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#jungle book
nifromtwitter · 11 months
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Something about necklaces makes men look so slutty
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edtertainer · 2 months
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The dads
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kirain · 1 year
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capturingdisney · 1 year
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“red flowers”: fae, vargas camp 2, and glorious masquerade
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THERE’S SOMETHING IN VARGAS CAMP 2 THAT MADE ME DO A DOUBLE TAKE 👁️ 👄 👁️
So in 2-2, the pixies of the forest are trying to put out the campfires. The boys then talk about how there was a miner's campfire a while back that caused a forest fire, which naturally spooked the local fairies. AND THEN VIL GOES AND DROPS THIS DOOZIE OF A LINE:
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EXCUSE ME, VI L SIR??????? ?? ? ???? ? ? ?? ? ? ? Did you just say RED FLOWERS? Is that not similar to the CRIMSON FLOWERS/LOTUSES that ROLLO tried to use to establish a magicless Twisted Wonderland in Glorious Masquerade?!
ADDENDUM: I learned recently (very shortly after this post went live, actually!) that the “red flowers” may also be a reference to what the animals in the live action Jungle Book call fires. I’m not personally familiar with this film, so I’ll be running with the crimson lotus/Glorious Masquerade connection for the duration of this post!!
Looking at how the phrases are written in Japanese, they use the term 赤い花 ("akai no hana"/red flower) in Vargas Camp and 紅蓮の花 ("guren no hana"/crimson lotus flower) in Glorious Masquerade. Crimson is basically a specific kind of red, and lotus is just a certain type of flower. Even more damning is that fact that in 3-8 of Glorious Masquerade, Malleus EXPLICITLY describes the spreading crimson flowers as having "a brilliance like that of fire". You can see from images of the crimson lotus that they do, indeed, seem to glow like fire.
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If you look at the real life timeline of these events releasing, it also coincidentally lines up!! Like, the original release of Vargas Camp 2 (for JP server) was in mid to late SEPTEMBER 2022. Then Glorious Masquerade would come out mid to late OCTOBER 2022. Vargas Camp 2 was literally the new story event that came out RIGHT BEFORE Glorious Masquerade... WAS THIS FORESHADOWING??????????????? And even more importantly than that... What does this mean for fae??????
One could call "red flowers" just a poetic way for the pixies to label something they don't understand. But what's confusing is that there are clearly also fire pixies living in the forest; we see several of them in Vargas Camp attacking the students. It's not as though the fairies are unfamiliar with fire itself, so why not just call the campfires 'fires'?? What if... (and stick with me here) the pixies named the campfires thus because it's potentially a reference to something far deadlier (than even the forest fire) that they experienced or heard of in their history? In the time period of ~400 years ago shown to us in book 7, we learn that human invaders drove fae out of their homes and began mining their land for resources. This, more specifically, impacts the Briar Country up north, who are fighting against humans that arm themselves with iron (something which appears to repulse the fae). These humans are also known to use deceptive tactics, such as distracting the messenger team of Lilia and co. while they launch an assault on Mallenoa's castle, where she and her unborn son are. So... what's to say they wouldn't resort to other underhanded means as well? Mean such as... utilizing a flower known to suck out the magic from living beings :))) like maybe the... crimson lotus, perhaps?
In Glorious Masquerade, we learn that the crimson lotus has been extinct for a long time now. They were destroyed by humans centuries ago because of how dangerous they were to mages. We don't have an exact number of years, but "centuries" is enough to land it in the rough ballpark of the human-fae war. Malleus himself, who is canonically 178 years old, didn't even recognize the flowers at first (as very few records of them exist in modern times); this could imply that the crimson flowers were around before he was born, which further supports that they were present during the war era.
What's more, if we look at Maleficent: Mistress of Evil (ie the second live action Maleficent movie), we see a VERY strong parallel to the crimson lotus flower. In the film, we are introduced to the Tomb Bloom, a flower that just so happens to also be red and glows a little like fire.
UNCANNY RESEMBLANCE, NO? 🤡
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Tomb Blooms are said to grow on the graves of fairies, and, when mixed with iron, creates "red dust". This red dust is considered deadly to fairies upon contact--and in the film, a fairy-hating queen lures a bunch of fae into a wedding venue to eliminate them en masse with the stuff. The crimson lotus flowers of TWST, meanwhile, are deadly on their own, draining the magic out of any magical being they touch (and permanently depriving them of magic once all the magic has been taken out of someone). For fae, who rely on magic for basically everything (travel, cooking etc.), it would be a miserable existence symbolically synonymous with death.
(Side note: in hindsight, this somewhat explains why Malleus is part of the Glorious Masquerade SSR trio. If the crimson lotus flowers were, in actuality, inspired by the Tomb Blooms (something which was weaponized against Maleficent and her kind), then it just makes so much sense for the antagonist of the event, Rollo, to utilize similar plants against Malleus, who is twisted from the Mistress of Evil herself.)
OKAY, now knowing all of that, here's what I propose as a possible timeline of events if we consider all of what I just said: ~400 years ago, crimson lotuses were plentiful. When the human-fae conflict escalated, the human side decided to play dirty to eliminate those pesky fae--because even the great Draconias would be susceptible to the magic-leeching properties of the flower. However, they discovered, upon repeated experimentation, that the flower could also harm their own mages, so they had to reformulate. Maybe this was when they learned that they could combine iron with the powdered lotus (increased surface area, and therefore also increased potency) to create something even more deadly to fae (like in Maleficent 2). Alternatively, this could contribute for the reasoning for the iron armor they wear in battle; iron repulses fae, but it could also protect them from the crimson lotus flowers due to how much of the skin it covers. For example, the Dawn Knight is said to wear a helmet that completely cover the face, and many Silver Owl NPCs do the same. There is little skin visible, unlike the armor of the Briar Country fae. But anyway, the point is that, some way or another, the humans abused the crimson lotus during this time. Once the war concluded (or in the period of reconstruction that followed), fae and humans came to an agreement to destroy all the lotuses as a part of their peace treaty/negotiations, agreeing that it was mutually beneficial to all magical creatures and mages. Humans were mainly responsible for this extinction, as there was a larger population of them that were magicless and could therefore handle the flowers without consequences. Because of the war engulfing an entire continent, fae in other parts of Twisted Wonderland would have heard about the events, fae migrated out of Briar Country to get away from the conflict, OR the conflict itself was a Twisted Wonderland-wide issue, not just contained within Briar Country. Any one of these could explain why eventually pixies on Sage's Island, in the Silent Woods (where the boys went camping), would know of the calamity caused by the crimson lotuses of the past. When they come across wild campfires, the pixies may be frightened by them due to their resemblance to the crimson lotuses and the trauma associated with war because it's human outsiders that are invading their home and propagating these 'fires'... the same situation as the human-fae war. There was the literal manmade forest fire that was far more recent, yes--but again, this doesn't fully explain why the pixies, who should be familiar with fire, would call it a "red flower" instead of just 'fire'. The association with "red flowers" being dangerous may be a result of what they recall from the war--that crimson flower which sapped away their strength and robbed them of their magic. Then, in modern day, we have Rollo somehow stumbling across seeds and breeding crimson lotuses of his own in secret for his own nefarious purposes. History (mayhaps???) repeating itself??????? ?? ? ????? ??? ??
DKJNsfhbvoqef32ygtr69r137fbofasib IDK, MAYBE I'M JUST TALKING OUT OF MY ASS AND EXTRAPOLATING TOO MUCH FROM LITTLE DETAILS 🤡 I just think it's kind of a fun theory, even if the whole timeline ends up being thrown out the window in the next main story update... Don't mind me, I'm still on my "Rollo will come save us all in a cruel and ironic twist of fate" copium--
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Rudyard Kipling’s The Jungle Book, illustrated by Paul Jouve.
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thatgirlkens · 2 months
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This scene had a chokehold on me as a CHILD 😂😂😂 I used to rewind and watch it so many times, it’s embarrassing 😂
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cheeseanonioncrisps · 2 months
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Jungle Cubs was one of the best/weirdest classic Disney cartoon series because, while on the surface it's just your classic "your favourite characters, but as babies!" series, with all the cheesy songs and cliches that that suggests, the fact that they chose to do this with the Jungle Book characters— and have for some reason chosen to include the villains in this premise— lends the whole thing such a weird sense of pathos.
Literally all these characters end up disliking each other to a certain degree. When you watch the original film, none of them are still friends.
Even for Baloo, Bagheera and Hathi, the nominal 'good guys' in the original film, the full extent of their relationship as adults is 'Can Coexist In The Same Space Without Actively Trying To Attack You', which is a step up from how Kaa, Shere Khan and King Louie behave, but is still pretty bleak.
(Baloo and Bagheera do at least end up bonding again over Mogli, but they're not particularly friendly at the start of the film.)
There is an entire implied but unspoken tragic epilogue to Jungle Cubs, where the characters grow older and start to develop their adult instincts, species divides grow stronger, and they one by one either stop showing up at or are driven away from The Cold Lairs.
Every song, or joke, or laugh shared between these characters implies a poignant Last Time sometime after the credits roll. Every adventure is lent a certain dark irony, by the knowledge that many of these characters will surely resent these decisions to rescue their friends from danger later on in life, when the time comes to try and kill them.
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kabishkat19 · 9 months
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Disney ✨Age ups✨
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(Pinocchio, Alice, John, Michael, Arthur, Mowgli, Shanti, Penny, Christopher Robin, Taran, Eilonwy and Jenny)
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allelitewrestlings · 8 months
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"You know what this is right here? Real glass. Go cry me a river."
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Let's try this again... I didn't include a few of the more iconic songs in the last poll. Yes, it's all on me, I forgot some of the songs from the movies I didn't watch that much growing up. I have since done my research and am back to try this again.
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twistedtummies2 · 6 months
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I have ssspark! I have charm.
I know painlessssss ways to harm.
Look right into my eyes…
Let yourssself be hypnotized…
I am in the Mood
To Play With My Food.
“A Mood For Food,” Jim Cummings
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Happy Halloween, everybody! I have a treat for you all: this is the first of five images I got from various artists, for a series I simply like to call “OCs and Inspirations.” In honor of Disney’s 100th Anniversary, I decided to get some images of some of my major OCs for Twisted Wonderland - the first five introduced in stories - posing with their source inspirations. This first one is made by @hooter-n-company, and shows the first boi I ever made: Nakoda “Nako” Spivak, based on Kaa from Disney’s Jungle Book.
Nakoda was not meant to be a major character when I created him, but in the course of writing his introductory piece, “Snake-Like,” I fell in love with what I had created. So, part of the way through, I decided to have him become a student at Night Raven College, and thus allow him the opportunity for more adventures later down the line. He has since become one of my most popular OCs for this universe, even though he honestly hasn’t shown up in THAT many stories yet. I think part of the reason for this IS his inspiration from Kaa, since Kaa has become such an iconic character, ESPECIALLY within this particular “kinkdom.” That was part of what I love(d) about Nakoda: he’s a character who allows me to play with Kaa’s tropes and traits - Kaa HIMSELF being a rather overused and slightly overrated figure, in my personal opinion - while putting my own spin on things.
Like Kaa, Nakoda is insatiable in every sense of the word: about the only thing harder to satisfy than his hunger is his seemingly limitless “thirst.” This was meant to be a sort of in-joke for me on how over-sexualized Kaa himself has become in a LOT of places, but it actually works pretty well for Nakoda on a lot of levels, which is why I’ve kept it: for example, I recently was reminded that, in the original Kipling stories, it’s indicated Kaa has had many mates over the years, so even though we can presume the Disney version (being a VERY different character) is not the same, there’s no reason my guy can’t be. Ha Ha.
On a deeper level, what Nakoda takes from Kaa is what I like to describe as “directionless control.” Both are characters who seek to control other beings, and enjoy the power they have over their prey, toying with their “playthings” before consuming them. Both enjoy the sensation of being in control of their own little world. HOWEVER, in Kaa’s case, there is no greater cause behind all this: he is ruthless and ambitionless in what he does, recognizing no friends, and with seemingly no other desire than to fill his belly and enjoy everything that comes with that. Nakoda’s great issue is that he’s someone who very much lives in the moment; he doesn’t really know what he wants in life, nor how to achieve it: just this vague, nebulous concept of having control and gaining respect and recognition. He, himself, isn’t sure what to do with himself or his gifts.
Off the topic of the character, I just want to say this artwork is absolutely freaking spellbinding. Kaa looks magnificent, and Nakoda…I could comment on a LOT of things in the image that make it so great, but…can we just take some time to appreciate how positively THICC and STACKED this gluttonous hedonist is here? I never want to see Nako with curves ANY smaller than this EVER again, good Lord, they take one’s breath away…possibly literally, if he gets those pythons around somebody. He won’t even NEED the coils of his naga form then. >////>
Thank you for your contribution, Hoots! She's actually made one more image for this same series, which will be released in the near future. Look out for the rest of this series of pics starting tomorrow. ;)
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edtertainer · 2 months
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Jungle Dance Duo
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slumpseal · 7 months
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they got da bear necessities
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capturingdisney · 8 days
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scientistservant · 3 months
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Kaa and Sundar, regular and TaleSpin versions!
It was a lot of fun coming up with Sundar’s outfit. Even though she’s her master’s bottom girl, she never looked good in proper prostitute clothing. So I instead gave her a cute 70s blouse, along with a gold bracelet to show that she’s tied to Kaa. Despite her adorable looks, she is an adult.
As for Kaa himself I tried very hard to make sure his pimp outfit wasn’t just something out of a costume store. I did give him a coat but it wasn’t looking right, so I just had Kaa pull a Sir Hiss and put him in a simple cloak and hat. Gave the hat a gold stripe and the cloak’s held together with a gold letter K brooch — think that’s enough to showcase his wealth 😂
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