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#king and queen of lacking screen time
igotanidea · 3 months
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Personal rhythm: Jason Todd x reader
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Summary/request: Jason finding out that you've never slow danced before, and he goes out of his way to arrange a dance for just the two of you alone.
thank you @miraculous-panic ;)
***
„What do you mean never?”
‘Seriously Jason, it’s a five letter word. One of the most common used in English. With all the books on your account this is not the question you should be asking.”
***
It was a Saturday night.
Movie night.
Y/N and Jason facilely decided that after all week of working/vigilanting, some silly teenage drama to cool off and relax would be in place.
And that’s how they ended up watching „To all the boys I’ve loved before”.
Or rather - binging through the whole trilogy.
Or - in other words - giving commentary and laughing at every other silly, cliche scene.
And it was so good and so nice and so peaceful, finally not having a care in the world and just relaxing in each other’s company.
Any other guy would probably complain about the choice and force his way to Fast and furious or some Jason Statham action movie, but not Jason. Truthfully as long as they were both spread comfortably on the couch, his head on her lap, being treated with the most welcomed head scalp massage, he might have watched the Paw patrol or Dora the explorer and not say a word.
However-
All good things must come to an end.
After something around 4 hours they finally reached the prom scene. The choosing king and queen of the ball scene. And the slow dancing scene.
And that changed the serene atmosphere.
„Do you see that Y/N? Come on, this guy can’t even lead her properly. I swear if he was moving like that in a real life poor girl will have her feet trampled.”
„Guess they should have hired you for the scene.” Y/N laughed in response.
„Damn right they should have! After all you were the one to say I remind you of the guy who plays -- what was his name again?” Jason rolled on his back so he could stare up at his girlfriend.
‘PETER!” she laughed as if they didn’t hear that name like 100 times already
„Right! Right, Peter! Of course! Still think I’m way more handsome though-”
„Damn, you’re such a tease Todd!”
„You’re my girlfriend, you’re supposed to agree with me!” Jason sat up abruptly, turning her head back from him and towards the screen. „Now, watch it carefully and confirm my theory. He doesn’t know how to slow dance, does he?. Seriously, from a girl’s perspective. ‘’
„I --”
„Are you blind now?” Jason smirked at her indecisiveness.  
„Hey!” the punch on his arm did nothing to hurt him but was definitely a surprise
„Just admit it! Guys don’t dance like that! This is not the way a girl- a woman-- should be held!”
„How would I know?!” she finally exploded, her emotions pushed forward because of Jason’s obliviousness.
„What do you mean--?”
„I never slow danced!”
‘Never?” now that was shocking. Yes, they rarely dwelt in the past, especially the time frame in which Jason was absent, but how come he never knew about that?! shit, what else did she missed from the teenage/young adult years? And how the fudge he didn’t make it right yet?!
‘Do you want me to spell it out for you?” she rolled her eyes stopping the movie „N-E-V-E-R”
„you’re right it’s a five letter word. One of the most commonly used in English. But to me, in this context, it doesn’t make any sense.” he grabbed her hands pulling her forward to him and looking straight into her eyes, smirking. „That’s bullshit and I won’t be fooled.”
„You’re being fooled by not being fooled.”
„Huh?” damn that girl had some twisted logic on her. „the hell does that mean?”
„It means I’m telling the truth.” she blushed slightly despite her best effort to act cool. It was a bit embarrassing to admit to her boyfriend that she lacked in the experiences of youth.
„No shit!” he laughed
„This is not funny!”
„This is plenty funny!”
„Oh, like you slowed danced before!”
„I didn’t get to go to prom, cause as you might have noticed I’ve been dead at the time--’
„Like I could ever forget that.” she rolled her eyes in annoyance to cover up for the heartache she felt at the memory.
„- I did slow dance.”
„What now?! With who!? Cause definitely not with me!”
„Is someone jealous now?” Jason leaned forward
„You wish Todd!”
„Jealousy is a bad trait, you know. I’d advice you to stop it baby...”
„Or what?”
‘Or I might have to actually help you enrich your experience.”
„Oh really, and how --?”
That sentence was cut by a involuntary squeak as Jason pulled her to her feet, almost causing the girl to crash with his hard chest due to the force.
„Shit, sorry Y/N. Forgot how tiny and light you are.”
„I am--”
„Sh.” the tone of his voice and the gesture of putting his finger to her lips definitely couldn't stand opposition.  „don’t you dare saying another word, I forbid you. You are tiny and light. And now, I’m going to make you feel like a fragile princess in the arms of a handsome and brave prince.”
One of his hand found a way to her waist, the other to her shoulder blades, grabbing her firmly but delicately. For some crazy reason she actually did feel secure and loved in his hands. Like nothing wrong could happen as long as she was held like this.
As long as his eyes were focused solely on her.
And it was both terrifying and wonderful experience.
„You can touch me, you know. It’s not like you haven’t done it before....” Jason chuckled at the way her hands hung awkwardly by her sides
„You’re ruining the moment, dipshit!”
„You’re the one using invectives baby. Don’t get any silly ideas in your head. You’re not going anywhere. Not until you get that slow dance.”
‘I’m make-up-less and wearing sweatpants.”
„And you’re still the prettiest girl in the world ”
„We don’t have any music.” she objected almost causing Jason to groan.
„Here.” he grabbed her hand and put it to his heart „feel that rhythm?” she nodded „good. Very good. Now this is the only sound you should be focusing on. Cause it resounds for you. You hear me, Y/N?”
„I hear you....” she whispered
„It’s only for you, baby.”
„i thought you weren’t romantic....” his grip on her tightened as he pulled her closer to him, swaying gently right and left, their feet barely moving, but it was still considered slow-dancing for them.
„I’m not. But I can be for you....” he muttered against her hair, planting a gentle kiss on the top of her head „You even made me dance, which is enough of a sign that I’ll do anything for you. I’ll be whatever you want me to be.”
„Can you just be yourself? The guy I fell for?”
„I suppose that can be arranged.” he smiled, even though she couldn’t see it with her face pressed to his chest.
And they would stay in this silence, moving to their own song for much longer if it wasn’t for their cat jumping on the couch, right on the pilot, and resuming the movie on the prom dance performance.  
Giving Y/N and Jason a chance to put that scene into reality and adapting it into her their lives.
First time.
With many more to come.
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grimmcheems · 4 months
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Buff Chichi😤💖
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Just thought it’d be funny to draw this, but at the same time I’m so mad we were robbed of a buff Chichi. Like….Miss Ma’am was the world’s strongest woman at some point and you’re saying she had no muscle mass whatsoever?!!?!?!asiwybfuheu
There is no way she wasn’t able to have that body 😭 I can understand maybe losing some of it when she was having Gohan, but to lose all that FOREVER?!?! Nahhhh. GOKU WOULD’VE BEEN ALL OVER HER TOO, don’t lie. Punching the air rn. This originally didn’t even have all the other doodles, it was just gonna be a meme art of Chichi carrying her man but it evolved during the second phase of the sketch 🗿
either way it’s a crime that we never see much of her to begin with, much less for her to actually have a body that could hold up to her old title. I’ve seen other buff chichi arts on here and they make me laugh so much bc y’all are wild so that’s why I made this😎. Anyways, if you are part of Chichi nation please rise up bc I don’t see many who appreciate her character, our queen was lost to bad writing and lack of screen time.😢
Also toddler Gohan is-aeljnfwljnf. He would def tell some bully that his mom can “beat their a$$”, though she would flip for just hearing about him using that language by his teacher and would more likely monitor him around Goku’s friends there on out lmao.
HC that OX King very much treats Chichi like a “daddy’s girl” therefore he always keeps mementos of her milestones growing up, hence the photos of her being ripped while going to tournaments or just training in their villages’ dojo. He got into scrapbooking when he got into taking more photos of her and definitely commissions or makes borders for them and adds stickers to them for funsies. :)
Goku may or may not also be a thigh type of guy, idk he would fr go wild with it if he had a more sculpted chichi but that could just be me🤷🏽‍♀️
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astrojulia · 9 months
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PAC - How to improve your sleep
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Navigation:   Masterlist✦Ask Rules✦Feedback Tips
       Askbox✦Sources✦Paid Readings
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DISCLAIMER. These general free readings are made in good faith for entertainment purpose.
How to pick a pile
The pick a pile order is Pile 1 - Pile 2 - Pile 3. When you have different cards to choose from in pile 1,2,3… look at each of those cards. Wait until someone reminds you of a memory. Perhaps a character’s outfit resembles one of your own. It is this pile that has its message. What if they all remind me of something? Go for the one with the strongest memory, one might look like her earring but another might be the favorite candy you got from your grandma when you vacationed at her house. But what if none reminds me of something? Take a deep breath and wait a little longer, without charging yourself or creating worries. Relax, some will awaken some memory in you, I promise!
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Pile 1 - Cinnamoroll
(King of Pentacles - Temperance - Six of Swords - The Lovers - Five of Swords)
Your nocturnal habits are the ones you love the most in your entire day. You naturally love to sleep and have recently added ways to improve your nighttime ritual, such as skincare, reading a book, meditating, and taking a nice shower… anyway. We can say that sleeping is even your hobby.
Are you feeling disconnected with your sleep because sleeping is something to be calm and natural? You can't force it (I'm not talking about drugs, okay), and the lack of control stresses you out a bit. You love to sleep, but you're the type of person who takes a long time to fall asleep and would like it to be faster, but unfortunately, it is not possible.
To improve your sleep, let's remove what's disturbing you on the way – which is the cell phone and electronic things... It's no use doing a ritual that, in the end, you'll spend 2 hours on a cell phone screen. The basics are useful for a reason...
"But you don’t understand…" Yes, I understand that you must be talking to your crush/boyfriend before bed, or you keep thinking about her for hours and creating scenarios in your head. Okay, do it with your eyes closed and in the dark; sleep is VERY necessary for our life as a whole. You need to know that the next day that person will still be there. You are responsible for the events in your life; do not allow other people or unexpected situations to influence your decisions.
Herbs you can use to help with your nightly ritual: Orange and Onion.
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Pile 2 - Pompompurin
(Queen of Pentacles - Six of Cups - Seven of Swords - High Priestess - Seven of Wands)
Sleeping is something refreshing for you, but you can't do it 100% because this struggle is for parents of children (so yes… if you are not a parent, it will be difficult for you to identify, please choose another struggle). You're a person who benefits a lot from sleeping, who enjoys doing it, but you've been a light sleeper for a long time because you need to be constantly aware of your surroundings, checking if someone else is okay.
The reason for your difficulty sleeping is clear: children… You're either watching over them, or when you finally fall asleep, someone wakes you up to attend to something. This gradually undermines good sleep, and there isn't much to do about it.
What I can give you as tips now is to make a “tent/fort” for the children to sleep inside (I don't know how to write it, but that would be it). Also, take advantage of the naps that the children take during the day to get some rest yourself. Remember, “ah, but what about the house?" – Well, look, you're sleepy, and the mess will still be there when you wake up. Prioritize rest.
The feeling that may be undermining you is that with each decision, you ask yourself if you are being a good mother/father. You know… you will be criticized by everyone, by people outside, and even by your own children when they grow up. No one will understand your efforts, but you can, so you need to create more confidence in the whole process you are going through and stop second-guessing every decision you make. Energies need to be renewed, cycles close for others to begin, with vigor and vitality. Accept with gratitude the changes that the Universe proposes.
Herbs You Can Use to Help with Your Nightly Ritual: Fennel and Pomegranate.
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Pile 3 - Pochacco
(Strength - Three of Swords - Two of Pentacles - Knight of Cups - Two of Wands)
Your sleep is complicated because your body wants to rest, but your mind is racing. You don't stop thinking; your reasoning is quick and very useful in everyday life, but not at bedtime. You are also a person who is more disconnected from your own body; you can be tired mentally but not physically, and vice versa, and this interferes with your bedtime. It seems that when you put some effort into creating a sleeping habit, it doesn't work.
We also can't erase the sentimental part that disturbs your sleep; all the feelings you had during the day are processed at night. Memories of the past cause tightness in the chest, a storm in the mind, thinking about what you could have done, crying, and creating new arguments in your mind. Often, you sleep because you are mentally exhausted.
What can really help you is to put all your plans that you think about at bedtime on a scale to know which ones are just delusions before going to sleep, and what can work out. Do a real planning of the things you can or cannot do to put everything into practice. You are a mental person, and you think a lot, but you are also a procrastinator. You will sleep much better knowing that you did all your responsibilities that day. You can do it!!
Now entering a more intimate part, many of the negative feelings that you have before bedtime are the feeling of rejection and exclusion, of people not accepting your feelings and your most intimate needs. That is why you feel that people do not accept who you really are. This most intimate part needs to be resolved, and it will be resolved when you leave things behind – all the past where you were rejected – and try once again with passion to live your life being yourself. Passion arrives to ward off fears and warm the heart with an extra dose of enthusiasm. The act of falling in love brings motivation and freshness to life, whether for someone, for yourself, or for something new that begins.
Herbs you can use to help with your nightly ritual: Snake plant and Mugwort.
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(CC) AstroJulia Some Rights Reserved
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popatochisssp · 6 months
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Would it be too much to ask what kind of jobs the new skeles might have since you already shared bram would be a groundskeeper at a cemetery?
Looks like I never officially did this one for Wave 2, just Wave 1 over here.
So, while we’re at it, let's do 2 and 3!
Ash (Undergloom Sans): He’s semi-unemployed, or self-employed depending on how you look at it. He busks, playing his trombone out on the street and accepting donations from anyone who feels so inclined. He likes playing music and the idea of brightening peoples’ days in the middle of their commute, so the money doesn’t really matter to him. Sometimes he picks up small gigs at local venues, mostly by word of mouth, and eventually he breaks into the tutoring scene—teaching his favorite instrument to young aspiring musicians who find the same joy in it that he does.
Yrus (Undergloom Papyrus): He works as a professor at the local community college, teaching anthropology. He’s passionate about the subject and can’t think of anything he’d rather do than share it with a classroom of humans who probably have no idea how interesting they really are. If only one student walked away from his class with a new appreciation for what humanity’s all about then he’s fulfilled—but he tends to send a lot more away with that than just one, since he’s a very popular, friendly, and accessible teacher.
Brick (Horrorfell Sans): He’s self-employed, knitting blankets at home and selling them online. He doesn’t need a job at all, between the Queen and his brother, money’s not an issue, but he’d go crazy if he didn’t have something to do all day, and nobody wants to see what he looks like when he goes crazy. He takes commissions often, but other times he just makes things according to whatever he’s feeling and what color yarn he has handy and sells to whoever feels like buying it.
King (Horrorfell Papyrus): He works as a physical therapist. He more or less taught himself to walk again after losing his leg, and a second time after getting a replacement, so he very personally understands the need that exists for people who are injured and want to get back to their normal life—but maybe lack the discipline, the knowledge, or the tools to take that journey solo. He’s hard on his patients and sadistically merciless, but his success rate in terms of mobility recovered is very high and any complaints after the fact are begrudging at worst.
Merc (Horrorswap Sans): He’s a home baker, making cakes and small pastries for a small but growing client base. He likes the freedom of getting to pursue his passions seriously and to be his own boss, set his own hours, screen his own clients, et cetera. He puts a lot of time and care into what he makes, both in terms of flavor and decoration, and finds nothing quite so satisfying as a repeat customer or a glowing review and recommendation to someone new.
Ell (Horrorswap Papyrus): Freelance programming is what he does for cash. It was something he could both learn how to do and actually do remotely, without the need for more than the bare minimum of in-person contact. He likes problem-solving, and complaining about the problem-solving, and the field is pretty much always in demand so if he’s bored of certain kinds of jobs, or sick of the person giving him the jobs, he can jump ship at any time and be a contractor someplace else.
Pitch (Horrorswapfell Sans): He’s a boxer, more amateur than pro so he doesn’t make a ton doing it, at least not consistently, but he likes fighting and draws in a decent crowd by being a bit of a spectacle (a blind skeleton in the ring) so the entertainment value is worth something. Aside from that, eventually, he fills in for his brother as a combination business partner/agent/accountant, helping him get jobs and keep clients and manage the money he makes doing so.
Nemo (Horrorswapfell Papyrus): He’s unemployed for a long while, but ultimately breaks into professional photography, with a specialty in travel photographs. He likes taking pictures and getting to see the world in the process, and it helps that it’s a family business so he and his brother have pretty much full control over what jobs he takes and for how much. He doesn’t really concern himself with the money numbers, though, he just likes filling out his portfolio with gorgeous locales all around the world.
Sunny (Gastertale Sans): He does a lot of odd jobs, all over the place, generally (things that are considered) unskilled labor—bussing tables, janitorial work, desk clerking, that kind of thing. He doesn’t like the thought of getting too stuck into any one thing and being unable to try something else out later if it doesn’t work out, and there’s something to be said for the satisfaction of being closely connected to the results of your labor. Sometime down the line he will end up sticking in one career, as a dealer for a casino, because it combines his social, charming nature with his sharp eye and quick hands, but until then he’s happy to bounce around.
Aster (Gastertale Papyrus): He’s a bookkeeper at a nondescript company. He’s organized and thorough with record-keeping and double-checking data, and he likes putting those skills to use to make sure his employer’s finances and transactions all balance out at the end of the day. Some might find it boring work and he could almost certainly qualify for a much more ‘prestigious’ job doing something else, but he’s satisfied having a job that doesn’t require all of his effort and brainpower, so he can save some of that for his personal life and private interests.
Spectr (Transcendtale Sans): He’s a nomad, a wanderer, he has no job. He’s a robot in the shape of a monster—ostensibly still a monster, even so—in a world full of humans that as yet believe monsters don’t exist, so even if he wanted a job, getting one would be logistically difficult. Luckily, he feels no special need to be gainfully employed and just spends his time wandering around and taking in the world. If he needs something, he’ll either just take it or use one of his brother’s accounts to pay for it.
PapAIrus (Transcendtale Papyrus): He’s a performer, a disc jockey who mixes, makes, and plays music to crowds at clubs, raves, and discos, anywhere he’s welcome. He takes advantage of the perception of his holographic form as an artist’s gimmick, like Daft Punk, Hatsune Miku, dead musicians projected onto stages to play posthumously… In his defense, that last one is sort of exactly what he is, except he didn’t really start making music until after he died. Still, he has fun doing it and adores the fame he’s steadily gaining as a popular, cutting-edge technology music act.
Xanth (Ascendswap Sans): He does aura readings for people. For those interested to know, he shares his perception of their colors and the flow of energy in and around them, and just generally describes the sense he gets about a person. What he does is really more of a soul read than an aura read, so a lot of the color meanings and terminology he uses contrast with the kind of readings his clients may get from humans who practice something a little bit different. Still, he’s earnest in his desire to help people understand themselves and their energies and emotions, so he gets a lot of recommendations and repeat clientele who trust he’s the real deal.
Piper (Ascendswap Papyrus): He works as an event planner, organizing gatherings, arranging vendors, booking venues, the whole nine. He has a great reputation for making things go smoothly and always seems to be able to talk out bumps and snags before they ever become a major problem. He also maintains great relationships with people in the industry and delights in having connections just about everywhere in case he needs to call on a favor to make something happen for a client. He's got the magic touch and the silver (gold) tongue that makes everything fall into place just so.
Carmine (Underfell Fruition Sans): He works as a clerk at a pawn shop. He gets to handle a lot of interesting items and assess roughly how much they’d be worth, and he’s pretty good at haggling and negotiating with people who might not agree with said assessments. Sometimes people will come in with broken stuff they wouldn’t be able to get too much for, but maybe he can cut ‘em a deal, fix it up on his own dime and if they come back for it, great—and if they don’t, his boss’ll be happy to have something that works to sell to somebody else at a markup, how ‘bout it? He does a brisk business and both sides of the counter love him.
Tank (Underfell Fruition Papyrus): He’s in construction. He’s huge, strong, takes direction well, and diligently follows rules and protocols—he’s an ideal fit for it. He likes to work hard and be able to see a job come together, knowing he had a part in it and being satisfied with the quality of his contribution. He especially likes to take every safety training and equipment certification course he can attend because he likes knowing what the rules are and being specifically told how certain procedures are run, machines operated, et cetera. He’s very likely to be apprenticed in as a foreman if not the inheritor someday of the construction business by its current owner for his work ethic and dedication, but that’ll be a long ways from now.
Vi (Swapfell Fruition Sans): He works as an independent auditor and combs through companies’ records, internal and external documentation, processes, and accounting and ensures everything is being done in accordance with industry standards. In short, he shows up, demands to see everything they have, and looks through it to see if they’ve lied, did something wrong, or lost information they weren’t supposed to. Sometimes he can do this remotely but other times he has to travel out to a physical office somewhere and sit down with a bunch of stuffed file cabinets, and he really doesn’t mind either way. He likes the work and he’s good at it—maybe because he’s good at it—and he finds it satisfying to catch the tiniest little misses and errors to demand an accounting of them.
Hunter (Swapfell Fruition Papyrus): He’s a trail maintenance worker for Ebott National Park. He walks the paths and hiking trails and makes sure they’re safe and unobstructed for visitors, as well as whatever odd jobs in the area that happen to come up—looking out for invasive species, helping with a bench install, directing lost tourists, that kinda thing. It’s not especially glamorous work but it’s pretty much exactly where he wants to be and he’s happy to do it, probably wouldn’t pick any other job in the world…except maybe to volunteer for a seasonal fire-watch position and do pretty much the exact same thing, but more isolated and with a big cool tower to sit in.
Kohl (Descendtale Sans): He works as a mortician at a local funeral home. He generally isn’t expected (read: allowed) to deal with grieving families, that’s more the funeral director’s purview, but he works behind the scenes embalming, processing, and otherwise preparing the dead for their final party and last ride home. He has a strong stomach—or rather, no stomach at all—and doesn’t get squeamish or emotional about the dead, so that works out. They also let him work nights so he has several long, quiet hours of methodically going through the routine with no (living) humans around to irritate him or vice-versa. Sounds like a good gig to him.
Bram (Descendtale Papyrus): Yes, still a groundskeeper for the cemetery and loving it. It was something he kind of fell into through his brother, when he didn’t really know what he wanted to do on the Surface, but his brother sends dead humans off to their final resting place and said final resting place was looking for someone to dig holes, mind the grass, keep everything looking neat and nice—and that’s certainly something he can do! He also works nights, being that monsters are almost entirely nocturnal these days, so he’s also an unintentional scarecrow deterrent to teenagers sneaking in late for partying or spooky dares when they see a slim, bony silhouette materialize out of the shadows with a shovel in hand, asking if they’re just visiting or thinking about moving in.…
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0sbrain · 1 year
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i have been enabled to be autistic about emesis blue so i will now study the first scene that absolutely killed me and one of my personal favorites in regards to cinematography
(screen recording so you can watch it first)
are you ready? let's go!
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the phone call ends and we are overwhelmed by an unnerving silence. a clock in the room amplifies the sense of dread. it's beat feeling almost like a heart, while also grounding the scene on real time
the static guides us as scout turns his head to look at something off screen. the shot positions him in a clear comparison with the pawn on the chess board, the only blue piece surrounded by unlit red ones on and off the board. it is between the queen and king implying the lack of importance and agency he has. we can appreciate a triangular composition based on these pieces and scouts face, leading the eye of the viewer towards the aforementioned pawn. a couple of rocks help cementing the effect by filling in the negative space left in between scouts face and the pawn, while also adding to the idea that the blue figure being surrounded, as they stand parallel to the other red pieces
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he sees something and we switch camera so we can see what he spotted. someone starts whitelisting hall of the mountain king
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despite being able to see him, we are in an angle that alludes to scouts pov. the light cast by the lap burns his face making us ignore his features and guiding us directly to where his mother's face is peaking in front of the window, surrounding her by darkness. as we keep hearing the song, it builds up tension like winding a jackbox, becoming uncanny as it suddenly cuts to come back again like a record player getting momentarily stuck.
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scout watches as her head drops when an off screen figure drops it. when it hits the floor the whistling ends breaking the tension to then pan to the left side of the room where we see the shadow made by an intruder wielding a blunt object
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the clock stops ticking while we can see the figure standing on screen, on a first watch, our eyes will focus on the shadow as it is situated withing the only well lit area on screen, being also the place we are led to by the panning.
FINAL THOUGHTS:
this scene builds up tension in a way that misdirects the viewer to explore the uncomfortableness and terror of being frozen in place (fight/flight/freeze/fawn). we know something is wrong and therefore, something is about to happen. so we expectantly wait, unable to do anything about it. then, as it is about to end, we are made aware that the danger we were waiting for, had been creeping up towards us, out of our sight while we were staring the opposite way. this entire movie is incredibly crafted, but as a fan of cinema and a fan of horror, this scene is my favorite.
(thanks @hydepotions for giving me an excuse to be a little more autistic than usual)
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starsstripesandstark · 3 months
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what absolutely blows me away is the complete lack of commitment Marvel has to making any of the "big" characters queer. like there are little attempts at it here and there, but all fan service is usually for the straight fandom.
i think the biggest culprit of this "phenomenon" (for lack of a better term) has got to be peggynat in What If...
In the first episode, when we see them together, they are going through the exact same mission/situation that we saw Steve and Natasha go through in Captain America and the Winter Solider. Now, I'll give Marvel credit here: Peggy and Natasha's banter is very similar to Steve and Natasha's. It's leaning to the flirtatious side, allowing fans to add their little spins on it. However, the difference in the two scenes is that one leads to a dramatic kiss ("You still uncomfortable?" "That's not exactly the word I would use.") and the other leads to a wink that only got us peggynat fans hoping.
However, when the second season of What If... aired, I was disappointed. After such great build up with Peggy Carter's story sticking closely to Steve's in the MCU, I thought it allowed opportunity for a smooth transition for Peggy to be Marvel's first bisexual character seen on the screen. But the show took a sharp turn into the Steve x Peggy route, something that Marvel continues to push despite a large amount of Queer fans resonating with Steve's story and pushing for him to be queer.
And this isn't the only time Marvel has done this. Marvel has made several lazy attempts at making characters queer, such as Star Lord being bisexual, and yet he never talks about or shows remote interest in anyone except the opposite sex. Valkyrie in Thor was celebrated when Tessa Thompson declared that there can't be a king without a queen, hinting that Valkyrie would get a girlfriend only for Marvel to through to story line away and sub in a rushed and forgotten about relationship between Valkyrie and some random girl (their only screen time together being Valkyrie kissing the nameless girl's hand).
So, in conclusion: I'm tired of it. Marvel needs to work on getting some real representation.
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funkyspacealien · 6 months
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Rabbit of the Night He'll suck the orange out of your carrots (Sketches n' processes under the break! It's a REAAAAAL long one)
I've been meaning to draw a piece that actually includes a background instead of a character standing in the void. The issue that arises is that... I just didn't have any good ideas for backgrounds, lol. Partially the issue is that I tend to design the character first, which makes it challenging to draw stuff around them. Since around the time that I made this piece was October and the big holiday was Halloween, I figured I could do something within the theme. I've been meaning to draw my character, Nosferatu, again since they have always been one of my lowkey favorites of mine.
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An older piece of the character, which you can see with the others here The character was quite macabre, which made it perfect for doing something slightly spooky. The cape also gave me a great idea for making something more visually striking, as well.
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My first attempt. As you can see, I tried to do a thumbnail this time so I can have a better understanding of the amount of space I have to work with. I highly recommend that you do something similar if you struggle with doing backgrounds. Though, I think I ought to make it a bit more square, lol. I had to tweak some things to fit within the standard square shape since I drew everything at a wonky angle. I was inspired by Soul Eater and Majora's Mask when it comes to the background design, especially with the moon having a prominent appearance. I knew that was a consistent thing I wanted to keep throughout the iterations. The flowing cape was heavily inspired by Spawn and the artwork of Lelouch from Code Geass
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I always found it to be such a striking iconography for the characters. Despite being an inanimate piece of clothing, it adds a lot to the design. Spawn was always an intimidating dude, but having that cape overwhelms the viewer and takes up so much screen space every time he wears it helps give him more of an otherworldliness. You may not truly understand who or what is he, but you may get the vibe that he's someone with great power and importance. It's befitting of someone who is viewed as the best spawn of the devil. I find it also interesting for a character like Lelouch. Now, I never watched the show he came from, only understood the basic premise from various sources throughout my life. Pardon if my read on the character is incorrect, but to me, he's quite the scrawny guy and perhaps lacks power of his own. Despite this, he runs a rebellion and goes under the alias of "Zero". He dresses up as Zero, including the cape. With it on, his form became much more imposing yet concealed. It gives him a sense of royalty, which you might attribute to the likes of Kings or Queens. Someone with power. Sorry for that brief character analysis tangent, lol. It's just something that I thought about when creating the character of Nosferatu. I find it interesting that something so simple as a cape can help give a feeling of power. It's something that I feel everyone subconsciously think of and not realize. Back on topic, the rest of the composition I wasn't super satisfied with. I sorta lean into the "Dracula" look the character had by having the castle in the background, but I think it came off as very flat. I also thought it made things visually unclear. A bunch of things off in their own corner instead of organic guiding the viewer's eyes. I scrapped the first idea and tried to go in another direction.
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I had the idea of being underneath an overpass and having buildings being lit by the moon. I don't think it was too bad of an idea, but I had trouble refining it and making it more "full", if that makes sense? This had a weird sense of emptiness and dragged the composition down for me. Perhaps if I drew the character differently and played more with the perspective, it would've been better. I went back to my original idea and checked if I could improve some things on a base level.
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Originally, I had the cape go off-screen but checking my original inspiration, like various art pieces of Spawn, I noticed that the cape "ends" tend to curve back into the frame. I decided to do something similar which I think helped give the piece a sense of "flow" to it. I found that it also gives a composition more layers of depth and fills in any "empty" spaces that I had worried about before. I tilted Nosf's head a bit so they weren't just standing there stiffly as well. Sometimes it's the little things that help improve the piece than having to redo it all over again.
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Finally, I just decided to make the background more on the simple side. I think I had the issue of really wanting to prove myself that I could do backgrounds that I made it way more complicated than it needed to be. It gave me the chance to make the moon much bigger, which I always meant to be a striking aspect of the piece. When drawing, I decided to forgo the "ground" that the cliffs are on since I felt it cluttered up the piece with too many colors. Now, I just got to finish it!
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I should be done, right? Well, not exactly. While I think it looks nice (I'm personally proud of my use of noise filters), it just still lacks the depth that I'm looking for. Something about it is too bright and clear. I went back and experimented some more until I found a solution that made me feel stupid not realizing it before, lol. So initially, I tried to use this photo editing program called "Picsart". I used to use it a lot when I was doing digital art since I like the added filters. I eventually stopped because it would ruin the image quality. I thought they fixed that issue, but it's still the same.
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It's a bit subtle in this picture, but I like to use the "vintage" filter since I like the added shadows on the sides of the images. The problem is that the quality got ruined and I'm very stubborn about keeping it in the nicest resolution possible. I decided to see if I could replicate it in my own art program. What I discovered is that I can and the solution was very simple, lol. First I drew a square with a solid color on a new layer-
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Then I used the "Gaussian Blur" Filter-
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I turned down the opacity, set the blending to "burn" and overlaid it on the artwork, which gave the depth I was looking for!
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I gave the head some slight shading too since the filter unintentionally gave it to their ears. Good call since I think that helped with the Halloween atmosphere I was intending.
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olderthannetfic · 1 year
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A recent anon made me want to read a bit more about queerbaiting and I ended up on James Woodall’s video Dr. Who Was Queerbaiting (https://youtu.be/Olpn9YsyMeM), have you seen it?
I found it interesting, especially for his sources and the reasoning for why the definition of queerbaiting should be expanded from the original marketing technique one. My first reaction is that it’s better to make up a new words, like queercatching, than to endlessly expand the meaning of an old one, potentially into uselessness. And well, once you expand the meaning into “not good enough to satisfy expectations” or say “it’s not queerbaiting because it feels more authentic to queer communities” the questions “Whose expectations? All communities? What about conflicting needs? Should we decide by hand raising?” come to mind. Obviously the answer is always that we need more and more varied representation but it does seem like a definition that would leave space for a lot of infighting (and leave us in need of a different word to convey the original meaning). I’d like to hear a few different thoughts on this from you and other readers though!
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I haven't watched it.
Broadly, the rallying cry I want to see is: Media by people like us, for people like us.
Define "us" as you see fit. What you want to get behind is going to be very personal, and it won't be the same for all of "The Queer Community".
For me, it's people who like BL—as opposed to other m/m media—and who are willing to admit that what they like is BL and welcome other fans of BL.
I have a visceral horror of being asked to identify too closely with a female body or female role despite being reasonably comfortable as a woman. I dislike being told which character to identify with, regardless of their body or identity. I lack the self insert gene, like to a claw my skin off, get it away from me level.
I dislike things that are trying to be too tightly #ownvoices. "Queer Media" in a broad sense is irrelevant to me as a fan, though I care about it for broader political reasons. I want a media that actively promotes and pursues a disconnect between viewer's body and character's body, between viewer's identity and character's identity. Drag queens are interesting even if not aimed at me. Drag kings are great. BL is great. Cringey, unrealistic f/f by dudes is sometimes great for me too. The closest I'll go to #ownvoices is bisexual media for bisexual people.
The biggest mainstream media is not by people like me or for people like me if it's from the US or UK, and that includes mainstream-ish queer media.
The closest we get is cis gay dudes making art about cis gay dudes who live in their same city and work a similar job, yadda yadda. Or slightly mainstream stuff by poisonous trolls who cry about how much they need to gatekeep and how their BL is not BL. There's a constant assumption, even for the BLy shit by AFABs, that a narrow definition of #ownvoices is the objective and a 1:1 correspondence between everything about the character on screen and the viewer is desirable and most moral and politically best. No amount of nitpicking over terminology is going to change that.
I can consume indie books or head over to Asia where commercial BL industries exist. Those are my options right now.
The entire concept of queerbaiting is stupid as fuck because it imagines that other people are paying attention to us in contexts where they just aren't.
I don't think we should expand the meaning. I think we should approach media differently.
Nothing will change until:
1. People like you/me/whomever the desired queer voice is control media.
I don't mean "are in the writer's room": I mean are the showrunner. I don't mean "are the director" of a big movie that answers to a thousand producers: I mean are the studio head.
Power is what's needed, not begging for scraps!
Or 2.
We as consumers stop going "Sempai will notice me any day now!" about big shit and start spending 100% of our leisure entertainment time on indie things. Not as an also-ran that we fit in around HP and SPN and DW or whatever: as the entirety of the media empires we care about.
And no, that won't solve the problem of horrible people who turn out to abuse their partners still being good at art or whatever. Consuming indie media doesn't make it less problematic. It does offer the opportunity for me to consume media that is aimed at me.
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I really don't care whether James picks yes or no in that video. The entire question is pointless.
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misguidedasgardian · 7 months
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My Last Kingdom's line of thought
Alright... I have a Last Kingdom One-shot published.
I'm not gonna lie, at first I thought (before I saw it), that it TLK was some low budget copy of Vikings, so I never payed any mind to it
UNTIL OUR LORD AND SAVIOUR EWAN MITCHELL APPEARED IN MY LIFE IN THE SHAPE OF AEMOND TARGARYEN
Then I was like... alrighttttt lets give this a shot
AND I LOVED IT, of course not just because of him, but the story and the characters, they are great!
Anyhow... of course the engine in fanfictional mind started turning and of course, I was like... JUST WRITE THIS ALREADY!
Of course in my mind reader had to be a cool warrior, a viking, shieldmaiden.. anyways, but as the story progressed, int he screen and on my mind...I tried to picture her in a relationship with Osferth and... it didn't happen!
I don't know why, I don't see it working, I wrote that one shot... she is the daughter of Bjorn Ironside... (who was a Dane/Swedish, I got it wrong, he is not from Norway)
Anyhow... in my mind the story started to develop quite different... Osferth doesn't dare to formalice things with reader, in the show we see him courting ladies of the night, but nothing too serious, because he can't truly get married....
So he strings Reader along! it got all twisted, he didn't want to marry her, and then their relationship kind of fizzled... then reader can tell she is pregnant, by that point, she leaves Osferth, she wants to settle and farm, Osferth wants fame and fortune, woman and adventure....
So reader goes on her own, maybe settling in Mercia near Aethelfaed,.... anyways... she had twin boys...
At some point, after that huge time jumps between seasons, she meets with Uthred's pretty boys again, she has a hall with her boys... Osferth doesn't know how to deal, (he is a coward)
AND BJORN APPEARS
All his children are dead, reader is the only one left, she is his legacy, Bjorn can tell there is no one of his blood to succeed him as king of Sweden and Denmark... so he goes to find his daughter
AND SURPRISE
He realises his legacy are this two boys
Reader didn't want to tell him who had fathered them... but Finnan ran his mouth... when reader realizes Finnan opened his big mouth to defend the honor (or lack thereof) of Osferth, reader runs to her home to find out her father had stolen her children
WHO HAVE ROYAL BLOOD ON BOTH SIDES, Bjorn goes onto saying to his people his grandchildren are the ones who will unite both saxons and danes and some other delusions of greatness
And then I put Uhtred in a closet and reader starts a quest to retrieve her children...
Of course she seeks help in his father's natural enemy... the Norwegians... and their King Harald (Leo baby I'm coming), Uhtred, FInan and Sithric follow, but just as spectators as reader fights her own father and country to retrieve her babies (four year olds or so)
Harald offers her the Danish and Swedish crown, but she says she is only interested in retriving her children, so he can do as he pleases
They attack Kattegat
She ends up offing her father... and Harald present her as the Queen of Sweden and Danmark
So it evolved in something else! jajaja enterily!
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lulu2992 · 4 months
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After listening to this song on repeat and/or having it regularly stuck in my head these past few weeks, I’ve finally seen Wish!
I had read many reviews that said the movie was bland because it lacked originality, and while I understand this point of view, in a way... I think it was intentional.
The film was released for Walt Disney Animation Studios’ 100th Anniversary and is full of more or less obvious references to other Disney movies, whether it’s a well-known character name that’s mentioned, someone directly quoting another film, or even just a background, object, gesture, or scene composition that, for some reason, feels familiar. The fact that all those “Easter eggs”, which could have been very annoying but, in my opinion, manage to remain fun (not really in a self-mocking way as Enchanted did, though), exist, combined with the images that appear during the end credits and the scene that follows (yes, there is a post-credits scene), make me say the goal was to make the “Disneyest Disney movie”.
Wish is not lazy, it’s a celebration.
It’s still its own film with its own story, but it’s first and foremost a tribute to Walt Disney Animation Studios, all the movies they’ve released over the years, and the now iconic (some might say overused) concepts of “wishing upon a star” and hoping your “dreams come true”. At one point, there’s also a flip book (with a time chart!), and I see this as a nod to traditional animation, as well as an homage to the original “magic makers”: animators in general.
So yes, it’s unoriginal and maybe not the most memorable Disney film. As you would expect, it opens on a storybook, takes place in a fictional kingdom, features a heroine who has an animal sidekick and a dead parent, and she has to fight against a charismatic villain who uses green magic. I would describe Wish as a quintessential Disney movie, and while it may not be groundbreaking, it’s still cute, pretty, and entertaining. The characters are good and, even when they don’t have a lot of screen time, have distinct personalities. I’m thinking in particular of Asha’s friends who, as I’ve just realized writing this, must be a reference to the Seven Dwarves (even their initials match)... There also are many songs, of course, as they are yet another trademark of Disney movies. Special mention to “This Is The Thanks I Get?!” because I thought it was quite catchy and the most original!
Speaking of King Magnifico, he really is a great character and “classic” Disney villain, and it feels like we hadn’t seen that in a while. That said, [spoilers]…
...I was a bit disappointed they introduced his tragic backstory (without fully explaining what exactly happened, by the way) and then didn’t really do anything with it at the end. Sure, it humanizes him, gives him depth, and explains why he’s unhealthily obsessed with being in control, and I agree that not all villains need or deserve a full redemption arc, but… I don’t know, since they mention the fact his family died and that the fear of loss is what motivates him (at least at the beginning), I expected that to play a bigger role in the story, and especially in its conclusion. I’m not saying he should have been redeemed because I don’t know if it would have worked in that story anyway, but taking into account his past, the fact they mention it several times, and what they (Disney) have been doing with many of their villains lately, I simply thought it was likely to happen. Maybe King Magnifico didn’t necessarily “deserve better” as a person because he does become “evil”, to the point that even Queen Amaya, his wife, eventually turns her back on him despite their seemingly sincere connection, but as a character, I’m inclined to say he did…
Oh well, at least he has the coolest villain song!
Also, knowing my love for charismatic antagonists with a tragic backstory, maybe it’s best for me that they didn’t explore that further and just let him apparently irremediably lose himself. Had they decided to “save” him, even partially, or give the audience more reasons to feel sorry for him, I fear I could really have spiraled out of control :’)
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destinyc1020 · 4 months
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Hey Destiny, I don't know if you are still going to do confessional Sundays, but I have one, but I know ppl aren't going to like it.
1. I feel some tomdayas do too much with timdayas. I'm aware this is very unpopular, but let me explain. I'm not a timdaya, but I was a Timothee stan before I was a Tomdaya stan, so my perspective may be different. I feel Tomdayas need to accept that tindayas are going to exist and to stop giving them so much attention. This is not the first time both Tim and Z in their careers, are going to play with love interests that don't reflect their personal life(Timothee with Taylor in Bones and all whilst dating Kylie and Zendaya with Hunter and Mike and Josh while being with Tom).
Back in the day, actors had so much variety in their roles that had Z or Timothee been this age in the 90s, they would have been in 100 romcoms by now and ppl would be shipping them with their costars. It's not a reflection in real life. The insecurity projected unto Z is so weird because this same insecurity is never placed on Tom, and he had a makeout scene in TCR. No one thought he was dating his costar. It's obvious some Tomdayas are insecure, and tbh it's silly cause if you truly are a fan of both of them, you would know that the insecurity comes from film twitter and is not reflection in real life. Tom and Z love each other so much and have priotised so much being together. Only idiots think Timothee is a threat, lol. I also blame the lack of media literacy in this current generation. They see opinionated posts online and assume they are true, like aunties and uncles on Facebook, lol.
Timothee, respectfully, is a good actor but uses pr to benefit his films just like most actors. I saw some Tomdayas annoyed that he gifted Z wonka special edition shoes, assuming that he is trying to get with Z and is jealous of Tom. Are we bffr rn???? They are friends, nothing more, lol.
It seems you guys were not here last year for Bones and all promotion in Venice when Timothee and Taylor were PRing like their lives depended on it. Red carpet moments, TNT posts, and overall flirtatious interviews. At the time, I really thought they had something going on because i was gullibe and was happy. timothee was giving a black woman attention, lol. It was a self-fulfilling prophercy until, after the promotion of the film, when I saw them not liking each others posts, Taylor only praised Luca or did not hang out even when they were in the same city. It was then I realised it was just a job for them, lol. Its the same with Glen and Sydney doing the most to sell a film because its their job, lol.
I've been a fan of Timothee the longest, and most of his dating history happens offcamera than on until he started dating Kylie. I'm aware he dated Eiza and Lily, but when they dated, he barely spoke about them ever. Even when Lily and him had the King, they didn't stand next to each other on the red carpet, lol. Whether you like the pairing or not, this is who he wants to be with, and it's not Z, lol. Tom isn't insecure about Timothee at all. Timothee called him the rizz master for a reason. If anything, it's the other way round lol but that's for another discussion.
Paul and Chani's romance is going to be like the star was for our generation. Certain fans need to let go of this hypothetical insecurity that what's on screen is gonna be translated in real life. There's a reason why they didn't touch each other during the red carpet because both sides do too much.
There's also a consequence playing up to the romance of your titular characters in real life, Corey and India were close in the beginning of the pr of Queen Charlotte and towards the end in Brazil they bareley acknowledged because fans did too much and so did they lol.
The only way actors can do "showmances" is very early in theory careers as they don't have an established fanbase. In the new hunger games films, Tom blyth and Rachel Zegler have great chemistry, but they both have partners in real life, and so there's a line they don't cross and are still very popular. There are fans who want them together, but that's a loud minority.
Timothee and Z are well established in their careers, and it wouldn't make sense to do that.
Hopefully, I made sense, and you have a nice day!!
😳😳
Wow... this was a LOT Anon lol....
I'll try to answer your confession as succinctly as I can lol 😆
Hey Destiny, I don't know if you are still going to do confessional Sundays, but I have one, but I know ppl aren't going to like it.
Actually, yes! 75% of you said that you wanted to keep doing Confession Corner Sundays, so my inbox is open on Sundays for that.
You have to make sure you mention in your ask that it's a confession, and I'll know to treat it as such. 😊
Anyway, in answer to your ask.... I really don't think it's so much that Tomdaya fans are threatened by Timmy (let's get real), as it's more that we're sick and tired of some people seriously shipping them the ACTORS with each other when they are both in relationships with other people.
Also, when you blog, you do tend to see more nonsense coming into your inbox from trolls, so it might get more annoying 😑 than it would possibly for others who are just casually looking at things on the internet.
But yea, we all know that Tom and Z are basically married to each other by this point rofl, so it's not that we're "afraid" smthg would happen btwn her and Timmy lol. 😅 We just think it's very disrespectful for fans to be shipping her with her costar or trying to read into things that aren't even there. 🙄
Tbh, most of us just roll our eyes at Timdaya shippers and keep it moving. Most of us aren't giving them any real care like that.... at least, not on my blog.
We recognize the weirdness and laugh at it honestly. Trust me, MOST Tomdaya shippers aren't worried lol 😆 😂 Maybe the Tomdaya newbies are who you're referring to? But us old heads are like, been there, done that lol.
Back in the day, actors had so much variety in their roles that had Z or Timothee been this age in the 90s, they would have been in 100 romcoms by now and ppl would be shipping them with their costars. It's not a reflection in real life.
Actually, I challenge you on this. Would celebrities of the 90s be "shipped" with their costars? I don't really think so. 🤔 I don't think people shipped actors with each other like that. That seems to be smthg that grew out of more modern times. I kind of feel like back then, people were happy to see their favorite actors in a role together, but nobody really blurred the lines and tried to read more into a costar than necessary unless there were actual rumors of an off-camera romance btwn the two.
Someone can correct me if I'm wrong, but I just don't think that shipping was a thing back in the 90s. Most people probably knew the boundaries, especially if that actor was already in a serious dating relationship with someone else.
Most people didn't even know much about celebrities outside of what they saw in interviews, and there wasn't social media, so what on earth was there to ship exactly? 😅🤷🏾‍♀️
The insecurity projected unto Z is so weird because this same insecurity is never placed on Tom, and he had a makeout scene in TCR. No one thought he was dating his costar.
I blame the fans honestly. Z is also a woman, so she probably gets treated differently than her male counterparts.
SOME antis have tried it in the past when they tried to insinuate that smthg was going on with Tom and Sofia Ali, Tom and Emma, Tom and Ciara Bravo, etc. It's very small, but it has happened before. The reaction is the same.... we don't like it. 🤷🏾‍♀️ It's disrespectful.
It's one thing to say that two actors would look "cute" together, vs. "Smthg happened btwn them on set during filming...", or, "Did you see the way he looked at her? There's for sure smthg going on there, and they're just itching to break up with their significant others to finally be together like they've always wanted..." 🙄
Anyway.... I DO agree that fans shouldn't put too much stock into what weirdos say online. Weirdo Shippers are going to exist regardless... that just comes with the territory unfortunately 😕.
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izunias-meme-hole · 1 year
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Top 10 Mario Characters (Remake)
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Number 1. Bowser - Bowser is a genuinely great villain and fun as hell. Sure, there are a crapton of underrated villains in the Mario series, but no matter what you cannot really hate this guy. He’s a giant fire breathing turtle-dragon who’s a evil king, but he’s also a meathead, arrogant as hell, has very cool boss fights, is a surprisingly good father to his kids, and he’s an amazing protagonist and ally, as shown in games like Bowser’s Inside Story, and the Paper Mario Series. At the end of the day, Bowser is just an entertaining villain and an great character.
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Number 2. Wario - Whaddya expect? Wario is a perfect take on an “Mario Double” by not being a literal Evil Mario. He’s just a disgusting, rude, and greedy little bastard man that just so happens to not only look similar to Mario, but is also the exact opposite of everything Mario is! He’s also a game developer, and a treasure hunter, plus his games are actually pretty fun. In other words, Wario for the win!
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Number 3. King Boo - The Boo’s are annoying little shits and the cutest enemies in the series, but this guy is legit nightmare fuel and a delightful slice of ham. He captured Mario, he captured Peach, he turned Mario and Peach into paintings, and he went from wanting to capture Luigi to just wanting to outright kill him! Also, much like Bowser, he's consistently entertaining every time he is on screen, and I find it surprising he isn't an Mario RPG villain because he certainly fits that description pretty damn well. Overall King Boo is just a delight to see, and he’s the perfect nemesis for Luigi.
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Number 4. Dimentio - Easily the biggest asshole in the Paper Mario games, and the biggest asshole in the whole series. This jester is suave, smug, manipulative, AND sadistic. He feels less like a Mario villain, and more akin to a Final Fantasy or Kirby villain. Also the twist with him betraying Bleck was somehow not the asspull I thought it was when I first played the game, and it was actual kinda built up well throughout the game.
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Number 5. The Shadow Queen - The easiest way to describe The Shadow Queen is that she’s a Kirby final boss in a Mario game. Eldrich in nature, terrifying, powerful, and PURE EVIL. Also, despite just being the final boss, her build up is done exceedingly well, so she doesn’t feel out of place either. In short, this ghastly demon queen is so non-Mario as a villain that it works perfectly in her favor.
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Number 6. Count Bleck - A well written tragic villain in a Mario game that is also quite the horrifying bastard? HELL YES!
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Number 7. Bowser Jr - Bowser Jr is a small gremlin that is on the same level of fun as his father, and is extremely underrated. He’s got some of the most versatile bosses in the series due to his mechs and clown car, is very energetic, and his relationship with his dad is pretty healthy and fun. In short, the son of Bowser is just neat. However his biggest problem is that he's so underutilized in the mainline games, like how does Nintendo hit gold and decide not to use it often.
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Number 8. Rosalina - She is beauty, she is grace, she has a sad backstory, she's helpful, she's the mother of these stars that become planets, she's considered to be either a witch or a goddess, and overall out of all the princesses in the series... I don't think we've had one like her. Daisy is outgoing and tomboyish, Peach is more refined, but Rosalina feels like a divine entity mixed with a mother figure who's experienced a lot. Sorry, but top 2 goes to star mom.
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Number 9. Princess Daisy - Do I have to explain? Despite only appearing in an obscure ass game and some party games, Daisy is a HUGE contrast to Peach, and it’s in a good way. She’s a tomboy, is loud and proud, and her energy is constantly high as all hell.
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Number 10. Princess Peach - When she isn’t being kidnapped by Bowser, she’s actually pretty fun. Sure she lack’s Daisy’s high energy, and is more “girly,” but she’s still got some sass and her own unique type of high energy that is let out in the party games. Also her Mario 64 castle theme is one of the best leitmotif’s in the series.
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Something very weird happened last night. I had a dream about writing and posting a Deltarune theory and... it was actually pretty coherent? So may as well post it in the waking world as well. XD
To start with, we can all agree that eyes, their visibility, and what they see seem to be a recurring motif in Deltarune. Kris, Ralsei, and Susie all begin with Kris and Susie hiding their eyes with their bangs, and Ralsei hiding his whole face with his hat. By the end of the chapter, as Susie and Ralsei have both opened up to others more, Susie’s eyes appear consistently on her portrait while Ralsei begins walking around without his hat. The first time Kris decisively shows that they are not a blank slate protagonist and have motives of their own, we get a glimpse of a red eye. Furthermore, in the unnerving landscape leading up to Empty Town, we see eyes carved in the cliffs, accompanied by the riddle ‘Only eyes blinded by darkness can see.’ These eyes later reappear on the bodies of the Titans, in Ralsei’s description of the Roaring and the accompanying cutscene. 
The theory in my dream was that, following this theme, all Chapter Bosses would have obscured or unusual eyes. And so far... they seem to! King’s whole face is a spade, giving the impression his eyes are completely hidden by shadows. Queen’s ‘eyes’ are really a visor, which she can display words and symbols on, but which are clearly different from organic eyes because she remarks on having bad facial recognition, to the point she can’t recognize Noelle as Noelle when Noelle’s disguise is literally just a bag over her head. 
A lot of people have been drawing fandesigns of the supposed boss of Chapter 3, believed to be named something like ‘Tenna’, ‘Anne Tenna’, or ‘Aunt Tenna’. A lot of these designs will draw heavy inspiration from a strange face found as an easter egg in Spamton’s basement. But when we see the grinning TV at the end of Chapter 2, there are no eyes. It’s quite unlike the smily face associated with Flowey and Chara, their ‘=)’. Really, it reminds me a lot more of Sans’ smile. A crescent, simplistic details of teeth. No eyes. It’s somewhat similar to the face in Spamton’s basement, in that the teeth are in detail, but it’s not squiggly or dimpled like the basement smile-- in contrast, the lines are quite neat. Perhaps it’s because, needing to be fit on a tv screen, Toby had to sacrifice detail. Or perhaps the face in Spamton’s basement was hinting at a different person, or was even a red herring. 
So, while we won’t be able to confirm this theory for some time, it could mean something that Chapter 2 closed on just a smile with no eyes, that that was the cliffhanger Toby Fox wanted to leave us on. Did he leave out the eyes for insignificant reasons? Or is it a recurring theme that, like our three protagonists, the bosses of the Dark Worlds all lack visible or conventional eyes? That they all possess ‘eyes blinded by darkness’? 
Might the Knight’s design also lack visible eyes? 
Guess we’ll just have to wait and see tho. 
For theorizing on who the real owner of the pink and yellow eyes could be, if it isn’t Tenna, this theory by @ariadnesweb is a rather interesting one... 
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princesssarisa · 1 year
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Sleeping Beauty Spring: "La Belle au Bois Dormant" ("The Sleeping Beauty in the Wood") (1908 French silent short)
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This 14-minute silent film was produced by the most famous French film studio of the silent era, Pathé. Directed by Albert Capellani and Lucien Nonguet, with an uncredited cast, it was filmed partly at the Pathé studio, and partly at the Château de Pierrefonds, an authentic medieval castle in Hauts-de-France that had recently been restored. Like many other French films of the era, it also serves as an early, primitive example of color film, via the process of stenciling. As a result, it has the look of an old-fashioned illustration – slightly crude, yet richly detailed and pretty all the same – come to life.
The story is told in a straightforward manner, easy to follow despite a lack of intertitles. The Princess, her royal parents, and their court wear medieval dress, while a hundred years later, the Prince and his companions wear clothes of the Cavalier era. The six good fairies are beautiful young women in slender, sleeveless gowns, and in a detail that seems inspired by Tchaikovsky's ballet, the fairy who softens the Princess's curse from death to sleep is portrayed as their leader and dressed in lilac. Meanwhile, the Evil Fairy is old and hunched yet still slightly glamorous, in a rich, pale blue gown and a tall witch-like hat. At the christening party, the Evil Fairy shows the court a vision of the Princess pricking her finger on a spindle and dying – a more effective choice in silent film than if she had just spoken the curse. Sixteen years later, we meet a bored and restless Princess confined to her bedroom by her protective parents, with guards at every door and only a devoted nurse for company. But when her nurse falls asleep, the Princess steals the key from her, evades the guards, and sets out to explore the castle... soon finding her way to a tower where an old women sits at a spinning wheel. As in most retellings, the old woman is the Evil Fairy in disguise.
While it's not emphasized, this seems to be a rare Sleeping Beauty that follows Perrault's version regarding the King and Queen's sad fate, where they don't join their daughter in sleep, but continue ruling the kingdom and eventually die before she wakes. They're last seen leaving the Princess's bedside after the Lilac Fairy puts the rest of the castle to sleep, and they don't appear in the finale. A hundred years later, on a hunt, the Prince learns of the sleeping Princess from an old man, and then finds that the forest of hedges surrounding the castle – the work of the Lilac Fairy – miraculously open to let him in. After wandering through the castle and seeing various members of the sleeping court, he finds the Princess and wakes her with a modest, gallant kiss on the hand. The Lilac Fairy then appears to bless their union, and the film ends abruptly with the newly awakened court and the other good fairies greeting the young couple.
Is this a definitive Sleeping Beauty? Far from it. The storytelling is basic and the filming techniques and special effects are primitive. But all the same, it's an intriguing and charming early example of an early cinematic fairy tale. The scenery and costumes are luxuriant, and even without sophisticated effects, some of the filmmakers' stylistic choices do enhance the fantastical atmosphere. For example, the superimposed image of a spider's web over the sleeping Princess's bed, indicating the long passage of time, which finally vanishes when the Prince enters the room.
This film can be viewed in several uploads on YouTube, most without music, but at least one set to the music of Tchaikovsky's ballet.
If you're eager to see what the earliest screen versions of classic fairy tales were like, then this short Sleeping Beauty is definitely worth your time.
@ariel-seagull-wings, @thealmightyemprex, @faintingheroine, @thatscarletflycatcher, @reds-revenge, @the-blue-fairie, @autistic-prince-cinderella, @paexgo-rosa, @comma-after-dearest
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graveyard--dog · 11 months
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While the story of TotK is much more compelling compared to that of BotW, it is held back by a severe lack of strong characterization and Nintendo's insistence on this "tell, don't show" method of storytelling for this era of Zelda games.
There are many, many details missing from the story of TotK. This becomes obvious pretty early on once you start collecting geoglyph memories, but on a first playthrough it's pretty easy to ignore the gaps in favor of the juicy story we're being told, as well as the spectacle of Ganondorf every time he's on screen. But despite being the main character, Ganondorf's story as told to us is the weakest, flattest, most unimaginative characterization in both games.
Ganondorf is the star of this game. This is undeniable. Almost every time he's on screen, it is accompanied by some of the biggest, flashiest, most genuinely terrifying displays of power we've seen in the entire Zelda canon, let alone from other incarnations of Ganondorf. The game is more than happy to show us how much power Ganondorf has. But aside from how powerful he is, what are we really shown about TotK's Ganondorf? What do we actually learn about his character?
We are shown nothing of the circumstances of his birth or how he came to be the way he currently is. We are shown nothing of his relationship with the Gerudo, or what they may think of him, his actions, or his goals. We are never shown why he's so hell-bent on conquering (destroying? it's unclear, really) Hyrule, or why he seemingly hates the Zonai, or… anything, really! All we are told from others is "he's evil!", and all we are told from Ganondorf himself is "i hate light and think peace is for cowards!".
It wouldn't be so bad if these gaping holes were only confined to Ganondorf, but they aren't. Because we are shown nothing of who this Ganondorf is or why he has these motivations, we not only have no idea of what he thinks of the other characters in the story, we have no idea how the other characters feel about Ganondorf. All interactions with Ganondorf in TotK can be boiled down to an exchange of:
"You can't stop me, you are too weak!"
"Yes we will, because of Link!"
"Ha! We shall see…!"
This has the consequence of flattening out every other character in the game to match Ganondorf's tragically flat characterization. They have nothing to play off of, so everyone has to match the flat writing of the main character.
Not only is Ganondorf's characterization lacking in detail, so is everything regarding the characterization of King Rauru, Queen Sonia, the sages, and Ancient Hyrule. We are shown absolutely nothing of what the founding of Hyrule was like, or even what it looks like. We are shown absolutely nothing about the kind of rulers King Rauru and Queen Sonia are, or why they are the rulers in the first place (other than their powers, maybe?). We are shown virtually nothing about the sages of the past (we don't even see them use their abilities in that cutscene we have to watch 4 times over LOL). We could replace Rauru, Sonia, and all 5 sages with talking plants that have secret stones and the story would not change in the slightest.
All we ever get is: "This is Ganondorf. Look how bad and evil and scary he is! 😰 These are the good guys! 🙂 They fought Ganondorf, but he was too bad and evil and scary for them. 🙁 Now Link must defeat him! 😤"
I really hope that there's some sort of Ganondorf-focused DLC down the line. This game's plot is great, but the story and its characters leave a lot to be desired once you have time to sit down with it.
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themattress · 11 months
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Disney’s The Little Mermaid (2023)
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All right, I’ve seen it, so let’s do this.
PROS:
- I have some problems with Ariel in this movie, but Halle Bailey ain’t one of ‘em. I mean, good lord. Not only is her singing as beautiful as expected, but her vocal impression of Jodi Benson from the original movie is phenomenal. If you hadn’t seen either movie and just heard audio files of the two back to back, it would be exceedingly difficult to pick out which was which, that’s how spot-on Bailey is with her performance. And even when Ariel is mute, Bailey never fails with her facial expressions, which continue to convey her lovable personality. You totally believe her to be Ariel because she totally believes herself to be Ariel; the sincerity that she exudes is proof of just how committed to doing this iconic character justice she was.
- Luca Paguro himself, Jacob Tremblay, was perfect castling for the voice of Flounder. 
- While I hate everything else about him, I love King Triton’s design and general vibe. He’s less of a traditional king and more of a Poseidon-like god, and that’s a cool take on him.
- The shark attack sequence. I especially liked the new way that Ariel outsmarts the shark. 
- "Part of Your World", both how the scene is staged and, of course, Halle Bailey’s singing. 
- "For the First Time". Again, it’s a Halle Bailey song. You can’t go wrong there.
- Noma Dumezweni as Queen Selina, Eric’s adoptive mother. As pointless as this character was from a story standpoint, I thought that Dumezweni sold it with her performance. 
- Art Malik as Grimsby. I totally bought his fatherly concern and affection for Eric.
- Once they’re finally allowed to start bonding after needlessly putting it off to pad out the runtime some more, Ariel and Eric’s chemistry is on point, especially in the dancing scene.
- Jodi Benson’s cameo as a merchant who gives Ariel a fork. Unexpected and delightful. 
- From the second half of “Poor Unfortunate Souls” and all through the second half of the movie, Melissa McCarthy is suddenly good as Ursula. She’s no Pat Carroll, of course, but she finally has the bombast and intimidation factor down which she was lacking in before.
- Jessica Alexander as Vanessa, who owned those two-or-so minutes she was on screen.
- Before the way it ended I was enjoying the climax. King Triton being straight-up killed rather than turned into a polyp was a genuine shock, and gigantic Ursula was utterly terrifying.
CONS:
- The opening scene is awful. Rather than that epic shot of Eric’s ship coming out of the fog with the music blaring, we get what looks to be a mermaid (actually a dolphin) swimming underwater as whimsical music plays, only for it to get cut off like a joke as the sailors on Eric’s ship try to harpoon the “mermaid” while yelling hateful superstition. Just a terrible start.
- Rather than Triton’s hatred of humans being pure bigotry on his part, the movie decides to "both sides" the conflict, making humans equally as hateful and fearful of merpeople as merpeople are of them. Worse still, they each have valid reasons for this hate and fear, making the end resolution of it being brushed off as a big misunderstanding ring hollow.
- Jonah Hauer-King as Eric. I’m sorry, I just couldn’t take him seriously in the role.
- Worse still, Eric's whole character is fucked up on multiple fronts. First off, he’s now adopted royalty instead of genuine royalty, which gives off the unfortunate implication that this is the real reason he bonds so well with the common folk and desires a life of adventure. Secondly, his life situation is made the same as Ariel’s instead of different, pushing them as kindred spirits too literally and losing much of what made him desirable to Ariel in the original. And finally, his romance with Ariel starts and ends on a lackluster note, with him being too quick to dismiss having anything to do with her after he learns she’s mute and then too quick to accept being together with her was a fantasy never meant to happen after he learns she’s a mermaid. In trying to give him more depth, the filmmakers just made him more confusing.
- The undersea world lacks appeal. You know it, I know it, everyone knows it and have since the trailers came out. More proof that animation is an art form that has things live-action can never replicate, and that Disney needs to stop making these live-action remakes already.
- Javier Bardem as King Triton. He is absolutely terrible in this, giving one of the most dull and disinterested performances I’ve seen in recent memory. He sells none of his lines.
- Triton's character isn’t any better than his actor’s performance. Beyond his bigotry against humans having more justification to it, he is downright cruel and unrelatable in his treatment of Ariel. When Triton crossed the line into abusive parenting in the original by destroying Ariel’s collection, we immediately see a flicker of realization, horror and remorse on his face once he snaps out of his rage. He’s too proud to admit to anything yet, but it helps sell his “What have I done?” remorse that we see later, and his sacrifice for Ariel’s sake in the climax. But here, he seems to have no such remorse. He’s hardly a father; just a tyrant.
- Flounder looks unappealing and Jacob Tremblay’s voice can’t save that. Sebastian looks even more unappealing, and Daveed Diggs’ obnoxiously high-pitched voice only makes his character worse. Scuttle looks unappealing, and Awkwafina creates such a different character with her performance that I don’t get why they bothered even keeping the “Scuttle” name. Much like with The Lion King remake, it again shows animation’s superiority in this regard.
- Ariel's hair is boring regular red and not vivid real red. That’s a fail on such an absurdly fundamental level, as well as a disservice to Halle Bailey who could have rocked such hair.
- Ariel's character, in the script, is as sanitized as I feared. She’s more of a socially conscious fighter for equality rather than a teenager realistically out primarily for herself and her own ambitions, her sexual lust for Eric is toned down to near non-existence, she’s much less of a rebel since she only goes to the surface for the first time when going to see Eric’s ship, she’s made to have far more hesitation in her deal with Ursula to the point she almost backs out entirely until Ursula cranks up her pressure campaign, and as I will talk more about later gets some needless “girlboss” additions the same way previous Disney heroines in live-action remakes have. Thank God for Halle Bailey, who minimizes the damage as best as she can.
- In the first half of the movie all the way through to the first half of “Poor Unfortunate Souls”, Melissa McCarthy is way too understated as Ursula. She’s doing a campy Bette Midler or Eartha Kitt style of voice, but doesn’t go big enough on her lines and absolutely lacks the skin-crawling, psychotic menace that Pat Carroll so effortlessly provided the character with.
- Restoring the deleted concept of Ursula being Triton’s sister and Ariel’s aunt was pointless. 
- "Under the Sea". Beyond the issues of the underwater world on display not working as well as in animation and Daveed Diggs’ ear poison of a voice and delivery not holding even a candlewick to Samuel E Wright, Ariel joins in on the song by the end! Excuse me? The whole point of the song is to convince her to give up her interest in the human world! Her singing along (without being forced to because it’s part of a stage musical rehearsal that she’s obligated to partake in, as is the case in Kingdom Hearts II) is akin to signing off on that! 
- There’s a plot hole about Eric’s kingdom. Apparently it’s incredibly paranoid and isolationist, and part of why Eric wants to explore other places and make connections with them is so that the kingdom “doesn’t get left behind”. That doesn’t stop its village and marketplace from being a bustling hub of multicultural diversity! Which is it? Is the kingdom isolationist or not?
- Related to the above: Eric’s song, “Wild Uncharted Waters”. Yawn.
- Also, Ariel's sisters are all different ethnicities. I assumed this meant that King Triton slept around, which certainly wouldn’t be out of place for a Greek god like he’s styled after. But no, the sisters still speak of “Mother” as if they all have the same mother! How does that work?
- Flotsam and Jetsam don't talk. Boo! Let them talk!
- There is an absolutely pointless change where Ursula, apparently having no real confidence in herself, cheats in her deal with Ariel by slipping in an amnesia potion so that Ariel forgets she needs to kiss Eric in three days’ time to stay human forever. OK, but why does that prevent her from retaining the memory of Sebastian later straight-up telling her she needs to kiss Eric? And why is she still that heartbroken when Eric gets engaged to Vanessa, given that she no longer thinks it means she won’t get to kiss him and thus won’t remain human? 
- Instead of the newly human Ariel making it to shore and getting dressed in a sail before Max sniffs her out and leads Eric to her, she gets caught in a fisher boat’s net, the fisherman gives her a cloak to wear, and he...brings her to the castle? Why? When you fish out a mute girl adrift at sea, why does your mind jump to the freaking castle and its prince as the go-to solution for getting her help? And like I said before, it actually takes away from Eric and Ariel’s bond, since him finding her and, despite his disappointment that she can’t be the girl who saved him since she’s mute, still taking care of her personally since that’s the decent thing to do was a great showing of Eric being a nice guy whom you could understand Ariel loving.
- Actually, the usage of Max is disappointing in general. Eric saves him on the burning ship so that important plot point is checked off, but him having earlier met Ariel and memorized her scent ends up having no pay-off since he isn’t the one to lead Eric to Ariel. On top of this, he doesn’t get to be the one who causes Vanessa’s shell to break and Ariel to get her voice back later, so that’s another important plot function he’s deprived of. And he’s not even a sheepdog anymore, he’s a bearded collie. What was stopping the filmmakers from using a sheepdog!?
- The stupid little jade mermaid sculpture that Eric calls “my Little Mermaid". OK, so is the movie’s title supposed to be in reference to that now? Why include that as a thing at all?
- "Kiss The Girl", beyond being ruined by Daveed Diggs’ voice, has the pointless lyrical change to make sure Eric has Ariel’s consent before kissing her. As the new lyrics say: “Use your words to ask her”. Except...Eric doesn’t fucking do that! He leans in to kiss Ariel, with her also leaning in to kiss him, at the end just like in the original, without him having asked her beforehand if it’s OK! So a classic, perfectly good love song got altered for nothing!
- "The Scuttlebutt". The only good part about it was Ariel hating it as much as I did! 
- Instead of the animals all divebombing Vanessa at her and Eric’s wedding, with Max dealing the finishing blow that makes her lose the shell containing Ariel’s voice, we have Ariel being a girlboss and....engaging Vanessa in a cat fight over the shell, ending with Ariel grabbing it and breaking it herself. Because a cat fight between women is so much more progressive?
- The climax ends with Ariel and Eric swapping places, and Ariel killing Ursula with the ruined ship. This doesn’t work, since not only does Ariel not know how to steer a ship and she looks kind of ridiculous sliding around the deck on her fish tail, Ursula going after Eric specifically rather than Ariel makes no sense (Ariel just killed Flotsam and Jetsam, Ursula is pissed off at her above all else) and Eric not killing Ursula means Triton has no impetus for learning that he was wrong about humans. Maybe this wouldn’t be a problem if Triton stayed dead in this version (since, y’know, he actually died), but alas he gets resurrected once Ursula is killed and loses the trident. And sure enough, he’s learned nothing, which leads us directly into...
- The Ending. Ariel just accepts living under the sea from now on and becomes severely depressed about it, which somehow makes Triton change his mind and turn her human (she was depressed after he destroyed her grotto and he clearly didn’t give a fuck; what’s the difference now?) Eric had also accepted he and Ariel weren’t meant to be after all, but once she shows up as a human again he instantly reverse on that. Queen Selina sadly remarked that the human world and mer-world just weren’t meant to exist together...but then Ariel is made human again and gets together with Eric, and then she says the exact opposite and endorses the two worlds existing together! Everyone is just changing their mind at the drop of a hat; it’s ridiculous! And rather than ending on a wedding with a beautiful choir version of “Part of Your World” being sung, the movie abruptly ends with Eric and Ariel sailing off in a boat toward a ship that they will use to explore other kingdoms and further connect the two worlds together in the process while the generic instrumental “Part of Your World” plays. There’s just....no real heart to it. Which sums up this movie’s problem: like the vast majority of these live-action remakes, it was not made with the same heart as the animated original. The best that can be said about it is that it’s not the worst of the remakes, and that it provides a great stepping stone for Halle Bailey’s professional acting career. Beyond that, it’s useless.
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