I think most stories could benefit from having two characters whose relationship is just "those two guys" (gender neutral). Most of the time if you look for one of them you'll find both of them. They can hate each other or be the best of friends or something in-between but they just can't find that same spark with anyone else. Their relationship is best described as "do not separate them". They are fully fleshed out characters individually but if either of them are left alone without the other for any reason it feels so wrong.
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give me more fics where Eddie runs into Steve and Robin, running around after being drugged (and tortured) by the Russians at Starcourt. Steve, dopy and sweet and acting like dumbest puppy- and did i mention his face was beat in? Robin, flailing all over steve and giggling with him as they sway, more intertwined than humanly possible, eyes unfocused. and Eddie, faking calm as he tries to herd them to a bathroom and planning to kill whoever drugged his these loopy sailors that he’s been annoying all summer.
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Etho sending Joel a letter in the mail telling him to take down the giant statues of Etho at the entrance of his base... "I know you hold me in high regard, but maybe your obsession has gone too far and I think it would be for the best to take those down-"
Joel, sending a letter back: "Wasn't me. Someone worked really hard on them though so I moved them to your base."
crying. they are so silly.
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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