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mystarmyangel · 7 months

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[HOT-THEQOO] TOP 5 best female acting idols selected by 31 industry experts

StarNews conducted a survey with 31 industry experts, including representatives of entertainment management companies and production companies (each expert to select 2 male and female), to select the acting idol with the most active performance this year and whose performance are most anticipated in the future.

5th place: Kim Sejeong (5 votes) (Latest works: The Uncanny Counter 2/Today’s Webtoon/Business Proposal) 4th place: Nana (7 votes) (Latest works: Mask Girl/Confession/Glitch) 3rd place: Suzy (9 votes) (Latest works: Anna/Start-Up/Ashfall) 2nd place: IU (11 votes) (Latest works: Dream/Broker/Hotel Del Luna) 1st place: YoonA (13 votes) (Latest works: King The Land/Big Mouth/Confidential Assignment 2)

■List of survey participants (in alphabetical order)

Kwon Jae Young, CEO of A9 Media ● Kim Nam Hyung, CEO of GF Entertainment ● Kim Yong Seop, Managing Director of FNC Entertainment ● Kim Jong Do, CEO of Namoo Actors ● Kim Jiwon, CRO of SM Entertainment ● Kim Hyeong Gon, Director of P Nation ● Noh Hyun Tae, CEO of iNKODE ● Park Hee Young, Vice President of MLD Entertainment ● Bang Jae Hyuk, Director of KQ Entertainment ● Bae Ki Hwan, Director of Tango Music ● Baek Chang Joo, CEO of C-JeS Studios ● Seong Hyun Soo, CEO of Noon ● Yang Hyun Seung, CEO of UL Entertainment ● Yeon Han Jun, Director of THINK Entertainment ● Oh Jong Heon, Production Division 2 Head of IST Entertainment ● Yoo Hyeong Seok, CEO of Yooborn Company ● Lee Sang Cheol, CEO of In Next Trend ● Lee In Gyu, Head of Division of Antenna ● Lee Jin Sung, CEO of King Kong by. Starship ● Lee Hae Jong, Director of DSP Media ● Lee Hoon Hee, CEO of Starship Entertainment ● Lim Seung Chae, Vice President of WM Entertainment ● Jang Doo Bong, CEO of Story J Company ● Jeong Deok Gyun, CEO of J Wide Company ● Jeong Wook, CEO of JYP Entertainment ● Cho Dae Kwon, CEO of Alien Company ● Jin Jeong Kyun, Director of GLG ● Tak Young Jun, COO of SM Entertainment ● Han Jeong Soo, CEO of Mystic Story ● Heo Seong Moon, Director of Media Lab SISO ● Heo Jae Ok, Head of Division of Cube Entertainment.

At time of posting 14 Sep 6pm KST: 47K views, 271 comments (Will only translate comments relating to YoonA)

2. Look at YoonA’s latest projects line-up, everything is going well for her ㅋㅋㅋ 7. All are doing really wellㅋㅋ 8. I thought YoonA wasn’t good at acting when she was Saebyuk (in her first lead drama ‘You Are My Destiny’) but these days her acting is really good. Not just as an acting idol, but she's just good at it (acting). ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ I thought IU was good since the drama ‘Pretty Man’ that starred Jang Geunsuk, and for Suzy, Anna, is the best... 9. I watched YoonA well in ‘King The Land’ ㅋㅋ She was a perfect fit ㅋㅋ 11. What? These are all the people I like!!!!! Everyone is pretty and their acting is great. By the way, Yoona's recent works are crazy, they're all successful ㅋㅋㅋㅋㅋㅋㅋ 12. YoonA was so cute in ‘King The Land’ and her acting is so good ㅋㅋㅋㅋ 13. I watched all three of YoonA's latest projects. They were all good. So good. ㅋㅋㅋㅋShe is soaring especially in ‘King The Land’. 15. YoonA is also good at acting and is building up her filmography well. 16. Wow, just look at YoonA’s recent works ㅋㅋ 17. YoonA is really good at comical acting

19. YoonA, you acted so well, so natural ㅋㅋㅋ I'm looking forward to your next work. 20. I’m convinced (I agree) ㅋㅋㅋㅋEveryone's acting is good, and YoonA's batting score (percentage of her success rate) is especially good lately. 22. Wow, it looks like there aren't any (i)dols to remove (meaning OP agrees with all on the list). But it is surprising that Jung Eunji and Sooyoung aren't here.. I guess it's because there are a lot of female idols who are good at acting. 26. YoonA acted so well in ‘King the Land’ㅋㅋㅋ 27. Wow, 1st place for both men and women are ‘King The Land’ male and female leads ㅋㅋㅋ 28. It's freaking that both YoonA’s dramas and movies did well. The line-up of her recent works is insane ㅋㅋㅋ 30. YoonA’s latest works line-up are insaneㅋㅋㅋㅋㅋ 31. Yoona’s career is insaneㅋㅋ 32. It’s the same with male idol rankings, the 1st, 2nd, and 3rd places are the ones that always come up when acting idols are mentioned ㅇㅇ 33. YoonA's works line-up is insane 34. I really enjoyed watching Yoong’s ‘King The Land’, it’s my life drama ㅠ 35. Only the people who should have been chosen were chosen. 36. Nodding (in approval) ㅋㅋ 39. Oh, there are all these people who I thought they were good ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 40. They all act well... 41. Agreed 42. They are all good at acting and pretty 44. Her latest work ‘King The Land’, ‘Big Mouth’, ‘Confidential Assignment’ shivering (because of the awesome line-up) 45. YoonA's acting was really good in ‘King The Land’. She was just like Cheon Sarang herself👍 47. It feels like the differences in acting skills among the actresses aren't that big. The 5 people seem to be famous enough to be in the top 5 in terms of influence and reputation. 48. Do well, everyone 49. YoonA is really good 50. I acknowledged 51. They are all well-known faces. 52. I saw YoonA for the first time through ‘King The Land’ and she was really good. 57. YoonA was really good in ‘King The Land’. 63. I clicked in the article shouting ‘YoonA’ 65. Lim Yoona's latest work is insane...;; 68. These are all people I like 69. The votes are more evenly distributed here, so the difference in votes is not that big... The male idols were overwhelming. 71. I came in thinking YoonA would be here, but she ended up in first place ㅋㅋㅋ. 72. (Comment deleted at time of translation) 74. YoonA's acting in ‘The K2’, IU’s in ‘My Mister’, and Suzy's in ‘Anna’ were really, really good. I'm curious about the acting of this three people in their 30s, 40s, and 50s. 76. But this was released yesterday morning and suddenly both articles (male and female) came out as ‘hot’ topics. 79. To be honest, I was sad because I thought YoonA's (drama) filmography was bad, but these days, everything is really good.. ㅜㅜ And the movie filmography is good too. 80. I acknowledge everyone in this article, but it's a shame that Jung Eunji, Han Sunhwa and Sooyoung weren’t included. I really enjoyed Sooyoung's ‘Not Others’. 85. YoonA seems to choose her works well. 88. (Comment deleted at time of translation)

90. Lim Yoona’s form is crazy!!!!!!! 92. (replied to 69th comment) Oh, it looks like they got votes from all over. Female acting idols are also good at acting. 94. Oh, they are all good actors ㅋㅋㅋI also liked Jung Eunji, Sooyoung and Sojin ㅋㅋ 100. YoonA, IU and Suzy's singing and acting careers are all top notch 101. I acknowledged all of them 105. I thought about Bona, but the acting idols in the article are all very good 106. I also thought about YoonA's ‘EXIT’, but it is not her most recent work. 107. I enjoyed everything YoonA has released recently. 108. I came in the article thinking of YoonA. 109. YoonA❤️ I like her very much 112. King-jeong (t/l note: It is a slang to of 킹 (king)+ 인정 (agreed), to describe being full agreement of something) 113. I approved 115. YoonA’s recent career seems really good 117. Approved approved. 119. YoonA and IU, king-jeong. I want to watch Suzy’s drama, why isn’t it coming out yet? 120. We selected the acting idols who showed the greatest success this year and who we are looking forward to in the future. ----------------------- This is the survey topic. 121. I think YoonA’s career is so good 122. I heard about ‘King The Land’ being a huge hit on Netflix and ‘Big Mouth’ also did well, hence it is a back-to-back hit. 125. I acknowledged it 127. (replied to 120th comment) It is in the text ㅋㅋ 128. As expected, YoonA! 129. Ah, YoonA’s acting is good. 130. I acknowledge all of them 131. Approved 132. Ah, I approved of everyone listed here 133. YoonA is good 134. YoonA seems to be in good form these days. Personally, I think Suzy’s ‘Anna’ was the best ever, so I hope Suzy do another such genreㅠㅠ 135. Good 136. Approved 137. I acknowledged everyone listed here, there are people who I am disappointed that they are not on the list, but there is also no one in the list that I objected too. 138. YoonA’s filmography is good. All her works are very good, and she acts very well too. 140. Everyone's form is good, but the acting skills of the female idols are ambiguous. 141. I like YoonA so much 143. (Replied to 140th comment) What?;; As expected, all the malicious commenters are like sh*t. All the 5 females here have a besting acting of their life for at least once, so what are you talking about? 144. Yes 147. IU and Nana are good. No, all the 5 people listed here are goodㅋㅋㅋ 148. For the female acting idols, the votes are considered more evenly distributed. 149. (Replied to 140th comment) ? 152. I’m looking forward to YoonA’s movies and dramas doing well. I’m also curious about the ‘2 O’clock Date’! 153. I agreed with all listed in the article, Nana’s acting is really good. 156. I like Lim YoonA to the point of dying ㅠㅠㅠㅠㅠ 157. King-jeong 158. YoonA is good. I thought her acting was good after watching her works recently 160. YoonA is so likeable these days. I've seen all of her recent works. Now, she is a ‘trust and treasure’ actress.

161. Wow, all of them are K-pop talent. 163.The 1st place for both male and female are Junho and YoonA, ‘King The Land’ couple is really good ㅠㅠ I hope they both do better. The chemistry was good, and their acting was good in ‘King The Land’ 167. King-jeong to all on the list

168. Wow, 1st place is YoonA, congrats congrats!! 169. The movies and dramas YoonA starred in, all received great success, so amazing 171. I clicked in the article shouting YoonA ㅋㅋㅋㅋI hope things go smoothly~ 175. YoonA deserves the 1st place. Her drama and movie careers are all good. 176. Regardless of her career, Yoona really showed off her acting chops with her ‘Confidential Assignment’ and ‘EXIT’, and she did well in King the Land as well. Nana and Kim Sejeong are rather unexpected, and I think Han Sunhwa or Jung Eunji are better. 178. All of them have improved a lot in their acting so it’s even better 180. I feel like all the idols mentioned in the original text and Sooyoung and Eunji are good at acting. 185. YoonA 189. YoonA has a good way of choosing projects ㅋㅋㅋㅋ 191. These are the actors who were active 'this year', but it seems like it includes only those who can be included... YoonA did well in ‘King The Land, and IU and Suzy are the queens of immense popularity who respond right away in surveys like this even if they didn't have any hit films or activities this year. (Just like stars who are ranked even if they are inactive that year when Gallup selects the best OO of the year...) Nana becomes popular because of ‘Mask Girl’ recently. 193. YoonA! 194. Even though Nana is really good, I recognize all 5 people there. 196. (Comment deleted at time of translation) 197. YoonA was such a perfect fit for ‘King The Land’ this time, so pretty 198. I'm waiting for YoonA's next work 200. YoonA! 201. Acknowledged acknowledged 204. I agreed with all the line-up here 205. Waiting for YoonA's next work 208. Line-up approved... 209. No, initially I thought how could Sejeong be in 5th place only, but as I scrolled lower (to reveal the top 4), the more I understood. 212. I only saw YoonA's works for a few seconds in passing, so I had the prejudice that I couldn't get into the character because I heard YoonA's voice that I used to hear.. I recently watched Exit belatedly and was so surprised that it turns out okay. I finally understand why her movies are so successful and how she gets casted so consistently. 214. YoonA is good! Han Sunhwa too!! 215. YoonA is really good 216. Even though I’m not a fan of all five of them, I acknowledged. 217. Oh.. everyone who are good are gathered here 218. Soshi is YoonA, but I was also surprised that Sooyoung was better at acting than I thoughtㅋㅋ 219. ‘King The Land’ influence is huge. Both sides (male and female) came in first place 220. YoonA is really good ㅋㅋㅋㅋ I watched ‘Big Mouth’ and ‘King The Land’ recently, and she did well in both dramas. YoonA would be a perfect match for a little bit of ‘Big Mouth’ – ‘King the Land’ – ‘EXIT’, a bright, cheerful, confident and u undaunted not in a villain way character 221. The experts voted but there are people here trying to start a fight so ridiculousㅋ What is it? ㅋㅋㅋ 224. They are all good 225. YoonA’s latest line-up projects are really awesome ㅋㅋㅋㅋ

226, Everyone are gathered here, they are all good 227. Oh, YoonA approved 229. Really, YoonA is really good. I think she has star quality, good screen control, and acting skills. 231. If its YoonA, its king-jeong. 232. YoonA is building up her filmography for movies and dramas well. Her acting in ‘Confidential Assignment’, ‘Big Mouth’, ‘King the Land’ were really good. I admit her acting in ‘Miracle’ was also really good. 233. (Replied to 232nd comment) All same as you and ‘EXIT’ too!! 235. Oh my, YoonA's acting was really good. 236. YoonA, approved 238. Agreed 239. YoonA, approved approved 240. YoonA, approved 241. YoonA, I really enjoyed ‘King The Land’. So lovely ㅠ 243. Hehehe YoonA>< 244. All are good 245. Acknowledged 246. YoonA, approved 248. YoonA, approved 249. Oh, they are all good. And popular too. 258. Even if there are people who should be added in, but there aren’t people that should be removed. I went ‘King-jeong King-jeong’ while scrolling down the list. 259. I watched every project of YoonA that comes out after ‘EXIT’. Really, she is good at acting in both movies and dramas. 260. Agreed 261. It's a shame that YoonA keeps getting underestimated because of the disgusting keyboard warriors. 263. I clicked in thinking of YoonA. 264. Didn’t YoonA filmed a drama in the early days of her debut, she did really well in that too. 265. Agreed, YoonA and Suzy are good at acting 266. YoonA and Suzy are both good at acting 267. Agreed 268. YoonA did really well 269. Agreed for all 270. When will YoonA's next work come out ㅠㅠ I want to see it soon 271. YoonA has become someone that can be trust and treasure (to watch). I am waiting for her next work.

Source: TheQoo Trans: mystarmyangel

#YoonA #Trans #TheQoo

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mmrmorning · 2 years

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키디비 누님 새 싱글 럭키 발매! @k.i.t.t.i.b KittiB New Single [ Lucky feat. 한해 ] out now!!!! 💖💖💖💖💖 Full vid. 🔗 https://youtu.be/QRGtgO4lIIY [Credit] Music Produced by ONLICHILD(@onlichld), KittiB(@k.i.t.t.i.b) Lyric by KittiB, HANHAE(@hanhae1990) Composed by ONLICHILD, KittiB Arranged by ONLICHILD Guitar by ONLICHILD Synthesizers by ONLICHILD Erectric Piano by ONLICHILD Piano by ONLICHILD Bass by ONLICHILD Drum by ONLICHILD Percussion by ONLICHILD Vox chop by ONLICHILD Mellotron by ONLICHILD Programming by ONLICHILD Recorded by ‏샤군(ShahgooN)(@shahgoon91) @260asia Digital Editing by ‏샤군(ShahgooN) @260asia Mixed by ‏샤군(ShahgooN) @260asia Mastered by ‏샤군(ShahgooN) @260asia Distribute POCLANOS Music Video Director by HighCoder(@highcoder_c) Hair by "AnotherZ" Shin SaeByuk(@anotherz_saebyuk) Hair assistant "AnotherZ" Park YeonKyoung(@anotherz_yk) makeup by "SOOSOO" kim SooSoo(@soox2_kim) makeup assistant "SOOSOO" Jin Rein(@reeeiiiin) Styling by KittiB Cast Members KittiB, HANHAE, Yohan.D(@idttyohan_d), Gilme(@gilmebaby), NADA(@nastynada), Baek SeulJi(@s.e.u.l.j.i), NANA(@nayeon199_nana), Yun SangHa(@doupwn), Yoon HeeJin(@quiz_yoon), Dawer(@_dawer_xx https://www.instagram.com/p/CiFMOHfJReA/?igshid=NGJjMDIxMWI=

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wrongcarwhy · 2 years

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“Eun-hee... When you’re tired or sad, try looking at your fingers. Then, one by one, move them around. It’ll feel very mysterious. You feel like you can’t do anything, but you can move your fingers.”

House of Hummingbird (2018), written and directed by Kim Bora

#house of hummingbird #kim bora #park ji-hoo #kim saebyuk

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yeppiyeppifan · 3 years

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도망친 여자 (The Woman Who Ran)

2020

dir. Hong Sangsoo

#hong sangsoo #hong sang soo #kim min hee #kim minhee #the woman who ran #kim saebyuk

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filmbook21 · 3 years

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#The Woman Who Ran #Hong SangSoo #Kim MinHee #Seo YoungHwa #Song SeonMi #Kim SaeByuk #도망친 여자 #홍상수 #김민희 #서영화 #송선미 #김새벽 #2019

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fuckinglittleidiot · 4 years

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#house of hummingbird #벌새 #kim bora #park jihoo #kim saebyuk #jung ingi #lee seungyeon #박지후 #김새벽 #정인기 #이승연 #korean film

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reelydope · 5 years

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BIFF 2018: House Of Hummingbird

House Of Hummingbird is like an anti-Ladybird: a heavy coming-of-age drama about a middle-school girl in Seoul.

Sometimes you can see great movies coming months in advance, and sometimes they land in your lap without you noticing. For me, Kim Bora’s feature debut House Of Hummingbird is the latter—I had no idea about this movie before I sat down to watch it at the Busan International Film Festival. All I knew was that it was a coming-of-age drama about a middle school girl in Seoul, South Korea. While the…

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michyeosseo · 2 years

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#KDRAMAWOMENSWEEK 2022 | All About Romantic Love « Isn’t that what most of us want in the end – to have someone not look away? »

And you're even prettier, unni. The dress suits you.

#kdramawomensweek #kdramaladies #kdramaedit #kdrama #kmovie #a resistance #go ah sung #kim sae byuk #홈타운 #트레이서 #항거 #kww*#aarl prompt... the cadence sounds like a callback to lee minjung's political romcomonly i watched haha #woke up this morning binned a perfectly finished post and reworked this draft #3.01 is the day to remember the real-life gwangsun and hyanghwa #but i just can't help but think ahsung & saebyuk has the chops to pull off a qihm-level time-slip love story #they were side-by-side literally & figuratively up until this scene ;~;#sorry i am bad at making imaginary kdrama titles can someone wittier please shorten that

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frankenpagie · 2 years

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2.25.22

#film #letterboxd #watched #the woman who ran #hong sang soo #kim min hee #saebyuk kim #song seon-mi #kwan hae hyo #seo young-hwa

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k-star-holic · 3 years

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'Baeksang Arts Award for Most Popular Male in' Lee Kwang-soo - Saebyuk Kim,

#57th Baeksang Arts Grand Prize #Saebyuk Kim #Lee Kwang-soo #Baeksang Arts Award for Most Popular Male in #Photo #Baeksang Arts Award for Best TV Drama

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mrmichaelchadler · 6 years

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The Day After

With the uninspired pity party comedy "The Day After," self-lacerating Korean dramatist Sang-soo Hong continues a trend towards un-productive self-loathing that began last year with the half-empty "On the Beach At Night Alone" and continued with the half-full "Claire's Camera." All three films are reminiscent of Hong's superior earlier work in that they all show the world through a unimaginatively self-critical lens: a libido-alcohol-and-spite-driven artist is inevitably dumped and/or eclipsed by a free-spirited woman who, after being unwittingly dragged into his orbit, is too smart to stay there. The key difference between these Hong's superior earlier work and his recent American releases—Hong has already made at least one more film—is that his newer films cut deeply into the egos of Hong's surrogates for the sake of making a facile point: the gift of self-awareness is wasted on people who aren't strong enough to do something about it.

"The Day After" is more of the same from Hong ("The Day He Arrives," "Ha Ha Ha"), only repackaged in a more conventional narrative. It is, in this sense, more accessible than either of his other recent American releases. But the main pleasure of watching a Hong film comes from noting the way his stories subtly mutate and change before your eyes. Viewers recognize narrative patterns while also acknowledging little variations in familiar tropes, themes, and characters.

In "The Day After," Hong's surrogate is boorish book publisher Bongwan (Haehyo Kwon) is introduced to us through a disorienting series of narrative false starts. Bongwan is immediately kicked out of his comfort zone after he, in a four-minute introductory long take, is confronted by his unhappy wife Haejoo (Yunhee Cho). This is the best scene in the film because it's the most alienating: just four uninterrupted minutes of unyielding deflections from Kwon as he refuses to outright answer his character's wife when she repeatedly asks: are you seeing another woman?

Bongwan goes for a walk following this non-starter of a confrontation, and his mind wanders with him. He visits his meek lover Changsook (Saebyuk Kim) and then imagines (or perhaps recalls?) a scene on the bus where he and Changsook are holding each other's hands. Then he goes to work, where he welcomes under-developed heroine Areum (Minhee Kim), his new assistant. But Haejoo soon barges in and accuses Areum of being her husband's mistress (mostly because Changsook was, until recently, Bongwan's assistant). A typically cringe-worthy confrontation ensues, but Areum shrugs it off. Still, it soon becomes clear that Haejoo isn't going anywhere. Bongwan, on some level, knows that he must make a decision, a conclusion that is only confirmed by a philosophical lunchtime conversation that he and Areum have that give him more questions to answer like: is Bongwan brave enough to commit to his ideals, or will he continue to accept an unhappy status quo because cynicism is easier than a little discomfort? (more on this conversation shortly)

At this point, Hong's narrative becomes a kind of self-conscious arthouse soap opera. He recycles the same musical cue three or four times, always when a character is on the verge of a breakthrough. But there is no resolution in sight for Bongwan since he refuses to make one for himself. Every so often, you'll hear a tinny synthesizer playing the same strain of music, as if sampling a missing track from Angelo Badalamenti's "Twin Peaks" score. But unlike Badalamenti's music, Hong's music cue only deflates the melodramatic elements on-screen. The music plays while characters cry, turn their back on each other, and walk away. But then the music eventually fades out, and normal life resumes.

But so what? Why is this personal art—Hong is, in real life, having a highly-publicized affair with Minhee Kim—necessarily good? As usual, Hong's actors deliver believably awkward performances. But the film's naturalistic rhythm and gorgeous black-and-white photography don't add much depth to an inherently soapy plot. If anything, Bongwan's stasis is an artistic feint akin to the kid who writes an essay or poem about his writer's block: it's a cop-out, but it's done with a wink, so it's ostensibly OK. Hong even acknowledges this when Areum and Bongwan most clearly articulate their temperamental differences during the above-mentioned lunchtime conversation. Bongwan, now jaded, desperately asks Areum how she could be so optimistic. "I just try" she replies. "I know I should believe, so I do." She is pure in his eyes, so she wins Hong's unbeatable game by forfeiting. I'd advise Hong fans to do the same, and just wait for his next effort, which will probably be out in a couple of months.

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michaelsennhauser · 4 years

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BERLINALE 2020: DOMANGCHIN YEOJA (The woman who ran) von Hong Sangsoo (Wettbewerb)

DOMANGCHIN YEOJA (The woman who ran) von Hong Sangsoo #berlinale

Hong Sangsoo ist wahrscheinlich der Grösste unter den Kleinmeistern. 26 Filme hat er gemacht seit 1996 und sie sind nicht nur ziemlich unverkennbar, sondern in der Regel auch ziemlich perfekt.

Keiner holt mehr aus vordergründig banalen Alltagsdialogen heraus (bzw. keiner steckt so viel in sie hinein) und kaum jemand bringt rundere Figuren…

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#Berlinale2020

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italianaradio · 4 years

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Berlinale 2020: i D’Innocenzo e Diritti in concorso. Ecco i titoli

Nuovo post su italianaradio https://www.italianaradio.it/index.php/berlinale-2020-i-dinnocenzo-e-diritti-in-concorso-ecco-i-titoli/

Berlinale 2020: i D’Innocenzo e Diritti in concorso. Ecco i titoli

È stato annunciato il programma del concorso ufficiale della Berlinale 2020 e, trai titoli di sicuro interesse provenienti da tutto il mondo, l’Italia offrirà una doppia razione di Elio Germano al pubblico berlinese, dato che l’attore è protagonista sia di Volevo Nascondermi, il film di Giorgio Diritti sul pittore Ligabue, sia dell’opera seconda dei Fratelli D’Innocenzo, che dopo il successo de La Terra dell’Abbastanza, tornano con Favolacce.

Ecco il concorso della Berlinale 2020

Berlin Alexanderplatz Germany / Netherlands di Burhan Qurbani con Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli Prima mondiale

DAU. Natasha Germany / Ukraine / United Kingdom / Russian Federation di Ilya Khrzhanovskiy, Jekaterina Oertel con Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, Luc Bigé Prima mondiale

Domangchin yeoja (The Woman Who Ran) Republic of Korea di Hong Sangsoo con Kim Minhee, Seo Younghwa, Song Seonmi, Kim Saebyuk, Lee Eunmi, Kwon Haehyo, Shin Seokho, Ha Seongguk Prima mondiale

Effacer l’historique (Delete History) France / Belgium di Benoît Delépine, Gustave Kervern con Blanche Gardin, Denis Podalydès, Corinne Masiero Prima mondiale

El prófugo (The Intruder) Argentina / Mexico di Natalia Meta con Érica Rivas, Nahuel Pérez Biscayart, Daniel Hendler, Cecilia Roth, Guillermo Arengo, Agustín Rittano, Mirta Busnelli Prima mondiale

Favolacce (Bad Tales) Italy / Switzerland di Damiano & Fabio D’’Innocenzo con Elio Germano, Barbara Chichiarelli, Lino Musella, Gabriel Montesi, Max Malatesta Prima mondiale

First Cow USA di Kelly Reichardt con John Magaro, Orion Lee, Toby Jones, Scott Shepherd, Gary Farmer, Lily Gladstone Prima internazionale

Irradiés (Irradiated) France / Cambodia di Rithy Panh Prima mondiale / Documentario

Le sel des larmes (The Salt of Tears) France / Switzerland di Philippe Garrel con Logann Antuofermo, Oulaya Amamra, André Wilms, Louise Chevillotte, Souheila Yacoub Prima mondiale

Never Rarely Sometimes Always USA di Eliza Hittman con Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten Prima internzionale

Rizi (Days) Taiwan di Tsai Ming-Liang con Lee Kang-Sheng, Anong Houngheuangsy Prima mondiale

The Roads Not Taken United Kingdom di Sally Potter con Javier Bardem, Elle Fanning, Salma Hayek, Laura Linney Prima mondiale

Schwesterlein (My Little Sister) Switzerland di Stéphanie Chuat, Véronique Reymond con Nina Hoss, Lars Eidinger, Marthe Keller, Jens Albinus, Thomas Ostermeier, Linne-Lu Lungershausen, Noah Tscharland, Isabelle Caillat, Moritz Gottwald, Urs Jucker Prima mondiale

Sheytan vojud nadarad (There Is No Evil) Germany / Czech Republic / Iran di Mohammad Rasoulof Prima mondiale

Siberia Italy / Germany / Mexico di Abel Ferrara con Willem Dafoe, Dounia Sichov, Simon McBurney, Cristina Chiriac Prima mondiale

Todos os mortos (All the Dead Ones) Brazil / France di Caetano Gotardo, Marco Dutra con Mawusi Tulani, Clarissa Kiste, Carolina Bianchi, Thaia Perez, Alaíde Costa, Leonor Silveira, Agyei Augusto, Rogério Brito, Thomás Aquino, Andrea Marquee Prima mondiale

Undine Germany / France di Christian Petzold con Paula Beer, Franz Rogowski, Maryam Zaree, Jacob Matschenz Prima mondiale

Volevo nascondermi (Hidden Away) Italy by Giorgio Diritti con Elio Germano Prima mondiale

Qui trovate i quattro nuovi film di Berlinale Special

Onward

USA

di Dan Scanlon

con le voci di Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, Ali Wong

Prima internazionale / Animazione

Curveball

Germany

di Johannes Naber. Prima mondiale

DAU. Degeneratsia (DAU. Degeneration) Germany / Ukraine / United Kingdom / Russian Federation di Ilya Khrzhanovskiy, Ilya Permyakov Prima mondiale / Documentario

Speer Goes to Hollywood Israel di Vanessa Lapa Prima mondiale / Documentario

Cinefilos.it – Da chi il cinema lo ama.

Berlinale 2020: i D’Innocenzo e Diritti in concorso. Ecco i titoli

Cinefilos.it – Da chi il cinema lo ama.

Chiara Guida

#Cinema

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