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#kernowek
gaeilgeblr · 2 years
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Bestys yn Kernewek “Beasties in Cornish”
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A series of short films has been produced in Cornish (with English subtitles).
I know Tumblr loves a Celtic language, so please show these some love, and then maybe more media will get produced yn Kernowek.
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*also known as Kernewek, Kernowek
reblogs are extremely encouraged to increase sample size. regardless of what choice you picked, feel free to elaborate on your relationship with this language in the tags, and remember to be respectful and mindful when commenting!
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tobacconist · 11 months
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the cornish lotr project is actually so beautiful when you consider how it is translated from an english translation of [an] imaginary constructed ancient language[s] into a [re]constructed modern ancient [celtic] language
a link here. no idea when it was last updated but i believe it is ongoing, havent been following it because it is FAR too advanced for me if im quite honest
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I don’t suppose anyone on here has any recommended resources for learning Kernowek?
It’s my intention to do more language learning this year and while I have a couple books for my Chinese studies, I have yet to pick up anything for Kernowek. I think it would be nice to be a bit more intentional about it.
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wolverinesorcery · 1 year
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Some photos from today
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filth-thezine · 1 year
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Hwerow Hweg (Bitter Sweet)
First (?) Cornish-language feature film
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howmanyblogsdoineed · 9 months
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Here's a sample so you guys understand.
My name is Sevi Chi Nowydh, I am 35 years old and am from Mevagissey, Kernow. You may know it as Cornwall, a region in southwest England. It's a small land but it's quite lovely with brae a coastline and so much sight to see. Gashly if you missed it, but alas not all outsiders are given the chance to see a land with such a bloody beautiful environment. But when you've seen such a sight for so much your life, it gets repetitive and repetitive.
But ain't what repetitive? Those.
I'm right now waiting for the echoing in my ears to go away but never they will. So many years agone this wouldn't happen, but now it does. I'm cursed, I'm given stress. I'm targeted and I'm tormented. The echoing sounds like whispering, whispering of a woman, yet I look over shoulder and nothing be there. She say, "We all watchy you. We all see you. Escaping be the unavailable…"
"The unavailable, say she…" I repeat aloud, quietly muttering about afterward but I know I show no comprehensibility. Perhaps, daresay I, that I shouldn't be to a public transport saying such. I'm on Great Western Railway with my husband, Ynyr. Heading to Penzance, it's 15:22, we should get there on 15:58 or sooner! Or later.
"The unavailable? Daresay… I ask why?" Ynyr asks me the biggest question, slowly he speaks but such factor does not diminish the unanswerable it is. I fossick thy cauch of an internalised processor I hold and groan, there be no answer. "Wasson?"
"There be no answer, me ansome. She give no answer, such dilemma means no gazol to respond with. Tis quite despair, but it be truth. I should be lying if I say I met a response," I say to him, feeling breath catch in my throat just some. Tis a ticking bomb, I have not more than 30 minutes until it blows and is only 15:24. "30 minutes."
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sunless-not-sinless · 4 months
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16 22 :33
16: one of ya fav classical songs
twinkle twinkle little star >:3. nah tbh paganini's caprice 24 (ik its a basic choice 😭) goes hard. and i grew up on jonathon creek so i physically cannot mention the danse macabre. no matter how much i prefer caprice 24, i cant not also mention the danse macabre
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22: song that moves ya forward
hmmm. despite my recent punk rock phase, its probably gotta be one of odie leigh's. idk what's with them, they just are hella good at pushing me forward yknow? hmmmmmm. out of all of hers i guess id choose habits held. idk why. it just. it just. yknow?
with an honourable mention to ardamm by gwenno. fucking incredible (if you can speak cornish ofc - mara ty a yl kernowek kewsel, heb mar)
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youtube
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thedansemacabres · 5 months
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not to be Cornish but it is genuinely so… awful how people getting into “serious witchcraft/tradcraft” pick up Cornish witchery books without ever knowing where Kernow is on a map. Do they know our culture is struggling? The housing crisis in Kernow? The fact kernow isn’t England? Do they even know that Cornwall speaks Kernowek?
It is simply tiring seeing another “beginner tradcraft reading list” and kernow is tossed in without thought or care.
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popsicle-stick · 1 year
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So first of all, I am an avid lover of Sargentum and I love your world building and costume designs, they're gorgeous. I was wondering, how did you come up with the names for your characters? Did you derive them from folklore and history?
thank you!!!! i'm sorry i'm getting to this ask so late, and i'm glad you like them! sargentum is something i'll be revisiting when i can, because i'm still so fond of my world and characters, but i really want to go back to the start and re-do it with the art and storytelling skills i have now.
the names in-universe are a weird one - first section of the story takes place in a historical fantasy version of cornwall, uk. being a fantasy version, cornwall (kernow) is still a separate state here - and the cornish language (kernowek) is still the lingua franca (irl it was drowned out by english), most names being derived from this.
HOWEVER! i started planning this comic when i was 17/18 and didn't think about things that hard, which is why archer has an english-language name, and orelie is sort of latinate. i just really liked the names! these guys wouldn't even really be speaking english.
the penhallow surname, though, is cornish - it means 'head/lord of the moors' which i thought was fitting for a family that lives in a crumbling manor house on the edge of bodmin moor.
orelie's surname, angove, comes from the cornish 'an gof', literally: 'the smith'. this hints at a very sliiightly more new money origin for her family - it's also kind of plain and grounded, which fits her personality.
the witch (can't remember if her name is said in-comic?) is called eoforhild (pronouced ever-ild) - an old english name that meant boar spearer. this is because she's originally from saxon kingdom of wessex, which still exists as kingdom in this universe - AND I WILL stop myself right here before i ramble into oblivion!!!! i'm so sorry!! i really love names and etymology and how it links to place and time and because the sargentum universe is a Mess of different historical eras and cultures these names can get kinda hard to explain without a trillion word essay, but i hope this clears some stuff up!
(also for anyone curious, this is in reference to my webcomic that i currently have on hold/am planning to revamp)
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gaeilgeblr · 2 years
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𝐝𝐢𝐚 𝐝𝐡𝐮𝐢𝐭, 𝐡𝐚𝐢𝐠𝐡!
I’m looking for language blogs that post the following:
Any of the Celtic languages (bonus if it’s Gaeilge)
Any Minority/endangered/underrepresented languages!
I myself post/reblog mostly Gaeilge but also have Gàidhlig, Cymraeg, Kernewek and currently to a lesser extent Brezhoneg (but plan on posting more about it). I also have posts/resources of a variety of languages from Oceania
So if this applies to you please reblog or leave a reply and i will check out your blog!
**Edit: i just noticed i misspelled ‘dia dhuit’ as “dia huit” please ignore that lol
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Who wants to read a bilingual write up of the antifascist action in Newquay last Sunday?
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Some Cornish terminology for you:
Cornwall - Kernow
Cornish - Kernewek, Kernowek
Cornishman - Kernow (pl. Kernowyon)
Cornishwoman - Kernewes (pl. Kernewesow)
Cornish speaker (m) - Kerneweger (pl. Kernewegoryon)
Cornish speaker (f) - Kernewegores (pl. Kernewegoresow)
This guide is in Middle Cornish (Kernewek Kres) in Standard Written Form (Furv Skrifys Savonek). Late Cornish (Kernowek Diwedhes) generally replaces the "e" in the "kernew-" particle with an "o". So "Kernewek" becomes "Kernowek" etc
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tobacconist · 4 months
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english stage directions in the cornish mystery play 'Gwreans An Bys' 1611
[The father must be in a clowde and when he speakethe of heaven let ye levys open]
[Let hem offer to assend to ye trone the Angell stayethe hem]
[the father commeth before heven & speaketh to lucyfer]
[lett hell gape when ye father nameth yt]
 [All the Angells must haue swords and staves & must come to the rome wher Lucyfer ys]
[let lucyfer offer to go vpe to the trone]
[Let them fight wth swordis and in the end Lucyfer voydeth & goeth downe to hell apareled fowle wth fyre about hem turning to hell and every degre of devylls of lether & spirytis on cordis runing into ye playne and so remayne ther, 9 angells after Lucyfer goeth to hell]
[Adam and Eva aparlet in whytt lether in a place apoynted by the conveyour & not to be sene tyll they be called & thei knell & ryse]
[Let the father put Adam into paradise. Lett flowres apeare in paradice. Let Paradyce be fynelye made wyth fayre trees in yt And an appell vpon the tree & som other frute one the other. A fowntaine in Paradice & fyne flowers in yt painted]
[poynt to the tree]
[Let adam laye downe & slepe wher eva ys & she by the conveyour must be taken from adam is syde. Let the father take a bone owt of adam is syde]
[At the Father is comandemt she [leg. they] eryseth]
[Let fyshe of dyuers sortis apeare & serten beastis as oxen kyne shepe & such like]
[A fyne serpent made wth a virgyn face & yolowe heare vpon her head]
 [Let the serpent apeare & also gees & hennes]
 [After the father hath spoken lett hem departe to heaven in a clowde]
[Let the serpent wait in the plain]
[Let Lucyfer com to the serpent and offer to goe in to her]
[The serpent voydeth & stayeth and [Lucyfer agayn] ofereth to go in to her]
 [Lucyfer entreth into ye serpent]
 [let eva walke in paradice]
[the serpent singeth in the tree]
[Then eva wondreth of the Serpent when she speaketh. Lett Eva looke strangelye on the Serpent when she speakethe]
[Eva talketh famylyarlye wth the serpent and cometh neare hem]
[Let eva look angerly on the serpent and profer to depart.]
 [She commeth anear the serpent agayne and geveth heed to his words]
[Lett ye serpent bow downe the appll to eva, & she takethe ye appell]
[Eva departeth to Adam & presenteth hem the appll]
[Shew the appell to Adam]
[Profer the appell to Adam, he refuseth yt]
 [Lett her speak angerly to Adam]
 [Lett her profer to depart]
 [profer hem the appll]
[Eva gevethe hem the appll]
[Adam receveth the appll and doth tast yt and so repenteth and throweth yt away]
 [Eva loketh vpon Adam very strangly and speketh [not] eny thing]
[ffig leaves redy to cover ther members]
 [the father speketh to the serpent]
 [Lett Lucyfer com owte of the serpent, the serpent remayneth in the tree.]
 [And lett hem crepe on his belly to hell wth great noyse]
 [Let the father ascend to heaven] 
[desend angell]
[The garmentis of skynnes to be geven to adam and eva by the angell. Receave the garmentis. Let them depart owt of paradice and adam and eva folowing them. Let them put on the garmentis and shewe a spyndell and a dystaf]
 [Deathe departeth away]
[shew her ij sonnes]
[He speakethe to Cayne]
[He turnethe to Abell]
[A lamb redy with fyre and insence]
[A chawbone readye]
 [Abell ys strycken with a chawe bone and dyeth]
[Cast Abell into a dyche]
[when ye father speakethe to Cayme lett hem looke downe]
[Let not cayme looke in the father is face but look down & quake]
[Let the father make a marcke in his forehedd this word omega]
 [Let the father depart to heaven]
[Eva commeth to adam wher he lyeth and she proffer to take hem vpe]
[Eva is sorrowfulle tereth her haire & falleth downe vpon adam. he conforteth her]
[Cayme speakethe to hys wiff]
[Adam kneleth]
[Let hem shew the marck]
 [Som fardell to carre with them]
[Show Seth]
 [Adam kneleth & Seth also]
 [Bow and arw redy with the Servant]
 [depart lameck. his servant leadethe hem to the Forest near the bushe]
[Shew the marcke]
[Let hem hyde hem self in a bushe]
[let his man levyll the arrowe; and then shote]
 [when cayme is stryken lett bloud appeare & let hem tomble]
 [Lamec cometh to hem & fyleth hem]
[hear Lamec feleth hem]
[kill hem with a staf]
 [depart away]
 [the devills car[i]eth them wth great noyes to hell]
 [An angell in the gate of paradice, a bright sworde in his hand]
 [Let seythe depart and folow the prynt of adam is feet to paradice]
 [A tree in paradice with a meyd in the topp & reching in her armes the serpent]
 [Let seyth look into paradice]
 [Ther he vyseth all thingis. and seeth ij trees and in the one tree, sytteth mary the virgyn & in her lappe her son Jesus in the tope of the tree of lyf, and in the other tree ye serpent wch caused Eva to eat the appell]
 [The Angell goeth to the Tree of Lyf and breaketh an appll and taketh iij coores and geveth yt to seyth]
 [Seyth goes to his father with the coores & gyveth yt hem]
[Lett Death apeare to adam]
 [They go to hell wth great noyes]
[An Angell conveyeth adam's soole to lymbo]
 [Lett adam be buried in a fayre tombe wth som churche songis at hys buryall]
[The 3 kernels put in his mowthe & nostrels]
 [Enoch kneleth when the father speketh]
 [Enoch is caried to paradice]
 [Let hem poynt to the sun the moone & the firmament]
 [Four bookes to be shewed]
 [Two pyllars made, the on brick and thother of marbell]
 [Putt the pillers upright]
 [Noy commeth before heven & kneleth]
[tooles and tymber redy. wth planckis to make the arcke, a beam a mallet a calkyn yre[n] ropes mass[t]es pyche and tarr]
[Lett Tuball fall a laugh[i]ng]
[Let them both depart]
 [The arck redy and all maner of beastis and fowles to be putt in the arck]
[Let rayne appeare]
[a raven & a culver ready]
 [let the raven fle and the colver after]
 [The culver cometh wth a branche of olyf in her mouthe]
 [An alter redy veary fayre. Som good church songes to be# songe at the alter and frankensens]
[a Rayne bowe to appeare]
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angryskarloey · 2 years
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AF&JR History - Pt.7: 1880s:
In 1880, the Foxhill & District Colliery Co decided they required a shunting engine of their own, and bought a six-wheels-coupled saddle tank, second hand and of unknown antecedents, which they Christened 'Jess'. Her works plates proudly proclaim her as a product of the Vulcan Foundry, Newton-le-Willows, 1878. However the locomotive as she now exists bears little resemblance to any other Vulcan product, and she contains a number of foreign components. Her wheels are of a most attractive and yet obscure pattern, the spokes being shaped something like flower petals - it is unknown when or where she acquired them. She carries several components bearing the inscription 'Ajax Foundry - Newquay' - this firm was founded by one A. Innear, who we came across previous at the demolition of 'Longridge'- his Company was and is regularly in contact with the AF&JR, and still produces many castings and does much machining work for the latter. The presence of these parts, therefore, can be ascribed to in-service replacements which give no help as to identifying her origins. Also unknown is the location(s) at which she spent her first two years, if indeed 1878 was her construction date - it will be remembered she was acquired by the F&DCCo. in 1880 - there is a shocking gap in her history, during which time, one reflects, she could have been altered innumerable times.
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At this time, the Company put out a call for a Locomotive Superintendent, so one Mr. Kernowek, on prompting fom his wife to get a more settled job then his current occupation as an AF&JR engineman, applied, and was accepted. As of 1902 he is still there, and is the only person in the area to have even the slightest grasp on the Cornish language - he has said he is teaching the native tongue to both 'Jess' and the 'Ashwell'. Incidentally, when 'Jess' was first taken up the route to the colliery, she succeeded in disturbing much of the tighter trackwork with her fixed wheelbase, leading to the removal of her front coupling rods - she now runs as a 2-4-0ST. It is theorised, him being the closest person to 'Jess' as is yet known, that Mr. Kernowek knows rather more about her origins then is let on - however I am assured that any questions will be recieved with a raised eyebrow and a nod to her ovoid brass maker's plate.
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In the latter portion of the 1880s, not much went on along the AF&JR. 'Foxhill' gained a handbrake, (at last!) and various new wagons were added to the roster (the fleet had been growing all the life of the Company) but otherwise things were uneventful. The only incidents of any gravity were a two-day colliery strike in 1889, and a derailment which involved 'Ashwell' coming adrift on a set of points. She was uninjured by the accident, set back on the rails, and continued on her way unimpeded.
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