the performative accusation that shipping zutara (and occasionally this criticism is levied at jinko/zukka) is colonialist apologism has been addressed in some excellent posts, explaining the inaccuracies and problematic implications of this logic far better than i ever could - like this post and this one and this one and this one and this one.
and i know this topic has been talked about to death, but if you could indulge my contribution for a moment, i just find it interesting how this sentiment results from the cognitive dissonance of atla fans being unable to reconcile with the idea of their favorite show's political beliefs not lining up with their own.
atla is a largely philosophical children's show that at its core deals with themes of love, redemption, and destiny vs. free-will. atla examines these themes through an anti-colonalist, anti-imperalist lens that deconstructs the idea of racial divisiveness and the idea that people of different ethnicities are inherently different. this is message is pretty explicitly stated by guru pathik:
Guru Pathik: "The greatest illusion of this world is the illusion of separation. Things you think are separate and different are actually one and the same."
Aang: "Like the four nations?"
Guru Pathik: "Yes. We are all one people. But we live as if divided."
and also by uncle iroh:
"It is important to draw wisdom from many different places. If you take it from only one place, it becomes rigid and stale. Understanding others, the other elements and the other nations will help you become whole."
this theme is developed across three full seasons, with the crux of this message culminating in zuko's friendships with the gaang - despite coming from different nationalities and different backgrounds, they have all had their own experiences being hurt by the fire nation and work together to take down the oppressive fire nation government. the question of destiny vs. free will is also explored through zuko's character - despite starting off as an antagonist, he develops into a symbolic representation of how the fire nation's oppression hurts its own citizens. he unlearns the fire nation's imperialist propaganda while simultaneously unlearning his father's abuse. rather than following misguided beliefs of what he thought his destiny was as the heir to the throne, instead he forges his own path.
thus, to claim that zuko can never form a deep and meaningful relationship with any of the gaang because of his nationality goes unequivocally against the themes of the show. and a major part of this is because these are fictional characters being used to analyze different theoretical questions within the show and in some cases, are used as symbolic representations of different philosophical ideas - their friendships and their character arcs serve a purpose within the text that cannot be easily transcribed onto real-life dynamics between people.
it's illogical to criticize fans who are choosing to understand atla at the level of the themes that are presented by the text - who are interested in exploring similar philosophical questions brought up by the show through the context of relationships.
if you don't like the themes of forgiveness and redemption that atla explores, your criticism should be aimed at the writing of the show itself rather than other fans. because you are giving far more thought to the "implications" of a close friendship or romantic relationship between someone from an imperalist nation and someone from an oppressed nation than the writers ever did. (and if you fall in this camp of people, i would hope you wouldn't be reblogging fanart of zuko and the gaang together while simultaneously claiming zuko could can never escape the sins of his ancestors and can never form a deep relationship based on trust and intimacy with katara or sokka or jin - because that would just be hypocritical).
and as a side note, people seem to apply this flawed logic to zutara far more than other ships solely because the show spends the most time exploring the complicated nature of fire nation imperalism in the interactions between zuko and katara in the latter half of b3. this is because they've been juxtapositioned against each other and paralleled with aang since the beginning of the show in ways that toph, sokka, and suki are not, who have mostly been used to examine different themes. there simply isn't enough time to explore these complicated themes with all the other characters, even if they theoretically exist in zuko’s dynamics with these characters, so the writers focus the most on zuko's relationships with katara and aang, and these relationships are given far more narrative weight, so have more content to criticize. but zuko and katara also canonically become friends by the end of the show. if you want to discount the existence of their friendship, claiming that it will always be tainted by the fire nation's oppression regardless of what is shown in the text, then you also have to discount zuko's friendships with aang, suki, toph, and sokka - because even if this isn't shown as a permanent barrier to their friendships in the show, it’s also not shown as a permanent barrier to his friendship with katara. if your logic is solely based on the idea that a person's identity in a relationship as a colonizer or a victim is fixed and unchanging regardless of character development, this would apply to zuko's friendships with everyone else as well.
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My worthless Radiostatic headcanon is that Vox met Alastor because he was new to hell and captivated by the pretty redhead at the bar swigging gin and was flabbergasted that nobody was asking him to dance. He was also equally oblivious to everybody else at the joint shitting their pants as this absolute NOBODY approached the Radio Demon for a dance. And Alastor who was bemused by his ignorance and idiocy can still admire someones moxxie and agreed to dance. And listen, this is mostly because with all these great shipper tag names I can't help but call their past partnership "electro-swing." So yes they danced to something like this https://www.youtube.com/watch?v=b3hjodKJTRs. Suffice to say Vox was enamored and Alastor was surprisingly amused and it was the start of both of them chasing that high.
HAHAHA I like this, there's like so many different ways to imagine their first meeting, and like imagine this being like. okay you know how he probably couldn't openly like men in life but once he landed in hell he realises it doesn't matter anymore (depends on if you interpret him believing himself to be straight(tm) and closeted prior or he already knew but just couldn't act on it openly), so he's freshly landed, walks into a bar and just walks up to the first cute guy he sees cause he no longer has to hide it LMAO. he gets what he wants (the dance) for NOW, but of course, getting what he wants doesn't last forever, and he was kinda doomed from the start when he made a beeline to making moves on the aroace guy.
also part of me is going like. this is the 1950s. electro-swing didn't exist then. (just roll with it anyways. just roll with it anyways. just roll with it anyways.)
^^(link in ask)
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If you view Kazuki and Rei as friends or buddies - as platonic, PLEASE don't reblog my post talking about how I view them as being queer (via a queerplatonic or platonic life partnership reading) and state that you view them as buddies or friends or platonically. My post isn't saying that and I don't like how reblogging it and adding tags like that erases the queer aspect to that post. If you view them as purely platonic friends or buddies, that's cool and fine, just...Make your own post instead about how you view them platonically, as friends, as buddies, etc. Thanks!
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since we're all having fun talking about theories and headcanons before the game drops. one thing that i do want for missing link, that is mostly wishful thinking on my part, is a reveal for kairi being a descendant of the player
this is based on their parallels of being shooting stars later found washed up on a beach from the new missing link trailer, plus that one moment from KH1 where kairi's grandma tells her about the age of the fairytales and nothing else lmfao
and i want that so badly because. it would be so fucking ironic and poetic to have kairi be a direct descendant of the one person that raised and cared so much for xehanort. the player, whose memories of ephemer and skuld and chirithy and everyone else influenced xehanort into starting his whole ass spiral and descent into darkness
only for her (and sora) to be the ones to get xehanort to stop in the end. ending a cycle of sorts. for her to be haunted by the memory of xehanort, the same way xehanort was "haunted" by the memory of the player's past life
PLUS. i want it to SPECIFICALLY recontextualize kairi's inheritance of the keyblade from BBS. because kairi's reason to wield a keyblade being nothing more than an "accident" feels like such a disservice to her AND aqua??
if they could recontextualize xehanort into whole new depths in dark road, i dont see why they couldn't reframe that moment as kairi reclaiming a dormant power, her own heritage that her bloodline forgot for centuries, since knowledge about keyblades and wielders began to fade out over time to the point where people who KNEW about them thought they were evil. makes sense that as the age of fairytales is left FORGOTTEN, no one can remember how to summon a keyblade, let alone the knowledge to create one from someone's heart. but having a strong heart (one of the requisites for bequeathing ceremonies) and being in direct contact with a keyblade, could just. help jog the memory a bit
and show that yeah. kairi deserves to wield a keyblade because she has a strong heart, and because this was her heritage that was taken away from her when the worlds began to drift away from each other and so on. not because of an accident
everytime chance, fate and destiny are brought up in the saga to explain why something. happened the way it did. it carries so much weight and so many events that led to That Point. but kairi's inheritance as of right now was just. yeah, an accident. no ceremony at all AND I JUST THINK SHE DESERVES RLLY COOL THINGS OKAY
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