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#kind of tagging just in case
bare1ythere · 1 year
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You know a character has really hit their gender out of the park when they're popularly hced as transmasc AND transfemme
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poorly-drawn-mdzs · 6 months
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The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.
(for @frummpets)
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drathe · 1 month
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summer rain
rolan x tav hello
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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tei-to-tei · 5 months
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December 3 - Morning Cartoons
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catmanbowser · 1 year
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[throws him a warm wet towel] here you go king <3
[COMPUTER ENHANCE!!!]
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hanafubukki · 8 months
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Death.
That’s what would end this dream.
But it wasn’t fair, this was supposed to be a happy dream was it not?
But someone needed to die in order for Lilia to wake up.
In order for them to stop Malleus.
It would be cruel to have Mallenoa die in front of Lilia, in a dream that was supposed to end happily.
It would be too much if any of you were to cause such a demise.
But any other answer would be just as cruel.
The devoted son? No, that would break Lilia.
The overly loyal prodigee? No, that would add trauma and guilt for Lilia and might affect his relationship with Baul.
Grim had little to no ties with Lilia, his death would not cause him to wake up nor would you allow any harm to come to him.
…so that left only one answer.
Yours.
It would have to be the shock from your death that would awaken everyone from this dream.
Your hands shook.
Will this work?
And if it didn’t, what would happen to you? To the others? To Malleus?
As you stare at Mallenoa and the victorious fae army celebrating their win against the Knight of Dawn.
You had made a choice.
You breathed.
Deep breathes in.
Deep breaths out.
You swiftly turned.
I’m so sorry.
You knew your choice would bring pain to a number of people. Lilia and Malleus, who would lose a sister and mother respectively. They would also loose you if anything went wrong in this dream and reality.
Sebek, Silver, and Grim would feel devastated at not being able to stop you.
But this was the only way and the one least painful.
…you hoped.
You had never confessed your feelings to Lilia. You didn’t have the chance to, especially after he announced his departure.
And you couldn’t be selfish and weigh him down with your feelings.
But you hoped he cared enough about you that it would work. That the fleeing glances from General Lilia was an indicator of his feelings for you.
You allowed your self to be selfish just this once. You hoped that you would be enough to wake him up because anything else would be too painful.
If not, then at least it was just your death and the least painful of the four.
If this doesn’t work, I can at least keep Malleus company…despite his inky self and how awkward it might be.
By now, you can hear voices questioning what you were doing. You can hear the alarms in their voices as you near the edge of a cliff without any falter in your steps.
You turn around, there’s barely any space left between you and the air that would welcome you.
The others are in varying degrees of panic.
General Lilia had noticed the commotion by now, his eyes widening as he took in your form.
Good, he would be too far to get to you in time.
You smiled at them.
It will be alright.
…you fell back.
…only to wake up gasping back in Diasomnia’s lounge.
With several gasps echoing right after yours.
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Part 2
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sapphic-agent · 1 month
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Let's Talk About How Book 3 Ruined Aang
If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.
(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)
Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.
But for some reason, that aspect of Aang's character was completely flipped in Book 3.
The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.
(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)
The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.
One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.
For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.
(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)
And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.
So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.
But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.
(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)
I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?
Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.
Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.
And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.
I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.
The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.
He runs away when things get hard.
Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.
There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.
Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.
And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.
Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.
All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled
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userjoel · 1 year
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- You sound like my brother. - ...Your brother who you hate?
BEEF | 1.01 x 1.04 x 1.07
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rainworldyuri · 7 months
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No way.... it can't be
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tubbytarchia · 1 month
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Could we get more Jimmy and Doc? Or Ren and Doc... for the children
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You may... I'm struggling with the actual continuation still oops but please accept this doodle for the time being... for the children
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sonknuxadow · 10 months
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HELP MEEEEEE I PICKED A RANDOM SAVE FILE IN SONIC FRONTIERS TO LOOK AT THE BIRTHDAY STUFF AND I DIDNT REALIZE IT WAS ON RHEA ISLAND AND SONIC IS SITTING THERE IN HIS LITTLE BIRTHDAY OUTFIT WITH BALLOONS AND HAPPY MUSIC EVERYWHERE AND HE LOOKS FUCKING MISERABLEEEE
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acekindaneat · 5 months
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an evil spirit and an ex-terrorist getting along? mayhaps.
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front-facing-pokemon · 4 months
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caramellody · 15 days
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Oh, to be a 9-5 office worker at a dead-end job after a major world shattering event, with dreams and aspirations of something greater and powers beyond my comprehension
Bonus alt below:
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raiiny-bay · 10 months
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but I can't wait until I see your face and my brain thinks that it's looking at a stranger
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