some visual tropes tire me, but i always appreciate a well timed, well shot "silence cutting through all the noise" moment, working like a turning point in a story.
everything quieting down at the very beginning of episode 11, as hae-in and hyun-woo cling on to each other for support (not physically just yet, but emotionally, finally! the signal was down to one bar, threatening to cut out completely, but the service provider PULLED THROUGH AND THE CONNECTION'S BACK ON GUYS)
hae-in in all white, like a new bride, to show the relationship healing over... slowly...
and that scene immediately being followed by her collapse and a feeling of loss washing over her (wave/water symbolism hell yEAH)—and that momentum/epiphany carrying over to when she woke up later on, with her immediately voicing everything she felt she could not say before—hmmmmmmm DELICIOUS
every new episode of why her has me caring less about the romantic side of things, and I think it’s because they keep framing the relationship development in a way that counteracts the tension of the plot. we’re on episode five and they’re having these tender moments but there’s been no build up to them, no tension in the relationship to break with emotional development, and very little time has passed so that emotional development feels very shallow. idk, maybe I should pause on this one for a bit because the engagement I felt with the first episode isn’t happening anymore.
i want a rich man who holds my hand at any opportunity, actually listens to me when i tell him how to do things, longingly stares my way bc im the only person he sees and looks like lee junho, is that too much to ask?
Not Others made me incredibly happy so I'm going to shout about it.
It's not every day you get a k-drama so willing to challenge widely accepted social norms all while keeping things light and fun. It's an incredibly heartwarming watch that challenges views on, among other things, women's sexuality (especially that of older women), teen pregnancy, single parenthood, and (most importantly) biological and non-biological families and mother-daughter relationships.
Heck there's even a brief exploration of queer love which definitely challenged the viewers' (and the translators') assumptions in a way that was so so satisfying to see.
Genuinely recommend it to anyone looking for a new kdrama to watch and who hasn't seen it yet.
Tagging @lurkingshan I don't know its this is entirely your taste but if you haven't seen it yet it might be worth checking out!
okay if everyone could, maybe, perhaps, let this man have a fucking life that in no way impacts any of you without burning him (literally) for it, that'd be chill
ngl i couldn't properly enjoy the cuteness of today's episode because i kept waiting for the other shoe to drop
also, the lack of eun-seong acting creepy got me on edge, it's like he's winding up for the grand finale. i'm unreasonably worried he'll do something extremely weird, like pretend he's been hae-in's husband/lover all along, not hyun-woo. he already lied once about being the one saving her when she almost drowned as a child... the camera lingered a little too long on the sonogram, when they were clearing out hyun-woo and hae-in's things from the house...
idk idk
also also, since we're cramming every trope known to man in this drama: place your bets on hae-in being pregnant before the end of the show
wtf Mr. Ji? I mean I think almost everyone could tell by the first time someone got murdered, but it only solidified when Seung Jae’s hyung got introduced as a red herring. ‘Consort Ji’ and all. It was just a matter of finding out why. Although I think it’s a twisted mix of obsessive affection, and also the want to torment Chi Yeol to make sure he remembers his sister because perhaps Chi Yeol was the only meaningful person left to remember his sister along with him so if Chi Yeol was at peace, what did he have left? Perhaps it’s also a sort of twisted duty towards his sister, to make sure the most important person to his sister wouldn’t replace her.
Despite that Chi Yeol’s love for Haeng Seon was obvious from the get go, he was still nice to Haeng Seon at first because they both thought she was married, so even if Chi Yeol would pine for her, Mr. Ji rightly thought that Chi Yeol would never want to trouble Haeng Seon so they’d never end up together. It even works for him because Chi Yeol in that sad and vulnerable state would only end up relying on him more. But the moment that Haeng Seon was revealed to be single, and Chi Yeol is now at peace with her, Mr. Ji turns about face so fast, becoming so double-faced and gaslighting Haeng Seon to that point that it’s really scary. I mean kudos to the actor, he played the subtle shifts of yandere Mr. Ji so well.
I fucking love the commentary of what higher power perceives Mother Goose through the permeance of the ink enshrined in the Canonade.
Characters don’t have agency--it’s the best authors that give that illusion but anyone who has done any sort of media critical commentary will remind viewers and readers over and over that characters don’t make choices. The closest story-telling can get is through the communal act of actual play.
But from a meta perspective, to take this natural 20 fear even deeper, the content of the NeverAfter isn’t only written by the original authors. Fanwork is also being created.
The perspective of their stories is constantly changing and more versions are being written and more asterixis are volleyed about all willynilly by uncaring content creators who only care about a good story, then after the GrimDark fairytale retelling resurgence of the early 2000s, no wonder the archetypal Step-Mother is swallowing every mother she can get her hands on.