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#juno temple icons
dustlandfairytales · 10 months
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juno temple as keeley jones (ted lasso season 3) icons. like or reblog if you save or use them! credits on twitter: @insomnixs.
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reeleys · 1 year
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sugar-violence · 7 months
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#Polka Dot Chic
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seriesluticons · 2 months
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fav or reblog if you save.
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lscallop · 2 months
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— michael cera as brink in "magic magic" (2013) icons !
please like/reblog if u save or use it!
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itspileofgoodthings · 5 months
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guys I hate to say it but Zara’s story (four weddings a funeral) finds Keeley’s (Ted lasso) dead.
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persaephone · 9 months
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i’m so happy the first time i saw juno temple act was in st trinian’s
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harmoonix · 7 months
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☾ Moonlight Astrology Notes ☽
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🏝️ ~ La Isla Bonita ~ 🏝️
︻︼︻︼︻ ︻︼︻︼︻︻︼︻︼︻ ︻︼︻︼︻︻︼
🌙 - Mercury aspecting Moon makes the native emotionally intelligent and wise, they know when to talk and how to talk to impress people
🌙 - Lilith aspecting Moon gives intensely powerful vibes, this aspect is intense and magical, you drain people so easily to you
🌙 - Mars aspecting Uranus natives are having so much energy in them, these people could be really good dancers and talented
🌙 - Mars aspecting MC (Midhaven) people will always see you as a competition and will try to compete with you, the reason is that you are so hot that they wanna be inside your skin someone said "Bunch of wannabes that wanna be me, me three if I was you" while I wrote this
🌙 - Cancer/Moon in the 7th house will nurture their relationship so much is otherworldly how much love these people have for their partners
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🌙 - Mercury - Saturn aspects can get anxiety while talking and sometimes this anxiety can be more intense if they are harsh aspects
🌙 - Uranus prominent in someone's chart gives "I'm unique bi**ches" they are different than majority of people (in a good way)
🌙 - Uranus at 4°, 16° or 28° degrees might change their home aesthetics a lot
🌙 - People with Moon or Venus in the 4th house often want to make their house the biggest comfort and the palace where they feel safe
🌙 - Sun or Moon/Lilith in the 9th house gives the vibes of an priestess living in her gorgeous temple worshiping their favorite gods (love their placements so much)
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🌙 - Moon in 10th house can tend to over-share things that happened to them but without knowing the other person's intentions, be careful of your surroundings
🌙 - Asteroid Hekate (100) aspecting Moon gives the person who can embody witch/enchantress vibes, often because of their positive intuition
🌙 - Jupiter aspecting Neptune are these type of people who feel like a fairytale when you are around them, something is special about them
🌙 - Taurus Venus/Libra Venus aesthetic will be a fairy for sure because they can embody these traits very good their clothes might remind you of a fairy tho
🌙 - Someone with asteroid devota (1328) in their 7th house may be very devoted to their lovers/relationships, these people are very loyal and lovely
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🌙 - Scorpio/Aries And Leo Venus always be having jokes that will transform into flirt words, at some point their brain will activate "Flirty Chatty" energy and they will talk in a flirty way 😭
🌙 - Ascendant aspecting asteroid Aphrodite (1388) the meaning is self explanatory, you LOOK ethereal darling, your vibes, your energy your voice.... EVERYTHING
🌙 - Someone with asteroid Pallas (2) and asteroid Juno (3) aspecting eachother might also have this imense loyalty towards their partners (in the right aspects 😭)
🌙 - Cancer Chiron/Cancer Lilith always needs to solve their families karma somehow 😭 like why do they have to be the healers instead of enjoying some good life
🌙 - Venus in the 12th house is mystical, Venus here is has an energy like sleeping beauty she is reaching for love but something seems like it blocks her way (most times these are boundaries)
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🌙 - Venus in the 2nd, 5th, and 10th house can have a passion for shopping (aswell if you have Venus in Taurus, Leo or Capricorn)
🌙 - Venus in the 11th house or Venus in Aquarius have the energy of Megara from Hercules (if you didn't see the musical, please do it is enchanting) , they have this vibe of fatality and amor both in the same time
🌙 - Moon in the 8th house/Moon aspecting - Pluto give "Alejandro" vibes by Lady Gaga, so misterious, magic and dark yet iconic
🌙 - is 12:12 when I write this observation and having 12°, 24° degrees in your Venus makes you to be emotional bounded with your partner, you are the type of person who loves so deep
🌙 - JUPITER in the 8th house (DEEPER, DEEPER) has an iconic reputation, you have the life purpose to marry someone rich and to live life at fullest
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🌙 - Virgo Moon/6th house Moon love to read/write based on the weather, if is rainy and atmosphere there they would start to read or write
• I choose 3 square placements to write quotes about since squares are the top 1 harsh aspects
🌙 - Sun square Moon quote: What you choose to do? To think with your brain or to feel with your heart? To touch the earth or to feel it inside of you? To think or to feel?
🌙 - Chiron square Moon quote: The wounds are deep but slowly I can heal, pain I don't want to remember, my heart will be still?
🌙 - Saturn square Moon quote: Will they think I'm cold when all I wanted was to feel protected?, Will they judge me for being this distant? All I know is that I don't want to suffer anymore, it was enough
🌙 - Mars at 12°, 24° degrees can mediate when they feel angry or agitated, you have a powerful mind and you can control your anger often if you concentrate enough
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🌙 - Asteroid Nefertiti 3199 aspecting ascendant will always radiate royalty vibes (esp if you have Nefertiti in Libra, Leo or Taurus). Is the type of aura you tend to show
🌙 - Nefertiti 3199 aspecting Chiron can show an wounded related to authorities, you don't like when someone control you or tells you what to do and tend to call them out for that
🌙 - Asteroid Nike 307 in the 7th house indicates an victorious relationship, you either your spouse might be well known by the people around and your relationship can get known aswell
🌙 - Nike 307 in Aries/Leo/Libra are just glamorous to have. Because of your confidence, power, your beauty. You have victory written in your destiny bestie, but may tend to have an big ego aswell
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🌙 - Asteroid Bless 98291 sextile/trine/conjunct Juno can be blessed with a good relationship/spouse/marriage. If you have this aspect you probably gonna have that type of relationship just like in movies
🌙 - Asteroid Bless 98291 at Scorpio Degrees (8°, 20°) or in the 8th house may have a blessing related to their power and also blessed sexually
🌙 - 18+ Asteroid Lust 4386 in the 2nd house might get too touchy with their partners of having an kink related to it
🌙 - Asteroid Lucifer 1930 aspecting asteroid Juno (3) might have an extremely kinky relationship, like both partners being obsessed with eachother sexually and physically is mind-blowing
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🌃 These photos have a vibe of a ~fever dream~ I love it so much, blue hour is underrated and so aesthetic, is also my most favorite time to go out with my babes 🌃
🌃May the moon bless you with her gifts🌃
🌃Hope everyone has a really really great Sunday because Mondays are always gonna be a rough start, (at least for me😭) so enjoy this day at the most🌃
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gracgifs · 1 year
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BY CLICKING THIS LINK, or clicking the source, you will be redirected to a total count of #269, hq medium textless gifs of JUNO TEMPLE as Keeley Jones in TED LASSO S1. All gifs were made by me and are only intended for roleplaying purposes. You may edit as you wish ( crackships / gif icons / static icons / etc ) but do not repost or claim as your own. Please like the original post of these packs if using or saving any gifs and please reblog if you’re an rp resource blog. Enjoy! ( TW: flashing / flickering lights, kissing )
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peppertaemint · 15 days
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What are some of your other favorite tv shows, apart from The Sopranos and Breaking Bad? Do you go for a specific genre or that's not a criteria you have in mind?
Hi Anon,
Thanks for the TV ask. ☺️
I don't have certain criteria, but I do avoid procedurals and some run-of-the-mill dramas mostly since I took TV writing classes. Once you know the structure, it makes it extra boring if there isn't good writing imo. I will be making an exception for Law & Order Toronto, though, because LOL.
Other shows I've really enjoyed:
Fargo, especially the seasons with Kirsten Dunst and Juno Temple
The Wire - considered the most realistic depiction of the US' war on drugs and its ravages
Hacks - finally, something well written for women of a certain age
Atlanta - has to be one of the most underrated shows of all time; basically it's black american surrealism & satire
The X-Files - this is episodic and wayyy before prestige, but the writing still stands up (the creator of Breaking Bad wrote some incredible episodes: Bad Blood, Paper Hearts)
Twin Peaks (most of it; it does go off the rails at some point) & Twin Peaks: The Return - this was named by Cahiers du Cinema as one of the most important works of the year when it came out
The Leftovers - stunning
Curb Your Enthusiasm - Larry David as a social assassin will always be iconic
Cobra Kai - this is my surprise one; it's a great example of how a reinvention can be purposeful and meaningful
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rosalyn51 · 2 years
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Meet the icons behind the greatest story almost never told — "The Offer”.
Matthew GoodE as Robert Evans
Juno Temple as Bettye McCartt
Miles Teller as Al Ruddy
Dan Fogler as Francis Ford Coppola
Patrick Gallo as Mario Puzo
Collin Hanks as Barry Lapidus
Burn Gorman as Charles Bluhdorn
Giovanni Ribisi as Joe Colombo
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teach463146 · 10 months
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Filled with stupendous performances, 'The Offer' is a pleasant surprise that speaks of the art of producing, as well as being a love letter to an icon of contemporary cinema: 'The Godfather'
The art of producing
As everyone knows by now, The Offer (SkyShowtime) tells the adventures and misadventures of how Albert S. Ruddy (played by a terrific Miles Teller) managed to produce The Godfather for Paramount. He did it at a difficult time for the production company, which was about to be sold, after the dismissal of its CEO, Robert Evans (played by a Matthew Goode who eats up the screen). And under difficult conditions, when the Italian-American mafia refused to adapt a novel that, for many of them, gave a bad image of the Italian community.
This exceptional factor is added to other typical ones in any production: being able to find a director, convincing the goodness of the script, casting problems (because whoever has the economic power of a production does not have the necessary sensitivity to risk, as happened with a still beginner Al Pacino or a Marlon Brando considered conflictive and out of control…).
Matthew Goode is Robert Evans.
The Offer tells all of this and also the shreds that tear Ruddy's life apart due to his obsession with taking the project forward and gaining a place in the industry. His dangerous pacts with a mobster (Giovanni Ribisi as Joe Colombo is exceptional, in a performance as Strasberg as Brando himself in the film), his internal struggles, his deceptions (sometimes he seems like a poker player with his bosses), his balances …
And by doing it so brilliantly, the series reinforces an opinion that I have always held: the most creative profession in audiovisuals is that of the producer. The one of the good producer. Not that of the scriptwriter, director, actors... That of (I insist) the GOOD producer, as a generator of an idea, talent hunter and negotiator of the general balance of a good production. And not like the one who steals the talent of others, he endorses ideas that are not or signs scripts without having touched a key. Something that still happens too often in these parts.
THE OFFER IS AN ODE TO PASSION AS AN ESSENTIAL FACTOR TO TELL A STORY AND TO THE PROFESSION ITSELF
Narrating the essential and the anecdotal, the business and the artistic, The Offer is a pleasant surprise that speaks of the art of producing. And, by the way, it is a love letter to an icon of contemporary cinema: The Godfather, that masterpiece in its first two volumes that was modern (those two times in parallel in the second part opened the possibility of a different way of narrating ) and which is now a classic.
I don't think The Offer will become as classic a series because The Godfather is almost unbeatable in that. And because times are running so fast right now and there are such a number of new series that it is difficult for television fiction to reach such a level. But it is indeed a jewel that combines memories with excellent pop nods to a glorious era.
That it has an exceptional casting (for me, along with Everybody Loves Daisy Jones, two master classes on how to do a casting) with bets -among others- like Juno Temple, a surprising Justin Chambers as Brando and immeasurable Dan Fogler ( Coppola), Patrick Gallo (Puzo) and Stephanie Koenig (Andrea Eastman), ending with an impressive find: the casting of Anthony Ippolito as a young Al Pacino. Every time he appears, he is a chill: how can he resemble the original so much because of his attitudes, because of his interpretation... and not because of his physique.
The rest are civilians.
At one point in episode 4 of The Offer, Andrea Eastman's character (Stephanie Koenig) tries to cheer Ruddy up in a moment of depression. The cause? The problems that she has to be able to convince the bosses of Paramount that Pacino must be Michael Corleone, as Ford Coppola insists. And he wonders if so much effort is worth it. Eastman's character, in charge of the casting, responds in an exceptional monologue, which I allow myself to reproduce:
“You are seeing things the wrong way. The question you should be asking yourself is: why are we here, in show business? We are here because this is the life we ​​have chosen, right? We all ran away from home to join the circus. And everything we say to make it sound like we care about the life we ​​could have had… Wife, kids, dog… It's a lie. Because what really makes you feel bad isn't the fact that you're not a member of a country club or don't have a big deer's head hanging on your wall. None of that matters in life. What you really want in life, in fact all you want is for a man named Al Pacino to pretend to be a man named Michael Corleone. And you're right to feel horribly bad about this (for not getting it). Because it's very important. I feel the same way as you. And we can only be around other people who understand that. Everyone else is just civilians."
I have never seen a better definition of a profession and professionalism. Of the struggle of the creative against those who say they know what is going to be a success or not and who has to star in a movie or a series (among many other things) for that, for it to be a success.
It is not the only lesson that offers us (as it tells the story of how the film came to be produced) The Offer. It is an ode to passion as an essential factor in telling a story (what is truly important as Spielberg says) and of the trade itself. And, above all, it is a tribute to what true executive production is. In movies or in series, turning many of his sequences into an exhibition of…
How to trust the creative part as the basis of quality, making available what is necessary for it to grow.
How not to get carried away by that same creative part that is normally insatiable and that can lead to a lack of budget control.
How an executive producer should meet with people who know what he doesn't. That he decides after listening to experts, to his team, because he does not think he is smarter than anyone. Ruddy, in the series, when each crisis arrives, asks those closest to him: And now what do we do? ». He listens and then he decides. An executive producer who surrounds himself with people who only applaud his decisions and flatter him is dead: first lesson of the book. How an executive producer must balance wishes with reality under the guidelines of a production. Because the paper supports everything, but the image, no.
How to agree (if necessary) with the devil to achieve a goal. And, at the same time, manage to never sell your soul to the devil.
How a producer is a human resources manager. The evolution of the protagonist in the series is a master's degree in how to keep everyone satisfied when, on multiple occasions, the satisfaction of some seems incompatible with that of others.
This is not the case: The Offer also talks about…
Script: intentions and actions. About the importance of activities to define characters (wonderful sequence between Puzo and Coppola talking about Italian cooking and how that leads to writing). About how difficult it is for a novelist with no experience as a screenwriter to assume writing (due to narrative rhythm, delivery times...) like a professional screenwriter. But, above all, it recalls a historical moment in cinema in which the first thing producers look for is a good scriptwriter and, from there, build production, choose the director [1], the stars or those who don't. they are so much
Direction: with delicious tributes to the way of situating, getting into action, dealing with actors (and how to support them in their respectable and very dignified insecurity to know if they will manage to do it well), lighting, assembly ideas... applied at the same time in the way of making the series itself.
Concept: or how to turn a story with Mafia protagonists into a movie that was not typical of gangsters, applying the concept of family, social rejection, appealing to the best Shakespeare and his ability to narrate the great human passions. Because the concept, which Manquiña said in his day, is always the most important thing to differentiate your work from that of others, no matter how much it resembles others.
Stories within the story: narrative layers as forms of communication
The Offer, as an excellent series that it is, masterfully handles various layers. That of the memory of a Golden Age (of the real ones) of cinema, paying homage to a masterpiece and an industry. That of Ruddy's own story, in which sometimes you don't know whether to laugh at the tragedy and cry at the comedy, because the emotion with which it is told is remarkable. And that of entertainment, because he never forgets that this is the essential objective of every series. An entertainment within the reach of all audiences but which (it is my experience talking about this series with colleagues in the sector), becomes something very special if the viewer dedicates himself, in any of his facets, to the audiovisual industry.
Because, without being didactic at any time, it teaches something essential, which will never appear in teaching programs about it: that in this business (whether you are a producer, director or screenwriter), the passion to build a good story piece by piece is much more that the office hours, the repetition of rules, the appeal to the topic and -now- the algorithm (which is actually the sum of all those things).
It teaches us that, those of us who do it, do not dedicate ourselves to this to be members of a social club (and, sometimes, not even to make friends: another thing is that we are so stupid that we do not have empathy and create enemies. That is more clumsy yet). Not even to have the head of a deer hanging in the living room (take the deer as a metaphor). But, above all, The Offer shows us and reminds us that -and I'm not referring to the viewer, let's be clear- "the rest are civilians".
[1] Although in this case, Coppola covered both facets. Of course: taking Mario Puzo, author of the novel, into account. In fact, Coppola remarked on his day that he would never do new episodes of The Godfather without Puzo by his side.
Written by Javier Olivares on May 9, 2023.
See more on Cult TV, Myths, Nostalgia, The Offer.
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cinematicct · 1 year
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Maleficent (2014)
This dark fantasy film is a live-action retelling of Walt Disney’s Sleeping Beauty from the perspective of the titular character played by Angelina Jolie.
Other stars include: Elle Fanning as Princess Aurora, Sharlto Copley as Stefan, Sam Riley as Diaval (a raven) and Imelda Staunton, Juno Temple and Lesley Manville as pixies Knotgrass, Thistlewit and Flittle, respectively.
The movie is mainly focused on the motivation of Maleficent’s curse upon the infant Aurora, only to realize the princess may be the solution to cease the everlasting feud between the humans and fairies.
Angelina Jolie bears a striking resemblance to the antihero in terms of elegance. Her version of the character is given an origin story that softens her villainy: although she appears to be intimidating, she is just misunderstood. Elle Fanning not only captures the sweet-natured essence of Aurora, but she manages to instill a raw sense of passion into her character; therefore she plays an updated version of a lovestruck, delicate Disney Princess. What’s more, Fanning would go on to portray another royal character, specifically Catherine the Great, on Hulu’s historical/semi-fictional TV series The Great. Together, Jolie and Fanning form an unusual yet fascinating bond between Maleficent and Aurora. Furthermore, Imelda Staunton, Juno Temple and Lesley Manville are a funny onscreen trio as their characters (although they mean well) have a tendency to bicker.
Unlike the animated film (despite paying homage to it occasionally), this particular story presents a three-dimensional character arc of the antagonist as well as the complexities of love. Maleficent is a powerful fairy (to the extent that her magic is mistaken for witchcraft by some people) and fierce protector of a magical realm called the Moors. That is until an ultimate betrayal turns her heart to stone, becoming an oppressive ruler and developing a sense of wickedness as a means to soothe her personal trauma. Consumed by vengeance and under the impression love is nonexistent, she puts a curse on the newborn daughter of her nemesis (who was once her childhood friend and love interest), which can only be broken by true love’s kiss. Maleficent then reluctantly cares for Aurora to oversee the fulfillment of the curse. But as she watches Aurora grow from afar, she begins to develop maternal feelings, eventually prompting her to protect the girl. When Aurora meets Maleficent for the first time, she shows no sign of fear, nor does she judge her appearance. In a way, Aurora is literally a ray of sunshine that gradually pulls Maleficent out of the darkness, hence the mother/daughter connection between the two.
The visual effects play a crucial part in the movie, creating a vibrant, majestic (and at times, brutal) environment. Such elements include: the miniature, featherweight appearance of the three pixies, Diaval’s ability to shape-shift into different animals (including a human, thus providing a definite service/association to Maleficent), the woodland creatures of the Moors and Maleficent’s wings, the defining feature of her strength.
However, on top of all that, the makeup and costumes are the main aspects of transforming Angelina Jolie into the iconic Disney character. Some notable features of Maleficent include her horns and razor-sharp cheekbones. As for her clothing, she’s dressed in shades of brown as a symbol of her connection to nature. She then wears black (along with a set of head wraps) as a sign of her darkened state of mind.
The soundtrack includes the original theme song of Sleeping Beauty known as “Once Upon a Dream” performed by Lana Del Rey. While the song is completely romantic in the animated film, this version plays a haunting, mesmerizing tune to put a gothic feeling within a love story.
On that note, the real message of the story is no matter how tragic or appalling the circumstances, true love does have the power to heal open wounds when you least expect it. With all that said, I recommend this intriguing film to every Disney/Angelina Jolie fan.
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aquariuskissy · 2 years
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this is a keeley appreciation post, she is quite possibly my favourite female character to ever appear on television! not only is she played by wild child icon actress juno temple but she is one of the most fully formed and interesting female characters i have ever seen on screen. keeley gets to be funny, smart, powerful, and beautiful and just so real, it makes my heart sing with joy !! WITHOUT BEING A YASS GIRLBOSS SLAY QUEEN PUSSY BOSS and also bi keeley rights is all i’m saying ‼️
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seriesluticons · 3 months
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fav or reblog if you save.
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