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#kathleen bates
doodlesandbooks · 2 years
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Some Bnha pro hero ladies that I really like the designs of!
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scifipinups · 2 years
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On this day...
Kathleen Robertson - July 8, 1973
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As ‘Jodi Morgan’ in Bates Motel
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badgaymovies · 1 year
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Love Crazy (1941)
Love Crazy by #JackConway starring #WilliamPowell and #MyrnaLoy, "not as polished as the greatest comedies of remarriage... but don’t sleep on it either"
JACK CONWAY Bil’s rating (out of 5): BBB.5 USA, 1941. Metro-Goldwyn-Mayer. Story by David Hertz, William Ludwig, Screenplay by William Ludwig, Charles Lederer, David Hertz. Cinematography by Ray June, William H. Daniels. Produced by Pandro S. Berman. Music by David Snell. Production Design by Cedric Gibbons. Costume Design by Eugene Joseff. Film Editing by Ben Lewis.  Myrna Loy and William Powell…
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lacangri21 · 2 years
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The Feminist Library
-7000 Years of Patriarchy by Petra Ioana
-A Deafening Silence by Patrizia Romito
-Against Our Will by Susan Brownmiller
-Against Pornography by Diana E.H. Russell
-Against Sadomasochism by Robin Linden
-Ain’t I a Woman by Bell Hooks
-All Women Are Healers by Diane Stein
-Anti-Porn by Julia Long
-Anticlimax by Sheila Jeffreys
-Are Women Human by Catharine MacKinnon
-Backlash by Susan Faludi
-Bad Feminist by Roxane Gay
-Beauty and Misogyny by Sheila Jeffreys
-Beauty Sick by Renee Engeln
-Beauty Under the Knife by Holly Brubach
-Being and Being Bought by Kasja Ekis Ekman
-Beyond God the Father by Mary Daly
-Big Porn Inc by Melinda Tankard Reist and Abigail Bray
-Blood, Bread, and Roses by Judy Graham
-The Book of Women’s Mysteries by Z Budapest
-Borderlands by Gloria Anzaldua
-Burn it Down by Lilly Dancyger
-Butterfly Politics by Catharine MacKinnon
-Caliban and the Witch by Silvia Federici
-Choosing to Conform by Avelie Stuart
-The Church and the Second Sex by Mary Daly
-Cinderella Ate My Daughter by Peggy Orenstein
-Close to Home by Christine Delphy
-Compulsory Heterosexuality and Lesbian Existence by Adrienne Rich
-Conquest by Andrea Lee Smith
-Damned Whores and God’s Police by Anne Summers
-Daring to Be Bad by Alice Echols
-Dead Blondes and Bad Mothers by Sady Doyle
-Defending Battered Women on Trial by Elizabeth A. Sheehy
-Deliver Us from Love by Brogger
-Delusions of Gender by Cordelia Fine
-Detransition by Max Robinson
-The Disappearing L by Bonnie J. Morris
-Does God Hate Women by Ophelia Benson
-Doing Harm by Maya Dusenbery
-The End of Gender by Debra W. Soh
-The End of Patriarchy by Robert Jensen?
-Female Chauvinist Pigs by Ariel Levy
-Female Erasure by Ruth Barrett
-Female Sexual Slavery by Kathleen Barry
-Femicide by Jill Radford and Diane EH Russell
-Femininity by Susan Brownmiller
-Femininity and Domination by Sandra Lee Bartky
-Feminism Unmodified by Catharine MacKinnon
-Feminist Theory by Bell Hooks
-Firebrand Feminism by Breanne Fahs
-Flesh Wounds by Blum
-Flow by Elissa Stein and Susan Kim
-For Her Own Good by Barbara Ehrenreich
-For Lesbians Only by Sarah Lucia Hoagland
-Freedom Fallacy by Miranda Kiraly
-Gender Hurts by Sheila Jeffreys
-Getting Off by Robert Jensen?
-Global Woman by Barbara Ehrenreich
-Going Out of Our Minds by Sonia Johnson
-Going Too Far by Robin Morgan
-The Great Cosmic Mother by Monica Sjoo and Barbara Mor
-Gyn/Ecology by Mary Daly
-Gynocide by Mariarosa Dalta Costa
-Handbook of Feminist Therapy by Lynne Bravo Rosewater and Leonore E.A. Walker
-Heartbreak by Andrea Dworkin
-Her Body and Other Parties by Carmen Maria Machado
-The Hidden Malpractice by Gena Corea
-How to Suppress Women’s Writing by Joanna Russ
-I Am Your Sister by Audre Lorde
-I Hate Men by Pauline Harmange
-Ice and Fire by Andrea Dworkin
-In Defense of Separatism by Susan Hawthorne
-In Harm’s Way by Catharine MacKinnon
-In Search of Our Mothers’ Gardens by Alice Walker
-The Industrial Vagina by Sheila Jeffreys
-Inferior by Angela Saini
-Intercourse by Andrea Dworkin
-Invisible No More by Andrea J. Ritchie
-Invisible Women by Caroline Criado Perez
-Jewish Radical Feminism by Joyce Antler
-Kill All Normies by Angela Nagle
-The Laugh of Medusa by Helene Cixous
-Laughing with Medusa by Vanda Zajko and Miriam Leonard
-The Lesbian Heresy by Sheila Jeffreys
-Lesbian Nation by Jill Johnston
-Letters from a War Zone by Andrea Dworkin
-Love and Politics by Carol Anne Douglas
-Loving to Survive by Dee Graham
-Making Violence Sexy by Diana E.H. Russell
-Man Made Language by Dale Spender
-Man’s Dominion by Sheila Jeffreys
-Medical Bondage by Deirdre Cooper Owens
-Men Explain Things to Me by Rebecca Solnit
-Men Who Buy Sex by Melissa Farley
-Men Who Hate Women by Laura Bates
-Men Who Hate Women and the Women Who Love Them by Susan Forward
-Milk and Honey by Rupi Kaur
-Misogyny by Jack Holland?
-The New Handbook for a Post-Roe America by Robin Marty
-Nobody’s Victim by Carrie Goldberg
-Not a Job, Not a Choice by Janice Raymond
-Not for Sale by Rebecca Whisnant
-Nothing Matters by Somer Brodribb
-Objectification Theory by Barbara I. Fredrickson
-Of Woman Born by Adrienne Rich
-Only Words by Catharine MacKinnon
-Our Blood by Andrea Dworkin
-Our Bodies, Ourselves by Boston Women’s Health Book Collective
-Overcoming Violence Against Women and Girls by Michael L. Penn and Rahel Nardos?
-Paid For by Rachel Moran
-The Pimping of Prostitution by Julie Bindel
-Pimp State by Kat Banyard
-Policing the Womb by Michelle Goodwin
-Pornified by Pamela Paul
-Pornland by Gail Dines
-Pornography by Gail Dines
-Pornography: Men Possessing Women by Andrea Dworkin
-Pornography and Civil Rights by Andrea Dworkin and Catharine MacKinnon
-Pornography and Violence by Susan Griffith
-Pornography Values by Robert Jensen?
-Pure Lust by Mary Daly
-The Purify Myth by Jessica Valenti
-Quiverfull by Kathryn Joyce
-Radical Feminism Today by Denise Thompson
-Radical Feminist Therapy by Bonnie Burstow
-Radical Reckonings by Renate Klein
-Radically Speaking by Diane Bell...
-Rape by Susan Griffiths
-Rape in Marriage by Diana E.H. Russell
-Rape of the Wild by Ann Jones
-Refusing to Be a Man by John Stoltenberg?
-Right-Wing Woman by Andrea Dworkin
-A Room of One’s Own by Virginia Woolf
-Runaway Wives and Rogue Feminists by Margo Goodhand
-SCUM Manifesto by Valerie Solanas
-Selling Feminism by Amanda M. Gengler
-Sex Matters by Alyson J. McGregor
-Sexual Harassment of Working Women by Catharine MacKinnon
-Sexual Politics by Kate Millett
-Sexy but Psycho by Jessica Taylor
-She Dreams When She Bleeds by Nikki Taraji
-Sister Outrider by Audre Lorde
-Sisterhood is Forever by Robin Morgan
-Sisterhood is Global by Robin Morgan
-Sisterhood is Powerful by Robin Morgan
-Slavery Inc by Lydia Cacho
-Spinning and Weaving by Elizabeth Miller
-Surrogacy by Renate Klein
-Sweetening the Pill by Holly Grigg-Spall
-Taking Back the Night by Laura Lederer
-Talking Back by Bell Hooks
-Testosterone Rex by Cordelia Fine
-The Beauty Myth by Naomi Wolf
-The Creation of Patriarchy by Gerda Lerner
-The Dialectic of Sex by Shulamith Firestone
-The Feminine Mystique by Betty Friedan
-The First Sex by Elizabeth Gould
-The Legacy of Mothers: Matriarchies and the Gift Economy as Post-Capitalist Alternatives by Erella Shadmi
-The Lolita Effect by Gigi Durham
-The Man-Made World by Charlotte Perkins Gilman
The Porn Trap by Wendy Maltz
-The Prostitution of Sexuality by Kathleen Barry
-The Second Sex by Simone de Beauvoir
-The Sexual Liberals and the Attack on Feminism by Janice Raymond...
-The Spinster and Her Enemies by Sheila Jeffreys
-The Transsexual Empire by Janice Raymond
-The Women’s History of the World by Rosalind Miles
-This Bridge Called My Back by Gloria Anzaldua
-This is Your Brain on Birth Control by Sarah Hill
-Toward a Feminist Theory of the State by Catharine MacKinnon
-The Traffic in Women and Other Essays by Emma Goldman
-Trans by Helen Joyce
-Unbearable Weight by Susan Bordo
-Unpacking Queer Politics by Sheila Jeffreys
-Unscrewed by Jaclyn Friedman
-Unwell Women by Elinor Cleghorn
-The Unwomanly Face of War by Svetlana Alexievich
-The Vagina Bible by Jennifer Gunter
-A Vindication of the Rights of Woman by Mary Wollstonecraft
-The War Against Women by Marilyn French
-We Were Feminists Once by Andi Zeisler
-What Do We Need Men For by E. Jean Carroll
-When God was a Woman by Merlin Stone
-Who Cooked the Last Supper by Rosalind Miles
-Why Does He Do That by Lundy Bancroft
-Why Women Are Blamed for Everything by Jessica Taylor
-Why Women Need the Goddess by Carol P. Christ
-Wildfire by Sonia Johnson
-Witches, Midwives, and Nurses by Barbara Ehrenreich
-Witches, Witch Hunting, and Women by Silvia Federici
-Woman and Nature by Susan Griffith
-Woman Hating by Andrea Dworkin
-Woman-Identified Woman by Trudy Darty
-Women v. Religion by Karen L. Garst
-Women’s Lives, Men’s Laws by Catharine MacKinnon
-The Women’s Room by Marilyn French
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takeawaythepain · 1 year
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tag nine people you want to know better.
tagged by: @tissthedamnseasn, @ohwarnette, @laurennbacall, and @babefourtheweekend. thank you loves <3
tagging: no pressure! @starlighttaylorsversion, @insertsimpleplanlyrichere, @starsburnout, @youweremycrown, @i-learned-civility, @sadbeautifulttragic, @fitsinthepalm, @bloodmoonlits, and @ithinkheknowss
three ships: normero (bates motel), david and patrick (schitt’s creek), kathleen kelly and joe fox (you've got mail)
first ever ship: gordo and lizzie mcguire
last song: everything she ain’t by hailey whitters
last movie: glass onion
currently reading: waiting for my hold on the silent patient to come in
currently watching: season five of yellowstone, 1923, and, as always, lots of reruns of the office and gilmore girls
currently consuming: popcorn
currently craving: gooey butter cake and being by the ocean
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boasamishipper · 2 years
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EMILY YOUR TAGS IN THE LATEST POSTSS I'M DYING!! SPILL THE TEA - Sanji aka allkinds-oftrash
Okay.
So I was in the Star Wars Sequel Trilogy fandom for five whole years. From 2015 to 2020. Finn was my favorite character and Finnrey was my preferred ship, and if you know anything about the Star Wars Sequel Trilogy and what an enormous flaming shitshow it became (thanks a lot Rian Johnson and Kathleen Kennedy; I refuse to blame JJ Abrams because he did his best cleaning up their messes), you Know that I - and my fellow Finnreys and Finn stan mutuals - deserve So Much Financial Compensation.
How does this relate to my tags on that tg2 post the other day, you ask? Well......
So being an active Finn stan and Finnrey shipper in the Star Wars Sequel Trilogy fandom for so long (hereafter referred to as the SWST fandom) means that I saw the best of fandom (incredible fic and art and meta and graphics) and the worst of fandom (racism, sexism, misogynoir, I cannot emphasize enough how mindbogglingly, infuriatingly racist some of these fans were) all in one place. What I learned from those five years is something that I've seen in every fandom I've been in since (and in retrospect): characters of color (particularly Black characters) are consistently ignored and overlooked in favor of white characters. Whether this is purposeful or accidental bias is another question entirely that I honestly do not have the spoons to look into. All I'm gonna do is lay out the facts as I see them.
Back to the SWST. We have Rey, our female lead (played by Daisy Ridley, a white woman), introduced to us in The Force Awakens (2015). In TFA, TLJ, and TROS, we are shown that she is closest with Finn (played by John Boyega, a Black man), a former Stormtrooper turned Resistance hero who saved her life, and Kylo Ren, once known as Ben Solo, (played by Adam Driver, a white man) has been trying to manipulate her to the Dark Side (and when that fails, tries to kill her - and also mindraped / tortured her / killed her father figure in TFA).
Who does fandom ship Rey with the most?
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¯\_(ツ)_/¯
Which brings me to Top Gun: Maverick (2022), which came out a little under two months ago as I write this. Our characters with the most screentime (and who they are shown ON SCREEN to be closest to) are as follows:
Pete "Maverick" Mitchell (Tom Cruise), shown to be closest to Iceman Kazansky (Val Kilmer), his wingman from the first movie; Hondo Coleman (Bashir Salahuddin), a close friend of his who worked with him on the Darkstar project; Warlock Bates (Charles Parnell), NAWDC commander, who Mav is stated to already be acquainted with pre-movie; Penny Benjamin (Jennifer Connelly), his old flame and on-again / off-again love interest; and Rooster Bradshaw (Miles Teller), who he views like a son ("I was trying to be the father he lost."). Mav has an antagonistic relationship with Cyclone (Jon Hamm), who does not hide his dislike of him for the majority of the movie. Mav was also very close with his RIO Goose Bradshaw (Anthony Edwards), who died in an accident when they were at TOPGUN in the first movie.
Bradley "Rooster" Bradshaw (Miles Teller), shown to be closest to Phoenix Trace (Monica Barbaro), who knows him best, and Maverick Mitchell, who was a father figure to him after his father Goose's tragic death. He has a longstanding antagonistic relationship with Hangman Seresin (Glen Powell), who insults the way he flies (and vice versa) and insinuates that Rooster's father figure was responsible for the death of his father; he and Hangman do come to respect each other at the end of the film, after Hangman saves his and Mav's lives.
Jake "Hangman" Seresin (Glen Powell), shown to be actively disliked by many of the pilots, including Rooster, Phoenix, her WSO Bob Floyd (Lewis Pullman), and Payback's WSO Fanboy (Danny Ramirez). He is shown to be most comfortable around Coyote Machado (Greg Tarzan Davis), whom he holds in as high of a regard as he holds himself ("And here I thought we were special, Coyote."). See above for his relationship with Rooster.
Other close relationships shown to us onscreen include Bob and Phoenix's relationship and Payback (Jay Ellis) and Fanboy's relationship. Payback, Fanboy, Coyote, Warlock, and Hondo are the main characters of color. Halo (Kara Wang), Fritz (Manny Jacinto), and Yale (Raymond Lee) are pilots of color, but have few (if any) speaking lines.
There have been 1005 fics posted under Top Gun: Maverick (2020) - the fact that the tags were combined is a rant for another day - since May 24, 2022, which is the date of the early access premiere. Let's see our most popular ships. (This list excludes x reader fics and does not distinguish whether the ship listed is the Main Ship of a fic.)
Bradley "Rooster" Bradshaw/Jake "Hangman" Seresin (397)
Bradley "Rooster" Bradshaw & Pete "Maverick" Mitchell (148)
Robert "Bob" Floyd/Jake "Hangman" Seresin (116)
Bradley "Rooster" Bradshaw/Pete "Maverick" Mitchell (105)
Tom "Iceman" Kazansky/Pete "Maverick" Mitchell (76)
Bradley "Rooster" Bradshaw & Natasha "Phoenix" Trace (62)
Bradley "Rooster" Bradshaw/Natasha "Phoenix" Trace (52)
Pete "Maverick" Mitchell/Jake "Hangman" Seresin (28)
Penny Benjamin/Pete "Maverick" Mitchell (27)
Pete "Maverick" Mitchell/Beau "Cyclone" Simpson (26)
Now let's take a look at the relationships laid out above that are missing from this list and see how many fics they have.
Bernie "Hondo" Coleman & Pete "Maverick" Mitchell (2)
Bernie "Hondo" Coleman/Pete "Maverick" Mitchell (0)
Solomon "Warlock" Bates & Pete "Maverick" Mitchell (0)
Solomon "Warlock" Bates/Pete "Maverick" Mitchell (0)
Pete "Maverick" Mitchell & Beau "Cyclone" Simpson (1)
Reuben "Payback" Fitch/Mickey "Fanboy" Garcia (12)
Reuben "Payback" Fitch & Mickey "Fanboy" Garcia (4)
Javy "Coyote" Machado & Jake "Hangman" Seresin (24)
Javy "Coyote" Machado/Jake "Hangman" Seresin (8)
Robert "Bob" Floyd & Natasha "Phoenix" Trace (21)
Robert "Bob" Floyd/Natasha "Phoenix" Trace (17)
And who is being written about the most?
Bradley "Rooster" Bradshaw (743)
Jake "Hangman" Seresin (666)
Pete "Maverick" Mitchell (533)
Natasha "Phoenix" Trace (402)
Robert "Bob" Floyd (346)
Javy "Coyote" Machado (197)
Reuben "Payback" Fitch (142)
Mickey "Fanboy" Garcia (138)
Tom "Iceman" Kazansky (119)
Beau "Cyclone" Simpson (80)
Penny Benjamin (79)
Solomon "Warlock" Bates (33)
Bernie "Hondo" Coleman (26)
Notice a pattern here?
This post is not meant to make anybody feel guilty for choosing to write about one ship or another, nor is it arguing that anybody who does focus on one ship (ex. Hangster) over another (ex. Macheresin) is inherently racist. You can't choose what you're into. What I am saying is a fact: the characters of color in Top Gun: Maverick (no matter who their relationships are with) are not being written about as often as the white characters. And though I haven't personally delved into all 1005 fics in this tag, I can guarantee you that the vast majority of the fics in which these characters of color are being tagged in do not feature these characters in a leading role.
Just something to think about.
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a-way-of-forgiving · 2 years
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my west side story next gens (part one)
(i’m getting into writing,,, lol pls be nice to me anyways)
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Elizabeth “Birdie” Lorton
Riff and Grazi’s daughter
Born September 13th, 1957
She/her bisexual
Emma Watson face claim
insecure + awkward
Dating Cricket (more on him later)
Grazi’s pride and joy.
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Oliver “Cricket” Moller
The oldest child of Diesel and Mamie
Born soon after Birdie (november maybe?)
Brother to Tulip and Reed
He/they heterosexual
Rupert Grint face claim
An absolute adorable idiot
Birdie’s boyfriend
Died after being drafted into the Vietnam War (in 1974) when he was seventeen
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Carolyn “Tulip” Moller
Middle child of Diesel and Mamie
Younger sister to Cricket and twin to Reed
Born November 16th, 1958
She/her pansexual
Bonnie Wright face claim
Stereotypical mean girl
In a dysfunctional relationship with Melody
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Catherine “Reed” Moller
The youngest of Diesel and Mamie’s children
Younger sister to Cricket and twin to Tulip
Born November 16th, 1958
She/they lesbian
Bonnie Wright face claim
Tough and resilient. Very sarcastic but not in a mean way? She is genuinely sweet but can be very closed off at times.
Single and not looking
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Kathleen “Glimmer” Walsh
Daughter to Baby John and Tessie
Born June 25th, 1959
She/they/it Bisexual
Evanna Lynch face claim
manic pixie dream girl vibes
Single but looking
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Melody Kowalski
Skink and Sorella’s youngest child
Twin sister of Elodie
Born 1958
She/her lesbian
Julia Stiles face claim
She’s pretty laid back and inattentive. Is probably on drugs, let’s be honest with ourselves. Is not the best person to be around
Dating Tulip but it’s a rough situation
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Elodie Kowalski
Skink and Sorella’s oldest
Twin sister of Melody
Born 1958
All pronouns, unlabeled sexuality
Larisa Oleynik face claim
Actual the sweetest person in the entire world. They are protective and gentle and loving and a ball of sunshine
Single and not looking but also not against a relationship?
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Sofia Gutierrez
Flaco and Tati’s only daughter
Born June 28th, 1962
She/her bisexual
Martina Cariddi face claim
Flirty and charming. Very clingy and affectionate. Major attachment issues.
Formerly dated Penny
when she was only sixteen, she became addicted to drugs. specifically heroin. this only got worse, but her parents would never kick her out. never. when she was seventeen, she fell in love with the daughter of sweden and little moly, who was named penelope. although she went by penny. the two were cautious about pursuing a relationship but eventually went for it. sofia got hiv from an infected needle when she was nineteen. after this, penny broke up with her. she was scared and didn’t want to watch her die. sofia tragically died only a few months later.
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Penelope “Penny” Burke
Only child of Little Moly and Sweden
Born 1962
She/he/it unlabeled
Kizzy Edgell face claim
Has commitment problems. Wants so badly to be supportive but she really struggles. Sarcastic and slightly mean, but also very insecure
Formerly dated Sofia
Him and Sofia started dating when they were seventeen. But when Sofia became sick when they were nineteen, Penny broke up with her. He didn’t want to watch his girlfriend die so he left. Once Sofia died, he instantly regret it. Hasn’t been able to move on since.
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Mia Albandoz
Pili and Braulio’s daughter
Born January 9th, 1963
She/her lesbian
Camila Mendes face claim
Just a cute little lady!! Is very funny and immature, she cannot be serious for five seconds. Band nerd
Dating Laura Bates (daughter of Big Deal and Natalie). They are very in love.
Okay so that’s it!! Let me know if you guys like them lmao. I love them all, no matter how problematic some of them are
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papermoonloveslucy · 6 months
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Lucy in Beverly Hills
Part 2 ~ The Episodes
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'Thank God I'm doing "Lucy" and thanks for "The Beverly Hillbillies", "Dick Van Dyke", and the rest.' ~ Lucille Ball, November 4, 1963
~ Parallel Universes ~
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Sometimes hillbillies turned up on Lucycoms - just not necessarily Beverly Hillbillies. Lucille Ball often blacked out her teeth and deepened her voice to play backwoods type characters.
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In "Lucy and Tennessee Ernie Ford" Homer (Ernie Ford) and his family walk into a palatial penthouse and “The Lucy Show” suddenly feels very much like an episode of “The Beverly Hillbillies”.  It is very likely that “The Lucy Show” cast Roy Roberts as the much-anticipated Mr. Cheever after seeing him play banker Mr. Cushing on "The Beverly Hillbillies". Robert Easton (who plays Iffie on "The Lucy Show") appeared in both the TV series and the 1993 film adaptation of “The Beverly Hillbillies.”  
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"Turkey Day" (S2;E4) presents what appears to be stereotypical Native American characters (aka "Indians") who are really just actors on a gig. On "Hillbillies" the faux 'Indians' are played by Benny Rubin and George Suwaya, two performers who were also seen on "I Love Lucy." Lucy's "The Indian Show" (1953) featured Ray Kellogg and Frank Gerstle as the pair. in both cases, the 'white' characters (Mrs. Drysdale / Lucy Ricardo) indulge in broken English and use now-offensive terms in a humorous context.
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"Pygmalion and Elly" (S1;E10) riffs on the George Bernard Shaw play Pygmalion (filmed in 1938), which was the basis for the 1956 musical My Fair Lady (filmed in 1964). Both play and musical deal with the transformation of a lowly woman into the epitome of beauty and class. In 1962 Sonny Drysdale sets to remake Elly from a hillbilly into a woman of society. In 1972, Lucy transformed wallflower Annie Whipple (Ruth Buzzi) into a brazen showgirl on "Here's Lucy." This was Ball's second take on the story, having previously produced "My Fair Lucy" (1965) on "The Lucy Show."
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In 1964, the Hillbillies went on location to Marineland of the Pacific. But they weren't the only only ones. A year later, "The Lucy Show" also shot on location at the marine park, kicking off the show's 'move' to California. CBS had previously shoots at Marineland for “The Munsters”. Coincidentally, Sid Gould, Gary Morton's cousin and a bit player in 45 episodes of “The Lucy Show,” played the Munsters' Marineland tour guide.
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"Dog Days" (S6;E27) trots out most all of Frank Inn's canine cast - and then some. Dozens of dogs were also involved in "Lucy and Viv Learn Judo" (1963). Prominent among Elly's pooches is Lord Nelson, the sheep dog who played Mr. Mooney's pet on "The Lucy Show."
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1963's "The Clampetts in Court" (S1;E32) finds the family being sued by the Johnsons (Murvyn Vye & Kathleen Freeman) who claim to have been injured in an auto accident caused by Jed. They are faking, of course. In addition to Vye and Freeman, the episode features "Lucy" regulars Roy Roberts and Bert Stevens. Similarly, in a 1972 episode of "Here's Lucy," the Carters find themselves in court when a dancer and his unscrupulous agent (Jim Bates & Jesse White) claim injuries from Lucy's negligence - until Lucy and Harry spy him dancing up a storm with an undercover Kim.
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Elly Mae's affection for her 'critters' is not unlike Wayne Newton's on "The Lucy Show" and "Here's Lucy". In both episodes that the singer appears in (as himself), he is surrounded by a variety of barnyard animals. Lucy and Donna Douglas ignored the old show-business axiom: "Never work with children or animals."
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"Jed and the Countess" (S3;E26) introduced Jean Willes as the Countess Maria. While she made only one appearance, Countess Henri Gaston Armand Jean-Louis Philippe Framboise Le Cul-de-Sac  (aka Rosie Hannigan) played by Ann Sothern made seven appearances on "The Lucy Show" in 1965. Burt Mustin played Countess Maria's chauffeur. Mustin played Old Uncle Joe on two episodes of "The Lucy Show." Countess Framboise flirted with Mr. Mooney the same way Countess Maria flirted with Jed. Willes was seen in two films with Lucille Ball as well as an episode of "Here's Lucy."
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The Commerce Bank of Beverly Hills and The Westland Bank were the banks featured (respectively) on "The Beverly Hillbillies" and "The Lucy Show."
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When "Elly Becomes a Secretary" (S1;E35), Millburn Drysdale is guest speaker at the National Bankers Convention. Two years later, in 1964, Vinnie Meyers (Max Showalter) takes over for Mr. Mooney while he is away at a banker's convention in Bridgeport on "The Lucy Show." Meyers is said to be from the Jamestown (NY) branch of Mr. Mooney's bank.
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In a 1967 episode of "Here's Lucy," Mrs. Carmichael is volunteered as a date for the 90 year-old president of the bank (Dennis Day) so he can attend the Annual Bankers Banquet. Naturally, she disguises herself as a little old lady and finds that although he is old, he is still very interested in the opposite sex!
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"The Clampetts Play the Rams" (S4;E7) tackles two hot topics of the day: Football and Color Television. Lucycoms were no stranger to pigskin plots, the LA Rams in particular. The entire team was featured in the 1949 Lucille Ball film Easy Living. Other mentions include: "The Football Game" (1950), Lucy is a Referee" (1962), "Lucy The Skydiver" (1970), and "Lucy and Aladdin's Lamp" (1971).
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Although not played by Stretch (aka Duke), Lucy Ricardo briefly encountered a Basset Hound named Rocky aboard the S.S. Constitution in 1956. Lonely, she briefly considers the dog as a ping pong partner!
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"The Little Monster" (S5;E29) introduces banker Drysdale's obnoxious nephew, Little Millby, played by Teddy Eccles. A year earlier on "The Lucy Show," banker Mooney's unruly nephew Wendell, played by Jay North, visits his uncle Theodore in "Lucy The Robot" (1965). North is best remembered for playing cherubic menace named Dennis on his own sitcom. Coincidentally, Eccles played Arnold Mooney, banker Mooney's youngest son, on a 1964 episode of "The Lucy Show."
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The Clampetts found themselves in England on several occasions. Most of their adventures were filmed in Hollywood, but the shows did include some location shooting with the principal cast, including of Buckingham Palace, a location visited by Lucy and Ethel in 1955. On "I Love Lucy," however, the Palace was recreated at Desilu. In 1966, Lucy Carmichael went to London in a special titled "Lucy in London." This time Ball and company actually visited England. Both the Clampetts and Mrs. Carmichael flew Pan American Airlines. Lucy Carter went to London in 1971 as traveling companion to talk show host David Frost. Once again Pan Am carried the characters across the pond. In return, stock footage of one of their jets was used, but viewers never saw anything more than Hollywood recreations of the interior of the jet and Frost's London TV studio. Faversham!
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In "Race for the Queen" (S2;19) in 1964, Miss Jane competed with Elly Mae (and Granny!) for the titled Queen of Beverly Hills. In 1970, Lucy Carter competed with Carol Krausmeyer for the title of Secretary Beautiful. Both pageants featured celebrity judges: Bob Cummings on "Hillbillies" and Robert Alda on "Lucy". Naturally, and somewhat regrettably, both contests included swimsuit competitions!
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In "Clampett City General Store" (S3;E3) Granny gets cast as Cleopatra in Mammoth Pictures' new epic. A year earlier, in 1963, Lucy Carmichael played Cleopatra for the Danfield Community Players. In both scripts, Theda Bara, who played Cleopatra in 1917, and the 1963 Liz Taylor epic are mentioned. Neither scripts acknowledge the 1934 Cecil B. DeMille epic starring Claudette Colbert.
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A bus tour of Beverly Hills is part of "Dr. Jed Clampett" (S3;E5) and a 1955 episode of "I Love Lucy" titled "The Tour". Both feature second unit film footage of a tour bus driving through the palm-lined streets. On the bus, an obnoxious woman is aching to get off, despite the warnings of the bus driver. In "Dr. Jed Clampett", that woman is the mother of a tap dancing prodigy and the home is that of movie studio owner Jed Clampett. In "The Tour," that woman is Lucy Ricardo, and the home is that of movie star Richard Widmark.
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In "Jed the Movie Mogul" (S3;E1), TV viewers (and the Clampetts) get a preview of a scene from the upcoming Universal film Send Me No Flowers. The scene features Rock Hudson and Doris Day and is shown to the Clampetts as dailies from a film being shot at Jed's Mammoth Studios. On a 1955 episode of "I Love Lucy" titled "Lucy and the Dummy" the host of the MGM executive show introduces a clip from their upcoming movie musical Guys and Dolls. After the first airing, the clip was removed from the syndicated print, while Send Me No Flowers remains part of "The Beverly Hillbillies" to this day. That same season, Lucy Ricardo met Rock Hudson on "In Palm Springs." BTW, both films were released in color, but seen on television shows filmed and aired in black and white.
Double Trouble
With so many episodes and so many seasons, it was inevitable that "Hillbillies" and "I Love Lucy" shared the same titles.
"The Ballet" (S3;E10) of the "Beverly Hillbillies" concerns Jed financially rescuing the Los Angeles ballet. Leon Belasco played the ballet master. He was seen on several episodes of "The Lucy Show," often in the context of classical music. "The Ballet" (S1;E10) of "I Love Lucy" has Lucy learning ballet to get into Ricky's act. Mary Wickes played the ballet mistress. Wickes played social climber Adaline Ashley on a 1967 episode of "Hillbillies."
"The Diner" (S6;E19) of "The Beverly Hillbillies" and "The Diner" (S3;E27) of "I Love Lucy" have more than titles in common. They both concern the main characters purchasing a diner. Jethro named his eatery The Happy Gizzard. The feuding Ricardos and Mertzes divide their diner. One half is named A Little Bit of Cuba, and the other side is named A Big Hunk of America.
~ Epilogue: Y'all Come Back Now!
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When the Clampetts made the cover of TV Guide in November 1962, it was Lucille Ball who got top billing - with a line over the masthead promoting her TV special with Danny Kaye. "The Beverly Hillbillies" made the cover nine times - while Lucille Ball reigned as queen of the Guide with 39 covers.
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"Return of the Beverly Hillbillies" (1981) featured Lucy regulars Lurene Tuttle as Mollie Heller as Charles Lane as Chief, both of whom were in the original series. Lucille Ball never presented a 'reunion' show as such, she simply reinvented her Lucy character with a new last name, just as she did in 1986's short-lived "Life With Lucy."
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In addition to comic books, both shows were novelized for young readers.
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hawkssucks · 7 months
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I miss Kathleen Bate….
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brookstonalmanac · 8 months
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Birthdays 8.13
Beer Birthdays
Arnulf of Metz (582 C.E.)
William Blackall Simonds (1761)
Anders Jöns Ångström (1814)
Charles Wells (1842)
Lilly Anheuser (1844)
William J. Lemp Jr. (1867)
Mark Carpenter (1943)
Dave Keene (1955)
Tom Nickel (1972)
Five Favorite Birthdays
Ben Hogan; golfer (1912)
Annie Oakley; sharpshooter (1860)
Philippe Petit; high-wire artist (1949)
George Shearing; jazz pianist (1919)
Felix Wankel; German engineer (1902)
Famous Birthdays
Felix Adler; ethics philosopher (1851)
Giovanni Agnelli, Italian businessman, founded Fiat (1866)
Anders Jöns Ångström; Swedish physicist (1814)
Benny Bailey; trumpet player (1925)
John Logie Baird; Scottish engineer, television inventor (1888)
Grace Bates; mathematician (1914)
Kathleen Battle; opera singer (1948)
Danny Bonaduce; actor (1959)
Neville Brand; actor (1920)
Jane Carr; English actress (1950)
Dave Carter; singer-songwriter and guitarist (1952)
Fidel Castro; Cuban dictator (1927)
William Caxton; English linguist, printer (1422)
Bobby Clarke; Philadelphia Flyers C (1949)
Will Clarke; author (1970)
Tom Cohen; philosopher (1953)
Dave "Baby" Cortez; R&B pianist, organist, and composer (1938)
Alex de Renzy; film director (1935)
Joycelyn Elders; admiral and physician (1933)
Dan Fogelberg; pop singer (1951)
Julius Freed; inventor, "Orange Julius" (1887)
James Gillray; English caricaturist (1756)
Paul Greengrass; English film director (1955)
George Grove; English musicologist and historian (1820)
Pat Harrington Jr.; actor (1929)
Alfred Hitchcock; film director (1899)
Don Ho; singer (1930)
John Ireland; English composer (1879)
Salomon Jadassohn; German composer (1831)
Bert Lahr; actor (1895)
George Luks; painter (1867)
Salvador Luria; Italian-American microbiologist (1912)
Bernard Manning; English comedian (1930)
Debi Mazar; actor (1964)
Jimmy McCracklin; blues/R&B singer-songwriter (1921)
Vladimir Odoyevsky; Russian philosopher (1803)
Tom Perrotta; novelist (1961)
Valerie Plame; CIA agent and author (1963)
Kevin Plank; businessman, founded Under Armour (1972)
Thomas Pogge; German philosopher (1953)
Llewelyn Powys; British writer (1884)
Gene Raymond; actor (1908)
Herb Ritts; photographer (1952)
Buddy Rogers; actor and musician (1904)
Frederick Sanger; English biochemist (1918)
John Slattery; actor (1962)
Goldwin Smith; English-Canadian historian (1823)
Lucy Stone; feminist, suffragist (1818)
Margaret Tafoya; Native American Pueblo potter (1904)
Regis Toomey; film director, actor (1898)
Richard Willstätter; German-Swiss chemist (1872)
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gwyoi · 1 year
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Help me Kathleen Bate
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africanhedgehog · 1 year
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Joey
The Story of Joe Biden
By Jill Biden
Illustrated by Amy June Bates / With Kathleen Krull https://youtu.be/8KJBQ1DeXi8
https://www.simonandschuster.com/books/Joey/Jill-Biden/9781534480544
#President #JoeBiden @DrBiden @JoeBiden #USA #Respect
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carmenvicinanza · 1 year
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Kathy Bates
https://www.unadonnalgiorno.it/kathy-bates/
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Kathy Bates è una poliedrica attrice e regista statunitense dalle straordinarie doti recitative. Ha fatto la storia del cinema con indimenticabili interpretazioni di donne spesso forti e padrone del proprio destino.
Ha saputo conquistare Hollywood col suo straordinario talento e il coraggio di andare avanti, nonostante le porte sbattute in faccia perché il suo fisico non rientrava negli standard cinematografici.
Ha dato vita a personaggi memorabili, diventando una delle star protagoniste degli anni ’90.
È diventata celebre nel ruolo della psicopatica Annie Wilkes in Misery non deve morire, che le ha fatto vincere l’Oscar alla miglior attrice e il Golden Globe. Per questa interpretazione, l’American Film Institute l’ha inserita al 17º posto nella classifica dei 50 migliori cattivi del cinema statunitense.
Ha ricevuto altre tre candidature agli Oscar come miglior attrice non protagonista, ha vinto tre Emmy Awards, l’Obie Award e numerose nomination per tutti i maggiori premi internazionali per il suo lavoro nel cinema, televisione e teatro.
Nata col nome di Kathleen Doyle Bates, il 28 giugno 1948 a Memphis, in una famiglia della middle class, ha origini inglesi, scozzesi, irlandesi e tedesche.
Dopo essersi laureata in teatro alla Southern Methodist School nel 1969, si è trasferita a New York per provare a lavorare a Broadway mentre svolgeva diversi lavori per mantenersi.
Nel 1971 ha esordito nella commedia Taking Off, il primo film americano del regista ceco Milos Forman. A metà degli anni ’70 è stata diretta da Robert Altman nella piece Jimmy Dean, Jimmy Dean, insieme a Cher e Karen Black. Nel 1978 è stata nel cast di Vigilato speciale con Dustin Hoffman.
Nel 1983 ha ricevuto un Tony Award per un ruolo in Night, Mother di Marsha Norman, l’opera teatrale è rimasta in scena per oltre un anno.
Negli anni Ottanta ha fatto parte del cast nell’adattamento cinematografico di Jimmy Dean, Jimmy Dean e recitato in altri ruoli in piccoli film indipendenti e in produzioni televisive.
Il successo internazionale è arrivato grazie alla sua interpretazione nel thriller Misery non deve morire, del 1990, tratto dall’omonimo romanzo di Stephen King.
Dopo il grande successo del film sono arrivati importanti ruoli come quelli in Pomodori verdi fritti alla fermata del treno, L’ultima Eclissi e I colori della vittoria.
Dalla fine degli anni Novanta è passata anche dietro la macchina da presa e diretto episodi televisivi di celebri serial come NYPD, Oz e Six Feet Under, di cui ha interpretato anche diversi episodi.
Nel settembre 2016 le è stata dedicata una stella sulla Hollywood Walk of Fame.
La sua filmografia completa conta oltre 70 pellicole.
Nonostante abbia lottato contro insicurezza, depressione e autolesionismo in gioventù e, più avanti negli anni, contro due tumori, resta una donna molto determinata, in continua evoluzione e ricerca, che custodisce gelosamente la sua vita privata.
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tvguidancecounselor · 2 years
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TV Guidance Counselor Episode 543: RJ City
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January 21 -27, 1956
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This week Ken welcomes professional wrestler, podcaster, YouTube sensation and kindred spirit RJ City to the show.
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Ken and RJ discuss being in Toronto, Alison Rosen, doing too much work, wrestling, Ethel Mirman, TV tapings, Ravishing Rick Rude, Stand Up Comedians, Ken's ignorance to Canadian wrestlers, grandmothers introducing RJ to old show biz, vaudeville, how nothing really changes, Lipstick and Dynamite, Gorgeous George, Milton Berle, the search for the wrestling episode of the Mike Douglas Show, John Mikel Thor, Mason Reese, Charles Nelson Riley, how somehow nobody "knows", getting a Cameo from Ruth Buzzi, Lidsville, The Sid & Marty Kroft amusement park, Lawrence Welk, creepy cult vibes, One Toke Over the Line, weird accents, racial insensitivity, Fred Penner's Place, Mr. Dressup, working at CBC, missing Degrasi, I Love Lucy, The Hilarious House of Frightenstein, Wyatt Earp, having the first name "Welcome", shooting poker chips, Hugh O'Brien, hideous old male comedians, Shirley McClain, Dick Dale on Lawrence Welk?, Wally Cox, Ernie Kovacs, Edie Adams, The Gentlemaniacs, Sidney Lumet, plays on TV, Kathleen Freeman, Mayor of the Town, Jerry Lewis, David Arquette, evil Jerry Lewis, The King of Comedy, telethons, You Can Quote Me, game shows, publishers, the effects of smoking on human skin, finding graves, loving Phil Silvers, talking to Dick Cavett, Don Knotts, Red Skelton, Anthony Perkins, Bates Motel: The Series, Budd Cort, Rich Little's impressions, Cleo the talking Dog, Jackie Cooper, cheesecake photography, Howling II, Monkey Phases, Wayne and Shuster, comedy by the man, Lorne Michaels, Bob and Ray, the movie "Who?", the Lawrence Welk fan club, Champagne music, blimp hangars, Bishop Sheen, Oral Roberts, getting set up with Charro, Xavier Cugat, bizarre mustaches, Where They Are Now, and the strange UFO obsession of Jackie Gleason.
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Playlist (15): Great Big Hoping Machine (Radio Plastique), Sept 4 2022
ARTIST / SONG / ALBUM
Cass McCombs  "New Earth"  Heartmind
Watchhouse "Wondrous Love" Watchhouse (Duo)
Kathleen Edwards "Birds on a Feeder" Total Freedom
Noah Reid "Left Behind"  Adjustments
Wilco "All Across the World" Cruel Country
Caroline Spence "Mary Oliver"  True North
Lucy Kaplansky "Last Days of Summer" Last Days of Summer
Mary Gauthier "How Could You be Gone"  Dark Enough to See the Stars
Noah Zacharin "Another She" Strange Rider
Florist  "Red Bird Pt. 2 (Morning)" Florist
Anna Bates  "Holy Smokes" Here's to the End
Jackson County Line "1942" White Flowers
Mouths of Babes "Beehive" Brighter in the Dark
Angel Olsen "All The Flowers" Big Time
Jay Farrar, Will Johnson, Anders Parker and Jim James "Hoping Machine"  New Multitudes
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8dpromo · 2 years
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Ransel - Islands (Beatservice Records)
8DPromo · Ransel - Islands (Beatservice Records)
Beatservice Records is thrilled to announce the *Islands EP from Ransel – an intriguing new project birthed from the inspired mind of Øivind A Sjøvoll, better known as Kohib. The Islands EP sees Sjøvoll adopt a floor-focused sound for the all-new moniker, serving two typically finessed compositions that each exude the distinguished quality of production we've come to expect from the skilled sonic craftsman. Having released scores of well-regarded titles on some of the world's most revered underground labels, his latest project is a perfect fit for his familiar Beatservice home. Both tracks on the EP feature bewitching vocals performed by Charlotte Qamaniq and Kathleen Merrit, who spent time visiting his Tromsø hometown back in 2018. Embellishing the music with a delightfully mysterious charm, their traditional throat singing lends itself perfectly to Sjøvoll's profound sound signature. The opening track "Qimmiq" unfolds over a hypnotic midtempo rhythm, with the unforgettable vocals echoing over a bed of immaculately formed synth textures as thick waves of percussion add endless depth to the groove. Undulating over a deeply immersive arrangement, the music mesmerizes as it effortlessly builds. Nudging the tempo while delicately upping the energy levels, the propulsive strut of "Islands" is equally atmospheric. Rugged drums and infectious percussion provide the club-ready power before the almighty bass hook adds infinite weight to the groove. Purposefully ebbing and flowing over a full-bodied arrangement, saucer-eyed synths and loose-limbed congas swirl over the grainy vocal chants, combining to create a gloriously enigmatic moment of dance-focused abandon. Striking, original, and overflowing with class, this is yet more impressive work from Sjøvoll, leaving us waiting with bated breath to hear more music crafted under his fascinating new Ransel alter-ego.
Peter Kruder (Kruder & Dorfmeister) – “Islands is great! Thank you.” Flash Atkins (Paper Recordings) – “Pure heat from Kohib. Loving the murky, swampy Islands.” Trent Banks / Citrus Age (Reflect) – “Wow! What a deep, visceral project. This will take people to other places.” Sean Johnston (Hardway Bros) – “Both of these tracks are excellent.” MGiK (Sofa Surfing) – “On air a must!” Quincy Jointz (Ibiza Global Radio) – “I like ‘Qimmiq’. Also, I can imagin playing ‘Islands’ with it’s heavy percussion in my DJ sets at the right time.”
Available Now From: Beatport, Bandcamp, Apple Music, And Spotify.
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