#julia oldham

[meirimerens]

Dude...not to ask you to dox yourself or something but if the arroanche(?) thing is like a dissertation PLEASE DROP THE DISSERTATION. I AM OBSESSED WITH FEMININITY AND LYCANTHROPY TOGETHER. it's such a concept that's under utilised and I am stARVING

good lird! Flattered truly fully and blushing However accrochage which ive used because I Forgor The English Word is like. damn it's like. from French verb "accrocher" which is "to put something up [on walls, etc]" so in an art [school] context it's like. when you put your works up on walls in a gallery, a museum, or here it was in a blank room of the school for the teachers to discuss in the frame of my Bachelor’s degree. So they could decide if I had made sufficient work and was sufficiently able to discuss it to get my degree. I have pictures of it but it's between me, my art school professors and classmates. Sorrey. also even if my school dissertations/essays were public (which they're not for now, this will change if I do a master's degree in 5 years) imma be real I'm not sharing them online...... bro these got my real name on that 😭 I'm not putting that on the internet. I ain't putting those here. IM FLATTERED THO TRULY I AM. LOVE TO HEAR FROM A FELLOW FEMALELYCANTHROPEHEAD. However you are not seeing anything. Sorrey.

#it literally is so underutilised. if you haven't read it check out ''why are there no great female werewolves'' essay by Julia Oldham if you #haven't already. its an essay online its a quick read. the collages she has with it are quite fun as well. #ring ring (answers) #anonymous

[x-heesy]

Julia Maya

#iminluv #this #passion #leidenschaft #intimité #aesthetic #fashioncore #fashionaddicted #storytellers #soulcatchers #soulphotography #artpost #photographer #motions @shadowanndeath #emotions #fantasy #girliwannaeatya

#fashion #fashiongram #fashionable #fashionphotography #fashionlover #fashionart #fashionaddict #fashionphotographer #fashionpost #fashionshoot #fashionlove #fashionlovers

Soundtrack: Ruby by Tweaker, Will Oldham 🤍

𝙼𝚏 𝚌𝚛𝚎𝚍𝚒𝚝𝚜 🆎𝚘𝚟𝚎

#l o v e #Julia Maya #female art #female artists #soul photography #storytellers #art post #artist profile #x-heesy #fucking favorite #now playing #music and art #contemporaryart #newcontemporary #cinematic #cinematic photography #fine art photography #photographer #e motion #emotion #emotions #will oldham #art #Classic art #Hommage #vintage #nostalgia #8/2022

[overlooked-tracks]

An Overlooked Music Track: Lift Up Louisville, Teddy Abrams, Jim James, Scott Carney, Will Oldham, Patrick Hallahan, Danny Kiely, Carly Johnson, Sam Bush, Michael Cleveland, Jason Clayborn, Sharron Sales, Dani Markham, Daniel Martin Moore, Cheyenne Marie Mize, Scott T. Smith, Rayul Beatbox, 1200, Brigid Kaelin, Gabriel Lefkowitz, Julia Noone, Kathy Karr, Matthew Karr, Andre Levine & Jacob Duncan. It’s Time to Support Music!

The following article has been posted on September 11, 2022 at 05:24PM:

STREAMING TRACKS FROM THE OVERLOOKED TRACKS PODCAST – SPONSORED BY APPLE MUSIC

Since you’ve heard great music on the Overlooked Tracks podcast, here’s your chance to further support Lift Up Louisville, Teddy Abrams, Jim James, Scott Carney, Will Oldham, Patrick Hallahan, Danny Kiely, Carly Johnson, Sam Bush, Michael Cleveland, Jason Clayborn, Sharron Sales, Dani Markham, Daniel Martin Moore, Cheyenne Marie Mize, Scott T. Smith, Rayul Beatbox, 1200, Brigid Kaelin, Gabriel Lefkowitz, Julia Noone, Kathy Karr, Matthew Karr, Andre Levine & Jacob Duncan! Check this track and head over to Apple Music to find more of what Lift Up Louisville, Teddy Abrams, Jim James, Scott Carney, Will Oldham, Patrick Hallahan, Danny Kiely, Carly Johnson, Sam Bush, Michael Cleveland, Jason Clayborn, Sharron Sales, Dani Markham, Daniel Martin Moore, Cheyenne Marie Mize, Scott T. Smith, Rayul Beatbox, 1200, Brigid Kaelin, Gabriel Lefkowitz, Julia Noone, Kathy Karr, Matthew Karr, Andre Levine & Jacob Duncan with other music performers have to offer. We’re staying focused on finding music so you can listen, enjoy and not overlook!!

So, it’s a win-win: You support music artists and Overlooked Tracks and we continue to grow and support more music at a global scale!!

Music Artist: Lift Up Louisville, Teddy Abrams, Jim James, Scott Carney, Will Oldham, Patrick Hallahan, Danny Kiely, Carly Johnson, Sam Bush, Michael Cleveland, Jason Clayborn, Sharron Sales, Dani Markham, Daniel Martin Moore, Cheyenne Marie Mize, Scott T. Smith, Rayul Beatbox, 1200, Brigid Kaelin, Gabriel Lefkowitz, Julia Noone, Kathy Karr, Matthew Karr, Andre Levine & Jacob Duncan Music Track Name: Lift up Louisville Music Track Release Date: 2020-04-27 12:00:00 Price of Track: 0.99 / USD https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/c7/8f/b8/c78fb8d2-a777-63bb-f7b4-7922718c2966/mzaf_5303691451422229872.plus.aac.p.m4a

Affiliate Link Statement: Please notice and read Our Disclosure (and your right to know): There are affiliate links (a site link forwarding a request to a specific sponsor or product) on this post which may result in the Overlooked Tracks Podcast receiving a commission for your purchase of Lift Up Louisville with Scott T. Smith and various artists as much as possible and in turn receive a commission to further grow the podcast and continue supporting the gift of music. We have verified and used the link to make sure you are comfortable to go to the source of music.

Listen to More Music on Apple Music and can be found on the Overlooked Tracks website: https://ift.tt/6HX9Zxj. Check out more music news from Overlooked Tracks! Country Music, Apple, country, lift, louisville, Music, Rock, streaming

#Music #Musicislife #musica #MusicLover #podcast #podcaster

[note-a-bear]

There’s also a pronounced lack of female werewolves in popular culture. Their near absence in literature and film is explained away by various fancies: they’re sterile, an aberration, or—most galling of all—they don’t even exist.

Their omission from popular culture does one thing very effectively: It prevents us, and men especially, from being confronted by hairy, ugly, uncontrollable women. Shapeshifting women in fantasy stories tend to transform into animals that we consider feminine, such as cats or birds, which are pretty and dainty, and occasionally slick and wicked serpents. But because the werewolf represents traits that are accepted as masculine—strength, large size, violence, and hirsutism—we tend to think of the werewolf as being naturally male. The female werewolf is disturbing because she entirely breaks the rules of femininity.

Julia Oldham Why Are There No Great Female Werewolves

#vulfie vulfie #julia oldham #listen as someone who is as into the concept of monstrous women as i am into the overall....vibe of beauty and the beast stuff it is..... #heartening to know i am not alone

[witchstone]

Lycanthropy has clearly been stolen from women over the years, and yet, while the condition is indeed connected to many supposedly “masculine” traits, the state of werewolfism is also very similar to menstruation. According to most werewolf narratives, the wolf cycle follows the lunar month, and is characterized by behavioral and physical changes caused by chemical fluctuations, much like the menstrual cycle. Think of it this way: During menstruation, tissue is produced and then expelled from the walls of the uterus to an abject space, the vagina, which is neither entirely outside nor inside the body. Similarly, a werewolf’s transformation involves production and expenditure of tissue, and a confusion of inside and outside, as the surface skin of the human-phase werewolf ruptures, turns inside out, and grows hair.

Julia Oldham, Why Are There No Great Female Werewolves?

#werewolves #lycanthropy #gender issues #visual culture #wolves #julia oldham #artsy.net #menstruation #m #monsters #monstrous

[dogandcatcomics]

#repost @juliaoldham Julia Oldham (USA, 1979- ).  Oldham wrote this strip at the time of the death of her beloved dog Woodrow in September 2020, with the vivid sunsets from the smoke of forest fires.

#2020 disaster #dog #perro #comics #julia oldham #quadrinhos #hund #hond #arte perruno #arte canino #amour de chien #hundeliebe #forest fire sunset #amor perruno #amor canino #canine art #dogs in art #dogs in comics

[fashionnirvana]

At the 1998 Golden Globes, actress Julia Roberts donned a haltered, head-to-toe sequined gown by the designer Todd Oldham, whose runway front rows she often frequented in the 90s. The gown premiered in the Todd Oldham Fall 1997 runway. 

For the full collection, visit Todd Oldham Studios. 

@fashionnirvana

#Julia Roberts #Golden Globes #90s #red carpet #runway #90s fashion #actress #Todd Oldham #sequined #sparkle #body con #more is more #culture #90s culture

[black-is-no-colour]

Glamour Germany May 2018. Coat & dress Maison Margiela by John Galliano, Défilé Spring 2018 collection. Sunglasses Céline. Shoes Ugg.

Photographer David Oldham, Model Julia Jamin, styled by Véronique Tristram

#Maison Margiela #Margiela #Maison Margiela by John Galliano #John Galliano #Galliano #fashion #fashion shoot #editorial #David Oldham #Julia Jamin #Véronique Tristram #Glamour #Glamour Germany #ss18 #model #fashion photography

[downloadebookpdffile]

READ B.O.O.K. New Queer Photography Focus on the Margins download ebook PDF EPUB

B.O.O.K. New Queer Photography: Focus on the Margins download ebook PDF EPUB

New Queer Photography: Focus on the Margins

[PDF] Download New Queer Photography: Focus on the Margins Ebook | READ ONLINE

Author : Benjamin Wolbergs Publisher : Gingko Press ISBN : 1584237562 Publication Date : 2020-11-17 Language : Pages : 304

To Download or Read this book, click link below:

http://read.ebookcollection.space/?book=1584237562

(ebook online)

Synopsis : B.O.O.K. New Queer Photography: Focus on the Margins download ebook PDF EPUB

'This book is all about fearless queer photography.' i-D / ViceArt, more than anything, opens up the possibility of approaching one's own sexuality beyond the limits imposed by taboos. Not only does it allow for a risk-free, playful exploration of gender and forbidden desires, but it is unique in capturing its contradictions.In recent years, a young and active queer photography scene has emerged, helped in large part by social media. Indulging their desire for self-presentation, affirmation, and reflection, many photographers portray male homosexuality in particular as a private idyll. At the same time, they shine a critical light on their own and society's approach to transsexuality and gender roles and expose the corrupting but also affirmative power of pornography.Films, series, and mainstream cultural appropriation suggest that society has largely embraced queer lifestyles. However, a number of documentary photographers provide evidence that being gay or lesbian can still lead to marginalization, isolation, stigmatization, and violence in certain countries and communities. Their works also take the regime of sexuality itself into account and show that many bans on same-sex contact have colonial origins.This carefully researched and richly designed book introduces 52 contemporary photographers, including those of well-established notoriety as well as plenty of unknown and less well-known talent.Texts by:Ben Miller, Edna Bonhomme, Alexander Chee, Gert Jonkers, Shiv Kotecha and Huw Lemmey.Photographs by:Mohamad Abdouni, Michael Bailey-Gates, Damien Blotti�re, Gianfranco Brice�o, Francesco Cascavilla, Lia Clay Miller, Maika Elan, Kostis Fokas, Benjamin Fredrickson, Milan Gies, Goodyn Green, Julia Gunther, Alexandre Haefeli, Robin Hammond, Florian Hetz, Jonathan Icher, Claudia Kent, Jan Klos, Matt Lambert, Pepper Levain, Daniel Jack Lyons, Maria Clara Macr�, Mark McKnight, Rafael Medina, Melody Melamed, Manuel Moncayo, Hao Nguyen, Ralf Obergfell, Joseph, Wolfgang Ohlert, Brian Oldham, Laurence Philom�ne, Pauliana Valente Pimentel, Bettina Pittaluga, Laurence Rasti, Red Rubber Road, Spyros Rennt, Jordan Reznick, Lissa Rivera, Ashkan Sahihi, Bradley Secker, M. Sharkey, Shahria Sharmin, Christopher Sherman, Donal Talbot, Dustin Thierry, Birk Thomassen, Lasha Fox Tser tsvadze, Luis Venegas, Lukas Viar, Danielle Villasana, Gerardo Vizmanos and Soraya Zaman.

#epub

[gorgonapologist]

julia oldham, why are there no great female werewolves?

#on transformation #women and animals #female ugliness

[xshayarsha]

“There is a certain irony here, because many of the first werewolves to be outed in society from the 16th through the 18th centuries were actually women. Just as our American ancestors had their Salem Witch Trials, Europe had its Werewolf Trials, and a large number of the so-called “werewolves” tortured and burned at the stake were female. [...] In the 17th-century werewolf trials of Estonia, women were about 150 percent more likely to be accused of lycanthropy; however, they were about 100 percent less likely to be remembered for it.”

“Here’s also a pronounced lack of female werewolves in popular culture. Their near absence in literature and film is explained away by various fancies: they’re sterile, an aberration, or—most galling of all—they don’t even exist.Their omission from popular culture does one thing very effectively: It prevents us, and men especially, from being confronted by hairy, ugly, uncontrollable women. Shapeshifting women in fantasy stories tend to transform into animals that we consider feminine, such as cats or birds, which are pretty and dainty, and occasionally slick and wicked serpents. But because the werewolf represents traits that are accepted as masculine—strength, large size, violence, and hirsutism—we tend to think of the werewolf as being naturally male. The female werewolf is disturbing because she entirely breaks the rules of femininity.”

--- Julia Oldham, Why Are There No Great Female Werewolves?

[bloodlust-anthology]

Why a wlw/Queer only werewolves anthology

I've had an interest for fantasy worlds and the creatures making these worlds for a very long time. As I grew older and started being more aware of the media I consumed I noticed numerous disparities in the fantasy genre. I always thought building a world with its own races and society would give more chance to play with society's expectations but it was almost never the case.

Although quite a while ago, I stumbled onto an article by Julia oldham named "Why are there no great female werewolves?"

It was a very interesting read that I recommend if you're also interested by the subject. Of course, you'll notice upon reading it, that it focuses on men being swooning over big hairy ladies which is very respectable.

But as a wlw, like most of my entourage, I wanted to focus on that particularly. Lgbt+ people are also very rare in the fantasy genre of today.

This anthology is to focus on that unfair lack in the fantasy genre and have fun with it. You'll found on my blog the interest form for the anthology. Don't hesitate to share!

#werewolves #lgbtq #wlw post #writing #art #artists on tumblr

[note-a-bear]

Oops, gonna build a small bibliography of recent articles tackling the question of 'where are the women werewolves'

First there's this Julia Oldham piece from 2017

#im gonna be working through this all afternoon because I LOVE THE PUPPIES #vulfie vulfie

[theamazingsallyhogan]

Werewolf in the Wildflowers 

Artist:  Julia Oldham

2/10, 2017 , Marta Hewett Gallery

#werewolves #look at her #If I was a werewolf I'd probably be that big a dumbass

[artinbuildings]

Throw Back Thursday to Art-in-Buildings' 2015 exhibition 'Flutteries, or A Feeling of Impending Doom,' featuring works by Jessica Segall and Really Large Numbers. 

Segall and Really Large Numbers (a collaboration between Julia Oldham and Chad Stayrook) are multidisciplinary artists whose practices include videos, performances, and objects that seek to develop a means to approach, control, prepare, and envision the future.

Learn more on the AiB website! 

#throw back thursday #tbt #art in buildings #aib #public art #art nyc #fidi art #downtown art #installation art #video art #jessica segall #really large numbers #julia oldham #chad stayroook

[fashionnirvana]

Designer Todd Oldham & Fashion Nirvana

Blog entry by Julia Garrett, Texas Fashion Collection Intern 

Stone-faced supermodels typically anchor proper runway shows. But for designer Todd Oldham (born 1961), things were just a little different. With the models beaming and twirling down the runway and the digital prints and crochet textiles they wore so well, Oldham’s kitsch-embracing styles sent hearts swooning from Los Angeles to New York City during his fashion house’s heyday. Todd Oldham Studios produced colorful, vibrant, innovative collections from 1989 to 1998.

Spring 1991 

Before this, Oldham started his career a little closer to home, here in Texas. Setting out on his own after high school, Oldham moved from Corpus Christi to Dallas with a borrowed $50-worth of white cotton, which he dyed and sewed into a small line that he sold to Neiman Marcus. Then moving to fashion capital New York City, Oldham gained national recognition, winning the Perry Ellis Award for New Fashion Talent from the Council of Fashion Designers in 1991. The Spring collection that earned him this award was full of bejeweled mosaics on itty-bitty mini dresses and glistening bralettes. His fashion statements fused a love of craft and the vernacular of the everyday with a tradition of bold, avant-garde, luxury design.

Fall 1992 | Fall 1991

Speaking of statement pieces...

Speaking of statement pieces, one of the Oldham brand’s signatures was the use of digitally-printed fabrics. Even in his early career, the designer pioneered this method that came to be increasingly popular in the 90s. Oldham often showcased his digital prints alongside textures with very different visual effects in a single design—like the pearlescent, metal-linked vests over crepe-de-chine slips or gradient velvets found in his Fall 1991 collection.

Spring 1993 | Fall 1993

Knit crochets and polyesters made from digitally-printed polaroid shots were keynotes of his covetable eye for design. By 1992, some of the most desired supermodels of the decade graced Todd Oldham runways, from a fresh-faced 18-year-old Tyra Banks, to others including Cindy Crawford, Kate Moss, Naomi Campbell, and Christy Turlington.

Spring 1994 

Todd Oldham’s Spring 1994 collection bounces between print-clad signatures and more thoughtful, sleek pieces that focused on flattering the human figure. Showing this attention to detailed tailoring, whether it was darted side slits for a vest or the fit of a stringy LBD (“little black dress”), Oldham committed to growth and innovation in his designs over time. This collection’s garments showed a new, concurrent interest in minimalism and nodded to 90s trends found in other designers. For example, Oldham created a body-conscious twist on Calvin Klein’s classic slip dress, as well as baby-doll dresses featuring halter necks and stringy, form-revealing silhouettes.  

Spring 1994

Spring 1998 | Fashion Nirvana Installation: Todd Oldham, American, born 1961, Coat, 1998, Synthetic satin, Texas Fashion Collection, University of North Texas, Gift of Todd Oldham Studios

.

Oldham’s career in fashion from then on featured bright, colorful, “more-is-more” designs alternating with minimalist, body-conscious touches. From barely-there two-piece sets to straw mini skirts and cape combos, Oldham’s style matured throughout the decade. The designer became a master of tasteful maximalism in his pairings of full-body prints with black, satin, cropped blazers and embroidered straps on slip dresses. Evidence of Oldham’s colorful, eclectic design aesthetic and use of digitally-printed textiles can be seen in the McNay’s Fashion Nirvana: Runway to Everyday exhibition. All loaned from the Texas Fashion Collection (TFC), a coat printed with a picture of paper shreds joins the “Less Is More & More Is More” section, while a colorful shirtwaist dress and landscape-photography-clad t-shirt dress can be found in the “Culture & Subculture” section.

Fashion Nirvana Installation: Todd Oldham, American, born 1961, Shirtwaist dress, 1994, Cotton broadcloth, rhinestones, Texas Fashion Collection, University of North Texas, Gift of Todd Oldham Studios |  Spring 1992

.

After Oldham closed his fashion house in 1999, he went on to work in interior design, author several books, and other creative ventures. Oldham has a history of showcasing his multidisciplinary artistic talents. Many may remember Oldham’s “Todd Time” segments on MTV’s House of Style program, in which the designer shared DIY projects, helpful life hacks, and creative yet affordable fashion advice. Although Todd Oldham has moved on to other horizons, there are plenty of opportunities to dream about what could’ve joined your vintage closet on view at the McNay Art Museum.

Fashion Nirvana Installation: Todd Oldham, Cocktail dress and skirt, 1996, Silk ribbon ;  T-shirt dress, 1996, Polyester knit , Texas Fashion Collection

Spring 1996 |  Spring 1994 

Upon closing his fashion business in 1999, Oldham donated 118 garments from his archive to the Texas Fashion Collection, also known as the TFC, at the University of North Texas (Denton, TX). Thanks to a partnership with the TFC, numerous signature examples of what made Oldham so distinctly successful will be on view at the McNay for the coming months. A silk ribbon gown, a satin coat, a pinstripe dress, and more grace this exhibition’s slice of fashion history from the 1990s, calling to the minimal-maximalist in all of us.

____________

WRITTEN BY JULIA GARRETT, Texas Fashion Collection Intern in her freshman year at the University of North Texas studying art history.

The TFC, located in Denton, TX, houses over 20,000 historic and designer garments and accessories and is directed by Annette Becker. Fashion Nirvana: Runway to Everyday is an exhibition organized by the McNay Art Museum in partnership with the TFC. Fashion Nirvana is the first fashion and video art exhibition in the Museum’s history, and focuses on the style and culture of the 1990s. Marion McNay Koogler founded the McNay Art Museum as the first modern art museum in Texas in 1954, and the public collection now holds over 22,000 objects.

PHOTOS SOURCED FROM OLDHAM’S ARCHIVES: https://www.toddoldhamstudio.com/fashion/

TEXAS FASHION COLLECTION  https://tfc.cvad.unt.edu/

MCNAY ART MUSEUM  https://www.mcnayart.org

Fall 1992 | Todd Oldham, American, born 1961, Sheath dress, 1993,  Wool, brass studs, Texas Fashion Collection, University of North Texas, Gift of Todd Oldham Studios |  Kehinde Wiley, Portrait of Mary Hill, Lady Killigrew, 2013, Oil on canvas, long term loan, McNay Art Museum 

#Todd Oldham #Blog #Fashion Blog #90s #90s fashion #runway #fashion history #minimalism #maximalism #less is more #more is more #body con #conceal and reveal #digital printing #Kate Moss #Tyra Banks #MTV #MTV House of Style #Todd Time #Julia Garrett #TFC #Texas Fashion Collection #McNay #Fashion Nirvana