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#katherine cutter sterns
yuri-cosmos · 16 days
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THATS MY WIFE 🙏🙏🙏
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capturingdisney · 1 year
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Monsters at Work Episode 1.02 - Meet Mift
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coco--rock · 2 years
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HAPPY ONE YEAR ANNIVERSARY MIFT 🎉
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monstertroll · 1 year
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Some doodles of one of my OCs, Erik Finnson, interacting with some members of MIFT! This kinda shows his dynamic with these three:
-Fritz: Yea he's a tad bothered by the guy, but Erik respects his supervisor. He's a tad kooky and honestly, Erik's old man wasn't the best as it is so he's not the most mad about Fritz acting as a father-figure to him.
-Duncan: Guys, we know Duncan's a gremlin in the show. Erik wouldn't stand for his shenanigans and definitely snap at him the most. Not shown: Erik's the only other monster Roto likes lol
-Cutter: If you wanted the lesbian aunt gay and uncle duo that sip wine coffee and talk sh*t on their breaks about their coworkers, here you go. That's Erik and Cutter and they bully Duncan a lot [/jking]
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kwebtv · 4 months
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Monsters at Work - Disney+ - July 7, 2021 - Present
Animated Fantasy (10 episodes to date)
Running Time: 22 - 24 minutes
Voice Stars:
Billy Crystal as Mike Wazowski
John Goodman as James P. "Sulley" Sullivan
Ben Feldman as Tylor Tuskmon
Mindy Kaling as Val Little
Henry Winkler as Fritz
Lucas Neff as Duncan P. Anderson
Alanna Ubach as Katherine "Cutter" Sterns
Recurring:
Bonnie Hunt as Ms. Flint
Curtis Armstrong as Mr. Crummyham
Jennifer Tilly as Celia Mae
Stephen Stanton as Needleman and Smitty
Christopher Swindle as Jeff Fungus
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Val: *Reminiscing over non-existent memories*
*Pop*
Val: Excuse me, we're having a moment
Tylor: No, no, we're n-
Cutter: And I'm having a Drooler Cooler
Tylor:
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lanthart · 3 years
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🔧 Monsters at Work 🔧
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disneytva · 3 years
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Wave 1 Of Monsters At Work Merchandise Listed At Mattel Website
Mattel Has Listed The First Products Of Monsters At Work Merchandise.
The merch lists Tylor Tuskmon, Val, Katherine and Mike with a new character called Gary Gibbs the doppelgänger of Mike Wazowski along with a Tylor Tuskmon The Jokester figure
Monsters at Work Tylor Tuskmon The Jokester
Monsters at Work Sulley Figure
Monsters at Work Tylor Tuskmon Figure
Monsters at Work Val Little Figure
Monsters at Work Mike Wazowski and Gary Gibbs Figures
Monsters at Work Katherine "Cutter" Sterns Figure
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thisguyatthemovies · 5 years
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A sweet slice of life
Title: “Breaking Away”
Release date: July 13, 1979
Starring: Dennis Christopher, Dennis Quaid, Jackie Earle Haley, Daniel Stern, Paul Dooley, Barbara Barrie, Robyn Douglass, Hart Bochner, Amy Wright
Directed by: Peter Yates
Run time: 1 hour, 40 minutes
Rated: PG
What it’s about: Four male friends growing up in Bloomington, Ind., in the late 1970s try to decide what to do after high school while clashing with Indiana University students, leading to a showdown in the school’s annual Little 500 bicycle race.
How I saw it: The pivotal, definitive moment in the sweet, optimistic 1979 underdog coming-of-age story “Breaking Away” is both enlightening and heartbreaking. The scene’s emotions will ring familiar to anyone who has lost their innocence or helped someone cope with such an important life change. It is 1 minute and 37 seconds of movie magic in a film full of charmingly observant moments.
First, a little background. “Breaking Away” is the story of Dave Stohler (Dennis Christopher), a 19-year-old “townie” in Bloomington, Ind., home of Indiana University. He and his friends – Mike, the tough-guy high school jock; Cyril, the gangly, nerdy cut-up; and Moocher, the short guy with a chip on his shoulder – spend most of their time together and ponder life after high school. They also clash with IU students, who look down on the native “cutters,” so named because their families have worked in the limestone quarries in the Bloomington area.
Dave is a champion cyclist and, much to the chagrin of his father, Ray (Paul Dooley), has adopted the personality of an Italian cyclist, listening to Italian opera records, speaking the language and even shaving his legs. Dave goes so far as to convince a beautiful sorority house resident, Katherine (Robyn Douglass), that he is an Italian exchange student and has a large and loving family back in the home country. A romance blossoms between the two based on Dave’s deception.
Dave is ecstatic when he learns a group of Italian bicycle racers will be competing in nearby Indianapolis, and he enters the road race. The Italians easily break free from the pack, but Dave eventually catches up. For a moment, he is riding alongside men he has idolized. But then the turning moment: One of the Italian riders takes his bicycle tire pump and jams it into Dave’s front spokes, sending him and his bike into a ditch. His buddies drive the battered and bruised (and disheartened) Dave home. He is not the same person he was when the bike race began. He is a cutter, not a wannabe Italian cyclist.
Fortunately for Dave, he has supportive parents (he is an only child, at least for the moment). Ray Stohler is typical of fathers of his generation – caring, but gruff. He is about 50, overweight (and with a penchant for fried foods) and stopped working as a stonecutter because of a heart condition. He is tough on his son, and he doesn’t know what make of him. Dave’s mother, Evelyn (played beautifully by Barbara Barrie), is a homemaker who has given up on her dreams of world travel, though she carries a passport just in case she needs it to write a check at the local grocery. She mostly tries to get her husband to eat right and is a calming influence when her husband is exasperated with their son.
After his crash, Dave walks into the family’s living room. Ray Stohler has recovered from a nervous breakdown brought on when Dave, working at his father’s used car lot, gave a customer a refund for a broken-down car. Ray immediately knows something is up when his son addresses him as “dad” instead of “papa.” Ray starts getting worked up again about nightmares of handing out refunds to all his customers, and Dave, now seated on a coffee table, apologizes to his father and says quietly, “Everybody cheats. I just didn’t know.” His father, still puzzled about what is taking place, says matter-of-factly, “Well, now you know.” A sobbing Dave hugs his dad, who at first does not know how to reciprocate. “I didn’t want you to be this miserable,” Ray says. “A little bit’s all I ask for.” The elder Stohler pats his son on the back and asks his wife to again say just the right words. But she can’t; her eyes are puddles of tears, and the scene ends with her offering a sad smile that seems to say her husband has done well and that her son, despite his heartbreak, is going to be OK.
Like in the rest of the movie, the dialogue here is spot-on. Steve Tesich, who attended IU in the 1960s after moving to East Chicago, Ind., with his family from his native Yugoslavia, earned an Oscar for the screenplay, and deservedly so. The conversations in “Breaking Away” seem so natural; at no point does it seem like actors imitating small-town Hoosiers. Credit also goes to British director Peter Yates. Great, comfortable performances abound (especially among Dave and his buddies), and Yates keeps the movie moving at a properly leisurely but steady pace. “Breaking Away” also is genuinely funny, and Yates and Tesich strike the perfect balance between laughs and sentimentality.
After learning his hard life lesson, Dave and pals decide to take up the school president’s offer to compete in IU’s annual Little 500 bicycle race – an effort to resolve the differences between students and townies after a brawl between them broke out at the student union. This is an underdog story, so everyone knows what is going to happen at the end of the climactic race scene. That it is predictable matters little. When the expected outcome arrives, it’s a stand-up-and-cheer moment, whether you are seeing it for the first time or 10th time.
Younger viewers won’t recognize the world of 40 years ago. No one stares into a phone; no one takes photos of themselves. No computers are to be found. The Stohlers don’t even watch TV; they listen to records and radios. The fashion is decidedly 1970s, right down to the bushy hair, short shorts and white tube socks. The under-35 set might also be shocked by what they see. “Breaking Away” offers almost nothing as far as diversity. Cyril briefly imitates a Native American, and he yells at young coeds from Mike’s car and wonders out loud about the relationship between college and the size of women’s breasts. A stereotypically gay man, dressed in a pink shirt, makes a joke about (bowling) balls. And feminists might wonder how Evelyn could be content cooking and cleaning up after her guys; she doesn’t seem to have a life outside of home.    
But the late 1970s were a different time, and whether they seem better or worse likely depends on your age and perspective. Though “Breaking Away” might seem dated four decades later, its coming-of-age themes and sense of optimism are timeless and will resonate with all ages.
My score: 93 out of 100
Should you see it? Yes. “Breaking Away” is the kind of movie that will leave you feeling happier and more hopeful than you did before you started watching it.
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yuri-cosmos · 11 days
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good morning might kiss cutter (my wife)
(also i need to know what the incident is wtf happened 😭😭)
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yuri-cosmos · 3 years
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1 day, 3 hours and 56 minutes guys 😥
also, thanks to @araminakilla20 for the idea for himbo!
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yuri-cosmos · 3 years
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um, hi, what the fuck? door assistant val? help?
and cutters lines were were great? this may just me simping for her but did anyone else find the donut jokes hilarious?
Plus, I wasn't expecting Val to transfer like help I think it short-circuited my brain that they've lost 3 members since the start of the show, Banana Bread, Tylor and now Val
sad sigh
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yuri-cosmos · 3 years
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Ayo we made it through an entire episode without Cutter mentioning someones death
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yuri-cosmos · 3 years
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Meanwhile, Val, just walking into the room:
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yuri-cosmos · 3 years
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I AM SENSING THE CUTTER LINES THEY ARE MESSING WITH DEAD PEOPLE ON MONSTERS AT WORK THEY HAVE TO ADD IN HER LINES, RIGHT?!
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Right?
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yuri-cosmos · 3 years
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Mam you can't just hand a child part of a dead guy
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