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cmrjewellery · 6 months

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Which state is famous for which jewellery?

When it comes to jewellery, India is a treasure trove of exquisite designs, each with its own cultural and regional significance. Let's take a sparkling journey through the states renowned for their distinctive jewellery collections, including dazzling wedding jewellery fit for brides.

Rajasthan - The Land of Royal Splendour

Rajasthani Wedding Jewellery: Rajasthan, the land of kings and queens, is famous for its regal jewellery. When it comes to weddings, Rajasthani brides adorn themselves with traditional Kundan and Meenakari jewellery. These pieces are characterised by intricate enamel work and precious gemstones set in gold. The majestic look of Rajasthani bridal jewellery makes it a sought-after choice for brides who want to feel like royalty on their special day.

Kerala - The Jewel of the South

South Indian Wedding Jewellery: Down in the south, particularly in Kerala, brides indulge in splendid gold jewellery. The iconic Kerala bridal jewellery set includes the "Kasu Mala," a long necklace made of gold coins, and the "Mulla Mottu Mala," which features jasmine bud-shaped gold beads. South Indian brides also adorn themselves with exquisite temple jewellery known for its intricate temple motifs. This jewellery represents not only beauty but also divine blessings.

Punjab - Where Bold Meets Beautiful

Punjabi Wedding Jewellery: Punjab is known for its vibrant and bold bridal jewellery. Brides from this northern state often wear statement pieces like the "Chooda" (red and white bangles), heavy gold necklaces, and "Nath" (nose ring). These accessories, along with the customary "Kalire," are an integral part of a Punjabi bride's attire. The jewellery reflects the vivacity and grandeur of Punjabi weddings.

West Bengal - A Touch of Tradition

Bengali Wedding Jewellery: Bengali brides have a distinct style when it comes to jewellery. The "Tant" is a prominent feature of Bengali bridal jewellery. It's a headpiece adorned with delicate chains that gracefully cascade down the bride's forehead. Bengali brides also wear intricate gold necklaces like the "Sankha Pola" and "Loha" bangles. Their jewellery reflects the rich cultural heritage of Bengal.

Tamil Nadu - Draping in Gold

South Indian Wedding Jewellery: In Tamil Nadu, brides are bedecked in gold from head to toe. The "Oddiyanam" (waistbelt) and "Vanki" (armlet) are key elements of the bridal jewellery ensemble. The "Manga Malai," a necklace featuring mango-shaped gold beads, is another iconic piece. South Indian bridal jewellery is known for its intricate craftsmanship and timeless designs.

Maharashtra - A Mix of Modern and Traditional

Maharashtrian Wedding Jewellery: Maharashtrian brides strike a beautiful balance between modern and traditional. The "Nath" (nose ring) and "Thushi" (choker necklace) are essential components of their bridal jewellery. The "Kolhapuri Saaj," a traditional Maharashtrian necklace, holds cultural significance and adds an elegant touch to the bride's attire.

In conclusion, each state in India boasts its own unique wedding jewellery collection that reflects its cultural heritage and traditions. Whether it's the regal allure of Rajasthani jewellery, the divine grace of South Indian pieces, the boldness of Punjabi adornments, the tradition of Bengali designs, the gold-draped brides of Tamil Nadu, or the modern-traditional fusion of Maharashtra, India's jewellery landscape is as diverse and beautiful as its people. These pieces not only enhance the beauty of brides but also tell the stories of India's rich cultural tapestry.

#cmrjewellery #goldbracelets #goldbraceletsforladies #goldearrings #goldbracelet #bracelets #gold chains #gold jewellery designs #gold jewelry #gold chain

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freshrunawayreview · 1 year

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mahabharataanalysis · 2 years

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9/65, Sthanu, Indra’s Assembly house Pushkaramalini.

SECTION VII

"Narada said,--the celestial assembly room of Sakra is full of lustre. He hath obtained it as the fruit of his own acts. Possessed of the splendour of the sun, it was built, O scion of the Kuru race, by Sakra himself. Capable of going everywhere at will, this celestial assembly house is full one hundred and fifty yojanas in length, and hundred yojanas in breadth, and five yojanas in height. Dispelling weakness of age, grief, fatigue, and fear, auspicious and bestowing good fortune, furnished with rooms and seats and adorned with celestial trees, it is delightful in the extreme. There sitteth in that assembly room, O son of Pritha, on an excellent seat, the Lord of celestials, with his wife Sachi endowed with beauty and affluence. Assuming a form incapable of description for its vagueness, with a crown on his head and bright bracelets on the upper arms, attired in robes of pure white and decked with floral wreaths of many hues, there he sitteth with beauty, fame, and glory by his side. And the illustrious deity of a hundred sacrifices is daily waited upon. O monarch, in that assembly by the Marutas in a body, each leading the life of a householder in the bosom of his family. And the Siddhyas, celestial Rishis, the Sadhyas in all, the gods, and Marutas of brilliant complexion and adorned with golden garlands,--all of them in celestial form and decked in ornaments, always wait upon and worship the illustrious chief of the immortals, that mighty represser of all foes. And O son of Pritha, the celestial Rishis also, all of pure souls, with sins completely washed off and resplendent as the fire, and possessed of energy, and without sorrow of any kind, and freed from the fever of anxiety, and all performers of the Soma sacrifice, also wait upon and worship Indra. And Parasara and Parvata and Savarni and Galava; and Sankha, and the Muni, Gaursiras, and Durvasa, and Krodhana and Swena and the Muni Dhirghatamas; and Pavitrapani, Savarni, Yajnavalkya and Bhaluki; and Udyalaka, Swetaketu, and Tandya, and also Bhandayani; and Havishmat, and Garishta, and king Harischandra; and Hridya, Udarshandilya. Parasarya, Krishivala; Vataskandha, Visakha, Vidhatas and Kala. Karaladanta, Tastri, and Vishwakarman, and Tumuru; and other Rishis, some born of women and others living upon air, and others again living upon fire, these all worship Indra, the wielder of the thunderbolt, the lord of all the worlds. And Sahadeva, and Sunitha, and Valmiki of great ascetic merit; and Samika of truthful speech, and Prachetas ever fulfilling their promises, and Medhatithi, and Vamadeva, and Pulastya, Pulaha and Kratu; and Maruta and Marichi, and Sthanu of great ascetic merit; and Kakshivat, and Gautama, and Tarkhya, and also the Muni Vaishwanara; and the Muni Kalakavrikhiya and Asravya, and also Hiranmaya, and Samvartta, and Dehavya, and Viswaksena of great energy; and Kanwa, and Katyayana, O king, and Gargya, and Kaushika;--all are present there along with the celestial waters and plants; and faith, and intelligence, and the goddess of learning, and wealth, religion, and pleasure; and lightning. O son of Pandu; and the rain-charged clouds, and the winds, and all the loud-sounding forces of heaven; the eastern point, the twenty seven fires conveying the sacrificial butter, Agni and Soma, and the fire of Indra, and Mitra, and Savitri, and Aryaman; Bhaga, Viswa the Sadhyas, the preceptor (Vrihaspati), and also Sukra; and Vishwavasu and Chitrasena, and Sumanas, and also Taruna; the Sacrifices, the gifts to Brahmanas, the planets, and the stars, O Bharata, and the mantras that are uttered in sacrifices--all these are present there. And, O King, many Apsaras and Gandharvas, by various kinds of dances and music both instrumental and vocal, and by the practice of auspicious rites, and by the exhibition of many feats of skill, gratify the lord of the celestials--Satakratu--the illustrious slayer of Vala and Vritra. Besides these, many other Brahmanas and royal and celestial Rishis, all resplendent as the fire, decked in floral wreaths and ornaments, frequently come to and leave that assembly, riding on celestial cars of various kinds. And Vrihaspati and Sukra are present there on all occasions. These and many other illustrious ascetics of rigid wows, and Bhrigu and the seven Rishis who are equal, O king, unto Brahma himself, come to and leave that assembly house, riding on cars beautiful as the car of Soma, and themselves looking as bright therein as Soma himself. This, O mighty armed monarch, is the assembly house, called Pushkaramalini, of Indra of a hundred sacrifices that I have seen. Listen now to the account of Yama's assembly house."

#sthanu

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molkolsdal · 3 years

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The Paradise of Maitreya

Painted by Zhu Haogu and Zhang Boyuan

Ink and colour on clay

Xinghua Monastery, Shanxi Province

1298, Yuan dynasty

Maitreya, the Buddha of the Future, symbolizes the hope for spiritual redemption. Here he is depicted delivering a sermon in the company of bodhisattvas and disciples. King Sankha and Queen Syamavati of the Kingdom of Ketumati, where Maitreya will be reborn, heed his call and set an example for others to follow. They are seen sitting to the right and left, and are having their heads shaved to signify their conversion to Buddhism as well as their willingness to renounce their worldly status and riches.

#maitreya #zhu haogu #zhang boyuan #ink #clay #xinghua Monastery #shanxi #China #13th century #mine #yuan dynasty #art #history #buddhism #king sankha #queen syamavati #ketumati

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loadtheme52 · 3 years

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Devi Mahatmyam Full Tamil With Meaning Pdf

% Text title: devii maahaatmyam / durgaa saptashatii% File name: durga700.itx% itxtitle: devI mAhAtmyam athavA durgAsaptashatI% engtitle: devI mAhAtmyam or durgAsaptashatI% Category: devii, durgA, shatI, devI, saptashatI% Location: docdevii% Sublocation: devii% SubDeity: durgA% Texttype: pramukha% Language: Sanskrit% Subject: religious% Transliterated by: K. Devi Mahatmyam Slokas In Tamil Pdf As part of the Markandeya Purana, it is one of the Puranas or secondary Hindu scriptures. It was composed in Sanskrit around CE, with authorship attributed to the sage Rishi Markandeya.

Devi Mahatmya Stotra Ashtakam Among the stotras addressed to the mother Goddess Durga, the greatest is perhaps the Devi Mahatmya which is also known as Chandi. This book recounts the story of Durga in her several incarnations. First she came to kill the Asuras Madhu and Kaidabha at the request of Brahma, then she came to kill the terrible Mahishasura as a result of prayers of all devas and again came to Kill the Rakshasas Shumbha and Nishumbha along with their armies. Since reading Devi mahatmya daily needs a lot of time, this stotra summarizes the stories recounted in Devi Mahatmya in the form of an octet. It is believed reading this stotra daily will give the devotee the same effect as reading Devi Mahatmya.

lakshmeese yoga nidhram prabhajathi bhujaga deesa thalpe sadad pad vuthpannaou dhanavou thachra vana mala mayangaou madhum kaidabham cha drustwa bheethasya dhathu stuthibira binutham masu thou nasayantheem durgam deveem prabadye sarana maha masesha apadun unmulanaya In times of yore, When the Lord of Lakshmi. Was immersed in the sleep of yoga, On the awesome bed of the serpent, And the primeval giants Madhu and Kaidabha, Came out of his ear wax, And made Brahma the creator of all tremble , Oh Durga, thou heard his prayers, And killed them both, And so I am falling at your feet, For solving all my problems great yudhe nirjithya daithya stribhuvanamakilam yastha deeyeshu dishnyai shwasthapya swan vidheyan swayamagama abhasou sakratham vikramena tham saamapthyaptha mithram mahisha mapi niha thyasya moordhathi roodam durgam devim prapadhye sarana maha masesha apadan unmoolanya When the great Giant Mahisha, Who defeated in war Indra the Lord of all Devas, And By his prowess made all the three worlds, his slave, And appointed his servants to rule over them, You Durga, killed him along with his army, ministers and friends,

And so I am falling at your feet, For solving all my problems great. viswothpathi pranasa sthithi vihruthi pare devi gora marari thrasath thratham kulam na punarapi cha maha sankadeshwi diseshu avirbhooya purasthadithi chararana namath sarva geervana vargam durgam deveem prapadye sarana maha masesha apadan unmoolnaya Hey Goddess Durga, Who is engrossed in, Creation, upkeep and destruction of the universe, Hey Goddess, who is personification of light, The Gods and Devas appealed to you, “You have saved us mother, from the danger posed, By Great Rakshasas now by this war, And we pray that you should save Our progenies in future same as now” And thou acceded to their request, And so I am falling at your feet, For solving all my problems great. hanthum shumbham nishumbam tridasa gana nutham hemadolam himadri aarudaam vyuda darpan yudhi nihatha vathim dhoomra drik chanda mundane chamundakhyamdhadanam upasamitha maha raktha beejopasargam durgam devim prapadye saranamaha masesha apadan unmulanaya Acceding to the prayer of Gods, Thou came to the snowy mountains, In a golden swing, And killed the proud Asuras of Shumbha and Nishumba, After killing Dhoomraksha , Chanda and Munda, Thou were called and praised as Chamunda, And thou also killed the great scourge called Raktha Bheeja, And so I am falling at your feet, For solving all my problems great. brahmesa skanda narayana kiti narasimhendra shakthi swa bruthya kruthwa hathwa nisumbam jitha vibutha ganam trasitha sesha lokam eki bhooyada shumbham rana sirasi niha tyasithamatha gadgaam durgam devim prapadye sarana maha maseshapadan moolanaya Killed Thou Shumbha,

Who ruled over all devas, Making the Shakthi of Brahma, Skanda, Narayana, Narasimha, Varaha and Indra as thine assistants, And then merged all of them within you, And killed Nishumbha in an awesome war, And so I am falling at your feet, For solving all my problems great. uthpanna nandajethi swayam avani thale shumbamanyam nishumbham bramaryakya arunakhyam punarapi janani durgamakhyam nihanthum bheema sakambareethi truti tharipu gata raktha danthethi jaa thaam durgam devim prapadye saranamaha maseshapadan moolanaya You were born as daughter to King Nanda, In this holy earth, To kill the Rakshasas of Shumbha and Nishumba, And also born as a bee to kill the Asura called Aruna, And again born as the Holy Durga , To kill the asura called Durgama, You were famous as Bheema when you ate away asuras in fury, You were Known as Sakabhari when you grew food from your body , To the starving millions during a great famine, And also known as Raktha dantha, Because you ate the asuras Vipra Chitha, And so I am falling at your feet, For solving all my problems great. tri giunyaanam gunaanaam anusarana kala keeli naanavatharai tri lokya trana seelaam dhanuja kula vanee vahnee leela saleelaam deveem sachinma mayeem tham vitharitha vinamath sathree vargaaapavargaam durgam devim prapadye sarana maha masesha apath unmoolanaya You are all the three Gunaas rolled in to one, You play thine divine game in several forms, You take care of all the three worlds, As a child’s play thou decimate the asuras, Like the fury of cyclone in the forest, You are the personification of all that is good, To those who bow at your feet in humility, Thou grantest all that they want here in and after, And so I am falling at your feet, For solving all my problems great. simharoodam trinethraam kara thala vilasath sankha chakrasi ramyam bakthabeeshta pradathreem ripu madana kareem sarva lokaika vandhyam nana alankara yuktham sasi yutha makutam syamalangeem krusangeem durgam devim prapadhye saranamaha asesha apath unmoolanya She who rides on a lion, She who has three eyes, She who carries the conch and the wheel in pretty grace, She who fulfills requests of her devotees, She who kills her enemies, She who is venerated by all the worlds, She who is dressed in perfection,

Devi Mahatmyam Telugu Pdf Download

She who keeps the moon on her crown, She who is black in colour, And She who is tiny, I am falling at your feet, For solving all my problems great. trayaswa swamin ithi tri bhuvana janani prarthana twayya partha plyanth abhyarthanayam bhagawathi sisava knnvananya jananya tthubhyam syannamasyethya vanatha vibhdha aladhi veeksha visargam drgam devim prapadhye saranamaha asesha apath unmoolanya “There is no need to request thee Oh Durga, To protect and save us, For does the mother on whom they solely depend, Ever need such a request, And So our salutations to thee” So pray the Gods to thee, And so I am falling at your feet, For solving all my problems great. etham santha padanthu sthavam akhila vipa jjala thoolana labham hrinmoha dwantha bhanu prathima makhilam sankalpa kalpa dru kalpam dowrgam dowargathya goratha pathu hina kara pakhya mam ho gajendra soni panchasya desyam vpula bhayadha kalahitha tharkshya prabhavam Let this prayer to the Goddess Durga, Which is like a wind for cotton bundle of sins, Like a sun for pitch dark mind, Like the divine tree granting all wishes, Like the cool moon for the sweltering heat of poverty, Like a lion before the elephant herd of sins, And like the fearsome eagle before the king cobra, Save us from all dangers , And let all the devoted chant it always. Rajesh.V

Devi Mahatmyam Full Tamil With Meaning Pdf Converter

by Raghu Ranganathan & Akhila Ranganathan, Bhaskara Prakasha Ashram

The complete chanting of Durga Sapthasathi Puja Krama chanted by Sri Raghu Y Ranganathan and Smt. Akhila Ranganathan of Bhaskara Prakasha Ashram.

Devi Mahatmyam Tamil

The chanting is done in slow pace to be helpful to those learning Devi Mahatmyam to perform the full Durga Sapthasathi Puja Krama.

The text for this recording - Devi Mahatmya Parayana Krama Ebook - is available in Sanskrit,Telugu and Kannada at our Publications page.

This recording is dedicated to the lotus feet of our Guru Sri Sri Vimarshananda Nathendra Saraswathy and Durga Mata on the occasion of 2017 Navaratri celebration.

Devi Mahatmyam Mp3

Raghu Y Ranganathan and Akhila Ranganathan

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manjurhossainkhansblog-blog · 5 years

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Nirendranath Chakravarty

Kolkata: Famous Bengali poet Nirendranath Chakraborty died at a hospital here Tuesday following a massive cardiac arrest, his family said.

Chakraborty was 94.

He was admitted to the private hospital on Monday due to age-related ailments including acute breathing problem and suffered the cardiac arrest at midnight, the family said.

He breathed his last at around 12:25 pm.

Chakraborty is survived by his two daughters. His wife had died in January this year.

Born in 1924 at Faridpur in undivided Bengal, Chakraborty was a dominant figure in the modern Bengali literary field.

His first book of poems Nil Nirjone was published in 1954 when he was 30 years old.

He won the Sahitya Akademi award in 1974 for his poem ‘Ulanga Raja’ (naked king) which mocked the social set up.

His ‘Amalkanti Roddur Hote Cheyechhilo’ (Ammalkanto wanted to be the sunshine), ‘Kolkatar Jishu’ (Christ of Kolkata) and ‘Pahari Bichhe’ (Mountain scorpion) are considered his two other cult poems.

He remained active in literary activities till he became seriously ill.

Chakraborty had been associated with leading Bengali magazine Desh and Anandamela for children, whose editor he had been for years, and some well known other magazines.