasia Monastyrkaia Wardrobe Stylist: Daria Lysyn Makeup Artist: Marta Skalska Makeup Artist: Anna Rebrikova Runner: Anatoliy Koval Runner: Matvey Ostroukh Chaperone: Vlad Khan Chaperone: Alex Stotskaya Dolly: Artem Pylypchuk Dolly: Valeriy Legosha

Composer: Phillip Kay Sound design: Jim Stewart, String and Tins Sound Supervision / Mix: Will Cohen, String and Tins

Time Based Arts: Executive Producer: Tom Johnson VFX Supervisor: Stephen Grasso 2D LEAD: Nina Mosand 2D TEAM: Ollie Ramsey, Matt Shires, Jamie Crofts, Adam Paterson, Will Robinson 3D TEAM: David Loh, Sam Osborne, Ben Cantor, Nick Smalley 2nd AD: Colour Grading: Lewis Crossfield VFX Producer: Jo Gutteridge

Art Department: Konstantyn Mikhno Andrew Lytch Nikolay Lych Dmitriy Fede Oleg Semako Aleksandr Sagal Dmitriy Nesterov Eugene Shvidler Oleg Leschenko Igor Kuzmenko Mykhail Popov Sergey Koryahin

CAST: Joana Garcia Tina Opera Amma Chuikova Nastya Kolenkova Mariiam Abdulmalik Natasha Kara Mokhamed Savazh Zhenya Larionov Bakhtiyor Ibragimov Yura Schebnyak Elene Anriette Mayla Serigne Toure Zatsyhniy Bogdan Sat Suan Zhenya Keselman

[burntpink]

@kensnation photographed by @juliakuzmenko

#kensnation #kensington #juliakuzmenko #julia kuzmenko mckim #makeup #mine #julia kuzmenko #makeup aesthetic #makeup inspo #makeup inspiration #yellow makeup #yellow aesthetic #yellow #yellow eyeshadow #yellow eyes #mua

[stunningexpressions]

#julia kuzmenko

[topmodelcentral]

Mame Adjei for Harper's Bazaar Kazakhstan 

~ America (22) ~

by Julia Kuzmenko

#Mame Adjei #ANTM #America's Next Top Model #cycle 22 #guys and girls #no height requirement #model #fashion #Harper's Bazaar Kazakhstan #editorial #beauty shot #earrings #eye shadow #Julia Kuzmenko #stunning #beautiful #gorgeous #fierce #pretty #elegant #poise

[divinebeauties]

Lora Arellano by Julia Kuzmenko for Melt Cosmetics

#Lora Arellano #Julia Kuzmenko #Melt Cosmetics #Jennifer Betty Romero #divine beauty #divinebeauties #highlight #tattoos

[xohighglo]

https://www.instagram.com/p/BjrOvxvFMvT/

#x #lora arellano #julia kuzmenko mckim

[courseone]

Fstoppers - Master Dodge and Burn - For Beauty, Fashion, and Portrait Retouching with Michael Woloszynowicz The photographers at Retouching Academy have produced some of the industry's best work when it comes to beauty photography and retouching. Not only are their images stunning, the educational content they have produced has provided immense help to other photographers learning the industry. The last product we featured, "Studio Beauty" with Julia Kuzmenko McKim was such a big hit that we're bringing more of their post processing techniques to Fstoppers. In RA's latest production, Michael Woloszynowicz dives into one of retouching's most fundamental techniques, dodging and burning. Michael breaks down this fundamental, nondestructive process into a four section course that teaches both the theory and practical application that goes into dodging and burning an image. Here's a little more of what this course provides. What's Covered in This Tutorial? Lesson 1 It's important to understand some of the broader points of retouching an image before we dive into practical application. This lesson introduces you to the tools and settings needed throughout the course as well as the reasoning behind choosing D&B as a corrective technique. Underlying theory behind D&B, what is it, how it works, why it is so important, and how it compares to other techniques The elements of an image: Hue, Saturation, and Luminosity Local or Corrective D&B Global D&B or Contouring D&B vs. Other Retouching Techniques D&B types within your workflow Tools and Layers for your D&B work Working with Curves Adjustment Layers for Corrective D&B and Contouring Working with 50% Gray Layers for Corrective D&B and Contouring D&B as a part of your retouching workflow Lesson 2 In this lesson, we begin to use D&B for localized correction and to refine luminosity shifts in skin to make it look perfect. We also examine how the technique can be used in combination with other tools like the Healing Brush. While we walk you through practical application of using D&B, we'll also demonstrate some pitfalls to avoid which give your images unnatural looking results. Lesson 3 In the third lesson we dive into the idea of contouring or global D&B. We explore how adding accentuating highlights or shadows on certain areas of the face and body can give your subject more depth and dimension to give a more three-dimensional appearance. This lesson starts with a completed beauty image and then moves on to  completing the black and white image from lesson two. To finish this lesson, we contour a color image to give an extra example of this technique. As well as the standard contour process, we examine the best ways to go about reshaping areas of the face using light and how to organize your layers when doing so. Lesson 4 The final lesson will involve putting the final touches on all our images, particularly from a color standpoint. Although our focus with D&B is to correct luminosity shifts, we still have to pay attention to color. This course doesn't dwell on color correction techniques but it is important to be able to identify color issues and understand the most useful tools for correcting color. We'll explore how to use D&B to work on details such as harsh shadows, dark spots in the whites of the eye, as well as peach fuzz on the face, and deal with the resulting color problems in those areas. Bonus Materials In addition to the educational video lessons, this course provides the following: Michael’s D&B Actions RA D&B Tool Presets for D&B Brushes Practice file (Fabrics) Practice file (Beauty portrait) What's Included in This Tutorial Download? A PDF including course information and a course outline Four lessons teaching the theory and technique of dodging and burning 3.5 hours of video content Practice images to follow along Michael's D&B actions and brush presets

[portraitsalone]

Julia Kuzmenko McKim

#julia kuzmenko mckim

[postmeridiem12]

by Julia Kuzmenko McKim