Tumgik
#kara plays pathologic 2
eriksyoudumby · 1 year
Text
So I know nobody actually cares about this blog but here are some updates??
1) I finished Kyo Kara Maou Vol 1 a while ago but never felt the motivation to finish the series. It’s not bad, but my brain doesn’t go brrrr thinking about the world or characters and I’m too lazy to wait until things get good.
2) I’ve been playing LoboCorp because I’ve been having performance issues with Pathologic 2. It is a sad week.
3) TAMARI PLUSH ARRIVED TODAY!!! Still waiting on other stuff in the mail
4) I’ve been inspired to make dolls of the Pathologic protagonists
0 notes
meyerlansky · 2 years
Photo
Tumblr media
why yes i do laugh at this dialogue option every single fucking time.
daniil is like ten feet away. he can absolutely hear artemy impersonate him.
140 notes · View notes
mwritesink · 4 years
Text
Things I ought to x-over or fusion with Pathologic/Pathologic 2
Exalted
Dankovsky as a Solar (Twilight caste. or Dragon-blooded, aspected towards fire), Burakh as a Lunar (Bull shape, of course. No Moon caste ), Clara exalting as a sidereal though the events of the story (a chosen of Endings). given the cosmology of Creation it would work really well, especially if like, the town itself has been taken over by a Fair Folk lord (Mark Immortel) just as a plague hits. lots of the little touches such as the mistress’ clairvoyance and Grace’s ability to speak with the dead are able to translate over relatively easily. 
Three Houses 
I’m working on it. fusion where we transplant 3H stuff into a Pathologic like setting. Garreg Mach is the Town-on-Gorkin, Shambala is the Polyhedron, the Red Canyon is the Abattoir, so on so forth. can probably guess which lord will replace which healer.
Scum Villain’s Self Saving System
Talked some with @dornishsphinx on discord about this. fits rather nicely as the world of SVSSS is a book itself, and there are character who come from outside the book and are transplanted into it. plus, the System. 
granted, same could be said of other isekai series, like, say, Rising of the Shield Hero, or Fushigi Yuugi, or Kyo Kara Maoh, or Magical Knight Rayearth. (oh damn the MKR girls as the Pathologic healers sounds pretty good) just, ways to play on the element of different worlds and awareness of the fact that this other world, though real in the sense of the outsider is living in it right now, but also not real in the sense that it wasn’t what they had come from.
Changeling: the Lost
Wouldn’t focus so much on the plauge and the town, but on how the three healers escaped arcadia and ended up back here, or have they even escaped at all? no one knows for sure. and are they even sure that the others are who they say they are, and not just a hound form their old captor sent to take them back?
15 notes · View notes
volando-voy · 7 years
Note
Hi- I've been trying to find out what actually happened in regards to supergirl, but I can only find memes. Could you explain what the current discourse™ is about? Or at least a good place to find the story itself?
there is no good place to find the whole story with any kind of accuracy. the fandom has now reached the point where the main tag feels like being trapped in an internet hell version of Lord of the Flies.
so here’s my (non-musical, but i could be persuaded otherwise) very much sarcastic and fed-up synopsis of the entire weekend:
the cast did a PR bit with MTV. they did this last year. jeremy was put on the spot to sing a recap of the season. this also happened last year. said recap was generally ridiculous, as improv’d talk-singing tends to be. the entire cast was laughing at it. not like “hee i’m gonna pretend i think this is funny,” but actually full-on laughing to the point of getting tears in their eyes.
mistake 1: in the course of said musical recap, jeremy emphasizes that kara and lena are just friends and only friends, in a way that was tactless and came across as mean to fans.
mistake 2: melissa joins in repeating this. mehcad does some goofy dance.
mistake 3: people who openly proclaim on this hellsite that they’re bad at understanding human behavior in real life start inventing assumptions about why the cast did these things, what their motivations were, and saying that certain people were exempt from this for reasons that don’t actually exist, because see recap paragraph 1 above.
mistake 4: tumblr agitators misrepresent what was said in the rest of the interview because there is already a giant confirmation bias at play here re: men
result 1: lots of people who trust the BNFs they follow are upset, as they should be, because they feel like the cast is making fun of them
result 2: the online pitchfork mob descends, part 1
result 3: lots of genuinely hurt people also tweet the cast, explaining why it is wrong to be dismissive of the idea that two same-gender friends might be attracted to each other
result 4: a select segment of fans is now actively watching every other piece of media pouring out of sdcc so they can compile more ‘evidence’ of their faves being “good” while everyone else is “trash”
mistake 5: jeremy makes an initial online response that is … more directed at the vitriol than at the people who are upset for honest reasons, and it is not received well because it’s a half-assed non-apology
result 5: people make an effort to explain and he actually gets the message
result 6: jeremy makes a second apology, and then a third, that make it obvious that he understands why his behavior was a problem
mistake 6: some 19-year-old with an ego that even donald trump would be jealous of emails melissa benoist’s representatives and says she’s speaking for “the entire lgbtq community” in this fandom, which is like that time in Hamilton when philip started a duel to ~defend the family honor~ even though nobody asked him to and then he got killed for his trouble, and that … went about as well as you might expect
result 7: the corner of fandom that has already crossed lines for the past 10 months up to and including a) stalking the cast’s family members; and b) making death threats; is now in an even greater frenzy of perceived injustice
result 8: the online pitchfork mob descends, part 2
mistake 7: other members of the cast, who are likely also tired of constantly being asked to post pictures of katie mcgrath or talk about katie mcgrath or give their opinions about Supercorp because hi they also play characters they’d like recognition for, foolishly respond to the deluge of comments by saying that they get that people are annoyed but maybe calm the fuck down
result 9: apparently now black men are racist and also everyone’s a homophobe
(kids, please go read the boy who cried wolf.)
mistake 8: nobody in charge of PR for this damn show took ten minutes to figure out what was going on and tell the cast to put out a simple apology before things got even more out of hand
result 10: this one horde of fans will now never be satisfied no matter what happens, but they still won’t go away
result 11: if anybody was wondering why fans are still pathologized and not taken seriously by either academia or the media… this whole fiasco provides a stellar example.
mistake 9: people who DON’T agree with the way select parts of fandom are carrying on aren’t being particularly vocal about it because lbr we all have better things to do with our lives
AND THAT’S WHAT YOU MISSED ON GLEE
197 notes · View notes
thatsjustsupergirl · 7 years
Note
Mon-el could have been a lot of things, but with THAT writing happening in 2b, it just looks like he is nothing but a pathological liar. And even on 2x14 he says his father is a terrible person, and few episodes before that (also in 2b) saying he liked it better to objectify women, which seem both inconsistent with the appearance of Rhea who is a dominant woman, who rules, & Hercules is actually not evil? It's Between 2-3 episodes, and episodes that were literally packed with Mon-el...(1)
Interestingly enough, after those posts about his screen time and those amazing people calculating, I ran some graphs on my own, with some interesting finds, between 1~8(2a) and 9~16 (8 eps of 2b) his screentime increased by an almost 72%, while everyone else’s st (Kara included) was on the minus (except Winn). Which makes the whole forced theory, kinda uglier. (final)
@ the first part – I don’t agree with that. Mon-El does not have the hallmarks of an actual pathological liar. My personal guess is that the inconsistency is related to the guest star castings. Kevin Sorbo is apparently a hard conservative in real life and there’s always the possibility that they didn’t want to piss him off by making his character the huge asshole he should have been. That, and then they obviously had to give Teri Hatcher a role that was halfway meaningful, and it’s as opposite of Lois Lane as possible – she gets to be the Ultimate Boss Villain!
It’s implied that Mon-El paid zero attention to how his parents managed their political affairs. So it’s entirely possible that Rhea was the one being a douche and running the show the entire time while Hercules was just a figurehead. And it’s also pretty obvious that she plays the Sweet Doting Mother when it’s necessary to con her son into doing what she wants, just like how Lillian is only ever nice to Lena when she wants something.
@ the second part: Y I K E S.  @maggiesalex, this would be of interest to you!
(also … were there only two asks, or was there another?)
5 notes · View notes
eddycurrents · 7 years
Photo
Tumblr media
For the week of 4 September 2017
Tumblr media Tumblr media Tumblr media
Three comics made the favourites list this week. Made Men #1 from Paul Tobin and Arjuna Susini, Seven to Eternity #9 by Rick Remender and Jerome Opeña, and Star Wars: Captain Phasma #1 by Kelly Thompson and Marco Checchetto. Published by Oni Press, Image, and Marvel respectively.
Tumblr media Tumblr media Tumblr media
Made Men #1 is a mix of a crime drama and horror, introducing us to the world of Jutte Shelley (nee Frankenstein), a cop who tried to leave behind a world of monsters.
While the story did grab me, what really made this book stand out was the artwork by Arjuna Susini. He has a style I’ve been seeing pop up more again recently, that shows a certain influence by Bernie Wrightson, but also artists like Richard Case, Bill Sienkiewicz, Sam Kieth, and Kelley Jones, and it’s just wonderful. Dark and evocative with nice use of cross-hatching and some hard angles, Susini probably veers closer to the Richard Case end of the spectrum. Still realistic and not nearly as stylized as Kieth or Jones. It’s very impressive work.
The introductory narrative from Paul Tobin, gives us a first-person narration by Jutte that is fairly direct, clinical, and visceral in its description of what’s going on and allows for a distinct window into the procedural way her mind works. It really aids in driving home the cop drama aspect to the story and provides an interesting lens to perceive the carnage.
Needs more talking cats, though.
Tumblr media Tumblr media Tumblr media
Seven to Eternity #9 concludes the second story-arc of the series. And hoo, is it a doozy.
In many ways, this series has been telling the story of the fall of a hero. Or at least someone who sets out in the first issue on what seems like a hero’s journey. What Rick Remender really seems to be writing about is how the protagonist, Adam Osidis, has become potentially compromised and has begun a spiral into selfishness over the steadfastness of his father. 
Especially as a large part of this issue is a discussion on the nature of good and evil, and of how whispers and rumours--the weapons of Adam’s antagonist and current travelling companion/hostage, the Mud King--and thereby perception shape the reality of an individual. And then, of course, there’s a climactic magic battle.
All of it made beautiful by Jerome Opeña and Matt Hollingsworth. It’s nice to see Opeña back after a couple issues by James Harren--to his credit knocked it out of the park as well--as this series remains what’s probably the best looking book on the shelves.
The only downside to this issue is that we now have to wait until February 2018 before the series starts up again.
Tumblr media Tumblr media Tumblr media
Star Wars: Captain Phasma #1, or more accurately the unwieldy title of Journey to Star Wars: The Last Jedi - Star Wars: Captain Phasma, is a direct continuation from Star Wars: The Force Awakens chronicling what happened to Captain Phasma, the First Order Stormtrooper played by Gwendoline Christie in the film, in the destruction of the Starkiller Base. Wacky hijinks ensue.
Okay, maybe not.
Although certainly a matter of coincidence in timing, Kelly Thompson’s narration for Captain Phasma serves as an interesting comparison to Tobin’s in Made Men. It too is clinical and succinct, but where Jutte is no nonsense and direct in her observations, Phasma is cold and emotionless. Both characters adhere to a certain type of ruthlessness, but one is seeking vengeance for a wrong-doing and the other is taking a pathological approach to covering her tracks. It’s interesting to see the difference in a similar narrative approach in how it relates to ostensibly a hero (Jutte) and a villain (Phasma). 
Beyond just that comparison, this first issue is compelling in its own right. There’s a nice bit of humour in juxtaposition of Phasma’s log recording of the events of the destruction of Starkiller Base and what was actually going on, deadpanning much of the explosions.
This issue also features what is probably the most gorgeous art in one of Marvel’s Star Wars titles yet. And that’s saying a bit since they’ve had artists such as Kev Walker, Phil Noto, and Salvador Larroca working on them. The art here from Marco Checchetto and Andres Mossa is just breathtaking. 
Quick Bits:
All-New Guardians of the Galaxy #9 begins telling the story of what exactly happened to Groot to make him into Baby Groot at the beginning of this volume. Aside from corporate synergy with the second Guardians of the Galaxy film that also saw the rest of the team more reflect their cinema brethren. The answer Gerry Duggan gives in the story is interesting, adding a new wrinkle to the Guardians’ tapestry.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Astonishing X-Men #3 continues the Shadow King’s game with the X-Men trapped in the Astral Plane, this time focusing mainly on Old Man Logan. Ed McGuinness tackles the art this issue and I’m still wondering about how the overall arc will read in one go. Unlike the past two issues, though, this one doesn’t necessarily play to McGuinness’ strengths. The art is still good, but I would have expected something more bombastic or action-oriented from the story.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Black Bolt #5, like every issue preceding it, features some excellence in storytelling from Saladin Ahmed and Christian Ward. There’s also a nice four-page sequence illustrated by Frazer Irving that gives a summary of Lockjaw’s relationship with Black Bolt. 
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Daredevil #26 kicks off the three-part Land of the Blind story-arc with the return of Ron Garney on art, delivering some absolutely gorgeous work.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Elsewhere #2 continues Amelia’s Adventures in Wonderland, with the revelation that she’s apparently going to end this world and summarily sent to be executed. Jay Faerber’s story is still a bit of a slow burn in introducing this world, its people, and what exactly is going on, but it remains interesting.
| Published by Image
Tumblr media Tumblr media Tumblr media
Giant Days #30 deals with the fallout of Ingrid and Daisy’s relationship. It’s a funny, but sometimes accurate, look at how a first love--or even just a new love--can affect a broader friendship dynamic.
| Published by BOOM! Entertainment / Boom! Box
Tumblr media Tumblr media Tumblr media
Hawkeye #10 reminds you that you should be reading the series if just for Leonardo Romero’s artwork. Even if the story from Kelly Thompson wasn’t entertaining in its own right, Romero’s visual storytelling from page layouts to character work to panel transitions is just a visual treat. But the overall story is entertaining too, with some fun dialogue, humour, and an interesting take to see Madame Masque as Not-Kate.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Iron Fist #7...just look at this spread from Mike Perkins with colours by Andy Troy. This issue is a feast.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Royals #7 continues Al Ewing’s trip through obscure(ish) Marvel cosmic and Inhuman continuity, deftly weaving past tales into his ongoing narrative that seems to be his signature. Not to mention some great character moments and development.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Scales & Scoundrels #1 was very nearly my fourth favourite book of the week, it’s a damn impressive debut. Sebastian Girner has offered up another winner after his Shirtless Bear-Fighter a scant few week ago. As its title suggests, this is a fantasy book taking after traditional Dungeons & Dragons tropes, but like other recent series like Night’s Dominion and Ladycastle, it seems primed to turn some of those conventions on their ear. This issue is full of humour, action, and an interesting protagonist in the titular scoundrel, Luvander.
The art by Galaad is also magical. It’s deceptively simple, reminding me of a more abstract Albert Uderzo, and it propels the story nicely.
| Published by Image  
Tumblr media Tumblr media Tumblr media
Star Wars: Darth Vader #5 is Charles Soule’s third book this week, after Astonishing X-Men and Daredevil, and it’s another solid read. There’s an interesting missed path What If...? in the issue as Vader works to construct his lightsaber. Giuseppe Camuncoli’s artwork is fantastic as usual.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Star Wars Adventures #1 is good all-ages fun. There are two stories here, both written by Cavan Scott. One focusing on a young Rey on Jakku as a continuing story and the other a “Tales from Wild Space” tale of Obi-Wan one and done. If you like Star Wars and want to share with your kids, this isn’t a bad choice.
| Published by IDW
Tumblr media Tumblr media Tumblr media
Thor vs. Hulk: Champions of the Universe #1 is a digital original on Comixology and Kindle from Jeremy Whitley and Simone Buonfantino. I’d consider it more light-hearted, out-of-continuity, all ages fun, probably meant to be collected in time for the Thor: Ragnarok release. It features Thor Odinson and Bruce Banner, so if you’re missing the classics, this is a good get.
| Published by Marvel
Tumblr media Tumblr media Tumblr media
Venomverse #1 is every bit as good as the preceding Edge of Venomverse mini-series of one-and-done stories introducing some of the players in this event. Cullen Bunn and Iban Coello deliver an entertaining first chapter here, setting up not just a playground for alternate Venoms, but also a series of adversaries in ever more alternate Poisons.
| Published by Marvel 
Tumblr media Tumblr media Tumblr media
The Woods #35 has all of the chickens coming home to roost. This penultimate issue of James Tynion IV and Michael Dialynas’ series is epic. After this, I can’t wait for the conclusion.
| Published by BOOM! Studios
Tumblr media Tumblr media Tumblr media
Other Highlights: 4 Kids Walk into a Bank #5, Ab Irato #5, Animosity: The Rise #3, The Greatest Adventure #5, Harbinger Renegade #7, Inhumans: Once & Future Kings #2, Jessica Jones #12, Kingsman: The Red Diamond #1, Lazaretto #1, Millennium: The Girl Who Played with Fire #1, Motor Crush #6, Nancy Drew & The Hardy Boys: The Big Lie #6, No World #5, Outcast #30, Postal #22, Rocket Girl #9, Spider-Man #20, Spider-Man/Deadpool #21, Usagi Yojimbo #161, Venomverse: War Stories #1, The Wicked & The Divine #31, World Reader #6
Recommended Collections: Black Beetle: Kara Bocek, Extremity - Vol. 1, Iron Fist - Vol. 1: Trial of the Seven Masters, Kong of Skull Island - Vol. 2, Manifest Destiny - Vol. 5: Mnemophobia & Chronophobia, Pathfinder - Vol. 1: Dark Waters Rising, Throwaways - Vol. 2
Tumblr media
d. emerson eddy knows where the bodies are buried. Which bodies? The ones that hit the floor in 2001.
1 note · View note
recentanimenews · 7 years
Text
FEATURE: Crunchyroll Favorites 2016, Part Three: Everything Else!
Superhero friendships ended, the Death Star plans were stolen, we experienced more reboots than you could possibly imagine (although really, that's every year), and Emily cooked a lot of food. After looking at our favorite anime and manga in Part One, and our favorite games in Part Two, we're gonna close up Crunchyroll Favorites 2016 with our favorite EVERYTHING ELSE--movies, books, comics, and more! Let's get started!
  NATE MING (@NateMing)
Voltron: Legendary Defender- I think it's safe to say that Voltron--the US edit of Beast King GoLion--was what got me into anime in the first place, so I was pretty skeptical of this new take on the story by the creators of The Legend of Korra. Thankfully, I had absolutely nothing to worry about, as this is a really fun reboot that not only keeps the high-energy feel of the original, but also pays homage to both Voltron and GoLion. I can't wait for the next season (also, Shiro's totally gonna die).
    Ip Man 3- The first Ip Man was a cool quasi-historical beat-em-up with some great setpieces, but the second was only okay despite bringing in the legendary Sammo Hung. We're back to the good stuff with the third go-around--the Donnie Yen vs. Mike Tyson headliner is pretty awesome, but the real star is a rival Wing Chun instructor, played by Max Zhang.
    Star Trek Beyond- I've always liked Star Trek more than Star Wars, and while Rogue One was great, the real surprise for me was Star Trek Beyond--co-written by Simon Pegg--going back to the series' optimistic roots and giving every character a chance to shine. Justin Lin already has experience delivering with ensemble actioners, and the Enterprise herself has never looked cooler. Just goes to show you can't always judge a movie by its trailer.
    Shin Godzilla- This isn't the alpha predator from the 2014 US reboot--the King of the Monsters and reluctant, almost accidental protector of humanity. Hideaki Anno's Godzilla is a ruthless force of nature, death personified that leaves a trail of destruction and levels the heart of Tokyo in mere moments when pushed. Bureaucracy is the real enemy here, as the film constantly switches from meeting to meeting to planning session and back to another meeting to discuss the results of that planning session--sure, Godzilla's blowing stuff up, but nobody wants to take responsibility and act. I hope Anno gets another shot at the King, because this was fantastic.
    The VVitch- Low-key, creeping horror can be very hit or miss, but The VVitch wins by never letting you settle down or feel safe. Spot-on period presentation brings us into an American colonial family banished to the frontier for being too religious for settlement life, and how their fanaticism is just as destructive as the dark forces that are literally at their doorstep.
    Baskin- On the other hand, Baskin just goes all-out in its ferocity and surreal visuals, where five overly-macho cops investigate a cult and all hell breaks loose. Baskin is horror purity, almost like watching David Lynch join forces with Gareth Huw Evans--hold on tight, this one is absolutely not for the faint of heart.
    Batman vol. 2 (The New 52)- Western comics rarely end, or at least they very rarely have good stopping points, which is why I was so satisfied with Scott Snyder and Greg Capullo's New 52 run on Batman. From introducing new villains to really focusing on Batman's relationships with Alfred and Jim Gordon, this 50-issue run came to a close this year with an awesome, gigantic kaiju battle in the middle of Gotham. What's best, you barely need any background character knowledge to get started--just pick up Court of Owls and read all the way through to Superheavy. It's so damn good.
    Monstress- Gorgeous, mysterious, and part of an intricate and sometimes terrifying world, Monstress has me hooked. Marjorie Liu and Sana Takeda have crafted something that I try and show off every chance I get, something I want everyone to be a part of--a fantasy-horror story of revenge and intrigue set in an Asian-mythology-inspired world is just too good to pass up, especially when it looks this good.
  by 多無
  Fanart Friday comes to an end- After five years, I decided to close down my signature Crunchyroll column so I could focus on other projects. Fanart Friday - The Final Edition came on September 23, 2016, the exact fifth birthday of Fanart Friday, and it was great to say goodbye to the audience that was there every Friday for a half a decade. What's coming up next? Shaw City Strikers, a martial arts comic (and homage to shonen manga) I'm working on with some friends, and my new column BETTER NATE THAN NEVER. Stay tuned!
    That one tweet- It's nice to see this tweet still making the rounds. The initial explosion was a sight to behold--it just goes to show that 1) being in the right place at the right time is a real thing and 2) you know you've made good content when people brazenly steal it and claim it as their own. Also, 3) you know you did a good thing when it makes actual Nazis mad.
  PETER FOBIAN (@PeterFobian)
  Crunchyroll x Funimation- My personal favorite anime couple of 2016. The partnership between Crunchyroll and Funimation may just be the biggest news for western anime fans since Crunchyroll itself appeared. It’s one of those “everyone wins” situations that’s almost unbelievable. More free streaming anime, subbed and dubbed, for everyone.
    Westworld- I’m a die-hard Anthony Hopkins fan, love westerns, and love love love psychological thrillers with existential implications, so basically Westworld was made specifically for me and me alone. I’m extremely concerned with the direction the story is taking with the finale, but everything this season has been tremendous. Their use of a hybrid maintenance process/psychological evaluation to drive story is inspired.
    Monstress- I have a love/hate relationship with American comics, and often take refuge in independent works. Monstress has me more excited about a Western comic than I have been since I started reading Powers. The world, designs, and style alone are so gorgeous I feel like I bought an art book, and the story holds a lot of promise with a supernatural revenge mystery with a predominantly female cast and divine implications.
    Netflix Horror Serials: Stranger Things, Penny Dreadful, Hemlock Grove, Black Mirror- I’m not exactly a horror junky, but I’ve definitely spent a lot of time with the genre and couldn’t be happier about Netflix Originals diving in. After years of sitcoms, procedurals, and conspiracy shows dominating the environment it’s great to see some new blood (usually a lot of it) making its way out of cinema and into more available media. Not all of them are revolutionary works of art but they’re bringing in new ideas.
    Captain America: Civil War- Like almost everyone, I’m a fan of the Marvel movies and feel like the Avengers movies turned over a new leaf with Civil War. Where previously they were the campier, less-directed collaborations of the more interesting personal narratives of the heroes solo adventures, Civil War was just right, reigning in the theatrics of Age of Ultron with a much tighter, character-driven story. I’m eager to see what the Russo brothers do with the MCU.
  KARA DENNISON (@RubyCosmos)
  Working in the Crunchyroll Newsroom!- I've worked as a subtitle editor/QCer for Crunchyroll's anime side for a while now, but this year I made the switch to the newsroom and it's some of the most fun I've had in ages. The people I'm working with are awesome (and a couple are old friends) and our chats throughout the day are both informative and hilarious. And hey, I can put on my resume that I've written about Tezuka's mouse porn.
    (Re)Generation Who- This was my second year working with this awesome Doctor Who convention, and I was so pleased to be back with them again in Baltimore. I got to meet Peter Davison, Anneke Wills, Michael Troughton, and so many others who made the weekend amazing (not to mention re-meeting Colin Baker, Nicola Bryant, and even more). Hanging out with them -- whether during an interview or at the bar -- is a delight and a privilege, and I can't wait to see what year 3 will be like!
    SPACE.- Curiosity's 360 view of Mars posted as an interactive Facebook video. Watching the Pegasus XL rocket launch live. And the fact that the rest of the world is enthusiastic about it. I'm a big space geek and I always love finding more big space geeks. The fact that the majority of the people I encounter are just as ready to freak out about how awesome space is as I am is... well, AWESOME.
  EVAN MINTO (@VamptVo)
  Chapo Trap House- In the US, politics defined 2016, for obvious reasons. And for many like me on the left side of the spectrum, the political comedy podcast Chapo Trap House has served as an unexpected but welcome guide through the past year. But don’t let me get TOO sincere on you; the hosts have got a penchant for the ironic and absurd, as you might expect from a podcast named after a drug cartel that started off with analysis of pundits’ sexual pathologies and satirical praise for the Turkish deep state. Then again, between the brilliant comedy, they’ve inspired a lot of listeners like myself to get more involved in local politics, a feat that’s likely as baffling to them as it is to the political establishment they love to hate.
    Zootopia- Who would have thought a talking animal Disney movie would steal the hearts of jaded adults like me in 2016? On charm alone, Zootopia is one of my favorite American animated movies of recent years, with its carefully observed and animated animal behavior. The diverse cast of animals allows the animators to portray a similarly diverse range of exaggerated personalities — the tiny, timid rabbit, the brawny, surly bison—and the breezy script puts them all to brilliant comedic effect. But what really impressed me was Zootopia’s social commentary, which uses a mess of stereotypes of both predators and prey to shine a surprisingly stark light on real-world issues of race relations and criminal justice. It’s classic Disney meets contemporary Disney!
    Captain America: Civil War- I’ve got a bad case of Marvel fatigue (you’ll notice Doctor Strange didn’t make my list), but sometimes the Marvel Cinematic Universe still surprises me. Directors Anthony and Joe Russo, back after the previous high point of the film series, The Winter Soldier, deliver a similarly gray portrait of the Avengers, with the character flaws of the famed superheroes laid bare. It’s not as political as I would have liked, but Civil War is a surprisingly personal film with a deliberately unsatisfying, morally ambiguous finale. And yes, though he feels like a bit of an afterthought, the movie also has the greatest on-screen Spider-Man yet. Homecoming couldn’t come any sooner.
    Rogue One: A Star Wars Story- We’re just one year into the new annual schedule of Star Wars movies, so I can still muster some excitement about Disney’s reimagining of one of my all-time favorite franchises. Rogue One stumbles a bit at the beginning, introducing too many characters and planets without justifying their presence, but once the team comes together and heads off to steal the Death Star plans, the movie really kicks into gear. Seeing a classic Return of the Jedi-style space battle is enough to awaken some strong nostalgia even from me, but it’s the thematic resonance with the later films that really makes it all work — the forgotten art of the force, the Rebels’ desperation in the face of the Empire, and of course, the sheer terror of facing Darth Vader.
  SAM WOLFE (@_Samtaro)
  Rogue One: A Star Wars Story- Despite the release of The Force Awakens last year, Disney has already released a new Star Wars movie this year, and it’s a breed apart from what we’re traditionally used to. Rogue One took risks, and while some die-hard fans may have left the theater conflicted, the movie succeeded in exploring a side of the Star Wars universe never before seen on the big screen. This is the first time in history that two Star Wars movies have been released theatrically in two years consecutively, and although some fear that the brand might suffer from overexposure, it certainly hasn’t gotten stale yet.
    Chris Niosi- A smaller story, but one that deserves recognition. Artist Chris Niosi, better known as “Kirbopher”, landed the role of Arataka Reigen in the English dub of Mob Psycho 100 this year. Niosi is known for numerous projects, including animation work on Skullgirls, lending his voice to several shows, and creating the web series TOME, a love letter to anime. This role, in my opinion, is significant because it cements Chris as an anime fan who made his dream of being an anime voice actor. Way to go, Chris.
    A Personal Note- Look, 2016 was a rough year for a lot of people for a lot of reasons. Without trying to sound too preachy, as we move into 2017, remember to be kind to one another. It’s very easy, and dare I say it, trendy, to be cynical and apathetic when the chips are down. Take time to recognize what you have to be happy about, and how you can make a positive difference in peoples’ lives around you. If anime has taught us anything, it’s that when somebody knocks you down, you stand right back up and look ‘em in the eyes. I hope everybody has a good 2017!
  NICK CREAMER (@B0bduh)
  Italy- I took a family trip to Italy this past spring, and visions of Venice’s nestled alleyways and Tuscany’s rolling hills have been dancing through my head ever since. The rural European aesthetic of shows like Kino’s Journey and Haibane Renmei has always been one of my favorite settings, and actually walking through cities that realized those majestic worlds felt like wandering through a dream. It was an inspiring trip, and I hope to one day return.
    Westworld- I haven’t really been making enough time for the big western TV dramas, but I was able to catch this year’s Westworld, and I’m glad I did. Though I found the show’s focus on mysteries at the expense of all else a little draining, the fundamental world it established was a fascinating place, and the show built up to some remarkable dramatic high points. It’s the kind of messy but ambitious narrative I always tend to root for, and the fact that it was populated by icons like Anthony Hopkins and Ed Harris certainly didn’t hurt, either.
    The VVitch- I’d actually almost forgotten The VVitch came out this year, but it was likely the most gripping new film I’ve seen. In lieu of jump scares or gross-out violence, The VVitch constructed a breathing world that promised danger around every turn, where the fear and distrust of its human characters was every bit as terrifying as its supernatural predators. There’s something fundamentally ominous about the New England countryside - a sense of old secrets and old grudges, a place where humans are not meant to tread. By emphasizing the alien danger of the natural world and tethering it to a precise and claustrophobic moment in history, The VVitch stands as one of the most powerful horror films in years.
  EMILY BUSHMAN (@yumpenguinsnack)
  Personal Favorite Anime Food of 2016: Mushroom and Cheese Gyoza from Food Wars- This dish never made an anime appearance in this season of Food Wars! but, having read the manga, I really wanted to try this dish out. Soma teaches the gyoza folding method to a class of kids he's teaching, and he lets them fill the gyoza with whatever they want. One kid picked mushrooms and cheese, which at first seemed weird but in hindsight obviously worked out well. Chop the cheese and mushrooms finely and toss with some sauteed onion. Mix with salt and pepper. And simply wrap in gyoza wrappers. It's simple, it's fun to make with friends or on your own, and holy cow, is it amazing! Best of all, the ingredients are easily interchangeable with your own personal favorites, so it's a great recipe to experiment with. I told my housemates that they could eat all the extras I'd made...and sadly had nothing to show after an hour in the kitchen. I'd eaten them all.
    Fan-favorite Anime Food of 2016: Katsu Pirohzki from Yuri!! On ICE- This was a big surprise for me. First of all, it's not the easiest thing to make at all. It requires a lot of focus, lots of parts working together, and an ability to handle sticky dough, in excess. Second, it wasn't actually all that amazing tasting. It's an extremely hearty dish, like a lot of Russian foods, and left me feeling over-full after eating one. I also found that I had to dip it in a sauce to heighten the flavor pay-off. For a recipe designer, the ideal is to have a perfectly seasoned, delicious dish, which isn't exactly what happened. But the story behind the dish makes it all worth it, in my opinion. Who would have guessed that this show would be so popular? I love the character dynamics, and the plot was just charming. Best of all, it inspired lots of people to try making this dish, to recreate the magic for themselves. I got more hits on this recipe than anything else this year on Crunchyroll, which is why I designated it the fan-favorite dish of the year.
    Magical Roommate Favorite Anime Food of 2016: Sukiyaki from Princess Jellyfish- My roommate, Sarah, is my savior in times of crisis. When I have too much food, she always helps me eat it without a single complaint. So, I felt it was only right to give her a chance to choose her favorite recipe of the year. Princess Jellyfish is by no means a 2016 original, but I came across the recipe for this dish late 2016, and made it for my friends. We all love this show, and had all watched it together when it aired a few years ago. So, I had a hunch they'd enjoy a recipe from the anime, and I was right. It was an instant hit! My darling roommate, who I depend on to eat basically everything I make, elected this as her favorite dish of the year. According to her: "I like it cuz it was just as good as the one we had in Japan and I liked how interactive it was with not only the food but with our friends. I loved the veggies just as much as the meat and the sauce was to die for. It was super fun to eat with everyone and compete for the food with our friends."
    A Gathering of Shadows by V.E. Schwab- A brilliant sequel to a fantastic first book. The story focuses on a guy named Kell, one of the few remaining members of his kind of magic wielders, and his struggle to protect his adopted family from harm while also living free of their over-bearing protection. Along the way he makes friends with a cut throat thief who keeps him alive, mostly to suit her own desires, a prince who's too good at heart for his own good, and a dashingly dangerous ship's captain who's in the business for the keeping and collection of the deepest and darkest of secrets. I was startled to find that this book not only added onto the world building of the first novel, but did so in a way that skillfully integrated the events of the first book into the second. A heart-wrenching and gut-clasping read the entire way through. The first book in the series is called A Darker Shade of Magic. Not 100% necessary to enjoy the sequel, but it would definitely help.
    Morning Star by Pierce Brown- A great cap to a fantastic space opera-y series. This story follows the life of one man, Darrow, and his quest to overthrow a government that takes care of the best of society at the expense of a those considered the lowest. Racism at its worst. What else is new in a sci-fi novel? It's a familiar plot carried out with the elegance and grace of a particularly dangerous chess game. This book takes no prisoners, cuts your throat, and leaves you to die. And while you're busy trying to return from the dead, it carries on carving a savage path of friends loved and lost, lives risked and gambled away, dirty, secret games played in the dark, and an ending that eviscerates you, heart and soul. The first in the series is called Red Rising. I recommend you start there, unless you like working your way backwards.
----------
And that's a wrap for our three-part series! Be sure to check out Part One and Part Two if you missed them! If you're still in the mood for past CR Favorites, check out the previous years' features here:
  Crunchyroll Favorites 2015 Part One Part Two Part Three
Crunchyroll Favorites 2014 Part One Part Two Part Three
Crunchyroll Favorites 2013 Part One Part Two Part Three
Crunchyroll Favorites 2012 Part One Part Two Part Three
Crunchyroll News' Best of 2011 Part One Part Two
  What were your favorite "everything elses" of 2016? Remember, this is a FAVORITES list, not a BEST OF list, so there's no wrong answers--sound off in the comments and share your favorites with us!
-------
Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.
0 notes
meyerlansky · 4 years
Photo
Tumblr media
will i ever be over this being artemy’s reaction to climbing the polyhedron? no. no i will not.
199 notes · View notes
meyerlansky · 2 years
Photo
Tumblr media
mood.
19 notes · View notes
meyerlansky · 3 years
Note
since I watched u play thru marble nest and you had all those withheld Thoughts and Opinions can I ask ur thoughts on one aspect of the story: the way everyone in town seems to disagree on what kind of person dankovsky is, what he wants to do, etc.? it feels to me like it's meaningful on a story and meta level that he's so built up by others to be whatever they want to see?
admittedly most of those went unsaid because i’m inarticulate as shit when i can’t write my thoughts out and i lost my train of thought talking to npcs, and also all of them basically just end in "godDAMN i love him"
BUT YES oh man i definitely agree, daniil is on the receiving end of a TON of projection and assumptions, and i think the thing is, he sort of... cultivates it? like artemy gets people's assumptions projected on him too, but he's MUCH more vocal about correcting it when someone's expectations of him don't match up with how he sees himself. daniil, on the other hand, tends to wear people's perceptions of him like a second skin, and doesn't push back nearly as hard or as often when those perceptions don't sync up. i will be nice to my dash and put my rambly bullshit under a cut, but tl;dr i think daniil finds value in finding out how people see him and utilizing that perception to get what he really wants, and he's willing to play the villain in particular because a. negative perception is as useful as positive perception if you're clever enough to use it to your advantage, and b. based on some stuff in artemy's route but especially based on the particular circumstances of marble nest, he thinks that, to some degree, he deserves to be thought badly of.
so i realized halfway through writing this you probably meant marble nest's story specifically, but i think it's relevant to his characterization in artemy's route too, because... marble nest daniil is not that different from artemy route daniil, as far as i'm concerned—he's just more desperate and more beaten down. as for the actual question, overall i get the vibe that daniil's used to leveraging how he's perceived to get what he needs out of a situation, and he's waaay more comfortable playing the villain than, say, artemy is, if that's what people are putting on him from jump. it's less work, right? correcting people's assumptions is a waste of valuable time and energy, and people are hard to convince once they've set their mind to something. why bother when you can just play along and, if you're clever enough about it, get what you need out of the interaction anyway? he gets built up into so many different versions of himself by different characters because he's willing to be different things to different people without it eroding his goals or his sense of self. he has a flair for the dramatic, obviously, but i don't know how much of it is innate and how much of it is cultivated in service of that kind of perception leveraging. like, prime example, the day 1 conversation with artemy reads as EXTREMELY performative—from his word choice to his demeanor to the exclamation points in the dialogue to the fucking LIGHTING, he comes off like he's playing a role, and not a new one. and when the conversation's over, he's learned some things about what kind of person artemy is, what kinds of things get a rise out of him, all without really revealing too much of his own hand. but the front sloughs off the closer he gets to artemy, and it sloughs off QUICK, to the point that A DAY AND A HALF LATER he's gone from saying "you owe me" in the most facetious way possible to "i need your help" and "if this goes badly, i'll take the consequences" completely unselfconsciously, and subsequent conversations with artemy are complete turnarounds from how he approaches artemy and their relationship on day 1. on the whole, i think he cares way less about his reputation than he does about Getting Shit Done, and he's surprisingly willing to be the scapegoat for other people's fears and other negative emotions, as long as the end result doesn't hamper his goals. which makes some sense considering his corpus of research involves spitting directly in the face of natural law and the people who consider themselves responsible for enforcing it. you don't do that kind of shit if you care about being well-liked. so i think 99% of the time, daniil gets read multiple ways—often incorrectly—because he finds more value in utilizing those perceptions than he finds in correcting them and Being Known. as far as characters we see in the game go, artemy's the exception, which might change once daniil's route is out, but every comment everyone else makes to artemy about daniil leans on their assumptions about him, which means he's not going around showing anyone else what he really thinks.
i also think daniil has sort of... internalized that he's Unlikable, on a personal level. he doesn't walk into a single situation in p2 expecting to be liked, or willingly helped, or for his presence to be wanted beyond the utility he can provide. he relies almost entirely on his ability to deliver solutions [with, uh, declining success as the game goes on], the respect his reputation and his status as the kains' guest confers, and on the rumor that he's willing to get violent if things don't go his way. i think he's utterly convinced his ultimate goals will benefit humanity as a whole and therefore are fundamentally good, but i don't think he thinks HE'S good. there's a couple of moments in marble nest where he can pretty explicitly shoot down people saying nice things about him, and the "i guess i had to prove them right" and "do you condemn me?" lines in the shelter convo do not read to me like the words of a man who thinks he's 100% in the right in the way he's gone about achieving his goals. so like as much as i think he does have a very solid sense of Who He Is, i don't think it's a very generous self-image, and i don't think it's entirely accurate either, because i do think he's fundamentally a good person, despite people [in the game and out of it] not really bothering to push past whatever front he's put on. artemy pushes through it, and the kids in marble nest push through it, and i think it's somewhat telling that the kids in marble nest are... the only real people IN marble nest. georgiy undermining his authority as soon as he's indisposed is part of the fever dream; the soldiers and orderlies believing he's the one giving the okay to kill kids and civilians are part of the fever dream; the clerk assuming daniil will agree with his racist bullshit is part of the fever dream. all these negative images of himself are in his head—based on previous conversations with the real people, but at the time of marble nest, in his head. they're all things he, somewhere in his mind, expects people to think of him or expect of him, and to me, that's not the kind of stuff someone as arrogant and convinced of his own awesomeness as people seem to think daniil is would think about himself. but the kids worrying about his health and taking care of him while he's infected are real, and for whatever reason they think he's worth trying to save. THAT'S the reality, THAT'S who he really is, even if he can't see it himself, and i don't think he can.
so ANYWAY i think the multiplicity of daniils in marble nest in particular is to some degree a manifestation of the fact that he IS willing to be different things to different people, that he knows this about himself, and that he has SOME level of anxiety over the thought of the various masks becoming the reality, and him losing control over who he ACTUALLY is, not just how he's perceived. i think this bothers him in artemy's route as well—the last thing he says to artemy translates to "the greatest power is to have power over oneself" and i do not think he's talking about himself. i think he's talking about artemy, and the fact that, ESPECIALLY from daniil's perspective in artemy's route, artemy very much controls not only his own narrative, but at the very least strongly influences daniil's and everyone else's too. [there are also layers and layers with that line and the doll narrative but i am too tired to get into it right now and also the doll narrative fucks my feelings up in so many ways.] i have no idea if any of this makes any sense, but here it is /gestures weakly at All This
114 notes · View notes
meyerlansky · 3 years
Photo
Tumblr media
..........artemy what does that mean
61 notes · View notes
meyerlansky · 4 years
Text
for a game that has “dying resets you to an earlier save, where save points are limited, with an additional stat penalty” as a central mechanic, and also literally the entirety of marble nest, there’s a surprising lack of pathologic groundhog day aus on ao3
60 notes · View notes
meyerlansky · 3 years
Text
streaming some more patho 2 at max difficulty tonight, come hang out!
6 notes · View notes
meyerlansky · 3 years
Text
back to patho 2 on max sliders, come hang out
2 notes · View notes
meyerlansky · 3 years
Text
going back to patho 2 on max sliders tonight, come hang out!
2 notes · View notes
meyerlansky · 3 years
Text
back to patho tonight on stream, come hang out!
3 notes · View notes