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#katara deserved better
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A rant about Aang and Byrke
WARNING NOT KATAANG FRIENDLY
CONTINUE WITH PRECAUTION
Hello my loves!
Here I'm with a new blog entry.
This time we will talk about Kataang, Aang and Byrke.
Since I'm writing a FanFic where Aang is paired with an OC, I thought I could tell you why I prefer Aang with OCs instead of Katara.
Just to be clear.
I like Aang.
I love Katara and would for this girl sell my liver.
But them together as a pair...please no!
Kataang is one of my NOTPs.
In my Let's Talk about Zutara post I pretty much said why I can't stand this pairing.
One is the age and maturity gap.
What does a 14-year-old want with a 12-year-old? It's just creepy, no matter the gender and it would have been better if they got together at like 22 and 20.
Even if I think Zutara is superior, I could grimly accept Kataang.
Second Aang and Katara are the worst version of their self together.
I haven't read the comics, but what I saw on Tumblr and on Legend of Korra was enough to make me angry.
Katara was reduce to Aang price, girlfriend, housewife and mother of his children.
The warrior girl we all loved, who never turned her back on people who needed her, became in the name of love (and Byrke) a shadow of herself.
Our real Katara would smack this wishy-washy version of herself to kingdom come!
Then we have Aang. The boy clearly turns into a Nice GuyTM when it's about Katara.
He kissed her TWICE, TWICE, without her consent and never said sorry for this.
He thinks he deserves her love because he is the Avatar (the hero) and that's how it be.
Till Season 2 Aang wasn't that worse about Katara, a lot of plotpoints pointed out that Aang obsession, I'm not calling it love, on Katara was not good.
He replaced the love for his people with Katara.
Erm, that's not healthy at all.
What Aang expierendec was traumatic, he is the sole suriver of a genocide, but he can't shove all his love for his people to Katara.
How can only one person hold this standards?
It's impossible.
Katara is a bandaid on a ripped arm.
A bandaid isn't going to fix Aang trauma.
He needed to really face it and accept it and let Katara go.
Guru Pathik told him he to let Katara go, but I don't think it was meant to say, don't love that girl anymore.
No, it was more like: you clearly are obsessed with her and think if she loves you all your hurt will go away, but this isn't the case!
Aang could still love Katara, he just needed to stop to put her on a pestal!
Then we know what happens, he let's her go, seems to get the Avatar State, but turn it down because Katara is in danger and he must save her.
Alright, we all would run to our loved one if they are in danger, but Aang, you are the Avatar.
The Avatar is the peacekeeper of this world.
Sadly he can't put his own desires forward, he has do to what was for the world right!
In the Crystal Catabombs he realizes this.
So he let's go of Katara to get the Avatar State and then gets shot down by Azula.
Then when the first episode of season 3 rolls around, you get the feeling that Aang learnend his lesson.
Because he was selfish, he lost his greatest eapan.
He needed to be better.
Only...after the first episode season 3 was really...bad.
I can't say it better.
If you compare it to the other two seasons...season 3 has mayor problems.
A lot of plotpoints get forgotten, Aang didn't learn from his mistakes, he acts entitled for Katara love and he gets his Avatar State back thanks to Deus-Ex-Machine Rock and even finds a way to handle Ozai thanks to Deus-Ex-Machine Lion Turtle.
How, HOW, did the creators look at this and want a golly what an awesome final?
It was not!
It was rushend and not earnend!
Because Aang is a selfinsert from Bryek.
They statet once in an interview that Kataang was reflection how they had a crush on their babysitter, who of course didn't wanted them and would go out with the "bad boy".
The bad boy here in question is Zuko, which is hilarious since Zuko is the most awkward dork.
So they wanted to create a story were the young hero gets the hot older girl.
No normal 14-year-old girl would date a 12-year-old and if she did call the police on her ass!
Avatar was only amazing because of writers like Aaron Ehasz, who turned Toph, who was supposed to be a boy and a love rival for Aang, into this badass girl who didn't let her disabilty stop her to become the greatest earthbender and inventer of metalbening in the world.
They truned Iroh into thee loveable and wise uncle and not like Byrke wanted into a spy for Ozai.
Also Azula was supposed to be a boy too, but she became the female villain we all loved and wish we would see in other media's too!
A lot of writer wanted also Zutara to happen and not Kataang.
If I remember right season 3 was so rushed and lacking because the movie-who-shall-not-be-named was in production and Bryke wanted the series to end before it.
A lot of concept were thrown out the window for it.
The writers wanted to make even a season 4, where Aang would even find other airbenders, but noooooooooooooooo we can't give Aang the healing he deserves, we must live out a fantasy trough this boy.
Looking at you Bryke.
Anyways we got, what we got and I'm so not happy about it.
Zutara should be canon and Aang should have found a girl who loved really, who was his equal and who didn't needed to be a broodmare for the air nomads, becasue there where still air nomads around.
Here we get back to my preference to ship Aang with OCs. Since I'm a big fan of the theoretical season four we would have gotten, it's only naturel to imagine own characters, since no canon characters exist for it.
I would have loved to see Aang with a descendant of Air Nomads. She learning from him, he learning from her, cute!
But let's be real if Aang is writing good he could work with a lot of characters.
Even canon ones like On Ji. I found her really cute with him.
The only thing I want for Aang partner is that the girl doesn't get reduced to a broodmare.
So the airbenders have always to come back/stop from hiding.
IT'S NOT THE COMPLICATED!
BUT WE CAN'T HAVE NICE THINGS!
WE LIVE IN THE DARK TIMELINE!
AVATAR COULD HAVE BEEN THE MOST REVOLUTIONARY CARTOON EVER, BUT NOOOOOO TWO MEN HAD TO MAKE THEIR WEIRD FANTASY REALITY AND DIDN'T LISTEN TO THEIR TEAM OF WRITER WHO WERE LIKE, FAM THAT'S NARRAVTIVLY SPEACKING HUGE STEPS BACKWARDS!!!!!!
AAAAAAAAAAAARRRRGGGGHHHHHHHHHH!
Yeah, I think you all guessed how much I hate Bryke.
Fricking pricks!
Also, people who make fun of their own fans because they ship a pairing themselves not like are the worst!
That shows have much respect they have for their fans.
Zero.
They just wanted to live out their fantasy and be done.
Again, fricking pricks!
So for now, that's from me, I needed to get it out of my chest.
Till next time my loves!
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If Zutara is a feminist ship then it's absolute bottom of the barrel feminism SORRY like it's so downlow💀Katara's a fem girl with parentification trauma and open softness and Zuko's a masc dude who turned into a Team Dad to heal his inner child and break the cycle of abuse and high up walls so they're already a cisheteronormative ship based off that alone but there's also how while Zuko made up for what how he hurt Katara,his attacks and insults to her were racially motivated and that adds a thick layer of racialized misogyny AND directly goes against Katara's wishes to force Zuko onto her because she fought for a loooong time to break the mold of womanhood should only exist in 'what girls are SUPPOSED to be like' and frankly the emphasis on supposed 'realism' when it comes to girls and Zutara said by the shippers so often has transmisogyny underlaying it,if not then at least bioessentialism,with how cis and exclusive of unconventional girlhood it is and it dosen't help their case that they often feminize Toph when she gets older when in CANON she stayed gnc and ruthlessly talk badly of Aang because he's a boy who's feminine and gets hurt when bullied for it in-universe and he has a fucking right to even if he's cis!!!!They're making fun of him for being himself!'Fragile masculinity' my ass,if you saw a stud or a non-fully transitioned transfem you'd hurl and he thinks Katara's punk girl slay is the hottest shit ever and showed hints of crushing on Toph's butch ass too
But back on topic,this is why i can't stand Zutara man,there's nothing for me to relate to!I'm a punk femme woc like Katara and i headcanon her as trans,bi and autistic like me because i relate to her in some very important ways(though i hc her as transfem while i'm transmasc bigender)and this is also a big part of the appeal of Kataang for me because i'm the girl who had a crush on Aang instead of Zuko Zutara shippers always told you don't exist and i loved Taang because i was rowdy tomboy like Toph but i never had a beef with Kataang,i didn't see anything wrong with it!!!I minded my own damn bussiness and let Katara just vibe instead of making her some evil bitch!And while i'm in love with Zuko now thanks to the comics going into the Gaang's adult years,my canon self-insert ship with him is him and Ty Lee because i'm a super bubbly and optimistic pastel girl who's interests are considered 'stupid/silly/lame' by society and is high maintenance but nice to everybody instead of demanding and it turns out that me as a kid and me now are those ways due to autism and transgenderism!!!!
Zutara does nothing for the woc in me because Katara dosen't look like me since i'm black,i love her and Zuko as bickering found siblings,i have older sister/maternal feelings towards Aang like Zuko does older brother/fatherly ones,i see Mai as a comphet (trans) lesbian but love Maiko because she's weirdgirl rep and Zuko's in love with her and there's also black etchnic subgroups in each nation confirmed in Turf Wars so i don't got anything stopping me from making an Atlasona instead of ruining characters and dynamics!!!!!Zutara is such a less than nothing ship if you're 'not a normal girl' and the fandom's make it beyond crystal clear how they feel about us so that's why i hate it so much in addition to what ass is is!The only thing Z/k's were 'robbed' of is the ability to get a grip,a boyfriend,friends who think they're goddesses platonically like mine do to me and me them and media literacy seeing as Atla's title refers to Aang being the sole survivor of a genocide based off an irl one but they will do everything and anything to remove that out of the context in analysing him and the franchise as a whole
And not to diverge topics again but this is why i'm okay with shaming and mocking Zutara re Natla(and no i don't mean harrasing,i mean og posting)by me and anybody else,they deadass SHOWED PART OF THE AIR NOMAD GENOCIDE and ALSO ADDED 'TOKEN GOOD' FIRE NATION SOLDIERS and it's so beyond fucking racist and disturbing that they're trying to do any gotcha or praise of it involving their military war ship.You's grown and Zuko loves Aang the most anyway,you normie losers
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longing-for-rain · 25 days
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Anyone else notice how Katara says “I have healing abilities” instead of “I am a healer” because she didn’t want to be defined as a healer but as a Master and warrior first?
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mahoutoons · 1 month
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so i'm not in the atla fandom but i sometimes go on this tag called "katara deserved better"
and tell me why 90% of posts in this tag are about which man katara should've ended up with than about her actual character?
like do you guys care about katara or are you just upset your ship didn't become canon?
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ecoterrorist-katara · 1 month
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Why I feel like Ka/taang is one-sided, despite textual evidence 
ATLA does try to convince us that Katara has romantic feelings for Aang. For example: she seems thoughtful when she realizes that Aang is a powerful bender; she’s offended that he didn’t want to kiss her in the Cave of Two Lovers; she gets jealous when Sokka says On Ji and Aang look good together.
So…what’s wrong with anti-Kataangers? Do we just lack media comprehension? 
To be clear, on their own, these gestures can indicate romantic interest. But at the same time, we have stuff like “Aang is a sweet little guy, like Momo.” We have her ambivalent facial expression after he kisses her before the eclipse, and her hedging during Ember Island Players, and her anger when he kisses her anyway. In the context of these conflicting cues, Katara’s possibly romantic reactions can absolutely be interpreted in a different way, because: 
Acknowledging a friend as a potential romantic interest is not the same as actually being romantically interested in them. (Imo this is something young women struggle with, due to a combination of romance-centrism and heteronormativity that make women feel like they should be in romantic relationships, and that boys and girls who share intimate and deep feelings for one another must be romantically into each other) 
Wanting someone to find you desirable is not the same as desiring that person. (Which is something a lot of women, especially young women, struggle with. Remember all the discourse around Cat Person back in 2017?) 
Being jealous when someone flirts with your friend is not the same as wanting to be with your friend. (Especially when you see your friends as family, or if you’re accustomed to a specific type of devotion from that friend. It is jealousy, and it is possessiveness, but it doesn’t always arise from romantic feelings) 
Growing up in a patriarchal society means that your desires are always filtered through what men want from you, sometimes in an abstract male gaze-y way, and sometimes in a very visceral and interpersonal way when a boy wants you specifically. And Katara’s reactions are just that — reactions. Reactions to what other people — including Aunt Wu, Sokka, Aang himself — have insinuated about her and Aang. She’s not really proactive in her interest in Aang: we don’t really see Aang, romantically, from Katara’s POV. Under the framework of “Katara is reacting to a romantic prospect she’s kind of uncertain about,” it is completely plausible — and indeed likely — that she would sometimes act in ways that indicate romantic interest, in addition to moments where she indicates the opposite. 
Ka/taang shippers often bring up other evidence, like Katara’s despair when Azula hits Aang with lightning, or how protective she is of him when Zuko joins the Gaang. The thing is, these pieces of evidence aren’t necessarily indicative of romantic love. The fact that Katara genuinely loves Aang makes the whole thing more complicated, not less, because — especially at that age, especially when Aang is twelve years old and grew up in a sex-segregated society of monks — it is really difficult to tell the difference between platonic love and romantic love. Their mutual devotion is layered and complex yet straightforward in its sincerity. What was not straightforward, until the last five minutes of the show, is whether this devotion on Katara’s end is romantic. The romantic arc for Katara and Aang is not really an arc, as Sneezy discusses in this classic ZK video. Katara actually becomes more conflicted over time and we never see an event that clarifies her feelings. She seems more interested in him in The Headband than on the Day of the Black Sun, and she has never been more hostile to his romantic overtures than in the penultimate episode. 
And in light of this, it’s pretty easy for fans to fill in the blanks with a different interpretation: maybe Katara’s weird expression after their kiss at the invasion means she didn’t enjoy it; maybe the kiss made her realize that she doesn’t actually feel that way about Aang; maybe against her will and her better judgement, she’s developing feelings for another person, a person who hurt her and whom she fervently tried to hate until he pulled off what is in my opinion the greatest grovel of all time in the form of a life-changing field trip. Maybe. Am I saying that Zutara has more romantic interactions than Ka/taang? Of course not. But ironically, the lack of romantic interactions means that it’s not inherently one-sided, the way Ka/taang became in the latter half of season 3.
I’m not arguing that Katara’s unequivocally not into Aang. Obviously the text declares that she is, because they get married and have kids. But I am saying that there’s a very good reason that so many people, especially women, see Katara’s interest in Aang as ambiguous. It’s not because we can’t pick up “subtle” hints of growing affection. It’s because we know not all affection is romantic, and it’s really easy for someone else’s insistent romantic intentions to muddle what you want.
P.S. I first started thinking about these topics (platonic vs romantic love, desiring someone vs wanting to be desired, etc) in the context of compulsory heterosexuality, a term describing how queer women contort themselves into relationships with men even if they’re not really into men. I saw a post a few days ago joking about why so many queer women seem to be into Zutara. I wonder if part of the reason is because as queer women, we are very sensitive to the ways in which we can talk ourselves into wanting things we don’t actually want, and Katara’s romantic interest in Aang can be easily seen that way. 
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stardust948 · 5 months
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I don't think people realize what a power move it is for Katara to become Queen of the nation that nearly succeeded in wiping her people out.
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flowersadida · 3 months
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I know people have already talked about this topic, but I want to too.
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There are a lot of jokes on the Internet about how Katara constantly mentions her mother as if it were the most important event, but...
Isn't that so? I mean, in the life of a little eight-year-old girl, this is truly the most important event in her life and she wants to share it.
Katara took on the role of an adult too early, and she didn't have the opportunity to work through this problem with anyone, because she's already an adult => she cannot afford to rely on someone. But she needs it, and that's what traveling with Aang gives her: the opportunity to find children like her and share with them the burden that she has been carrying all this time. Note that Haru, Jet, and even Zuko are people who not only have experienced loss, but also have some kind of responsibility for others: for their family or even for a group of people. She doesn't tell adults about this because she isn't looking for care, she's looking for understanding of her feelings.
The problem is that it's not enough for her. Her sadness turns to rage because the further the story goes, the less satisfied Katara becomes.
The closer the heroes get to the end of the war, the more angry Katara gets: first at her father, then more specifically at Zuko. And, in the end, she finds the cause of this anger, as well as the opportunity to satisfy the thirst for understanding of her grief - the murderer of her mother. She needed revenge not just because it was fair, but because from the very beginning of the series, Katara was looking for an opportunity to calm those feelings that were rushing out. And her attempts to do this by expressing the problem were not enough. She needed more, and she got it by facing the biggest monster in her life.
In general, the “monster” metaphor obviously speaks not only about Yon Ra, but also about Katara herself. Or rather about her anger. Judge for yourself: she had to restrain a storm of emotions from the age of eight; she began to reveal her grief only in the first season, that is, at the age of 14. She ignored her pain, pushing it deep inside until it became a raging monster rushing out. And what Katara really needed was to face it. So when she flies to find Yon Ra, she also finally meets the version of herself that she has carefully ignored and hidden for the benefit of others.
It's funny that Zuko is the one who helps her. In general, it was his complete understanding of Katara in this matter that amazed me. He, like no one else, knows what it’s like to face your inner demons and knows how useful it is for knowing yourself. And how dangerous it is when you're alone in it. So he accompanies her to keep her safe. So that she has a person on her side who will be there, no matter what choice she makes. He will support anyone. (I'm crying because of how beautiful it is wasgffv💖)
(A small antikataang insert: this is the reason why their relationship doesn't work. Aang only supports the right decisions, even if they require Katara to sacrifice inner harmony, while Zuko will simply support her for whatever choice she makes. It's funny because Aang has to keep balance and as a monk he knows a lot about that. The show focuses heavily on the theme of yin and yang, that is, the balance of good and evil. In order to achieve internal balance, Katara needed to turn to internal evil, because she tilted this scale towards good. She was imbalanced to begin with, and instead of understanding this, Aang insisted on continuing the preponderance of good. It’s as if he doesn’t understand that the preponderance of good is as bad as the preponderance of evil, and this will only harm Katara. I hope my point is clear)
Finally, Katara finds inner peace when she faced everything that was raging inside her, when she did what she needed and poured out everything she ever wanted. Every word about her mother led us to this moment, as did Katara herself.
And do you know what the point is? Why am I telling all this? It's all a character arc that unfolds linearly over three seasons.
Now think back to the arc of Aang, the main character of the show, in relation to his family. Did he bring them up in seasons two and three in a way that was linear? I mean, the one who constantly grieves over his father's death should have been Aang, because he learned the pain of loss so recently, he didn't have a chance to get used to it. But even in the episode SR, Aang compares the loss of mother not to the loss of his mentor and father, but to the loss of Appa and his people. It’s as if he doesn’t care about the individual connection with Gyatso and it’s nominal.
Katara, on the other hand, has emotions that she smoothly carries throughout the show and resolves in it. She has a huge number of Chekhov's guns, which each fire at its own time. Her feelings about her mother, the development of these emotions and their resolution are the most beautiful thing about this show along with Zuko's arc (even though I have problems with him in book 3).
And making derogatory jokes about it like Katara is whining and annoying is blasphemy. After all, she's the only one of the Gaang who has a single development arc throughout all three seasons, this must be respected
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sapphic-agent · 19 days
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I can't believe how mixed-up the fandom (and the LOK writers) get Katara and Zuko's characters.
I want to make this clear, just because she grew up during the war, doesn't mean Katara was forced to fight. I honestly don't know where people get this from. Her cultural norms very blatantly dictate for her not to. It was something she vehemently struggled against to be able to do. It was always her initiative and choice to fight because that's who Katara is; a warrior.
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Hell, she's even reveled in dominating her opponents and showing off her skills in battle
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But you know who was forced to fight? You know whose skewed concepts of honor dictated him to fight? You know whose society urged him towards participating in war? You know who was the most at-ease and relaxed working peacefully in his uncle's tea shop?
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The entire concept of Zuko's character is that he doesn't easily thrive as a warrior and doesn't enjoy fighting if he can avoid it. One of the key things he learns post-redemption is that fire isn't just a force of destruction, it's also life and passion. And that's what allows him to be a better firebender later.
So it makes no sense that Katara gave up on fighting before Zuko. And don't misunderstand, both of them should have been still relatively active (because Zuko is a warrior too and the point of this post is not to claim he isn't). But between the two of them, Zuko would have been the one to embrace peace and retire
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if zutara would have happened the azulon statue would have been replaced with katara i don’t have proof of this except vibes
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yourhighness6 · 19 days
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The thing about the whole TSR discourse is that a lot of it is centered around who was right: Zuko or Aang. Although I have seen posts focusing primarily on Katara's feelings, I do think it is necessary to remind anyone who cares to listen every once in a while that it doesn't really matter who was right. It matters who enabled Katara to make her own choices and gave her the space to do so, and I think we all know who that was.
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eternally-sunkissed · 2 months
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this scene happened in my head so it's real
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im-a-hoping-beetch · 8 months
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Many people seem to get genuinely confused, whenever we, zutara shippers, mention how underdeveloped kataang really is. Usually, they’ll brush it off as us being delusional, bitter and you know the drill. Their main response to that, usually is: “How, could they possibly be underdeveloped, they had 3 seasons!?!”
The thing is they forget that the amount of time isn’t as important as what you do do with it. Cuz, yeah, Aang and Katara did have 3 seasons, but their relationship still managed to feel rushed as hell. Heck, even Bryke, out of all people, admitted to it. Which mostly as to do with a bunch of things that I’ll get into right now.
Let’s start with the fact that, Katara never actually shows any interest in Aang.
Now, many of y’all will probably come for me by citing how the cave of the two lovers or even the Headband have moments of her showing interest in him, but all of them end up falling flat at some point.
The cave of the two lovers:
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The argument here, usually is“if she didn’t have any interest in him, why would she kiss him?” or “why would she blush at the idea of kissing him?”. The former seems to forget this is a life or death situation and that we don’t really know for sure that if there were another way to get out if this, she wouldn’t take it. For the latter, I’d like to say that blushing can have many significations such as, embarrassment. Which, here makes sense when considering what she says and overall demeanour, after suggesting to kiss.
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Like yeah, a fourteen year old girl blushing bcz she’s embarrassed at the idea of having to kiss, her friend, out of all things, cuz you know… awkward. Can you imagine that (pun fully intended)???
The headband:
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This one is going to be a ride, but stick with me. The arguments can range from “What about her jealousy while Aang is dancing with other girls.” to “What about the way she looks at him during the dance.”
Here, is said jealousy being shown:
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And said look being done:
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Now, yeah, I can absolutely see why these two exemples would be used as a way to prove her interest, but let me remind you that this is the same episode where we have this happen.
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Yeah, the same episode where Katara is acting all jealous and giving flirty looks to Aang is also the same one where she pretends to be is… mother. While, I could go on about how it wasn’t the best idea on the directors or whoever was in charge of the episode part if it was their way of giving a glimpse of Katara being into Aang. The issue is, them doing so wasn’t completely farfetched either, because up until now it’s been established that Katara can be very motherly and she acts that way with almost everyone in the gaang. More specifically, the one with who she does so the most is, Aang.
I mean, even the show makes a point of poking fun at their mother-son dynamic on several occasions all throughout the show (ie. the don’t-rub-your-eyes-when-you’re-speaking scene in “The runaway” episode). So realistically, the two exemples shown way above could somewhat work, but only if you decide to completely ignore what episode they take place in, one that hasn’t really helped at stopping the mother-son dynamic allegations kataang has been getting, for years, now.
So, back to the development aspect, I think it has always been stunted from the beginning, because, fundamentally, the ship as always been designed to be Aang-centric. If you’d like more insight on that I’d recommend checking @starlight-bread-blog’s amazing post on the issue. But also, that their lackluster resolution is way much more obvious, cuz both are leads in the show. Katara's existence in the show, isn't solely there to serve as some love inerest for Aang. Shocker, but she's actually a MAIN CHARACTER in the show, meaning that we spend three seasons where we get to learn about her battles, fears and aspirations, none of which seems to involve a relationship with Aang.
Like yeah, the reason why The Ending Kiss™ feels so unsatisfactory is, simply, because, Katara doesn't like Aang (at least not like that). Katara, likes Aang, because the show said so. Now, stick with me, cuz I can already feel some of y'all ready to jump at the screen. Within the show, name a single moment where she ever comes to thinking of Aang in a romantic way. One that doesn't involve any external sources, such as someone suggesting about it or because of the given circumstances she has to. The answer is none. The only time we ever get to see her voice her ACTUAL opinion about it, this is what she says:
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That's not even counting how her overall demeanor, from the body language to her choice of words seems to suggest that she's actually trying to let him down gently. Also, may I remind you that at that point THERE'S ONLY 3 FREAKING EPISODES LEFT BEFORE THE BIG KISS™ and this is where there at in their relationship. Plus, within the 3 episodes that are left WE NEVER GET TO SEE THEM TALK ABOUT IT, EVER!!!
This obviously was part of Bryke’s horrible attempt at the will-they-won’t-they trope. Which ended up playing right in their face, cuz like I mentioned they themselves had to come to glaring realization that kataang was rushed. Now, it could’ve been it, the creators realizing their obvious mistake and if they could, trying to fix it by giving us what seemed like the natural progression of their relationship, which was for it to end.
Instead, we got comics!Katara and oooh boy…
Basically, they decided that they would throw away Katara’s meticulously built characterization in order to make her existence revolve around, Aang. I kid you not, when I say that she isn’t allowed scenes, lines and actions that do not revolve around her “sweetie”.
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Remember how I said that, Katara likes Aang because the show runners said so. This is an example of this cranked up to a hundred.
Essentially, when you start thinking about where these two are in terms of growth, kataang is the antithesis to development itself. On one hand it validates the regression of one (ie. the dropped chakra plot line), while simultaneously, having to strip any previously built characterization of the other (ie. comics!katara).
On that note, I’d like to remind people, how important Katara is to the story. Without her, the entirety of the gaang would be dead. Without her, there would be no story. Without her, there would be no Aang.
She deserved to have a voice within her own relationship and not for it to be stolen by two grown men who were still stuck in their childhood fantasy.
She deserved better.
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forevermore05 · 15 days
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I know the EIPs nonconsensual kiss is the most talked about. However, DOBS bothers me just as much. But I never see a lot of people talk about it. And I wondered why. I was talking to someone that I brought this up because it was bothering me and they told me: well, that's because Aang could have potentially died and he wanted to do something about his feelings before anything bad had happened. I begrudgingly gave into the idea, however, that kiss still bothered me. I understand that there could have been a potential where he could have died. However, that is not an excuse for out of the blue kiss someone when there has been no mention of feelings before that. Even if there were mentions of feelings that's not consent (there wasn't). Their dance in that cave is not consent. Anything that gave Aang the idea that it is ok for him to kiss Katara is not consent. His entitlement and affection for her are not consent. Just because you are going to do something life-threatening and you could die does not mean you force yourself on a person and she does not have to like it (by the look of her expression she did not look happy). She does not have to like your dying fantasy or be an object of it without her consent. Imagine, if Katara did not end up with Aang this scene would have been torn apart. But everyone's lucky that she did so it's not problematic (Sarcasm). I just hate how the scene is so normalized. Because when I watched it to write this, it was insane, Katara's dialogue "I've seen/watched you grow up, You're not this little goofy kid anymore" (it's like the writers were implying the mental age difference) drove me insane. I don't care if you say she blushed when these kinds of things happen of course you're going to get embarrassed and flustered. I have an immense amount of hatred for this scene. It was just never discussed enough. The Zutara community is the only safe place to do it.
Head Canon time (to make us feel better after this post): If Zuko ever found out about Aangs non-consensual kisses. I think Zuko would tear Aang apart.
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longing-for-rain · 7 days
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Katara and Mutuality in Relationships
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There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.
Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.
In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.
Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.
So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?
Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.
But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.
Take Haru, for instance.
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Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.
Katara: So that's why you hide your earthbending.
Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.
Katara: See this necklace? My mother gave it to me.
Haru: It’s beautiful.
Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.
Haru: It’s not enough, is it?
Katara: No.
This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.
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Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.
But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.
Another character she reaches out to like this is Jet.
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Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.
Katara: What about you?
Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.
Katara: Sokka and I lost our mother to the Fire Nation.
Jet: I’m so sorry, Katara.
Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.
That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.
A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?
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Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.
Aang: What about 'em?
Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.
Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!
Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.
And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.
This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.
Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.
This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.
But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.
Also noteworthy:
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Katara: But I didn’t forgive him. I’ll never forgive him.
Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.
Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.
Now, to address the elephant in the room.
Which character does actually add to Katara’s narrative and support her growth as a character?
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Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.
You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.
Even before this, Zuko is shown to empathize with Katara.
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Zuko: I’m sorry. That’s something we have in common.
I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.
And finally, how else does Zuko add to Katara’s arc?
I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.
Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.
Then, this:
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Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.
This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.
So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.
Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.
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the-badger-mole · 26 days
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The fact that Katara is barely seen interacting with her own kids, let alone her own grandkids pisses me off to no end.
What do you mean Katara doesn't know her own grandchildren???
Family very clearly means a lot to her in ATLA, so in LOK for her to have no involvement with any of her kids is probably the worst part of the massacre of her character.
That part. You mean the girl who was excited to hear that she would die surrounded by her children and grandchildren was okay with having no relationship with her grandchildren? The way Katara's story turned out in LoK completely justifies my hatred of Kataang. It also makes me very glad that Bryke didn't make Zutara endgame. I would hate to see what they would've done with a story with such epic romantic potential if this was how they treated the ship they actually liked. Fanfic over canon any day of the shark week.
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theweeklydiscourse · 1 month
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Someone on twitter was expressing their disappointment about how Katara ended up becoming the healer she never wanted to become in Legend of Korra and got absolutely piled on for it.
“She decided to settle down!”
“Are you saying that being a healer is BAD? Why are you looking down on it?”
“She had other responsibilities to attend to, like her grandchildren and community! She would’ve been too busy to fight”
“She was too fragile! She already achieved world peace, what more do you want from her?!”
These are some of the comments I saw people making about that post. I even saw someone citing the comics as an example of Katara doing more than just healing in her old age. It was a scene of her training young Korra and I though it was really sweet but like…if only they actually included that scene in the show. I just feel like we should have to use the comics as supplementary material to cover the flaws in Legend of Korra and should be able to judge it on its own merit.
The comics don’t really matter to me, because the most visible and relevant parts of the story are depicted in the ACTUAL animated series. If we are critiquing the way LOK depicted Katara, we shouldn’t have to be weighed down by dozens of whataboutisms that don’t understand the difference between a watsonian and doylist critique.
Here’s one example:
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These are real people, THESE ARE REAL-LIFE ACTORS! These examples are not animated characters that exist in a supernatural world, the characters in ATLA are not governed by reality in the way that these real-life actors are. Furthermore, aging seems to be such an insurmountable obstacle for Katara…but somehow the fact that Toph and Zuko were throwing down well into their 80s is totally plausible.
But these kinds of fans will freak out over the most basic criticism of the text. They can’t handle that questioning it leads to realizing the broader thematic implications of neglecting Katara’s character and ignoring her in the story.
They bring up the comics but I just don’t accept that as proof of coherent storytelling. Like thank you for the textual example! But what if I don’t accept the text? What if I think the text is wrong and has sexist undertones?
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