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#katurian
sneakertin · 7 months
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still thinking about how half a year ago i saw these pictures from the original production of 'the pillowman' starring dt and got curious. so i read the play. and it turned out to be the best piece of literature i have ever read in my entire life. and ever since then i've been obsessed with this story and these characters but literally no one knows about this play so it's just me. sitting here. in my little puddle of dirt....
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cinematic-literature · 8 months
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In Bruges (2008) by Martin McDonagh
Book title: The Death of Capone by K. K. Katurian
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hot take: anyone criticising Lily Allen's performance in The Pillowman is just upset over Katurian being played by a woman
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greenonthefruittree · 10 months
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why does nobody talk about michal katurian
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bpdjennamaroney · 24 days
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katurian needing to save his stories because if he doesn’t then his suffering and his brother’s suffering and his whole life would have been for nothing…aahhh
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straightplayshowdown · 8 months
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The Pillowman: Katurian, a writer of short stories that often depict violence against children, has been arrested by two detectives, Ariel and Tupolski, because some of his stories resemble recent child murders. Although Katurian knows he himself is not guilty, someone else is.
Accidental Death of an Anarchist: The Milan police force has been wildly condemned by the public following the death of a young, falsely-accused anarchist after his interrogation at their hands. Official reports of the incident conflict: in the first report, the man’s death is listed as “accidental,” whereas it is later listed as “suicide.” In the midst of this, the Maniac is hauled into the police station on charges of “impersonation.” The Maniac knows the police cannot hold him, as he has been legally-certified insane, and takes the opportunity to impersonate a judge sent to reopen the inquiry into the anarchist death, a forensic expert, and a bishop. Through his probing, hilarious, and shocking investigation, the Maniac reveals himself to be a hero to the people--and the police department’s worst nightmare.
Propaganda under the cut!
The Pillowman:
A writer (Katurian) known for his gruesome works of literature - specifically about children dying - is locked up after two recent murders in his area have occurred in the exact same way two of his works of fiction has. He’s strongly believed to be the culprit, although he is not. He is interrogated by “good cop” (Tupolski) and “bad cop” (Ariel). Katurian is beyond clueless, until he finds out his brain-damaged brother (Michal) was the one who committed the crimes. Throughout the show, Katurian recites his stories, including: The Little Apple Men, The Three Gibbet Crossroads, The Tale of the Town on the River, The Pillowman, The Little Green Pig, The Little Jesus, and The Writer And The Writer’s Brother. It overall combines the fantasy from Katurian’s stories with the darkness of the reality of life and death.
Accidental Death of an Anarchist:
The main character is literally named "The Maniac". It's about a guy outwitted a bunch of cops. It ends with an explosion. A cop is named Pissani
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romeoisalesbian · 6 months
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i am keeping track of every play i've read. and i need to put it somewhere
this list is long so im putting it under a cut
The Pillowman - Martin McDonagh - really interesting read, i keep going back and forth on how I feel about it which is a sign that it's REALLY well-crafted. Pieces: Katurian (act 1, mostly), Ariel (act 3, mostly).
Hamlet - William Shakespeare - what a good play!
Romeo and Juliet - William Shakespeare
Titus Andronichus - William Shakespeare
Macbeth - William Shakespeare
Henry V - William Shakespeare
As You Like It - William Shakespeare
Much Ado About Nothing - William Shakespeare
Fences - August Wilson
Agamemmnon - Aeschylus
Electra - Sophocles - modern story conventions mean this play doesn't age well. Contemporarily, the drama of the play is centered around whether Electra will do matricide/step-patricide (with the audience at least hypothetically against the matricide), but modern story structures lessen this drama and turmoil because of moral changes -- it seems arbitrary that Orestes has to do the murder, and Clytaemnestra can be a little girlbossified. Pieces: see conversation between Electra and her sister, maybe.
Medea - Euripides - you don't need me to tell you this play is good.
The Frogs - Aristophanes
Phaedra - Seneca
Fat Ham - James Ijames
Fences - August Wilson
LOVE/SICK - John Cariani
Almost, Maine - John Cariani
Late: A Cowboy Song - Sarah Ruhl - I need to read more Sarah Ruhl
Fairview - Jackie Sibblies Drury
Intimate Apparel - Lynn Nottage
The Last Days of Judas Iscariot - Stephen Adler Guirgis
12 Angry Men - Reginald Rose
The Laramie Project - Moises Kaufman & The Tectonic Theatre Project
You and Me and the Space Between - Finegan Kruckemeyer
This Girl Laughs, This Girl Cries, This Girl Does Nothing - Finegan Kruckemeyer
The Book of Will - Lauren Gunderson
MilkMilkLemonade - Joshua Conkel
You on the Moors Now - Jaclyn Backhaus
The Metamorphoses - Mary Zimmerman
Fuddy Meers - David Lindsay-Abaire
A Doll's House - Henrik Ibsen
A Doll's House Part 2 - Lucas Hnath
Men on Boats - Jaclyn Backhaus
The Snow - Finegan Kruckemeyer
The Phantom Tollbooth - Susan Nanus
Digging Up Dessa - Laura Schellhardt
Actually - Anna Ziegler - i'm not sure how I feel about this play. both characetrs are strongly written. a lot of potential for monologues.
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bisonaari · 7 months
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You should check out the songs I added by Rosalia and the ones from C. Tangana, those are the best ones imo!
- Katurian
It shuffle only!!! So everyone's recs has a chance to reach me, no propaganda allowed 😌
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lyndonriggall · 6 days
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Why I’m Performing in The Pillowman in Five Days
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Time moves quickly. I think it was only a moment ago that we had months ahead of us to rehearse, and yet that expanse of time has receded as swiftly as waves on the shore. Somehow, I have very quickly reached a point where I have only five days before I will be acting on-stage at Launceston’s Earl Arts Centre, for the first time in fifteen years. I am playing the part of Katurian the writer (originated by David Tennant in the 2003 premiere of the play, and most recently in 2023 by Lily Allen) in Martin McDonagh’s The Pillowman, directed by Mitchell Langley for the Launceston Players, which also stars Travis Hennessy as Tupolski, Lauchy Hansen as Ariel, Jesse Apted as Michal, and Renee Bakker, Michael Mason and Eva Cetti in various roles. As the play begins, my character is dragged in for questioning by the police. He writes powerful—but very disturbing—short stories, and it seems that someone is bringing those short stories to life.
Wouldn’t it make sense that he has something to do with it?
It all sounds pretty grim (and in many ways it is), but if you are at all familiar with McDonagh’s writing then you’ll know that he can be relied upon to strike an electrifying balance between horror and comedy. His works include The Lieutenant of Inishmore (2001), A Behanding in Spokane (2010) and Hangmen (2015) for the stage, while more recently he has made his name as the Academy Award-winning writer and director of In Bruges (2008), Seven Psychopaths (2012), Three Billboards Outside Ebbing, Missouri (2017) and The Banshees of Inisherin (2022). While The Pillowman is undoubtedly one of the darkest plays I’ve ever come across, it is also one of the funniest.
A year ago, I probably would have considered it unlikely that I would find myself here. In fact, I find it pretty unlikely even now, just days away from opening night. So why did I want to be part of The Pillowman? Aside from the obvious strengths of the team behind the project (who have taught me so much, whilst also giving me the delightful and terrifying challenge of trying to prove my right to share the same stage as them), this is a play that is very close to my heart. In 2008, in my Year 12 Theatre class, my teacher Nicole assigned me Tupolski’s famous railroad tracks monologue as my assessment piece, which I also later performed at a college academic awards night.  Ambitious creature that I was, I wouldn’t dare perform something like that without first having its context in the whole work. She lent me a copy of the play—the first time I had seen one of those strange slim paperbacks with no picture on the cover (this one was orange, as is the copy I am learning my lines from now). I went home and read it. I was laughing, I was shocked, and I was moved, all in equal measure. Oh, of course there’s something special about a work of literature that finds you on the cusp of a new phase of life, and most of my favourite books are books that I found (or that found me) that year. But aside from Shakespeare’s Hamlet (which I also discovered just before finishing school, and found myself falling into, and have since found it very hard to clamber back out of), The Pillowman swiftly became my favourite play, and Martin McDonagh my favourite living playwright. There have been a number of times on this blog where I have talked about the challenge of balance, how we prioritise and choose what to spend our precious limited time and our creative resources on. For me, the only thing worse than having the burden of auditioning for The Pillowman, being offered a part in it, and rehearsing and performing it, was the horrifying thought that someone else might get to do it in my place.
And so, here I am.
In my teaching of English, one of the most important concepts that I discuss with students is that of an “invited reading.” What I mean by this is not merely what the author (or even a character) says, but what the audience is supposed to take away as its meaning. Bad things happen in literature, but the existence of evil as a narrative element is not necessarily an endorsement of it, even if it might be tempting and easy to think so. In our inattentive world of click-bait headlines, out-of-context soundbites and addiction to outrage, it can be very easy to mistake a single puzzle piece for the whole picture, and while it happens constantly, it happens at our own peril. This is the very essence of what The Pillowman is asking us to consider: what stories are we allowed to tell? How do we shape the audience’s understanding of what we are trying to say? Can we shape the audience’s understanding of what we are trying to say? Should we be expected to? In the end, is it even fair to say that stories mean anything at all?
In a prescient update relating to the show’s themes, on World Poetry Day last month, PEN International released “War, Censorship, and Persecution,” an international case list for 2023/2024, highlighting the latest challenges for writers in global conflicts and emphasising the need to safeguard freedom of expression, especially in war-torn regions. The report documents 122 cases of writers facing harassment, arrest, violence and death worldwide. This is why the tale of Katurian still matters: because we do not yet live in a world where you can be sure that a story will not cost you your life.
A few days out from opening night, I’d be lying if I didn’t admit that I was a little scared. There is never a moment where I am not on-stage in the play. Playing Katurian as a return to performance is the theatrical equivalent of “having another go at swimming” by throwing myself into the churning waters of the Atlantic.
But that’s the point, isn’t it? I’m scared. Oh yes, I’m scared. But I have a story that needs telling.
The Launceston Players Production of The Pillowman, directed by Mitchell Langley, is on-stage at the Earl Arts Centre Wednesday 24th April at 7:30pm, Thursday 25th April at 4:30pm, Friday 26th April at 7:30pm, and Saturday 27th April at 2:00pm and 7:30pm. Tickets are still available at Theatre North.
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azurdlywisterious · 15 days
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Why is this computer update taking so long I just wanna animate Danny expositing about his life via a MARINA song
And also amata and Butch and Godfrey and Enid are there but this isn’t about them it’s about my dear sweet Katurian Katurian Katurian taking forever to update
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sneakertin · 10 months
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okay so i'm rereading 'the pillowman' again and god the progression of their relationship throughout the second act is HURTING me
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alex-the-large · 2 months
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Imagine young Malcolm McDowell as Katurian from The Pillowman.
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showbiznews · 8 months
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znewstech · 2 years
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Hyderabad-based theatre artiste Jonas David’s new play The Pillowman is a Thriller on stage
Hyderabad-based theatre artiste Jonas David’s new play The Pillowman is a Thriller on stage
Actor Jonas David who plays the role of writer Katurian, shares how acting helps him deal with different things Actor Jonas David who plays the role of writer Katurian, shares how acting helps him deal with different things City-based Storyboard Productions and Preksha Theatre Company are set to raise the curtains on its newest play The Pillowman on October 15. Directed by Sandeep Tadi, the 2…
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greenonthefruittree · 3 months
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naming your kid katurian katurian katurian has got to be an extra variable in your evil science experiment that clearly was not accounted for
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bpdjennamaroney · 24 days
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if there were an available recording of david tennant as katurian there would be such a woobie blorboificafion of the pillowman and honestly…i’d probably get in on it
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