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#juuzou x hanbee
i--tell--him--real · 2 years
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MY FAVORITE FANFIC WRITER IS BACK, I CANT EVEN
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spearbby · 7 years
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“ I love my new best friend ” . . . ( don't tell hanbee )
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kenkamishiro · 5 years
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zakki:re translations Part 2, Vol. 3-5
Part 2 took a bit longer than usual because I had to finish the Ishida x TK interview (which you can read here). On to volumes 3-5, and hopefully I can start on Ishida’s Q&A’s simultaneously in the next couple days!
If you would like to start from the beginning, please click here.
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Takizawa.
I was happy when I could finally show him like this since I've always wanted him in this form ever since OG. But I fumbled the timing of his entrance, plus I also had the idea of putting Amon first in the auction hall. Next to him are two Dobermans. I hope I’ll be able to draw animals better.
Weekly Young Jump 2015, Issue no. 17, Opening colour page
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Little Kaneki.
I think this colour illustration was drawn well, considering my abilities back then. The thing he's carrying in his arms, is it a birdcage? Or possibly an urn?
Weekly Young Jump 2015, Issue no. 28, Opening colour page
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[T/N: HQ scans provided by TG_Hub, thank you!]
The cover of :re volume 3 features Takizawa and Hinami. I like it because of how disturbing it looks. I drew this Takizawa nibbling on his fingers by underlying the drawing of him from the last page of :re volume 2. (...if I remember right!)
Auction x Audition The various squad members who appeared in the Auction Raid were recruited through a “Recruiting investigators!” type of project that the general public could apply for via collaboration with the part-time job magazine “an”. Originally I wanted to pick one person and have them appear for a bit before killing them off in the end. What ended up happening was that about six thousand-ish applied, though I looked at everyone and picked from there. Hairdressers seemed to have a high acceptance rate, might be because they’re good at styling themselves and taking pictures? Also Numa Jun-kun, who’s aiming to be a comedian, is being called onto T.V. every once in a while. He’s contacted me and asked me to watch his skits, though every time I see it I feel he’ll do just fine...yup, do your best.
Operation status (at the time of magazine publication) ...anyways, every week the squad members would get injured, and with Owl showing up the situation changed, creating a very hectic environment to develop the plot. At any rate I had to somehow make the 20 investigators from “an” appear in the story...now that I think about it I have no clue why I tried to do that. I was asked to write down a status report of the dead, injured, etc. I created a draft of the design every week, thought of what content to include...I thought making something like that would be interesting, so readers could look at it while reading the manga. But when the volume was being edited, rather than being omitted from the page it was relevant to, it appeared halfway through the chapter, and as a result it became even more confusing to follow. (As an aside, I tried to request that it be brought back in the digital version as the original, but I don’t know if it will?)
Side story JOKER At the end of volume 3 of :re there is a one-shot about Juuzou, who’s become an associate special class investigator, investigating together with Hanbee. This was published while I was drawing OG volumes 13 and 14, and oh! It was published by Shounen Jump. They asked if I could draw a one-shot for Jump. One Punch Man also did something similar and the survey results turned out well, so they thought it would be good for my series. “Makes sense,” I thought, but at the time I was very busy and had absolutely no interest in it since the one-shot would force me to not include any spoilers. If spoilers were allowed I would’ve agreed to draw it. But when I was talking to my editor a light bulb went off in my head and I came to the revelation: “What if I write about Juuzou in the future?” I was still in the stages of drawing OG, and I thought if Tokyo Ghoul readers read it they would think,” What’s this supposed to mean?” and Juuzou would be able to pique the interest of even first-time readers. I drew more than 30 pages of manuscripts while running a weekly series at the same time, wondering if I should’ve just called it quits even though I was the one who came up with the idea. Though the survey results didn’t turn out well at all.
2015, Volume 3, Cover
[T/N: Numa Jun is based off of Hiranuma Junya, whose Twitter you can visit here. He is also featured on the dust cover slip of volume 3, and funny enough Ishida apologized to Numa on his Twitter after killing him off.]
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The cover of :re volume 4. Tsukiyama and Kanae. I also really like the illustration of these two. I was addicted to putting vivid pink on deathly pale skin. However, the characters’ complexions seem to slowly be getting worse and worse.
2015, Volume 4, Cover
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Kanae vomiting roses. She looks deathly pale, doesn’t she?
Weekly Young Jump 2015, Issue no. 43, Opening colour page
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The colour page found at the end of :re volume 5. There is no clean version of this illustration since it was combined with the text layer.
2015, Volume 5, End frontispiece
[T/N: The translation for the text, which is an excerpt from Takatsuki Sen’s “The Black Goat’s Egg”, can be found here.]
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Kanae as a woman. An image of her ideal appearance.
2015, Volume 5, End frontispiece
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Hairu. She had already been slaughtered at the time of drawing this illustration. And then, my unfulfilled love for Hairu began to simmer and boil over... Is this...the type of girl I like...?
2015, Volume 5, End frontispiece
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The cover of :re volume 5. Haise with Eto by his side. Their complexions are deathly pale here too. I forget what I was trying to do here, but I was so busy those days that I couldn’t finish this illustration. I remember I had a difficult time drawing because I wasn’t in good condition. (Was that when I was working on JAIL by any chance?) Kijima’s death is depicted in this volume. I was eating cheese when I was drawing the “I want to eat cheese” panel. After hearing the amazing “I want to eat cheese” moment in the anime, it makes me glad I drew it. You can tell Furuta was drawn to look like a good person at first before his true character was revealed. There were a lot of panels I liked art-wise, such as the scene where Noro obliterated the investigators, and the two-page spread of Kanae playing the violin.
2015, Volume 5, Cover
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thefandomsurfer · 5 years
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Juuzou: Guys, it’s true, the earth is flat
Hanbee: e x c u s e m e
Nakarai: Well obviously, if it was a circle then boats would go right off the edge
Mizurou: And planes would fly off as well
Hanbee: *hyperventilating* no guys please the earth is a sphere gravity keeps us on earth you can’t walk off the edge it’s fine please why are you saying this
Mikage: Gravity isn’t real
Hanbee: *frantically pacing back and forth on the verge of tears* holy fuck
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yyh-moved · 7 years
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Tokyo Ghoul:re #110 » That
I'm sorry. I missed him so much... that I couldn't help but stop without thinking.
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soutasnotebook · 6 years
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S3 headcanons with their kids ?
Suzuya Juuzou
- is very indulgent of his kid’s fondness for sweets.
- tries to follow Mr. Shinohara’s model with him, and as a result, his kid grows up calling Mrs. Shinohara “Grandma.”
- Always energetic and willing to try whatever craziness his child has concocted.
Hanbee Abara 
- Sometimes he wonders if his hyper, mischievous child deliberately torments him.
- Will cry if he can’t find his child for 0.5 seconds. 
- Loves giving his child “airplane” rides on his impressively tall shoulders.
Mizurou Tamaki
- He is determined to impress upon his child a sense of true humor.
- loves coloring with his kid, and ‘cooking.’ Usually that means both of them need to shower off the flour, sauce, and water else they’ve spilled on themselves.
- All in all, a very easygoing, fun dad.
Keijin Nakarai
- buys his kid all the pets.
- will probably tear up at every developmental milestone.
- takes parenting very seriously. He and Mizurou often meet up to balance each other out with their different perspectives.
Miyuki Mikage 
- His kids are raised on Star Wars and Star Trek.
- His partner managed to convince him to wait to show them The X Files until they are much older. 
- Loves playing dress-up with his kids. A villain? A princess? An ALIEN? He’ll play them all. Even a villainous alien princess. 
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mikotofubar · 6 years
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Juuzou x Hanbee?
🙂 - I ship it but it’s not on my otp list
I think there is an interesting doujinshi about them…XD They’re both cute together and I love Hanbee’s devotion for Juuzou!
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mamasaiko · 6 years
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Arima, Urie and Juuzou for the character ask! :)
Oho~ lets see
Arima
1) Sexuality headcanon:
Pansexual
2) Otp:
Arima x Eto (so much spice) and Arima x Akira, since that blessed panel in the Christmas chapter (god bless those height differences).
3) Brotp:
Arima x Hairu, both share an special bond that it’s probably influenced by how the washu’s family is/was.
4) Notp:
Arima x his own Quinque.
5) First headcanon that pops into my head:
It was late and Arima was preparing to head home when he met Hairu and Ui. Despite not being his original intention, he invite them to go to dinner together, spending the night with them which contrasted with his usual lonely nights, which warmed his heart and make him think it would be good if always was like this.
6) Favorite line from this character:
“645 times. 645 times I could have fatally wounded you. 645. 645 times I decided not to. It would take me two seconds to kill you. Your eyes are the eyes of a dead man. The dead cannot stop me.”
7) One way in which I relate to this character:
We can have problems to open up to others.
8) Thing that gives me second hand embarrassment about this character:
I can’t think of anything now.
9) Cinnamon roll or problematic fave?
I think both can be applied in this case. Arima is the personification meme of “he protects, but he also attacks”.
Juuzou
1) Sexuality headcanon:
Asexual. I see him too innocent to be in a sexual relationship.
2) Otp:
Juuzou x candies, the purest ship. Also, too canon to deny it.
3) Brotp:
Juuzou x Hanbee, he always takes care of him and worries for his health.
4) Notp:
Juuzou x death. Someone protect him from Ishida.
5) First headcanon that pops into my head:
After months of big purchases in the candy store, Juuzou establishes friendship with the owner, who gives him a big box of sweets for his birthday, which ends up sharing with Saiko.
6) Favorite line from this character:
“I must succed in the steps of mr. Shinohara. There is an order to the important things in life”
7) One way in which I relate to this character:
We like sweets too much.
8) Thing that gives me second hand embarrassment about this character:
Nothing.
9) Cinnamon roll or problematic fave?
Both, just like Arima. They are sweet and pure, but their actions can be problematic.
Urie
1) Sexuality headcanon:
Pansexual.
2) Otp:
Urie x Mutsuki (so much drama) and Urie x Saiko (super extra cute).
3) Brotp:
Urie x Shirazu (cries***).
4) Notp:
Urie x Aura (they are love rivals after all).
5) First headcanon that pops into my head:
After months of not seeing Mutsuki, Urie decides to celebrate a dinner as an excuse, but he ends up not having the courage to invite him. However, Saiko understanding his feelings does it in his place, sharing together a friendly dinner and full of nostalgic feelings.
6) Favorite line from this character:
“That’s right. Back then, what I really resented was my own powerless self. My tiny little self. And my tiny little heart. Too small to hold all that emotion, so it had to shift the blame onto someone else. But now, I’m grown. I’ve come for you. I’ll hold it all.”
7) One way in which I relate to this character:
We don’t express what we feel.
8) Thing that gives me second hand embarrassment about this character:
Honestly, this is impossible to answer.
9) Cinnamon roll or problematic fave?
At the beginning of re, problematic fave, now a mix of both (he has developed so much as a character).
Have a nice day and thanks for the ask!
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juulookzousketchy · 6 years
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What are your odd ships? ? Any favorites?
Odd ships? Like crack ships? Ohh….you’re putting me on blast now anon. :’D I’ll try to name some that aren’t so controversial LOL I honestly don’t have a fave, but I do have some soft spots for them///Eto x TakizawaEto x Juuzou (this was before I knew that she was 30 something and juubaby was just…well…only 19, possibly one of the only hetero ships I used to ship Juuzou with///)Nakarai x Hanbee or Nakarai x Mizurou (basically Nakarai with anyone from Suzuya squad welp, cats outta the bag on this one now 😅 Nakarai is my second favorite squad member, tied with mizurou)Amon x Justice or Amon x Donuts Kaneki x Tragedy (this one is horrible, but the most canon TBH)Eto x Itori x Rize (dont ask me why)Nutcracker x Shirazu (gahh ok maybe this one is one of my faves simply because they are pretty much the same on how they view money, except that Shirazu also needed it to help his sister and not just to get a better life+stuff)Itori x Romaanddd that’s my handful of cracky odd ships c’: the other ones I wish not to mention since I’ll be roasted on an open fire.
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linkspooky · 7 years
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Omake + Meta = Ometa
It’s time once again to over analyze the omake. Jokes? What are those.
All of the omake cited in this meta are translated by @kenkamishiro​ and can be found on this tag [x]. 
Mutsuki’s Power Level
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The first omake to have anything potentially of substance is the confrontation between Shinsanpei and Urie. A confrontation which also results in a return of Urie 400%, but we’ll get to that in a moment. The new details are the tidbits that are shown in Shinsanpei and Urie’s brief exchange of words.
Let’s cover that and more under the cut: 
The first is that Urie mistakes Mutsuki for Aura at first, which supports the notion that Aura at this moment exists as a foil to Mutsuki which is the reason the two are so often being partnered up.
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Shinsanpei mirrors Mutsuki’s own transformation from a timid personality to one that revels in violence. He also shares the same eye motife, as seen above either one or both of Shinsanpei’s eyes are always covered only revealing themselves when he becomes especially bloodthirsty. Shinsanpei’s mirroring of Mutsuki though is to a much more minor extent and for lesser reasoning, something the omake seems to acknowledge even with Higemaru calling him an “Aunt-Con”. Perhaps by foiling Mutsuki to a character whose motivations are much more shallow and petty, as Aura herself does not want Shinsanpei to avenge her, it also highlights who despite the anger that Mutsuki justifyingly feels at the world for abandoning him and the suffering he’s endured, his current acts are in a way just as selfish as Shinsanpei’s. 
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There’s also two more pieces of foreshadowing, Shinsanpei hints that Mutsuki is actually much more powerful than Urie currently is and somebody who needs to be competed with. This was also hinted as far back as the Donato fight, where it was implied that Mutsuki had a much higher rc cell count already then Urie who was hitting dangerous levels. 
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As for how he attained these levels, it’s implied as far back as 100 that Mutsuki has been killing and hunting humans. Perhaps even eating them in service of strengthening his kagune. Which would also make sense with what Shinsanpei implied next, that he too like Urie could reach the same level of kagune formation when he framed out. Something that probably would only be possible if Shinsanpei began to eat human, or even ghoul meat alongside Mutsuki. His humiliating loss to Kaneki Ken could have served as proper motivator to do so. 
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The Return of Urie 400%
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Urie 400% has always been foreshadowing for Urie’s inevitable transformation into a kakuja. If the fact that it already happened is not enough proof to convince, I’ve already written a meta on it here [x].
As I’ve highlighted though, this return of the Urie 400% is even more monstrous than the previous one. It has features such as giant protrusions from the shoulders, and multiple eyes. The first has been shown to be a trait of Urie’s framing out, while the second is a trait of many Kakuja’s before Urie, Eto, Tatara, and Kurona to name examples. 
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Thematically it makes sense for Urie to frame out again too, as previously he was saved from facing any real narrative consequence for his own actions by Saiko. In other words he was “saved from the web.” However despite literally endangering the mission and attacking his own comrades something that was eluded to be punishable by death if a Quinx were to lose control of themselves, Urie was promoted. 
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A promotion that he did not in any way earn considering that he literally broke the one biggest rule of the Quinx. Not only that but there is a great deal of fallout one would presume from Urie smashing his frames entirely and becoming a full ghoul, something that the audience has not witnessed. There is no mention of what Urie is now eating, or if he’s being treated the same way Sasaki was, or if he’s truly become a full ghoul despite all hints that he indeed has. Urie has not even begun to sympathize ghouls, only being moved to action because of his feelings towards humans, Yoriko and Bujin in particular. The obvious conclusion then is that Urie’s character arc is not done yet but rather Saiko served as to Urie, what every character has been doing to ignore the consequences of their action in this arc. That is to deeply engage with personal relationships instead of looking at one’s self. 
The consequence for this might be Urie being set up as what he hates the most.
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Urie being placed in a life or death situation with no Quincke against Furuta and two of the strongest ghouls in the series may force him to frame out and if he has truly been eating ghoul meat instead of human meat in order to sustain himself now that human food is impossible to eat, he might even develop a full Kakuja. In that case Furuta would have all the evidence he needs to frame the murders of Kuroiwa and others on Urie himself, and place him on the execution block. After all, Furuta put a special focus on witnesses when he made his move against them. Furuta’s word in that situation would count far more than Urie’s.
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The suggestion in the omake that Shinsanpei himself might also be capable of framing out the way that Urie did is also a deadly suggestion for the future of the Q’s. After all when Furuta makes mention of his dragon, what shows up is a picture of each of the three first generation Q’s still alive.
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The Q’s project was also originally credited as Tsuneyoshi’s idea. Perhaps Furuta might even use Urie’s framing out as a power play to gain control of the remaining first and second generation Q’s in order to form his dragon, or even worse he might expunge them from the CCG entirely and declare them a threat to safety which would cash in Saiko’s own foreshadowing laden words “I’ll become a terrorist” in a way she never would have wanted to come to fruition.
Hanbee’s Death and Suzuya’s Changing Sides
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Nakarai misunderstands in the omake and says that he would probably kill Hanbee if the fighting were to end. This joke is a part of a long running series of gags where Hanbee is injured by a member of Suzuya squad, or a member makes a light reference to hurting him. In fact Hanbee has been shown stabbed in the head too many times in the omake to make it a mere coincidence.
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This also makes sense as a narrative consequence to Suzuya. He said himself that he might just become a ghoul were the conflict to end, he’s already thinking of switching sides. The thing that currently keeps him in place is the fleeting hope that Shinohara come back, and the idea that he has to act in Shinohara’s memory.
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The same way that Urie has not learned to see Ghouls as people, Suzuya has not learned to sustain loss in any kind of way. All he can do is hope for the increasingly impossible return of Shinohara, the first human connection he has. Even when surrounded by four people literally devoted to his existence, Suzuya cannot stop his pining for Shinohara because he cannot feel and move on from that loss. 
The Suzuya Squad also, act as a sort of buffer that prevents Juuzou from really facing consequence. They protected him during the Kurona fight even though Kurona was a case of reaping what he sewed by killing her sister all those years ago and having yet to show any remorse. When Uta played withhis feelings for Shinohara, it was Abara still who snapped Juuzou out of it immediately rather than Juuzou facing those feelings and snapping himself out.
If the bubble were to be removed than Juuzou would grow, and grow he must if he’s a character that exists within a narrative. 
Child’s Play
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This entire omake seems to be hinting at the fact that 24 year old Furuta, 23 year old Kaneki are about the same general maturity level of thirteen year old Ayato when he first said that quote.
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It’s a further hint that both kings are really just children playing a game. Something that was also hinted at in the previous omake too when Kaneki turned crucial information into a game of 20 questions.
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Kaneki also refers to himself as a child when conversing with Furuta in the past, Furuta calls him his baby faced boss when facing off in the cochlea with Rotten follow, and Kaneki’s shadow image of himself, the incnarnation of his memories when he was still Haise was that of a child. Furuta at the same time was born at a leap day, and refers to himself as being only six years old in his birthday poem. 
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A Dummy, That’s what I am
Finally, I think it’s important here that the omake shows Yoriko’s general obliviousness towards ghouls.
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She refers to them as “those monsters”. This is the same character whose best friend is a ghoul and who is currently being executed in her name. The fact that she thinks of him falling off a building is a twofold reference, one that Kuroiwa literally was pushed off of a building and survived when Eto landed as the one eyed owl. Revenge probably for what Kuroiwa himself did to her when he was only fourteen, as Eto references falling in her flashback. The second is her musing that a ghoul might not be able to survive a fall from that height is a reference again to both Eto and Kanae who did fall off a particularly large building, though one survived and one did not. 
It’s probably not anything particularly meaningful but it’s an interesting case of parallelism at least. Iwao also says something that is important towards his and Bujin’s characterization. 
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“We’re both quite simple people” both Bujin and Kuroiwa are shown to be to the book to the point of it being a flaw. Their own actions against ghouls may een be for reasons as simple as Yoriko’s, that they simply are oblivious to the fact that they might feel human emotions. The same way Yoriko  describes them offhandedly as “those monsters” as if she barely knows about them, even though she spent a good portion of her life with one.
It speaks again of the privilege that humans have to be above this sort of conflict. Iwao and Bujin to this point have never needed to relate to ghouls, or treat the CCG as anything other than a 9 to 5 job they participated in. The same for Yoriko who married a ghoul investigator while knowing nothing about ghouls and inadvertantly led him to her best friend a ghoul herself. Yoriko’s fatal flaw in this case is her own obliviousness. Perhaps she did not deserve to be executed by that fact or exploited the way Furuta did, but Yoriko herself even scolds herself for not noticing. 
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For buying into the simple illusion that Touka was perfectly happy eating her food, the easy lie that they were happy all along in their simple friendship. Had Yoriko bothered to notice, Touka would not have been all alone in her pain. 
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monstergronk · 7 years
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Hello yes my TG ships thank you
Amon X Akira X Seidou X Juuzou X Hanbee
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soutasnotebook · 7 years
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I feel kinda guilty for liking this ship, but maybe something JuuzouxSeidou? I've also always wondered how they would react if they ever met in :Re since you know, Seidou hated his guts in the original because he's a jelly bean.
Ooh don’t feel guilty. All ships are welcome and enjoyed (unless they feature something inherently abusive, a la Mutsuki x torso). And jelly bean is a phenomenal description of him!
“Go away!” Takizawa Seidou screams as investigator after investigator pile up on both sides of the tunnels under the 24th ward. He doesn’t recognize any of them, but that doesn’t make him feel better. 
He’s not supposed to kill them anymore. Kaneki wouldn’t like it. He wouldn’t like it. 
“Prepare to die.” Suzuya Juuzou, that brat, saunters forward. 
And pauses. Seidou’s white hair, his deranged eyes -
Was I a good boy, Mom? He’s once again hurling knife after knife into restrain guests as they plead for mercy he doesn’t remember how to give. 
How many good boy points did I earn? Shinohara’s standing there, dressed in armor, quinque ready, seeing a human behave like a ghoul. And Suzuya hates how this old man looks at him - with pity and something like kindness.
Seidou is different though. He is now a ghoul, while Suzuya never was.
Seidou doesn’t fight.
“You don’t intend to try?” Suzuya asks, heart wavering. 
“Why bother? My life is gone.” Seidou glares at him. “I didn’t ask for this, you know.”
Suzuya remembers the consequences Akira faced for saving Seidou. He can’t make the same mistake - what will Mr. Shinohara say?
Or is he the Mr. Shinohara of this moment?
“Suzuya.” Hanbee wavers.
“Kill him.” Keijin aims his quinque.
“I - I can’t. No, I can, but I won’t,” Suzuya declares. “We can take him prisoner instead. He must know secrets of the ghoulification process, after all.”
“Indeed.” Mizurou isn’t fooled, but he is secretly happy for his friend. 
——————————————————————–
CCG has fallen. The government has declared a treaty among GOAT.
But tell that to the CCG gang surrounding Seidou.
“He killed several investigators.”
“Stop!” Suzuya dashes forward and stands in front of him. “You don’t know what he’s gone through. I would have done the same - I did do the same, and you all like me.” 
“They’re all disgusted by me,” grumbles Seidou, although the investigators do stand down per Suzuya’s orders. 
Suzuya turns to him. “They are usually disgusted by me too.”
Seidou’s face falls. “I used to be one of those. I - I - I’m sorry, and I’m sorry my apologies are worthless.”
“They’re not!” Suzuya takes Seidou’s disguised face in his hands. “You’re worth it.”
“You’re inspiring,” Seidou admits. His voice is thick.
“So are you. You got transformed into a ghoul, after all.” Suzuya smiles at him, and Seidou has the wild urge to kiss him.
He takes his hand instead, but their touch is no less meaningful. Suzuya feels it too, and he seems surprised, but not unhappy.
“We’ll find life after together,” Suzuya promises. 
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juulookzousketchy · 7 years
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Hey yo, i was wondering if you'd ever consider drawing Juuzou and Hanbee together? I saw on your profile that you don't hardcore ship them, but has it ever crossed your mind?
Sorry for the late reply anon! Been really busy with life things and cosplay since SacAnime is just around the corner.As for your question, I don’t ship them that way (only platonically), though I do make exceptions to ships I am not into, but you gotta bribe me lol. Nothing against Hanbee btw, I low-key ship Hanbee with Nakarai that’s why. Not money-wise, but more like…offer my own ship (Juuzou x Seidou/Seidou x Juuzou) some headcanons, an art sketch or something like that. Just message me or send me an ask off of anon. :D Other than that though, I can indeed draw them together as they are in the manga. :D Also, there is one ship I will never ever everrrrrrr draw no matter how much people bribe me lol. (And that is Shinohara x Juuzou. Shinohara is too much of a fatherly figure to my eyes so it makes me feel weird. Not down for it.)
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