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#just once in my life
cowboy-garfield · 2 years
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I need to work at nasa or I'll die
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izzy-b-hands · 4 months
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Lamps N' Barrels
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butchfalin · 5 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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daisywords · 6 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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fantastickkay · 15 days
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Album Review of the Week: The Righteous Brothers - Just Once In My Life (1965)
The Righteous Brothers have always been in my peripheral, familiar with the hits but that's about it. When my grandfather died, I inherited his record collection which included 3 albums from them. This one is produced by the [in]famous Phil Spector. Although, the legendary Unchained Melody was instead produced by member Bill Medley so it ended up as a B-Side to the single Hung On You. Of course, it became a massive and enduring hit. Later copies of the single somehow begin to show Phil Spector as the producer!
Because I don't listen to them very often, their voices are very nostalgic to me. Once I hit play on the record, I am instantly transported to the backseat of my grandpa's truck and listening to the oldies station on the way to the beach.
Just Once In My Life is another big hit off of this album. Their low voices are in great form. I love the melody, backup singers and full instrumentals. Makes for a dreamy track.
Things liven up a bit with Big Boy Pete. A mix of country and blues, this is a story-telling track describing some misadventures and injecting some fun into the usually serious sounds from the guys.
Unchained Melody, of course, is a legendary song that has been covered by many and even had a resurgence in the early 1990s thanks to the movie Ghost where it was a Billboard hit once again! I do tend to find this song a bit on the boring side, very slow. My favorite rendition is that of Elvis Presley's.
We get back into the blues with You Are My Sunshine, a spin on the classic children's song. This song borrows from the current trends a lot more than the preceding tracks, it is more like blues at the go-go. The first dance track of the bunch, that is for sure - quite fun!
A cover of The Great Pretender follows. I love the original so this does pale a bit in comparison, although their harmonies are especially beautiful!
Sticks and Stones gets back into the discotheque mood with this groovy track. I'm sure this was present at several dance parties at the time!
See That Girl sees the return of the familiar baritone in a sweet ballad perfect for a bedtime playlist. /yawn/
Oo-poo-pah-doo is a little silly diddy full of studio chatter sure to amuse the fans. I think it goes a little long and is a bit cringe by today's standards but it goes into a pretty fun blues track anyway!
You'll Never Walk Alone is a take on the classic gospel song. The solo vocals at the beginning sound great, although their voices are not melding together as nicely on this song as usual and the overall instrumentation sounds a bit messy, probably due to the "wall of sound" Phil Spector is known for.
Guess Who? is another sleepy time ballad, although it does sound very nice and I enjoy the little bells happening.
The Blues is a fun, bluesy jam written by Bill Medley. Bobby Hatfield needs a pop filter on his microphone really badly! The production on the vocals is very amateur.
I enjoyed most tracks on side 1, however side 2 is completely full of throwaways! I don't pay much attention to Phil Spector, but I know he has a crazy bad reputation and I have to say I am not impressed with his production on most of this as well. Bill Medley was a co-producer so some of the blame may lie there, but Phil is listed first and it's his label so he should take more care in what comes out under his name, just strictly referring to the production quality, not the songs themselves.
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69. Just Once in my Life by The Righteous Brothers debuted Apr 65 and peaked at number nine, scoring 877 points.
The Righteous Brothers had 11 top 40 hits 1965-90, including three separate entries for Unchained Melody.
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inkskinned · 9 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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mxcrayon · 4 months
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losing my actual mind rn
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i had this interaction in the dropout discord (i am the first and third person). short. simple. i only got the first year bc of a discount + a gift card i had, so i was planning on using this person's suggestion.
then, i got this.
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oh my god!! how nice!! how sweet!!! how thoughtful!! i gave them my email and they sent over a subscription, i thanked them profusely. i was very grateful, very touched.
hours and hours later i was still thinking about it and i recalled how, in the email id gotten about it, it said "tao yang sent you a subscription" and id seen that and thought "oh haha like the tao yang" and then moved on
but now, thinking back, i was like.... theres no way, so i googled tao yang.
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......
TAO YANG BOUGHT ME A FUCKING ANNUAL DROPOUT SUBSCRIPTION
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tubbytarchia · 4 months
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so ranchers huh
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catsharky · 4 months
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Yeah I was right and there was no way I was getting the rest of this done without making you all wait another month or two, so I just went to the next good break point. We're officially past the halfway point with Astarion though, so not too much longer before you actually get to see Rolan again!
Part 1 • Previous Part • Next Part
Full page format under the cut:
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retromusicart · 1 year
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Woah, my love, my darling
I've hungered for your touch
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The Righteous Brothers - Just Once in My Life... (Philles, 1965) - Photograph by the Three Lions studio
Bored as shit, so I threw this one in here.
The Righteous Brothers, consisting of Bobby Hatfield and Bill Medley, had a string of Top 40 hits in the mid '60s. This album in particular contains their cover of "Unchained Melody" (peaked at No. 4), which was forever immortalized by its usage in the 1990 romantic fantasy drama film Ghost.
Neither Hatfield nor Medley recieved any royalties for the recording's use in Ghost, since a) they didn't write "Unchained Melody", and b) they gave up performance royalties as part of a legal settlement in the late '60s, as they didn't believe the song had any more value for future generations.
The music industry can be cruel.
Image courtesy of Discogs.
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gravegrime · 6 months
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Are Ỷ̸̢̢̖̺̞̠̩̰̟̗̘͎̤͌̋̌̄̑̔̋͗͐̐̕͜͠Ŏ̵̢̜̺̯̫̜̍U̷͎͔̤̩̥̫̺̱̞̞̩͉͂̽͛̑͗̐̐͐̍̊̂̋͛̊̕ ready to see the mind boggling mystery behind door number 1!?!
I am blown away by how endearing @gooseworx and Gltich Production's pilot for The Amazing Digital Circus was! You should check it out NOW!
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luxaofhesperides · 2 months
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Soulmark AU + Sleeping Beauty ; requested by @candeartist422!
For the last few years, Duke’s been waiting for his soulmate to die.
It sounds cruel to say it that way. But the waiting is more painful, he thinks, than just mourning a lost love. It’s not like most people ever meet their soulmates anyways; his parents weren’t meant to be, but they still loved each other and had a life together. He wishes he could turn his focus away from his soulmate, but Duke is a romantic at heart and has always wanted to find the other half of his soul.
But since he was fourteen, his soulmark has dulled, fading in and out of color. What was once a vibrant blue crystal star, with eight points and a swirl of watercolor hues around it, dimmed more and more until Duke was sure he was watching his soulmate die slowly. 
His soulmate didn’t die then. Whoever they are got better, his soulmark gaining color, but it never went back to the way it was. For years after, Duke would check at the beginning and end of each day, keeping track of when it faded and when it regained its color. 
He thought his soulmate was sick. In and out of hospitals, fighting to stay alive.
And then it went nearly colorless. 
Duke doesn’t remember much about that day. He knows he woke up, brushed his teeth, the lifted up his shirt to check his soulmark in the mirror. The blue was almost completely gone, the star on his left hipbone nearly gray with how colorless it was. He started at it for a moment, shocked, and reality slid away from him as he retreated into the safety of his mind, fully dissociating. 
Bruce had found him when Duke didn’t show up for breakfast. He held him and offered quiet words of comfort that Duke couldn’t understand, but just having someone with him lessened the hurt of losing his soulmate. 
Seeing the color come back the next day, faint as it was, hurt even more.
A year later, Duke still can’t break the habit of checking his soulmark twice a day. It hasn’t changed at all, still faint and dim, but carrying just enough color to show that his soulmate was still alive. At the very least, they were still breathing, but his chance of ever meeting them is basically zero. Still, he can’t help but hope, wishing that he could meet them even once before they die and leave him forever. 
“Same as ever,” he murmurs to himself as he brushes his thumb against his soulmark. He’s terrified that he’s forgotten how beautiful the blue of it was when his soulmate was healthy. 
Duke doesn’t let himself think on it too much anymore. Though his thoughts often turn to his soulmate during quiet moments like these, the busy nature of Gotham is usually more than enough to pull his attention back to the here and now. There’s no use in obsessing over his soulmate anyways; they’re just going to die, sooner or later, and Duke knows he’ll never get to meet them. They’ll just be another empty space in his life, right next to his parents. 
“Come on, Thomas, focus,” he tells himself firmly, then gets dressed and heads down to the kitchen for breakfast.
The manor is quiet. It usually is in the mornings, with everyone from the night shift dead asleep and trying to get as much rest as they can before they have to start their day. Not that many of them stay in the manor these days; Duke and Damian are the only permanent residents at the moment, but Steph usually stays half with her mom and half in the manor during the summers when she’s home from college, and the others drop in whenever they feel like it. 
Bruce lives more in the Batcave than the manor, so he doesn’t really count. It’s also why Duke is surprised to see Bruce awake and dressed like a normal person, drinking coffee in the kitchen as if this is a normal occurrence. 
“Morning,” Duke offers.
“Good morning, Duke,” Bruce replies. “Sleep well?”
“Well enough. Alfred out or something?”
“He may have kicked me out of the Batcave to clean it up a bit,” Bruce answers tiredly. “Want me to make breakfast?”
Duke has heard the horror stories of Bruce’s attempts to make edible food in a kitchen. In the interest of not dealing with food poisoning, Duke shakes his head quickly and says, “Nah, it’s fine. I was kinda wanting to eat out for breakfast. Get out there as me, and not a mask, you know?”
“Mind if I join you? Alfred may forgive me for not sleeping if I willingly go outside.”
Duke laughs. “Sure man, as long as you pay.”
“I’ll drive, too.”
“What, don’t trust me behind a wheel?”
Bruce gives him a tired look, eyes dead and dull. “I have taught all my children how to drive. The day I willingly let them take the wheel when I am not actively dying is the day I’ve been replaced by a robot clone of myself who doesn’t know better yet.”
“That is… very specific. Is that a thing you usually worry about?”
“I’m Batman. I have to worry about everything.”
Yeah, that tracks. Duke wouldn’t be surprised if he has at least five contingency plans for that scenario, should it ever happen. “Well,” he says, “Right now, all you need to worry about is having your wallet and driving us down to The Foodie Nook. I’ve been craving their breakfast plates for ages.”
Bruce doesn’t object to his choice of restaurant and follows Duke down to the garage, grabbing a random set of keys and pointing it out to the many cars he owns. One near the front blinks its lights as it unlocks and Duke cheerfully tosses himself into the passenger seat as Bruce opens the garage door. 
The drive into Gotham is smooth. They don’t hit traffic until they reach the bridge that leads into the city proper, taking them away from the quiet of Bristol. The morning is busy, but not enough that Duke worries about being out as the Signal to help keep the peace. It’s a normal type of busy, one borne from people going about their lives, feeling safe enough to go out. 
The Foodie Nook is entirely local and very popular, so the parking lot is nearly full. But they expanded their space last year, which means he and Bruce don’t have to sit outside while they wait to grab a table. Bruce keeps conversation light and casual, well aware of the many listening ears around them, and it’s nice, feeling normal for once. 
Well, as normal as life can be with Bruce Wayne™. The server who comes to lead them to a table realizes who she’s talking to after she gets a proper look at them while holding open the door and promptly stutters over her words. 
“No need for any special treatment,” Bruce laughs lightly, “We’re just here for breakfast. Nothing special.”
“Of course,” she replies, cheeks red. “Um, right this way! We’ve got a table by the windows for you. Just two, yeah?”
“Yup! Just two. Thought this was a good day to spend some time with Duke. He’s a great kid, you know, I’m glad I was given the opportunity to foster him.”
The sunny, cheerful Bruce Wayne persona is so different from the usual Bruce he works with that it feels like he’s standing next to a stranger. But his words are sincere and warm his heart, filling up the gaps that his soulmate has left. 
“Here you are!” their server announces, showing them to their table. “I’ll be right back with some menus.” She’s gone in a rush, and other customers glance over before quickly averting their gaze. 
It’s one of the unspoken rules of Gotham: give the Waynes their privacy while they’re out in public. Questions and conversation are for public events only, but if they see a Wayne out and about during a normal day, everyone leaves them be unless spoken to first. Duke used to follow those rules as well when he was just another Gothamite. It’s strange being on the other side of that now that he’s in with the Waynes.
Duke barely has to look through the menu when it’s handed to him. The breakfast plates are his favorites and he gets one every single time he comes to The Foodie Nook; stacked full with breakfast foods from around the world. As a kid, he loved the Mexico Plate, but these days he’s craving either the Brazilian Plate or the Vietnamese Plate.  
He can’t decide on which one and thinks about tossing a coin to decide, but seeing how that’s Two Face’s whole thing, he decides to hold off and settle the matter with eenie-meenie-minnie-mo. 
He gets the Vietnamese Plate.
Bruce, on the other hand, reads through the entire menu like it’s a novel, then leans over and says rather loudly, “Duke, what’s a tort-illa.” 
The pain he feels hearing that is only worsened by the amusement in Bruce’s eyes. He’s doing it on purpose, playing up the Brucie act for the public so he can psychologically torment Duke. A few nearby customers choke back laughter, turning away to hide their smiles. 
Duke shakes his head and says, “Don’t worry about it. It’s just food. Don’t ask any more questions, I just want a peaceful breakfast.”
“Well then,” Bruce replies, “I suppose I know what to order now.”
As if she was summoned, their server reappears before them, cheeks still looking a little flushed. “Hi! Ready to order?”
She writes down their orders quickly, valiantly keeping a straight face at Bruce’s mispronunciation of tortilla, then heads off to deliver their orders to the kitchen. 
Rather than draw out a conversation with Brucie Wayne, Duke settles for playing a few idle games on his phone; his current favorite is one quiet cat cafe game where he directs cats into fulfilling cafe orders. 
Bruce, despite being out in his civilian identity, is working. He’s on his Batman phone, which looks the same as his other cell phones except this one has a bat symbol sticker just barely hiding a Superman sticker on the phone case. His brow is slightly furrowed as he reads whatever file he’s accessing from the Batcomputer. It’s a little worrying but it could be anything. Bruce makes the same expression when he reads one of Tim’s snarky comments getting quoted in the news.
But that’s not Duke’s problem! He’s here to enjoy his breakfast and it will take the end of the world itself to remove him from his seat before he’s done eating.
The game takes most of his attention until their food comes out, and by then Bruce has tucked away the smallest of his Batman mannerisms. They enjoy a normal, peaceful breakfast. Bruce ends it by asking their server if she has any debt that’s weighing her down, then giving her a tip that’s at least five thousand dollars above that. 
She does cry and Bruce hugs her. It’s very sweet. 
As soon as they get back into the car, his easy going smile drops and Duke knows some superhero nonsense is about to take over his day. 
“Duke,” Bruce starts, seriously, “I received a message from Zatanna.”
“Don’t drag this out,” Duke says, “Just give it to me straight. What terrible thing is about to happen to us?”
“It’s nothing too big. They just recently defeated a magical being who had been tearing apart secret government facilities in Illinois. He had both magic and a high tech weapon, which they confiscated and are delivering to me. The government agency he was fighting was suspiciously interested in the weapon, and based on their behaviors and newly revealed work, Zatanna made the decision to turn the weapon over to us so it doesn’t fall into the wrong hands.”
Bruce smoothly merges into traffic as he speaks, getting them onto the road back to the manor. There’s a look in his eyes that means he’s keeping a lot unsaid, and Duke knows without a doubt that whatever this government agency was doing is bad if Zatanna needs Batman to act as extra security. 
He’s not sure about her decision to trust the weapon to be safe in Gotham, either. Sure, Batman will keep it as safe as he can, but with their luck, it’ll end up in the hands of a Rogue and lead to a lot of death and destruction. 
As soon as they cross the bridge and return to Bristol, Bruce steps on the gas and the car tears down the road. Without any other cars to worry about (or traffic laws), it takes barely two minutes to reach the manor, when the gates open for them and let them into the garage. 
Alfred waits for them by the door, looking them over with a critical eye. “I see you have managed to go outside, Master Bruce. What’s the special occasion?”
“Just breakfast,” Bruce answers. “I’m heading back down to the Batcave. Zatanna will be here soon to deliver a weapon.” He’s gone before Alfred can say anything more, hurrying down the hall and turning the corner, disappearing from sight as he heads towards his office. 
“I see we have yet to break that bad habit of his. Did you enjoy your morning out, Master Duke?”
“Sure did, Alfred. I’m, uh, also going down to the Batcave. He’s definitely not telling me a lot about what’s going on, so I’m just going to read about it over his shoulder. I’ll be back up for lunch, though!”
“And perhaps you’ll be able to drag Master Bruce away from that cave of his,” Alfred comments wryly as he walks with Duke towards the office. He gives Duke a nod, then splits away from him, returning to the kitchen where Duke can hear Damian speaking to someone, probably Tim by the annoyed tone of his voice, and mentally wishes Alfred luck in handling them.
Duke sets the correct time on the clock in Bruce’s office and heads down to the Batcave, taking the steps two at a time. 
Bruce is already at the Batcomputer, shoulders tensed, when he arrives. 
“More bad news?” he asks as he makes his way over.
Bruce doesn’t bother looking away from the screen as he says, “More details about the fight. It seems the magical being called himself a ghost and was going on a rampage due to a betrayal. He says they nearly killed his son.”
“Oh, yikes.”
“And two of the scientists working with the government agency said that he stole their son and is keeping them from saving him.”
“Yikes,” Duke says with more feeling.
He doesn’t get to hear anymore details about JLD’s fight with this ghost when he catches a flicker in the corner of his eye. Duke turns and stares at the empty space in the Batcave near the medbay and watches as colorful magic gathers and swirls in dizzing circles. The portal opens a moment later and Zatanna steps out, looking exhausted and lightly singed. 
“Batman,” she greets, holding a white gun that looks like it belongs in an early sci-fi movie from the 60s. “The GIW is trying to arrest us. Constantine keeps burning their badges and documents so it shouldn’t be a problem, but they are determined to get this back. I wouldn’t be surprised if they came after you next. They’ve got some way of tracking things, but I didn’t have time to get any details before I had to leave.”
Bruce takes the gun from her hands carefully, looking it over with a sharp gaze. “Why would a ghost want to use a gun?”
“I don’t know. He had a variety of powers, too.”
“What does this do?”
“Shoots ice. He never let it go and nearly burned me alive for taking it before we subdued him.”
“We’ll keep it locked up,” Bruce promises. 
Zatanna sighs. It looks as though a physical weight fell off her shoulders. “Thanks. I’m going to head back to stop Constantine from getting into a fistfight with the GIW agents.”
She opens another portal with a waved hand and a muttered spell. Bruce is already walking away to set the gun down on a work station, so Duke is the one to wave Zatanna goodbye. 
By the time he reaches Bruce’s side, the gun is already dismantled, all pieces neatly set aside. Sticky notes denote which pieces go together and in what order. It looks the same as most guns, save for the aesthetic, but the heart of it is a glowing blue orb, large enough to cover the entirety of Bruce’s palm, and it brings a chill to the air.
Duke stares at it and feels his soulmark burn ice cold.
“Duke?”
It’s in his hands. He doesn’t remember reaching out to take it, but it’s in his hands. He can’t take his eyes off of it, cradling it gently and bringing it closer to his chest. 
It’s the same blue his soulmark once was. Before his soulmate began to fade, before every day became a waiting game to see how long his soulmate will last before they die. 
This has something to do with his soulmate. He’s sure of it. 
He won’t let anyone take it from him. 
“Duke. Give that to me.”
He doesn’t feel like he’s in his body. He’s detached, floating somewhere outside his body, puppeteering his limbs, making them move without feeling the motion. Shadows condense around his feet and Bruce takes a step back, wary. 
“Duke,” he says again, but Duke can’t find any words, can’t draw on his voice, can’t even look away from the bright, bright blue of the orb. It pulses lightly in his hand like a heartbeat. 
Bruce reaches a hand out. 
He’s pulled back by shadows before he can get close, and Duke holds the orb against his chest, right against his heart, and feels the cold seep into him. 
“Duke. I need you to look at me.” This time, Bruce’s voice has Batman’s growl in it, a heavy command that he can’t help but instinctively follow. He looks up and meets Bruce’s eyes, but he can’t focus. All his awareness is in his hands and the heartbeat of the glowing orb.
“I have to protect this,” Duke manages to whisper. “I… I think it’s alive.”
“Okay. Let’s get you to the medbay so you can sit down. We’ll figure this out, Duke.”
Bruce slowly, carefully, sets his hand on Duke’s shoulder. He keeps his attention away from the orb, so Duke allows it and lets Bruce guide him to the medbay and onto one of the medical cots. Bruce leaves him after a minute of quiet fussing, muttering about calling Zatanna.
Whatever. None of that matters when the heartbeat of the orb grows stronger, steadier, and Duke feels it match the beat of his own heart.
Time slips away from him. Distantly, he hears people move around the cave, speaking in low tones. A hand presses against his shoulder, warm, then moves away. 
The orb in his hand moves. 
Duke blinks slowly, then claws his way back to awareness, pushing past the haze that’s fallen over his mind. The orb turns over in his hand, then cracks right down the middle. The glow grows stronger, washing the medbay in blue light and a symbol appears on the orb.
It’s his soulmark. 
Later, he won’t be able to say why he did it. There were no thoughts, no reasonings, no explanations. Duke simply moved on instinct and lifted the orb up to his face and pressed a soft kiss against it. 
One moment, the orb was still.
The next, it had burst in a flash of light that blinded everyone in the Batcave, and then a thin, injured teenager had fallen into Duke’s lap. 
Hands immediately grab him, pulling him away from Duke. The teenager puts up no fight, eyes barely open, but he reaches for Duke weakly. On his wrist is the bright blue snowflake, the color strong and vivid. 
“That’s me soulmate,” Duke whispers as he watches Bruce and Tim set the boy down on another medical cot. 
“What?” Tim says, turning to face Duke, concern clear on his face. 
“That’s my soulmate,” he repeats, louder. Then, panicked, he pulls up his shirt enough to see his own soulmark; the color is still dull, weak, barely there, but it’s more blue that it has been in a while. He doesn’t need to say anything. Tim sees the dullness of his soulmark, looks at the boy, and puts the pieces together on his own.
“I’ll call Doc Thompkins,” he says, already moving to fix everything. Bruce remains where he is, making sure the boy is tucked in and breathing steadily before he returns to Duke. 
“Are you alright?”
Duke swallows roughly, unable to tear his eyes away from the boy. He’s pale and thin, as if he’d been starved, and there’s frost beginning to spread on the bedsheet from his fingers. “He’s my soulmate,” Duke manages to say. “He’s been dying for two years.”
Bruce’s eyes a hard, a determined light in them. “We’ll save him,” he promises. 
If anyone can, it’s Batman. 
If anyone can, it’s them, Batman and the Signal, and their entire network of family and friends. 
Duke’s been waiting for his soulmate to die all this time. Now, he’s going to save him.
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lotus-pear · 8 months
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"feels like we could go on for forever this way.." (x)
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blushedfemme · 1 month
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“you smell good” okay wanna get smothered in my titties about it
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ruporas · 7 months
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green haired guy that has haunted my character types for 10+ years
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