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houseboywife · 10 months

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The primordial serpents of Dark Souls: there is something under the surface

Kingseeker Frampt and Darkstalker Kaathe are two characters that I would define as quite nebulous. Only appearing in person in Dark Souls 1, their presence nonetheless is felt even in future installments. But what exactly is their deal? It's a rather difficult question to answer, for a simple reason: they can't be trusted. At all. This post isn't gonna be a sort of unified theory on who the serpents exactly are: however I'll try to compile most of the information we know and can infer about them and why there's way, way more to them than what meets the eye. Waaaaay more. Yeah this is gonna be a long post. VERY long. But, in my humble opinion, quite thought provoking. Disclaimer: probably not all of the following was intended by the writers. But you know, death of the author and all. I think it's fun to speculate and create meaning even where there might be move.

That said, let's start with the Serpent Species.

Besides Frampt and Kaathe, the Dark Lord ending of Dark Souls 1 (which we'll get back to later) shows us a large number of Primordial Serpents, so we can assume that there's a whole species of them. Maybe. It's never brought up again. Nonetheless, there are several things we can infer about the Serpents in general, or World Snakes as they're known in japanese.

First off, presumably, they're ancient. Duh. How ancient? From the age before the First Flame, possibly. In Dark Souls 3, the description for the Covetous Silver Serpent Ring reads as follows:

A silver ring depicting a snake that could have been, but never was, a dragon.

Interesting. So snakes (or at least some of them) are some sort of imperfect, malformed dragons. Additionally, Dark Souls 3 shows some statues depicting a more humanoid version of the Serpents, of which we can ordinarily only see their heads. Considering their depictions are very different to each other, I'm assuming it's just an artistic interpretation and the sculptors didn't actually know what they looked like. However, one should note the locations of these statues: the Grand Archive (probably connected to Seath's Duke's Archives) and the Ringed City ("gifted" by Gwyn to the Pygmy Lords).

Now, let us talk about Frampt.

That Kingseeker Frampt is lying to you isn't exactly a groundbreaking fact. After all, this close confidant of Gwyn is in cahoots with him regarding the prophecy of a Chosen Undead, a made up folk story to get some poor undead bastard to throw themselves in the fire in order to kindle it once needed. This is all bullshit obviously, there's no such thing as the prophecy and the kindling of the fire is an unnatural sin performed by Gwyn. This means that Frampt is manipulating you with incomplete information in order to get you to link the Flame. One would assume that this would be his ultimate goal.

Or is it?

There are several odd things about Frampt.

For starters, as mentioned before, the Dark Lord Ending. In it, when you refuse to link the fire, Kaathe (we'll talk about him later) makes a point to say that both he and Frampt will now serve you. Why would Frampt do that? You could speculate that he's bound by some sort of oath to the Dark Lord, perhaps because of his nature as a quasi-dragon born in the dark. This could maybe explain the statue of him found in the Ringed City. But by this point, everyone that could be considered his "superior" is dead, and I'm not sure why he would have any obligations to serve you: if he feared being killed by the Dark Lord, well, he could just hide. Perhaps his oath is more fundamental, and he can't go against the Dark Lord because of the very nature of his being. Maybe he allied to Lord Gwyn to try and break this shackle? Perhaps. But I suspect, once again, that there's more to it.

Let's take a look at a very strange mechanic: feeding Frampt.

In Dark Souls 1, you can feed certain items to Frampt, and he'll pay you back with souls. Usually this is not really worth it, because he undervalues items a lot. However, here's the curious thing: for some items, he will only give you a meager 1 soul, while for others he will reward you with a bounty much higher than the value of the item. This is not a mistake, it's hardcoded in, so hey, it should have some significance. Let's look at these outliers.

Frampt will give you 1 soul for anything that has to do with either Seath the Scaleless or Smough; conversely, he will reward you handomely for anything that has to do with Gwyn (soul included), Gwyndolin (soul included), the Moonlight Butterfly, Dragons, Queelag and, funnily enough, women armor sets. So huh, let's unpack this.

It's the women's clothing, believe it or not, that provide some insight. Given that he pays you more for it, I'm assuming that he gives you more souls as a reward for bringing him that item. Either that or he's a misogynist, but I'm more leaning towards horny. And certainly the Soul of Gwyn, the one he pays you the most for, fits: your objective was to kill the crazed Gwyn, and his Soul proves that you've done it. You can't actually feed him it without going to ng+, but hey, it's a technical limitation

With Gwyndolin things start becoming a little bit strange. To have his Soul, you must have killed him. This is a problem for a few reasons: first off, it's his best friend's son. Why would he be happy about you killing him? Secondly, killing him means dispelling the Anor Londo illusion, meaning finding out that the Gods, and him, are lying to you. Now why would he be ok with you knowing that?

The Moonlight Butterfly is a bit strange, since it was created by Seath, but it seems to be connected in some way to Gwyndolin (the moon theming plus the same music). I don't think it's terribly relevant anyway.

Queelag, I have no clue about, epecially considering the fact that he gives no special reward for the Soul of the Witch of Izalith. It could either be because she's guarding the second bell of awakening or because she's hot. Probably cause she's hot.

Now, let's look at a strange thing. He gives nothing for Seath but a lot for the Dragons. Seath betrayed the Dragons, so this is relevant. But how? If he dislikes Seath, this would imply that he's on the dragon's side. But this cannot be, since the dragons and Gwyn are enemies. Maybe he just likes to consume dragon items in an attempt to become a full fledged dragon: this would also be strange considering his allegiance. Maybe he just enjoys eating dragon items but dislikes the taste of Seath (who is physiologically pretty different from other dragons). This, however, would imply that he also enjoyed eating Gwyn and Gwyndolin. Which, frankly, I find the most likely possibility, with interesting implications.

As for Smough, let's be honest, he probably tastes like shit.

Let's move on to Kaathe.

Darkstalker Kaathe seems to be, at the same time, more and less trustworthy than Frampt. More trustworty because he's the one to tell you about the lies of Gwyn, and the truth about the Dark Soul. And he's not lying to you about that. At the same time, he convinced the Lords of New Londo do embrace the Darkness, as well as the people of Oolacile to dig up the corpse of a Pygmy which didn't end very well.

Not much else is known about him: a somewhat obscure fact is that he considers Seath the Scaleless to be a traitor: so, it seems, he's aligned with the dragons despite not being one. What this says about the other Serpent is hard to tell.

However, one last thing is known about him. He wants to let the Flame die, and make the world turn back to an Age of Dark.

Or does he?

The Sable Church, helmed by Yuria of Londor, is an organization devoted to a single goal: usurp the Flame and bring forth an age not of Light or Dark, but of Hollows. This is different from an Age of Dark in several ways. First off, the Flame persists, but is claimed by an individual who is both Unkindled (that is someone who attempted to link the Flame but failed) and Hollow. In an Age of Dark, with the Flame gone, it is unclear what would happen: it is called many times "the age of humanity", but no one actually knows what humanity's original, primordial form is: for all we know, it could just be an existence spent in a formless void as wandering spirits.

At the same time, nothing says that it couldn't be an utopia: but the point is that you can't know, there is an impassable veil that hides its true nature until it happens. At some point some embers will reappear from the Dark again, and bring forth a new age of Fire. But will it be a good one? Who knows. In comparison usurping the Flame is much more straightforward: similar to the current Age of Fire, except it's Hollows that hold power and not Gods. It is not clear how sentient would Hollows be in such an age, considering their usual zombie-like behavior, but since hollowing is tied to Gwyn linking humanity to the Flame we can presume that something would change, otherwise it would be quite a shitty age and idk why they would pursue it.

There's another thing about the Sable Church. From item descriptions and dialogue it is evident that they worship none other than Darkstalker Kaathe, who appears to have perished since the first game (there's a theory I like about it but this post is already long enough).

Now hold on, hold on. Doesn't Kaathe want to bring forth an Age of Dark? Where did Frampt go in all of this? What is going on?

Let's take a step back. If Kaathe wasn't lying to the Sable Church (and I don't believe he is) then he was lying to you in the first game. Not an unlikely prospect, since Frampt was doing the same thing. But why try and get you to be the Dark Lord if what he was looking for was a Lord of Hollows?

First off let's establish something. No matter which ending you pick in Dark Souls 1, I don't believe that an Age of Dark ever happens between that game and 3. This is because there seems to be a linear continuity (somehwat) between the eras the game is set in, which wouldn't be possible if, well, the cycle underwent a big reset. So even if you become Dark Lord, something happens to stop a true Age of Dark from happening.

With that out of the way, here's what I think. When is the only time that a Lord of Hollows can arise? Only when the world is in shambles due to the strain of the artificial cycle taken to its extreme. How do you get to that point? By continously linking the Flame and making it fight the Abyss over and over, purposefully feeding the feud between Light and Dark that should have already ended long ago, slowly weakening the Flame until it is just barely able to hold on and the entire world has been burned to ashes. At that point the Lords of Cinders arise from their graves to link it again, and again and again, until even them refuse to do it. At this point, the Unkindled will rise: after an endless, purposeful cycle of stirring both the Flame and the Abyss.

Flame and Abyss. Frampt and Kaathe.

I want to show something, now. An interesting little design on an otherwise unremarkable shield. The caduceus round shield.

Two serpents heads, joined at the body. Now, is there any reason to presume that this shield is a true depiction of the nature of Frampt and Kaathe, some sort of bicephalous Ourobouros? Well, we don't know. It would certainly make some amount of sense, however. What I think is that, no matter how literally true this is, it shows at least metaphorically the relationship of the two Serpents. They're working together.

You're not the only undead that they contact, after all. Plenty more people, like you, in your world and parallel ones, are spurred by Frampt to link the Flame and by Kaathe to let it die. This is why neither of them particularly cares about you finding out the truth, or joining the other. You're just a disposable pawn in the grand scheme. When a Dark Lord arise, they pretend to worship them, only to betray them at the last second, getting someone else to kindle the Flame and keep the cycle going. Over, and over again. Till the Unkindled finally rise.

There are, of course, some open questions. Why do they want an age of Hollows to come to pass? Perhaps it is linked to their complicated relationship with dragons: after all, they're only incomplete dragons, and they would hardly have a place in an Age of Dark. Perhaps it has something to do with a promise made to the first Pygmies. Or then again, perhaps to defend against them. And then, what about the other Serpents? Are they working with them? Are they from other worlds? Are they all joined in some sort of giant eldrich hydra, its true body hidden from sight?

It is all very complicated, frankly. We probably will never know the true motives of the Serpents, as well as their nature: however, what I hope this analysis has made clear is that there is much, much more under the surface than what it seems like. Like their body. That's literally under the surface.

#dark souls #dark souls 3 #Dark souls lore #Dark souls theory #Soulsborne #Souls series #fromsoftware #fromsoft #Headcanon #fromsoft games #darkstalker kaathe #kingseeker frampt #Kaathe #Frampt #Gwyn #nicothoughts

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yournextflame · 2 years

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Elden Ring Sigils and Color Theory

Elden Ring magic sigils sorted by color. Long post about their lore, meanings of certain colors and what it can reveal about the story of Elden Ring under the cut.

In this post, I will be going over why it is important to have a good understanding of color and meanings associated with color in the context of lore. In a game, color is used by developers for more than just drawing the world, it’s about creating visual language, a bridge between writers and players. There are countless articles about usage of colors in videogames, but in this post I will try to reverse-engineer the process and find out the meaning behind visual symbolism and combine it with game’s equivalent of heraldic symbols - magic sigils.

In Elden Ring magic sigils have been used to represent origin of sorceries and power sources of incantations, usually they give us hints what kind of deity is worshipped by people or who created the spell. They are an invaluable source of information on history on the Lands Between. I’ve been already playing with idea of color sorting when I did the same thing with remembrances, but sigils revealed even more secrets about story and lore. How about origin of life on the Lands Between? Origin of the outer gods? But let’s not rush.

The first category, Blue Sorcery as I called it, already shows how color sorting method is supported by the game itself. With a help of descriptions we can place the sigils in the chronological order and track the change in design over the course of story such as replacement of flowing weapon in the sigil of Eternal Cities to Carian sword. Their sigils are incredibly similar to each other, solidifying connection between Nox and Carian royal family; both factions are associated with silver, sorcery, artifical life, moons and stars.

This talisman represents the lost black moon. The moon of Nokstella was the guide of countless stars (Memory Stone)

The young astrologer gazed at the night sky as she walked. She had always chased the stars every step of her journey. Then she met the full moon—and, in time, the astrologer became a queen (Stargaizer Heirloom)

Moons played a central role in Nox and Carian culture, the circle is a base shape for both crests, however, while Raya Lucaria sigil shares similar elements with Eternal Cities and Carian emblems (glintstone sorcerers are the descendants of astrologers, a fact that the Carians remain aware of, - Preceptor's Long Gown), this part was drastically redused in size and moved on top; the central place is taken by the star and framed by a pair of cuckoos. The hue of sigil is also significantly different from cold blue tones of Nox and Carians emblems, the warm greenish tint is close to the color of primeval current spells, which were banished once Rennala became rector of the Academy.

These scholars, who sought to master Carian sorcery, instead learned to see the moon as equal to the stars. This robe, in the hue of the full moon, signifies their heresy (Lazuli Robe)

(Cuckoo Greatshield) Boasting high magic damage negation, this shield is used to hunt down mages. "Our enemy is none other than Caria itself."

So far I’m not going to delve deeper in the roots of the conflict between Carian royal family and Academy of Raya Lucaria, it’s a mere demonstration of a method and how it works. But in next paragraphs I will use it as evidence for a few theories about worldbuilding.

(thanks for clarification about Malenia’s Crest, I rewatched fight on youtube and, yes, it’s a normal Raya Lucaria sigil)

Golden incantations is the biggest group on the list, in a way I can say that history of the Lands Between is a history of gold. Here we can see a symbolical depiction of the Erdtree, the central piece of the game both in a metaphorical and literal sense; we can track how portrayl of the Erdtree changed during Marika’s age until it was replaced altogether by the abstract emblem of the Golden Order Fundamentalism. I have a lot of to say about this group and currently working on post with a more detailed investigation, so far I will touch only basics: such as origin of life gold.

Gold in Elden Ring is more than than shine metal or a color, it’s prima materia of the Greater Will, a force of unknown origin (it’s never called 神 god or an 外なる神 outer god anywhere in EN or JP script and before jumping to conclusion wait until I’m going to observe confirmed outer gods) which is responsible for the creation of Elden Ring. From the description of Elden Stars, the most ancient incantation in this category, and Elden Remembrance we can figure out keywords associated with the Greater Will:

It is said that long ago, the Greater Will sent a golden star bearing a beast into the Lands Between, which would later become the Elden Ring/It was the vassal beast of the Greater Will and living incarnation of the concept of Order (I’d like to point that it’s “Order”, not “The Golden Order”).

(I believe we still can see remnants of the golden star in a form of meteorite ore in Divine Towers and Sealed Tunnel near Erdtree)

In other words, the Greater Will is about gold, Order and everything Elden. However, a common mistake is to tie the Greater Will to the Golden Order, despite the name the latter is not representative of it, even more so... original gold from the golden star wasn’t yellow.

From dialogue with Sellen we can learn that stars are containing amber, but golden stars are kind of special:

Golden amber contains the remnants of ancient life, and houses its vitality (Sellen)

And Hyetta’s speech supports futher that the Greater Will is responsible for creation of life in one way or another:

…すべては、大きなひとつから、分かたれた分かたれ、産まれ、心を持った

けれどそれは、大いなる意志の過ちだっただから、戻さなくてはならない

All that there was divided from the One Great. Divided, born and given heart. But it was a mistake of the Greater Will (Hyetta)

So, Miyazaki pretty much unitied theories about meteorites being consensually considered to be involved in the origin of life and primordial soup:

Meteorites could have been responsible for delivering the basis of life's genetic code. Analyses of three meteorites suggest that nucleobases, the crucial components of DNA, could have formed in space and then fallen to Earth to provide the raw material for the origin of life itself

For nearly nine decades, science's favorite explanation for the origin of life has been the “primordial soup”. This is the idea that life began from a series of chemical reactions in a warm pond on Earth's surface, triggered by an external energy source such as lightning strike or ultraviolet (UV) ligh

Now if we check descriptions of Crucible Aspects and Crucible Knights items we can find out that original gold had rent tint.

Holds the power of the crucible of life, the primordial form of the Erdtree. Strengthens Aspects of the Crucible incantations (Crucible aspects incantations)

This sword is imbued with an ancient holy essence. Its red tint exemplifies the nature of primordial gold, said to be close in nature to life itself (Ordovis Greatsword, the name itself is a reference to Ordovician Period, part of the Paleozoic era, a rich variety of marine life flourished in the vast seas and the first primitive plants began to appear on land)

Ancient Erdtree/Crucible emblem is slightly reddish too, however, the modern gold is more pure and yellow, the gold of the Golden Order. The sigil changed the color too and lost the root part just like the Elden Ring itself if we compare modern depiction with Farum Azula mural:

The Golden Order was created by confining Destined Death. Thus, this new Order will be one of Death restored

But a gold is a gold, even though it’s different, but as Turtle Pope said heresy is not native to this world and everything can be cojoined:

The worship of the ancient dragons does not conflict with belief in the Erdtree. After all, this seal, and lighting itself, are both imbued with gold

Yes, the Greater Will governs everything what is golden.

And yet, the young Miquella abandoned fundamentalism, for it could do nothing to treat Malenia's accursed rot. This was the beginning of unalloyed gold

I can already hear the raise of pitchforks from certain kind of Miquella fans, so let’s talk about outer gods and what exactly they are.

With a surprising exception of emblem from the Scepter of the All-Knowing (Gideon, I have a few questions for you) all sigils in Red Group are assigned to the deities: outer/ancient god of Rot, outer god Formless Mother, Rykard’s immortal serpent and Fell God, who is bit tricky, it’s ambitious if 古い火の悪神 “ancient” is applied to the god or fire. The only confirmed outer gods, who didn’t made it here is an outer god of Deathbirds and Frienzied Flame. Considering theory that removal of the Destined Death from Elden Ring drained color from the god-slaying Black Flame and eclipsed sun of outer god of Deathbirds, I can suggest that original color of their sigils was red too.

Long story short: sigil of the outer gods and other unwelcomed deities are represented by red color and they are all related to the death, Formless Mother is about bleed, fell flame is burning, rot is decay, etc.

However, as stated in the description of Ordovis Greatsword, primordial gold of the Crucible had a red tint that was lost when Marika estabilished Golden Order by sealing away red Rune of Death; and this knowledge eventually leads to conclusion that...

Outer gods aren’t aliens. What a surprise.

They are natural powers that were screwed by the removal of Destined Death, when they got outed from the Golden Order. They are red tint of the primordial gold.

Once the concept of Death was banished from the Lands Between the elements and effects linked to it - death, decay, combustion, bleed became outer to the newly estabilished Order. There is a clear thematic difference between celestial Greater Will, who isn’t even presented on the Lands Between, and actual outer gods, who can be sealed or banished, more over there are no outer god of water, sunshine or happiness, they are all linked to the side-effects of death. When death was excluded from the Order, they were affected as well.

The thing is that gold in Elden Ring is a magical substance and changes the tint depends on the currently running Order, which is shown in the endings when Golden Tree (黄金樹 that’s how Erdtree is called in JP) acquires different hue. It’s another overlooked element of visual storytelling.

This Golden Order is something that the Elden Ring may have once represented, but not directly. It’s more about how you apply those rules and how you enforce them on the physical world and what effects they have on it, - Miyazaki in interview to gamesradar

(Golden Order isn’t direct representation of the Greater Will/Elden Ring as it was said by Miyazaki himself, it’s only one temporary set of rules)

Elden Ring consists of runes and even newly discovered mending runes (concepts) can be added to the system (regression is the pull of meaning; that all things yearn eternally to converge) ot removed and the gold will respond to it by changing the color and reshaping reality according to the Order (causality is the pull between meanings; it is the connections that form the relationships of all things). Elden Ring - Rune of Death = yellow gold and banishment of ancient gods, who were associated with death, Elden Ring+mending rune of a choice=see example aboive.

For futher evidence that gold changes metaphysical properties and in the current state (Golden Order) preserves things from not only from dying, but decomposing too, I want to bring a few descriptions:

Fresh beast blood, glinting with gold. Material used for crafting items. Found by hunting carnivorous beasts.This glimmering blood never rots or decays ( Beast Blood)

Someone's excrement. It has a golden tinge. Material used for crafting items. Gold-tinged excrement is a highly stable substance; it doesn't dry out, nor does it lose its customary warmth or scent. For better or for worse, it remains as it is (Golden Dung; I can’t believe I’m using description of literal sh/t to prove my point)

However, from what we know only Rune of Death was sealed, and while outer gods’ influence was seriously weakened, it still existed. This is why Miquella abandoned Golden Order and was working on development of his own gold, even more pure and untainted, before he got mohgged:

Unalloyed Gold Needle: An intricately crafted needle of unalloyed gold. A ritual implement crafted to ward away the meddling of outer gods, it is thought capable of forestalling the incurable rotting sickness.

Now let me clarify: community’s favorite boogieman “influence of the evil alien outer gods/the Greater Will” isn’t a thing in a sense that there is a group of invaders from the outer space trying to enslave the Lands Between. Even thought 外なる神 is used in Japanese media culture for lovecraftian beings, we should remember that history is fabricated by the Golden Order in Marika’s favor; "outer gods” are alien to the current Order”. Same goes for the influence of the Greater Will, it was never about mind-control or whatever was projected onto it, the influence of the Greater Will is simply how Order and gold are changing course of the nature.

Last thing I want to add is that influence of the outer gods isn’t always about destructive powers (Order of Rot is about decay and rebirth), but I’ll leave it for a dedicated post.

In Mixed Group I put sigils with unique or unknown colors.

In my first draft Dragon Communion was placed in the Red Group for the intense hue of sigil, but upon futher research I decided to move it here. The power of Dragon Communion incantations doesn’t stem from any patron god or the assigned star (unless I missed something); they are scaling from arcane, an inner force of the caster.

Violet is an interesting choice for Gravity sigil because this color, albeit with the less intence hue, is used for sleep status and associated items.

I like how yellow color of Frenzied Flame is similar to the gold of the Greater Will, carrying the theme of duality, yet the shape of the sigil is distorted and assymetrical. In fact, designs of the ancient sigils usually is far less complex than intricate shapes of newer ones (with a few exceptions). Just to be clear, even though influence of the Flame of Frenzy can be cleared by Miquella’s needle, the game never calls it an outer god. It’s a matter of semantics, but I guess that unlike crew from the Red Group it was never booted from the Order since Chaos and Order can’t naturally coexist, but there are a lot ot of to speculate about, considering drastic changes in Frenzied Flame quest and lore.

Golden star in the centre of Bestial sigil reminds of Cinquedea dagger (Short sword given to high ranking clergymen of Farum Azula. The design celebrates a beast's five fingers, symbolic of the intelligence once granted upon their kind), which shows beast’s arm holding golden slab.

So, Death spells. I believe that both Black Flame incantations and Death Sorcery of Deathbird outer god were affected by confining of Destined Death.

The black flame could once slay gods. But when Maliketh sealed Destined Death, the true power of the black flame was lost

Storied sword and treasure of Castle Sol that depicts an eclipsed sun drained of color.The eclipsed sun, drained of color, is the protective star of soulless demigods. It aids the mausoleum knights by keeping Destined Death at bay. Mausoleum Knight Armor: The wing-shaped ornaments on its back evoke the Deathbird

And, as I’ve been already pointing in a different post, death of Godwyn brought back forgotten death sorcery that almost ceased from existance during age of immortality, but was rediscovered

Death in the Lands Between is incredibly complex subject and deserves a series of posts, even though I believe there should be DLC because so far all lore related to it seems to be incomprehensible.

Unmarkered sorceries don’t have background sigil, but they all share something in common. They originated from the Mountaintops of Giants:

Zamor Ice Storm: Ice sorcery of the Town of Zamor.Strike the ground with the staff to create a freezing tornado. Charging enhances potency. Cloaked in icy tempests, the knights of Zamor have challenged the Fire Giants since ancient times.

Briars of Sin : An aberrant sorcery, discovered along with red glintstone by those exiled to the north for their crimes.The Academy reviles this sorcery, which draws its power from faith

Founding Rain of Stars: The eldest primeval sorcery, said to have been discovered by an ancient astrologer. A sorcery of legendary status.The glimpse of the primeval current that the astrologer saw became real, and the stars' amber rained down on this land. Sword of Night and Flame: Astrologers, who preceded the sorcerers, established themselves in mountaintops that nearly touched the sky, and considered the Fire Giants their neighbors.

Another interesting details to consider is that they are all in some ways are unwelcomed or straight up heretical. It reminds me of relationships between Golden Order and remnanats of the Crucible. Aberrant sorcery is a mark of sin, primeval current was banished and cold sorcery is veiled in occult mystery:

The snowy crone taught the young Ranni to fear the dark moon as she imparted her cold sorcery.

I guess Ranni’s secret mentor is called snowy crone for a reason.

That’s being said, everything I wrote is a subject to change as DLC may reveal more details or I will reconsider some parts under futher research. But overall I think it was an interesting experiment.

読んでくれてありがと

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