#kameelah janan rasheed

[abelsonarchive]

#kameelah janan rasheed

[drawdownbooks]

Amalgam 4 — Collapse

Amalgam #4 points toward the inextricably intertwined relationships between typography, language, and power. In doing so, it assembles a series of essays, anecdotal notes, conversations, and artworks that engage with, hint at, or revolve around the theme of collapse.

From collapse of language syntax, to collapse of semantics, barriers between languages, and language itself, this collection reverberates the material and immaterial conditions, formations, reproduction, and dissemination of power through language and typography. A series of revolutionary headdresses; the auditory and polemic bonds between the letters X, ח, and خ; the interiorities of illegibility; the downfall of the ancient Silk Road patterns; the West Asian Goddesses; an asemic grief; a deliberately missing language; a hearty stutter; and an Aleph that wore a hat to school.

Contributors in this issue include Adrien Flores, JJJJJerome Ellis, Klara du Plessis, Sophie Seita, Luis Camnitzer, Slavs and Tatars, Mimi Ọnụọha, Minh Nguyen, Maia Ruth Lee, Mashinka Firunts Hakopian, Helina Metaferia, Paul Soulellis, Carlos Motta, Lucy I. Zimmerman, Kameelah Janan Rasheed, Paul Benzon, Morehshin Allahyari, Anahita Razmi, J. Dakota Brown, Shabahang Tayyari, Mahan Moalemi, Dennis Grauel, Sasha Wilmoth, Thy Hà, and Alec Mapes-Frances

Designed and edited by Pouya Ahmadi

Published by Amalgam, 2023

Softcover, 200 pages, b&w, 6.5 × 9 inches

Available from Draw Down (online): https://draw-down.com/products/amalgam-4-collapse and from Pouya at this weekend's Boston Art Book Fair!

#Amalgam #Pouya Ahamdi #design journals #typography journals #art and design journal #typography and language #typography and power #Draw Down Books

[d0ggma]

Chicago

Top left- Slumber Party, 1983 by Eric Fischl

Top Right- Oct. 31, 1978 (Today Series, “Tuesday”) by On Kawara

Bottom Left- Kameelah Janan Rasheed: Unsewn Time

Bottom Right - Blow Chair, 1967 by Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi, and Carla Scolari

[realistian]

Kameelah Janan Rasheed: The Edge of Legibility | Art21 "New York Close Up"

#youtube

[kunthug]

always returning to this

i mean black artists are so fucking lit! look at this really drawn out ethos as an artist statement:

"At the top of 2019, I sat down to google docs and a series of handwritten notes to draft yet another artist statement. The goal: write something that captured everything I had done, everything I was about to do, everything I know I want to do, and everything I don’t even know I want to say. And to do so with such tidy precision that the artist statement will have utility well into the future.  This was a speculative mathematical task - to solve for not yet known things. But, I dove in with the unencumbered eagerness. I would slay non-specificity, predict the future, and create a self-perpetuating sentence that would always hold the language to articulate my current art practice."

useful to sit with if you're interested in: ongoingness, incompleteness, not-quite doneness, language/concrete poetry, being genre fugitive, revision, text as communal, as networked.....

#kamelah janan rasheed

[theartistisreading]

Kameelah Janan Rasheed is reading:

Atlas of Anomalous AI by Ben Vickers & Kenric McDowell

Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence by Kate Crawford

TechGnosis: Myth, Magic, and Mysticism in the Age of Information by Erik Davis 

Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm by Dan Charnas 

Dear Science, and Other Stories by Katherine McKittrick 

Poetics of Relation by Edouard Glissant

Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art by Steve Tomasula 

Sun Ra: The Immeasurable Equation. The collected Poetry and Prose by Hartmut Geerken

House of Leaves by Mark Z. Danielewski

Oulipo: A Primer of Potential Literature by Warren F. Motte Jr.

Sleeping with the Dictionary by Harryette Mullen

My Emily Dickinson by Susan Howe

Dictee by Theresa Hak Kyung Cha

Freedom Time: The Poetics and Politics of Black Experimental Writing by Anthony Reed 

Crises of the Sentence by Jan Mieszkowski

Track Changes: A Literary History of Word Processing by Matthew G. Kirschenbaum

The Arab Apocalypse by Etel Adnan

Ideal Suggestions: Essays in Divinatory Poetics by Selah Saterstrom

SMOOOOOOOOOOOOOOTH OPERATOR opens at the Athenaeum on Sept. 1, 2022. Kameelah will deliver a lecture that night at 5:30pm!

[lapipaylafuente]

[militantbodies]

Curatorial Close Looks: Kameelah Janan Rasheed in Conversation

#Kameelah Janan Rashad #worshipping at the altar of certainty #contemporary art

[3thurs]

Third Thursday events and exhibitions for October 20

The next Third Thursday — the monthly evening of art in Athens, Georgia — is scheduled for Thursday, October 20, from 6 to 9 p.m. All exhibitions are free and open to the public. This schedule and location and hours of operation for each venue are available at 3thurs.org.

Georgia Museum of Art, University of Georgia

Yoga in the Galleries, 6 p.m. — Join us for a free yoga class surrounded by works of art in the galleries. Led by instructors from Five Points Yoga, this program is free and open to both beginner and experienced yogis. Sanitized mats are provided. This program is available both in-person (spots are available on a first-come, first-served basis; tickets are available at the front desk starting at 5:15 p.m.) and via Zoom (register at https://zoom.us/meeting/register/tJIkfuyoqTgqHNOxQMTrJeVRUJQ3Xi_u3psx).

On view:

“Reckonings and Reconstructions: Southern Photography from the Do Good Fund” — 

This exhibition is the first large-scale survey of the Do Good Fund’s remarkable and sweeping collection of photography made in the South from the 1950s to the present.

“Infinity on the Horizon” — This exhibition highlights modern and contemporary objects in the Georgia Museum of Art’s permanent collection by prominent and lesser-known artists that can be characterized as abstract landscapes. 

“Allison Janae Hamilton: Between Life and Landscape” — Allison Janae Hamilton’s works often include spectral figures to convey the role of nature in Black experience as beautiful and fragile, hopeful and haunted.

“In Dialogue: Henry Ossawa Tanner, Mentor and Muse” — This focused exhibition highlights Black artist Henry Ossawa Tanner’s impact on several younger artists: Palmer C. Hayden, William H. Johnson, William Edouard Scott and Hale Woodruff.

“Jane Manus, Undaunted” — Five large-scale sculptures by the Florida-based geometric sculptor.

“Kristin Leachman: Longleaf Lines” — Paintings by artist Kristin Leachman of an old-growth longleaf pine forest in southwest Georgia as part of her “Fifty Forests” project.

“Decade of Tradition: Highlights from the Larry D. and Brenda A. Thompson Collection” — Selections from Larry and Brenda Thompson’s gift of works by African American artists.

“Power and Piety in 17th-Century Spanish Art” — Works by premiere Spanish baroque painters such as Francisco de Zurbarán, Bartolomé Murillo, Pedro Orrente and others, on loan from Bob Jones University Museum & Gallery.

The museum’s days of operation are Tuesday – Sunday. Reserve a free ticket and see our policies at https://georgiamuseum.org/visit/.

ATHICA: Athens Institute for Contemporary Art

ATHICA@675 Pulaski St., Suite 1200 

“MOOD: 2022 Juried Exhibition” — Features the work of 37 contemporary artists from across the United States and Canada. Their work in all media explores or references MOOD, a term that has taken on a unique connotation on social media through its use thousands of times a day by individuals to express their temporal emotions with imagery, memes and an ever-changing collage of the media culture that surrounds us. #Mood is happy, sad, reflective, angstful, urgent, chill, colorful, somber, hungry, sleepy, angry, hopeful and more. The work on display was juried by Liz Andrews, executive director of the Spelman College Museum of Fine Art.

ATHICA@CINÉ Gallery

“In Search of Mutisia” — Works by Nancy Barbosa.

Lyndon House Arts Center

“RE-, the Clarke County School District Student Art Exhibition” — Includes works by students from Kindergarten to 12th grade and media such as weaving, sculpture, photography, painting, drawing and collage. Also included are large collaborative works of art by classrooms and grades.

The Athenaeum

“Smooooooooooooooth Operator” — Brooklyn-based artist Kameelah Janan Rasheed presents a new exhibition that examines the poetics and power of machine learning. She questions computation, the role of the reader and ritual in “Smooooooooooooooth Operator,” which considers the menace of smoothness. We know what a smooth thing is; we’ve run our hand over a surface without noticeable projections or interruptions. Smoothing as a practice shows up in music via quantization and again in image processing via filters. Both are procedures of standardization and forced patterning by disregarding dirty data (or noise) in the service of fulfilling the audience’s expectations. Smooth viewing is easy viewing because the brain doesn’t have to second guess what it is looking at. Smooth images, smooth text make smooth, speed readers.

tiny ATH gallery

Pen and ink exhibition by Valley StipeMaas. John Kiran Fernandes performing experimental clarinet.

Safety precautions in place for tiny ATH gallery:

Face masks are optional in the gallery if fully vaccinated

Please consider parking up Pulaski/Cleveland to alleviate parking issues if lot is full

If you feel unwell, or have been in touch with anyone who has been sick, please stay home

Hotel Indigo, Athens

ArtWall@Hotel Indigo: Photography by Lucy Reback and Megan Reilly — These New York-based photographers have been living and working in Athens for the past two years. The artists, who are also a couple, have never exhibited collaboratively. These works span five years; some were taken before the couple met, and others are intimate vignettes of their relationship. The fragmented assemblage of their combined work reinterprets these memories, bending time to include the other in their past and articulate the present connection.

Glass Cube: “Aurora,” an installation by multimedia artist Zane Cochran featuring changing light and geometric lanterns based on occurrences of the Northern Lights. Open 24/7.

The Classic Center

Classic Gallery I: “Spotlight: Paintings by Amy Watts” — Cowgirls, farmers, miners, Indigenous peoples and angels comingle on big, bold, colorful canvases that bring to mind stained-glass windows and WPA murals.

Classic Gallery II: “Light Bright” — This exhibition is inspired by the childhood toy. Remember piercing through with little, colorful, plastic pegs to create glowing compositions. Artists Caitlin Gal, Allison McPheeters and Alivia Patton all utilize the simple circle to create inspiring works. Gal’s paintings joyfully point to plant life and biology using a bright color palette and Matisse-inspired shapes. McPheeters uses drawing as a means to relax, and her intricate repeated mark reads as a sort of meditation. Patton shows the transformation of form in her works that resemble a target or a planet or an eyeball.

—

Third Thursday was established in 2012 to encourage attendance at Athens’ established art venues through coordination and co-promotion by the organizing entities. This schedule and venue locations and regular hours can be found at 3thurs.org.

Contact: Michael Lachowski, Georgia Museum of Art, [email protected].

#athensga #art #free #uga #universityofga #downtownathens #visitathensga

[greysmafia]

Socialite nyc

Like all socialites, this woman is a self-marketing genius, but on a much larger playing field.” “The socialite every socialite not so secretly wants to be, and the twentieth century’s greatest fashion icon, bar none.” What’s more, “she made it socially acceptable-even enviable- to marry a Greek billionaire.”Īs much as it pained some of our experts to say this (one crossed her name out altogether), Paris “belongs high up on this list because of the immense success she has had in parlaying minor, ‘Page Six’– and porno-fueled notoriety into inexorable global celebrity. “The grandmother of all socialites”-and, as such, “the original American snob.” Her “Four Hundred” was the “avatar of any subsequent ‘in’ crowd worthy of the name (e.g., the ‘in’ and ‘out’ lists Truman Capote drew up for his Black and White Ball).” No doubt socialite-ologists will cry foul over some entries-even our own experts may complain-but when it comes to the world of socialites, not everybody can make the cut. This list of the most influential socialites was put together after consulting several experts on the New York social scene, whose comments are below. T hey codified snobbery! They made careers out of fame! And they did some amazing things for this city (see the New York Public Library, the Met, etc.). Madison McGaw/BFA.comĬhristie’s deputy chairperson Sara Friedlander had guests raising their paddles to donate to the museum, raising funds for programs and educational initiatives.Photo: Jeff Vespa/WireImage Ron Galella/WireImage Socialite Debbie Bancroft co-chaired the dinner, while her daughter Serena helped bring people to the dance. Phillips and George Wells.Īrt collector and philanthropist Miyoung Lee, socialite Stacey Engman (wearing a sash that read “Art Royalty”), Mary Snow, Jean Shafiroff, and artist Ugo Rondinone attended. The swank Saturday dinner was co-chaired by socialite Debbie Bancroft, Preston T. David Benthal/BFA.comįriday’s dance - DJ’d by Oscar Nñ of Papi Juice and chaired by Larry Milstein and Destinee Ross-Sutton - drew a young crowd on the dance floor including Vogue’s Elise Taylor, Michael Cohen’s daughter Samantha and Serena Bancroft. Thomas, shown here with Carole Server and Mónica Ramírez-Montagut, curated an exhibit with Racquel Chevremont. It was one reason why when it was offered to me, I couldn’t say no.”Īrtists Leilah Babirye, Torkwase Dyson, February James, Karyn Olivier, Kameelah Janan Rasheed, and Kennedy Yanko are included in the exhibit. She said, “What I enjoy most is giving a platform to artists, specifically women and people of color who regularly don’t have these opportunities. Thomas tells us she was tapped in February and that the pair were able to bring together artists quickly using, “a long list that we’ve had over the years.” Well-heeled guests were able to see an exhibit of Jasper Johns prints, dating from 1960 – 2018, and “Set It Off,” a collection of art curated by Racquel Chevremont and Mickalene Thomas, also known as Deux Femmes Noires. The Parrish Art Museum in Water Mill brought out socialites, philanthropists, artists and young, hip patrons to its Midsummer dance and dinner this weekend. Socialite Stacy Engman in NFT ‘stalker attack’ at Hamptons benefit

#Socialite nyc

[tigerstrikesasteroidnetwork]

Past Exhibitions

[2021-present] [2016-2020] [2009-2015]

2020

PHILADELPHIA Artist-in-Residence: Alicia Link / Dec 14 - Jan 11 Artist-in-Residence: Emilio Maldonado / Nov 30 - Dec 11 Artist-in-Residence: Ana Mosquera / Nov 2 - 27 Artist-in-Residence: Jungmin Lee / Oct 7 - 30 Artist-in-Residence: Cherry Nin / Sep 21 - Oct 7 Artist in Residence: Naomi Momoh / Aug - Sep 12 Preserving a Find, curated by Megan Biddle and Adam Lovitz / Feb 22- Mar 28 Iconologies / Jan 9 - Feb 15

NEW YORK Stephanie J. Woods: FALSE ILLUSION / Nov 21 - Dec 20 Linda Simpson: Where Love Lives, curated by Pacifico Silano / Oct 17 - Nov 15 Catenations, curated by Rachael Gorchov and Jo Yarrington / Sep 11 - Oct 11 Artist-in-Residence: Michael Paul Britto / August 16 - 30 Artist-in-Residence: Kameelah Janan Rasheed / July 26 - August 9 Artist-in-Residence: Naomi Nakazato / July 5 - 19 Picture Time: Buhm Hong & Kakyoung Lee, curated by Sun You / Feb 14 – Mar 22 The View From the Gorge, curated by Sheherazade / Jan 3 - Feb 9

LOS ANGELES Artist-in-Residence: Cara Levine / November 1 - January 8 Artist-in-Residence: Alberto Lule / September 4 - October 31 Trunk Show / Oct 17 High Beams / Sep 5, 2020 Hoofprint / Mar 14 - Apr 5 Fully Furnished Room / Feb 8 - Mar 1 HIGH BEAMS, curated by SARDINE / Jan 4 - 26

CHICAGO Exhibitionisms / Nov 7 - Jan 16 Caroline Kent: Victoria/Veronica: The figment between us  / September 13 - Oct 24  Zehra Khan: Fakeries / Feb 1 - Mar 14

GREENVILLE Minimum Space Requirements / Nov 27, 2020 – January 1, 2021 Constellations / Oct 2 - Nov 25 Yardwork / Jun 26 - Jul 31 REDIRECT @ Ramp Gallery / Jan 24 - Feb 24

2019

PHILADELPHIA In Line / Nov 14 - Jan 4 Lucas Kelly: You, me, these walls, and our ghosts / Sep 27 - Nov 9 Adam Lovitz: VEGETABLE CIGARETTE / Aug 8 - Sep 21 Homeward / Jun 22 - Aug 3 Orbits / May 3 - Jun 15 Melinda Steffy: Ruination Day / Mar 14 - Apr 27 Sagas, curated by Mary Henderson and Mark Brosseau / Feb 1 - Mar 9

NEW YORK The Flat File: Year Seven / Nov 22 - Dec 17 Precursor to Expanded Dialogue, curated by Vincent Como / Oct 11 - Nov 17 Secondary Sources, curated by Jackie Hoving and Norm Paris / Sep 6 - Oct 6 GO, curated by Yael Eban / Jul 26 - Aug 25 Ghost in the Ghost, curated by Danielle Wu / Jun 21 - Jul 21 Orbits / May 10 - Jun 16  baseball show, curated by Andrew Prayzner/ Mar 29 - May 5 Human-Nature, curated by Erika Ranee / Feb 16 - Mar 24  Object of Desire, curated by Amanda Martinez / Jan 4 - Feb 10

LOS ANGELES HIGH BEAMS, curated by SARDINE / Jan 4 - 26 Gerardo Monterrubio: Form and Image / Oct 9 - Nov 3 Warmly Persuasive: ICOSA in LA /Sep 7 - 29 catherine SCOTI scott: Holla / Aug 3 - 25 The Jungle / Jun 29 - Jul 21 Orbits / May 25 - Jun 16 The Family Room Collective: Paper Over / Apr 20 - May 11 MATERIAL GIRLS: Palms / Mar 16 - Apr 7 Lost+Found, curated by Stacey Wendt / Feb 7 - Mar 3 References Upon Request / Jan 5 - 27

CHICAGO Gush, curated by Debra Kayes / Dec 15 – Jan 25 physical gestures that flatten out as moments / Oct 27 - Nov 30 A Creep That Snakes: A Tic of Words and Symbols / Sep 15 - Oct 19 The Endless Body, organized by Julia Klein / June 29 - August 22 Orbits / May 11 - Jun 23 Meg Duguid: Produced by an aftermath / Mar 24 - May 4 Yesenia Bello: My mouth is a motherlode / Feb 9 - Mar 17

GREENVILLE In Front of Your Eyes / Oct 4 – Nov 27

2018

PHILADELPHIA Enter Linger Exit / Dec 13 - Jan 19 Geometry / Oct 26 - Dec 8  Outfit / Sep 13 - Oct 20 Matt Neff & Alisha Wessler: Legerdemain / Jul 20 - Sep 8 Robert Straight: Phantom Shock / Jun 7 - Jul 14 Shelby Donnelly: Slow Grooming / Apr 12 - May 26 Individual Gravities, curated by Alex Ebstein / Feb 23 - Apr 7 Extension or Communication: Puerto Rico / Jan 11 - Feb 17

NEW YORK The Flat File: Year Six / Nov 30 - Dec 16 Sarah Bednarek: ChiChi DooDad / Oct 19 - Nov 18 Still Big, curated by Sun You / Sep 14 - Oct 14 Matt Morris: Splitsville smells like irises / Aug 3 - Sep 9 Hong Seon Jang: motherfather / Jun 22 - Jul 29 Magic Shell, curated by Jackie Hoving / May 11 - Jun 17 Artist-in-Residence: Meghan Brady / Apr 6 - May 6  Asuka Goto: lost in translation / Feb 16 - Mar 25  Antonio Serna: The Same Sun / Jan 5 - Feb 11

LOS ANGELES TSA LA & Monte Vista Projects Raffle and Auction / Nov 17 - Dec 9 Filtered Projections / Nov 10 But we can’t say what we’ve seen / Oct 13 - Nov 4 Full Bit, curated by Brittany Mojo / Sep 8 - 30 Mnēmonikos, curated by Esther Ruiz / Aug 4 - 26 ReVerb / Jun 30 - Jul 22 Nor Heat Nor Gloom of Night / May 26 - Jun 17 Bodies of A Different Mass / Apr 21 - May 13 Sundial, organized by Liz Nurenberg / Mar 17 - Apr 8 Natural 20 / Feb 10 - Mar 4 Taking Up Space, curated by Stacy Wendt / Jan 6 - 28

CHICAGO NOW(n)…PERSON, PLACE OR THING, curated by Mario Ybarra Jr. / Dec 15 - Jan 26 Allison Reimus: What Matters to You/What’s the Matter with You / Oct 28 - Dec 9 Sabina Ott: All Flowers Tell Me / Sep 16 - Oct 20 Flat File One / Jun 24 - Aug 4 Olivia Schreiner: Nascent Things / May 6 - Jun 16 Manatee / Mar 18 - Apr 28 Beyond Measure / Jan 28 - Mar 10

2017

PHILADELPHIA Theresa Saulin: that which requires no battle / Nov 18 - Jan 6 Joanna Platt: In Darkness / Oct 6 - Nov 11 She’s Got a System / Sep 16 - 30 Anachronism and Liberation / Aug 4 - Sep 14 Megan Biddle: Folded Mountain / May 5 - Jun 18 F(L)AT / Apr 7 - 30 Douglas Witmer: Dubh Glas / Jan 27 - Mar 12

NEW YORK The Flat File: Year Five / Dec 1 - 17 Didier William: We Will Win / Oct 20 - Nov 19 Assimilated Simulations | Simulated Situations, curated by Vincent Como / Sep 15 - Oct 15 Revealing Reflected Refractions / Aug 4 - Sep 10 FOUR x HIGH, curated by Sun You / Jun 23 - Jul 30 glorious modest / May 12 - Jun 18 Avant Grave, curated by William Crump / Mar 31 - May 7 x ≈ y: An Act of Translation, curated by Andrew Prayzner and Naomi Reis / Feb 17 - Mar 26 Past Continuous, curated by Jackie Hoving & Norm Paris / Jan 6 - Feb 12

LOS ANGELES Hover, Vibrate, Swell, Reverse, curated by Claudine Isé / Nov 4 - Dec 3 Reality Show / Sep 16 - Oct 18 Verdant Loop / Aug 5 - 27 Caves / Jul 1 - 23 Thy Majestic Loose Eye, And Only Thus / May 27 - Jun 18 Body High / Apr 22 - May 14 Dress Rehearsal / Mar 25 - Apr 15

CHICAGO Kristy Luck: Reveries / Dec 9 - Jan 20 Love Us Or Leave Us Alone / Oct 28 - Nov 18 Ass Grass or Gas, curated by Josue Pellot & Robin Dluzen / Sep 9 - Oct 14 Sashay With and Without History / Jun 4 - Jul 15 Garry Noland: The Most Beautifulest Thing in the World… / Apr 22 - May 27 Carris Adams: This, That, and the Third / Mar 5 - Apr 3 I Have Feelings to Express / Jan 22 - Feb 26

2016

PHILADELPHIA Remote Control / Dec 10 - Jan 21 Todd Baldwin: Memento Mori / Oct 22 - Dec 4 A Body Has No Center, curated by Ricky Yanas / Sep 2 - Oct 16 JJ Miyaoka-Pakola: #Hashtag / Jul 22 - Aug 28 Bedrock: Rachel Klinghoffer, Adam Lovitz, Robert Straight / Jun 3 - Jul 17 Ezra Masch: Mind the Gap / May 6 - 29 Repeater: Lee Arnold, Mark Brosseau, Meg Lipke / Apr 1 - May 1 Matthew Frock: It was beautiful, curated by Terri Saulin / Mar 4 - 27 Trembling Halves: Brenda Goodman & Kate Gilmore, curated by Loren Britton and Zachary Keeting / Feb 5 - 28 Jeremy Maas: Playgrounds / Jan 8 - 31

NEW YORK The Flat Files: Year Four / Dec 9 - 18 Joe Ballweg: Jazz Burger Drool / Oct 28 - Dec 4 Dissolution, part of Exchange Rates / Oct 20 - 24 Lost Cause, curated by Alex Paik / Sep 16 - Oct 16 Fabulous You / Aug 12 - Sep 11 Field Studies, curated by Andrew Prayzner and Naomi Reis / Jul 8 - Aug 7 Inna Babaeva: It’s the Little Things That Matter / May 13 - Jun 26 Weight Over Time: Joy Curtis & Terence Hannum, curated by Vincent Como / Apr 1 - May 8 Conversation Space: Caroline Santa & Jen Schwarting / Feb 19 - Mar 20 Drawing for Sculpture, curated by Courtney Puckett / Jan 8 - Feb 14

LOS ANGELES Screaming Lessons / Dec 3 - 18 The Rock Cried Out, I Can’t Hide You, curated by Carl Baratta / Nov 5 - 26 Mandy Lyn Ford: BAT OUTA HELL / Oct 8 - 29 Laurel Shear: Where Dreams Come True and Go To Die / Sep 10 - Oct 1 The Garden / Aug 6 - Sep 3 Fragmented Gaze, curated by Loren Britton / Jul 9 - 30 Jason Mones: Force and Fumble / Jun 11 - Jul 2 Justin Michell: Through the Grapevine / May 14 - Jun 4 Pupillis Gigantti: Brad Ewing & JJ Miyaoka-Pakola / Apr 16 - May 7 Hannah Vainstein: Plant Animal Mineral / Feb 27 - Mar 20 Weston Lyon: New Twin  / Jan 16 - Feb 14

CHICAGO [Old/New] Psychedelic Providence, curated by Jamilee Lacy / Dec 4 - Jan 15

#past2016 #tigerstrikesasteroid #tiger strikes asteroid

[bspoquemagazine]

Price Winner: Kameelah Janan Rasheed

The artist receives Schering Stiftung Award for Artistic Research 2022. Her work plays with the different roles of the written word.

Kameelah Janan Rasheed, Courtesy Christopher Gregory for The New York Times Kameelah Janan Rasheed (*1985, US) is an interdisciplinary artist based in Brooklyn, NYC. In her artistic practice Rasheed focuses on topics such as intertextuality, illegibility, Black storytelling, and Islamic mysticism. She works with language to explore the potential of incompletion, illegibility, and mutability.…

View On WordPress

[notchainedtotrauma]

So all that is to say I do feel I’m listening all day long; I would characterize everything I do as a form of listening. In terms of my writing rituals, I am very specifically up before the sun rises in a meditative practice of listening. The most intensive specific listening practice is that early morning practice.

Alexis Pauline Gumbs in conversation with Kameelah Janan Rasheed

#Alexis Pauline Gumbs #Kameelah Janan Rasheed #beholding Black intimate geographies

[brooklynmuseum]

Kameelah Janan Rasheed’s artwork in the museum’s lobby inspired this poem by Suny Cardenas-Gomez, Elizabeth A. Sackler Center for Feminist Art intern: 

Is this the (Last) Time?

Remember my birthright

is uncertainty

I wonder

is change going to come for me?

Which me will that be?

I’m waiting

among swirling memories

Paralyzed

pushing on

I’m certain of loss

Is existing my right to be?

Is change ever going to come for me?

#kameelah janan rasheed #kameelahjananrasheed #poetry #white #art #poem #brooklyn museum #brooklyn #nyc #museums

[twotrickponyyy]

Kameelah Janan Rasheed: The Edge of Legibility

#art21 #New York Close Up #Kameelah Janan Rasheed

[esztiiscreatingherself]

What have you (un)learned today (2020) by Kameelah Janan Rasheed

| part of the For Freedoms Wide Awakenings 2020 Public Project 

#visual art #for freedoms wide awakenings 2020 #kameelah janan rasheed