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#katniss everdeen and peeta mellark
little-lynx · 4 months
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Happy Holidays!
Hello guys! It’s Christmas Eve here in Russia so here I am with my annual winter Everlark for you all!
Merry Christmas and Happy New Year to all of you, my dear friends! I miss you so much!
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P.S. hope to be here tomorrow and check all the news and asks and messages! I’m sooooo sorry, my life is still such a mess 😩
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thesunpersists · 17 days
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The Third Thing, Chapter 4
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"We did not spend our days gazing into each other’s eyes. We did that gazing when we made love or when one of us was in trouble, but most of the time our gazes met and entwined as they looked at a third thing."
Snapshots of Katniss and Peeta's post-war life. Each chapter is inspired by and loosely based on a quote from "The Third Thing" by Donald Hall.
Chapter 4: “For many couples, children are a third thing.”
Read on ao3!
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everdeenxmellark · 1 year
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“my nightmares are usually about losing you,
i’m okay once i realise you're here.”
- peeta mellark
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sabsgames · 5 months
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what makes Snow such a formidable villain within THG universe is that nothing he does was set in stone. there was no sense of inevitability about his actions and his brutality. Snow had enough perspective of poverty, capital cruelty, district hunger and not to mention his own arena experience’ and yet he actively chose at every moment to stray from natural goodness. its even more terrifying in the sense that he had the ability to care. Snow is not a mindless sociopath, he displays feelings to others such as sejanus, lucy grey and tigris but ultimately he will always choose himself. his ability to betray those he cared about in order yo advance himself makes him so much more than the stereotypical villain who is forced into his actions.
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agoddamnrayofsunshine · 5 months
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I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable
So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life
In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it
This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made
Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them
Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change
He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given
I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions
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nunyabznsbabes · 5 months
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Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes find that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.
Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.
It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.
So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.
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stephsycamore · 5 months
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I think the most radical thing the hunger games does is tell young people that the most revolutionary thing you can do is have unconditional love for humanity. Katniss throughout the entire series is guided by a deep sense of compassion for the people around her. It is what causes her to volunteer, to bury rue, to mercy kill cato, its why she tries to save peeta, why finnick telling her to remember who the real enemy is works, and even though her compassion for the larger world falters when peeta is kidnapped, it comes back when she visits hospitals and asks for mercy for other victors and ultimately, it is love and belief in a better humanity that makes her kill coin. Through it all, she maintains an unfaltering belief in the fundemental goodness of humanity, which is diametrically opposed to dr gaul's and snow's worldview. Peeta is even more unwaveringly compassionate
So the series tells young people that the most revolutionary thing you can be is compassionate. Let compassion drive your politics. Let yourself believe in the fundemental goodness of people. And i think that's deeply important in a world that touts the superiority of pure reason or logic, to allow yourself to be guided by something as emotional as compassion. Katniss everdeen tells us that your politics should be rooted in compassion in a world that thinks detatchment or cynicism is intelligence and i think thats v cool
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ringtoned · 1 year
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suzanne collins is such a genius... the cultural phenomenon of her series leading to the hanging tree house remixes, mockingjay being milked for two (bad) movies, the capitol-inspired makeup palettes, the halloween costumes, the explosion of the market for dystopia, the butchering of her characters and removal of disabilities, disfiguration, and racial tension + representation to sell more tickets, the extra gale scenes to fuel discourse, and the audience showing up to cinemas to watch what was pretty honestly marketed to them (the jacob vs edwardification of the symbolic love story and also to watch children fight to the death) it's just so ridiculously ironic i would say you can't write this shit, but she did write about it... in The Hunger Games published 2008
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there was a moment when the people in the movie theatre and the capitol audience in the stands were laughing at the same things, having the same reactions to the games, to the deaths, to flickermans jokes, to the doctor's announcement...i wonder aren't we watching it for entertainment too
suzanne collins' books may exist in popular culture as "dystopian", but they have always been a meticulous and startlingly close social critique of our world. at what point does our own idolization of the movies and the books repeat that story? we watch just as the capitol audience does.
all dystopia eventually crosses a line from realistic futurism to current relevancy. how long will it take us to realize we've already crossed that line with these books? and the very people who need to realize this are the ones in that audience...real or fake, we're the same: consuming and consuming.
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fromevertonow · 5 months
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Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.
The original trilogy:
Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.
Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.
Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.
Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.
TBOSAS
Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.
Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.
Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.
Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.
(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.
(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.
There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.
Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.
Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔
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ivysos2001 · 6 months
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I think it’s kind of funny how coin (who obviously wanted peeta rescued from the arena instead of katniss) doesn’t see what an absolute nightmare he would be for her to deal with if she left katniss in that arena
Like she thinks katniss was hard to deal with/manipulate/control after she left peeta behind? Peeta would’ve had her whole district eating out to the palm of his hand before she even realized who she was dealing with. She thought katniss was too single minded/stubborn about her focus on saving peeta over the revolution itself? He would have been her absolute nightmare (and I adore him for it)
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danyllura · 1 year
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I love that in Catching fire Katniss comes to the conclusion the other tributes are trying to keep Peeta alive because they must see how amazingly perfectly wonderful he is. When in actuality that’s just her having a crush and everyone else recognizing that if Peeta gets hurt Katniss will go fully feral and unhinged and probably try to kill everyone and then herself.
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thesunpersists · 1 month
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The Third Thing, Chapter 2
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"We did not spend our days gazing into each other’s eyes. We did that gazing when we made love or when one of us was in trouble, but most of the time our gazes met and entwined as they looked at a third thing."
Snapshots of Katniss and Peeta's post-war life. Each chapter is inspired by and loosely based on a quote from "The Third Thing" by Donald Hall.
Chapter 2: “Meantime we lived in the house of poetry, which was also the house of love and grief, the house of solitude and art.”
Read on ao3!
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everdeenxmellark · 10 months
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“there are much worse games to play”
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allovesthings · 5 months
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Katniss, during almost the entirety of the trilogy: I don't want kids but I want Peeta to have children so much. He is so dad-shaped it hurts, Imagining his kids running in the meadow in 12 brings me so much joy..
Peeta: has never, not once,expressed any desire to have kids before the epilogue
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darknight3904 · 5 months
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It Burns For You
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𝕊𝕦𝕞𝕞𝕒𝕣𝕪: ɪɴ ᴡʜɪᴄʜ ʏᴏᴜ ᴀɴᴅ ᴄᴏʀʏᴏ ɢʀᴏᴡ ᴜᴘ ᴛᴏɢᴇᴛʜᴇʀ ɪɴ ᴛʜᴇ ᴄᴀᴘɪᴛᴏʟ ᴀɴᴅ ᴏɴᴇ ᴅᴀʏ ᴄʀᴏꜱꜱ ᴛʜᴇ ʟɪɴᴇꜱ ʙᴇᴛᴡᴇᴇɴ ꜰʀɪᴇɴᴅꜱ
𝕎𝕒𝕣𝕟𝕚𝕟𝕘𝕤: ɴᴏɴᴇ, ᴊᴜꜱᴛ ꜰʟᴜꜰꜰ. ᴏᴏᴄ ᴄᴏʀʏᴏ, ʜᴇ'ꜱ ᴊᴜꜱᴛ ᴛᴏᴛᴀʟʟʏ ʜᴇᴀᴅ ᴏᴠᴇʀ ʜᴇᴇʟꜱ ꜰᴏʀ ʀᴇᴀᴅᴇʀ. ᴄʜᴇᴄᴋ ᴏᴜᴛ ᴍʏ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ ꜰᴏʀ ᴍᴏʀᴇ ᴏꜰ ᴍʏ ᴡʀɪᴛɪɴɢ!
ᴘᴀʀᴛ ᴛᴡᴏ
Coriolanus is 12 when he sees you for the first time. Your red uniform is pressed perfectly and your school bag looks brand new. Your lunch consisted of a hearty-looking sandwich with roast beef and lettuce and a container of fresh fruit that had his mouth-watering.
"Do you want a piece? Our maid always packs too much and I can never finish it. You can have some if you want." Your voice fills his ears
A delicate-looking hand is holding a juicy-looking strawberry in front of him. He reaches for it and it takes every ounce of self-control he has not to shove it in his mouth. Instead, he takes a small bite and thanks you for sharing.
"Don't you have a lunch today?" You ask
He doesn't. The school had said they would start supplying the students with lunches soon but how soon? Coriolanus had already been attending for a number of years and still nothing.
"I already ate it." He lied
"You're still hungry though. You can have the rest." You say with a smile as you push your fruit bowl to him.
"Is it your first day?" He asks
"Yes, my mother thought that my governess wasn't doing a good job so she had my father enroll me here. I miss being at home with my new kitten though. She has long white hair and she is the cutest thing in the whole world." You said
Coriolanus can't believe that you had your own governess, let alone a pet to call your own. He later learns from Arachne that your father became incredibly rich by manufacturing weaponry for the Capitol. Despite your inherent wealth, you've never flashed it around him.
You and Coriolanus are 15 when you discover all the lies he tells at school about his family. He had left his uniform jacket behind on his chair and you got his home address from Sejanus, meaning to give it back so he'd have it for tomorrow. Instead, you had discovered the Snow's decrepit-looking building and barely functioning penthouse. Coriolanus' heart nearly stops when he emerges from his room to see you and his Grandma'am sitting together as she compliments your shoes.
"What are you doing here?" He asks, ready for your judgment and teasing words
"I wanted to return your jacket, Coryo. You'll need it for tomorrow."
The red of the jacket in your arms matches his face as he ushers you to the door, trying to hide the fact that Tigris was preparing cabbage in the kitchen that would undoubtedly stink the entire place up with the scent of the Snow's poverty.
"Stop rushing me, your cousin invited me to stay for dinner." You say trying to stop the way he is leading you to the door.
"You don't want what she is making. Tigris is a terrible cook." He said
Tigris lets out a shout of disagreement from the stove and Coriolanus ignores it.
"How about, I go out and get something to add to the meal Tigris is cooking, and by the time I get back you change your attitude about me staying for dinner Coryo. "
And with that, you walk out the door and slam it in his face. He's rather stunned at your declaration but knows you're serious. He rushes around their home, trying to clean up what he can while Tigris laughs at his frantic motions. Then, just as he was debating whether or not he wanted to change out of his uniform, you return from your short trip to the closest market.
"I wasn't sure what Tigris is cooking so I got a couple of things." You say placing the bags on the table.
Coriolanus is sure you spent a fortune on what is in these bags. Fresh bread accompanied by a sickly sweet fruit spread and a block of butter sits in one while the other holds something else in a brown box. You take your seat next to him at the ugly little table he has eaten too many meals at and cut a piece of the bread for Grandma'am. He is worried when Tigris starts portioning out the cabbage she cooked on the stove. Coriolanus watches your expression as you take a bite but nothing that he expected happens. You don't knit your brows in disgust or get up to leave and take your fresh bread and mysterious box with you. Instead, you go back for a second bite and compliment what Tigris has done with the food.
He sits stiffly next to you and can barely accept the slice of bread you offer him. You excuse yourself to use the bathroom and Tigris reaches across the table and pinches his shoulder.
"Stop sitting like that, Coryo!" She scolds
"Like what?" He asks,aware that Tigris meant how oddly straight his back was.
"You're making her uncomfortable. You've been friends with her for years she isn't worried about what our home looks like." Tigris says
"She might not be but what happens when she goes to school tomorrow and talks?" He asks
He shuts up when he hears the sound of the bathroom door opening again.
"That was lovely Tigris. I've never had anything like it, I'll have to invite you all to my own home for dinner sometime. Our cook makes these pastries that are simply wonderful. They even get sold at local markets, which leads to this..."
His eyes widen when you finally unveil what was hiding in that second bag. A dozen expensive looking deserts sit in the brown box you brought, each one decorated differently.
"I hope I picked something everyone would like. I know Coryo mentioned that Grandma'am liked chocolate so I picked this one just for her."
Coriolanus feels a wide smile stretch across his face as you pass out your little desserts. His worries about you gossiping to their peers fade from view as he bites into what he thinks is a croissant. You laugh at his reaction and toss a napkin at his face which is most likely covered in the gooey fruit filling that was in his pastry.
He walks you back to your home that night and thanks you for making his night. He can't remember the last time Grandma'am had smiled from eating chocolate. You accept his thanks and gently tell him that he shouldn't be ashamed about his financial situation. He never gets to disagree with you though because a soft kiss is pressed to his lips followed by a rushed,
"Goodnight, Coryo! Thanks for the cabbage!"
He walks back to his own home with a jump in his step. Thoughts of you consume him as he smiles to himself, proud his first kiss was shared with you. He feels his heart burn with something that felt like it was going to come up and out his mouth as he finally made it back to his room, you officially had him wrapped around your finger.
Your room is flooded with sunlight the first time Coriolanus sees it. A soft, silky-looking bed spread sits atop one of the biggest beds he has seen as you beckon to your cat, Maisy to come and say hello to him. He looks at the oversized wooden dresser that sits against one wall. He sees the photograph of him and you that was taken a few weeks ago at your 17th birthday party nestled among little knickknacks. Books Coriolanus has never even heard of line your shelves as he you place a record on the player that sits on your desk. Soft sounds of a piano and the words from an unnamed singer fill your gorgeous room as he turns to you.
"Do you want to dance?" He finds himself asking
You accept and he leads you or well tries to. You're rather stiff and it turns out dancing is harder than it looks because he isn't any good at it either. You laugh as he trips over his feet and end up falling with him, landing on the ground entangled in each other. Your fingers brush his curls from his eyes as his nose brushes yours.
"What're you doing?" You ask quietly
"Nothing." He responds, his eyes flicking to your lips.
The moment his lips touch yours, a tingle shoots down his spine. This is a real kiss, not what you gave him when you were both 15. He cups your face and your hands are tangled in his hair as he deepens it. He felt his head spin as you moved against him, almost as if you wanted him to swallow you whole right here on your bedroom floor. A giddy feeling swelled in his chest when he pulled away for air.
"Coryo...what was that?" You ask
"I thought you'd know by now. That was a kiss, darling." He laughed brushing his thumb across your lip
"I know that...but why'd you give me one?" You ask
"Don't you know?" He smiles and places a chaste kiss on your lips "My heart, it burns for you, it always has."
Part 2 is out now!
Series Masterlist
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