Worked on this peice for a few hours, i’m so happy how it turned out ^^ Backgrounds are not my greatest point… and never will be XD

I guess there is an explination to this. I plan on working on another fanfic, however, its a short one. The whole idea of it is centered around the old saying ‘like a moth to a flame’ and it’s in it’s own universe, not monsterverse, heisei, etc.

Just a bunch of very quick, very throwaway reviews that I put together while I’m writing the Björk discography post (I’m currently at Vespertine, so this shit is gonna take a while). Mostly slightly underground bands, all very short projects and one of them don’t even have a project, but you should check them out. Anyway.

It Looks Sad. – Songs For Quarantine

Not much to say about this. It is a 9-minute EP, obviously not meant to be taken as a serious, ambitious release, but it’s from a band I wanted to check out: It Looks Sad.. They’re categorized as emo, but their style reminds the listener a lot more of shoegaze and dream pop, at least from what I’ve heard by them (right now, this and Drool, which fits cozily in my Summer playlist).

If you want some moody music for the quarantine (if it’s still going on by the time I post this) and you don’t care if the songs sound like they were recorded in an underwater cave, then go ahead and listen to this I guess. It’s average as fuck but whatever, that’s the point.

WORST TO BEST: Eyes, Love, Waves, Bug

bedroom music/10

“*insert shoegaze mumbling here*”

It Looks Sad. - Kaiju

2015 EP. Two tracks, one sucks and the other is tolerable. Like I really don’t know what the fuck the singer was trying to do with Creature, he’s hollering all over the place, and the delivery would be more at home in maybe some poorly-recorded punk song, but the instrumental is nothing like that, as it’s pretty much indie-rock 101; not to mention the lyrics, which are the blandest broken-hearted songwriting I’ve heard yet, probably. I now understand how truly emo they were.

For Nagoya, I can at least say the hook is pretty cool, but that’s it really. I guess I’m grateful they changed their style.

2.45/10

“Best friend this is terrible. You know it’s inevitable. I hope you come back, I hope he comes back.”

Pablo’s Paintings

Just wanted to give a shoutout to the underground Leeds, Yorkshire band Pablo’s Paintings. I had listened to Lizard a long while ago, and loved it, so I decided to check out the rest of their stuff today (May 25^th), and it’s very solid. The track You’ve Got A Long Way To Go draws heavily from a psychedelic influence, while Paint’s Gone Dry and So Long (All Your Friends) sound like something The Beatles would maybe write.

I guess you could call them formulaic, but their mixing and distinct sound are all pretty good for a band that hasn’t gotten a song with over 2000 streams on Spotify. Their songs can be a little to bubblegum-ish, such as So Long (All Your Friends) which doesn’t really stand out as many others, but for the most part, they deliver. Can I Draw You Something? has a slight edge to it, in comparison, but still sporting cute lyrics about just drawing for someone, and Ghost In The Machine has a great progression to it, and a very cool cover art to accompany it. It’s clear the band has a taste for visual arts, from the lyrics to the band’s name.

In short, they do have a long way to go, and I hope they release an album soon, considering all but two of their Spotify singles were from last year; I’d be the first to listen to it.

WORST TO BEST: So Long (All Your Friends), Paint’s Gone Dry, You’ve Got A Long Way To Go, Can I Draw You Something?, Lizard, Ghost In The Machine

good band check them out/10

“I draw these lines and take them for a walk. I find that I say things better when I don’t need to talk”

Vancouver Sleep Clinic – Winter

Contrary to the name, the band Vancouver Sleep Clinic is from Australia. Led by ambient singer (a term I didn’t know existed until today) Tim Bettinson, from my understanding, the band have partly built their audience by reeling people into the music by putting having the songs feature in TV shows and movies and whatnot, since there’s a hefty list of times their songs have appeared in this type of media on their Wikipedia page. I decided to listen to Winter because I discovered Stakes from the fact that the $uicideboy$ sampled it on the song Sold My Soul To Satan Waiting In Line At The Mall, and liked it a lot. The EP as a whole, however, not nearly as much.

To start off with the main problem I have with Winter, the tracks are all the same. Seriously, I cannot distinguish one from the other; all the songs are soaked in reverb and mainly center around simple acoustic guitar chords and generic pianos, mixed with Tim’s head voice and sometimes the dumb decision to include a synthesized drumming track, like in Vapour, where the fast-paced hi-hats sound so out of place and clip so badly in your ears, it sounds like your earphones are having a mini seizure, but not in a cool way. Meanwhile in Flaws, there’s this unnecessary, wack finger-snapping that makes it sound like I’m listening to some techno song with around 3000 views on YouTube (I do like his backing vocals in the track though).

At its best, tracks like the opener, Collapse, offer an actually powerful passage, in that song’s case, the hook breakdown, where the 808 drum patterns are actually very welcome, and the synths under it are very beautiful and harmonize really well. The final track, Rebirth, also attempts a grand breakdown of sorts, but falls flat because the song is so unnecessarily stretched out and weirdly segmented, and it’s so unexpected: the song is a slow piano/guitar ballad as usual, and then, around 3 minutes in, after the song fades out almost entirely and tricks you into thinking it ended, the drum kicks start rising and all of a sudden there’s… something? I don’t even know what instruments are playing apart from the  superimposed drums and what I think is an electric guitar, because it sounds like god knows what, an overheating computer mixed with some shrieking sound, which I assume is the guitar, way off in the background. And then Tim sings a last verse and the song suddenly ceases to exist. Same thing happens with the shortest track here, (Aftermath), consisting of 4 lines, your average piano and strings, and of course, the reverb. It builds up an epic instrumental, and after the brief singing section, just ends. No further instrumental work, just woosh. It’s gone.

I will give credit to Tim’s verses. Even though they’re always delivered with the same intonation, his lyrics are alright, and at least in Stakes, he employs some backing vocals that really make the track, and the hook is magnificent. They tend to blend into one another, with constant themes being metaphors for words he should have or regrets saying, the cold (obviously, given the EP title), sometimes drowning/large bodies of water, and of course, all tracks are about melancholy and heartbreak. But in some parts of the EP, his verses really do feel like some alright poetry, such as the awkward last verse in Rebirth (“I’m starting again, tearing my flesh, stripped to the bone, the all that I’ve grown. Leaving behind, breathe like a child. It’s taken the winter to find who I am”) or the already mentioned beautiful hook in Stakes. In most of the songs, however, I find his themes to be too repetitive and, I wouldn’t say uninspired, but run-of-the-mill.

So overall, the EP doesn’t amount to much. All the tracks attempt to go this emotional route, but they’re very repetitive, and that numbs them and robs them of their emotion a lot. Listen to it if you want to relax, or maybe even sleep to it if you want to take their name literally.

WORST TO BEST: Vapour, Flaws, (Aftermath), Rebirth, Collapse, Stakes

4/10

“I sunk in oceans blue, now they’re all frozen over. I should have took your hand, we should have crossed the border.”

Steve Lacy – Steve Lacy’s Demo

Member of The Internet, singer-songwriter, guitarist, bassist, drummer and producer Steve Lacy is an artist I’ve wanted to check out for a while. I have at some point in my life heard his song Looks, off this demo, but thankfully I forgot how it went so I can check it out again. It’s gonna be a quick listen and review, but I’m curious (and while looking him up I found out he won a Grammy with Kendrick’s DAMN., for producing, backing vocals and songwriting, so that’s cool, congrats Steve).

Right away, I’ll just mention this project is very lo-fi. As in, the drums and his voice are poorly mixed. I’ll give it a little bit of a pass because this man played all the instruments in here and I appreciate the fuck out of that, but anyway. You can tell right at the first track that singing isn’t Steve’s forte, at least in this album, at this time. The hook in that song is just bad, the good part are the instruments, the guitar riffs and the very dynamic bassline, plus the fun little bongos. However, just like all songs here except Dark Red, this is waaaaaaaay too short. It has two short hooks, the verse, and that’s it. The songwriting, I feel, is one of Steve’s more substantial talents; this song I just mentioned is mainly about how a relationship can’t progress because the two involved don’t like much about each other apart from their looks, and Ryd is all about taking a girl to your backseat, but even though these themes are very simplistic, Steve fleshes them out into something more interesting and melodically rich. In Ryd, his smooth vocals surf over the sunny riffs, but what takes away from it are the weirdly mixed drums, as they sound like they’re playing way louder than they should be. The track is groovy though.

The most focused song here, Dark Red, tells the story of a man who’s worried his girl might leave him soon. The instrumentals are nothing special, very basic, and same with the vocals, even though they’re more rooted and solid in this song. The next song, Thangs, emphasizes its bass way more than other songs, but once again, Steve’s voice is not pleasing to listen to, specifically his high-pitched backing vocals, they’re awful. The lyrics are the most basic here, and this song just goes by without leaving any impact after ending pretty abruptly.

Haterlovin is weird. The vocals are way too low, but I like how they differentiate themselves by not going the melodic route, instead Steve chooses to rap them, and his flow in the verse is impressive, but at the same time the hook is way too repetitive for the song to work, and even though it’s nice he switched up and focused the track on the drums, it still leaves it pretty bare.

To close it up, Some brings some promise, with a pretty funky bassline and hook, but then ends out of nowhere and starts a hidden track, Snaily, which I admit has nice falsetto vocals from Steve, but I don’t know why I couldn’t be a separate track. Overall, the album isn’t great, but I appreciate how organic and talented Steve is. Throughout the songs, his creativity is pretty noticeable, so I can’t hate his efforts, but unfortunately his ideas don’t find the right light to shine here.

WORST TO BEST: Thangs, Haterlovin, Looks, Some, Dark Red, Ryd

4.5/10

“Next thing I know she was feeling on me, and I was in the M double-O D when she said park my car down the backstreet”

Newmann Month Day 29 - Escapism

(Because fuck yeah Mothra)

In the early days of the war, after continued attacks became an inescapable truth but before the Jaeger program gave humanity its confidence back, Kaiju films lost the popularity they’d had for so long - of course filmmakers evoked the imagery of the attacks, the way they capitalise on any tragedy and milk it dry for audience engagement, but the genre itself seems dead.

Dead, that is, save for Mothra, and Hermann can’t work out why at first; he asks Newton, who he knows has always loved Mothra and Godzilla and all those other creatures dreamed up by humanity from before the ocean spawned real nightmares, in his next letter, and kicks himself upon hearing the answer, because it’s obvious.

Mothra isn’t like the others, not a force of destruction, not leathery or lumbering, she’s airborne, protective, beautiful in her way - when Kaiju emerge to threaten humanity, small and unprepared, they have Mothra, and the audience can forget, just for a moment, that their own world is not so easy.

I love this funky little bug!

S.Gigantica belongs to @r0dan

The other one belongs to me

Lit 🔥

(Please do not repost)

Kaiju had x-rays done today for OFA evaluation. Not expecting good results but the health testing is part of his contract so that his breeder can properly evaluate the results of their litter. As most of you might know, he has knee problems and is sore as hell now that he’s up and awake. Gonna keep him on some pain meds for the next few days to help him out.

i realised ive never even posted about what my ocs are so i guess i should do that.

shes my main girl 👌

i forgot to mention shes blind (i mean she doesnt even have eyes so)