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#koisuru asteroid
anime-ships-all-good · 7 months
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Konohata Mira x Manaka Ao
Asteroid in Love
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My favorite couple trope silly x anxious (sometimes they are both autistic which is even better.)
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phuiscribbles · 2 years
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Patreon Commission Batch #11
Thank you guys for the support! Characters from Konosuba, Koisuru Asteroid, Machikado Mazoku, Kaguya-sama: Love is War!, Bloom Into You and an OC belong to my wonderful supporters’ friend.
★ https://www.patreon.com/phuijl ★
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slpytired · 4 months
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posting like i’m reblogging from you :3
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yuribuny · 1 year
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need girls to bring this energy when I ask if i can take their intestines out and play with them
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transanimegirl · 6 months
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chihiro20 · 1 year
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mythsphinx · 2 years
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Mira&Ao
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probablyrobin · 2 years
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some charms i’ll never make, but i love these little guys
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audreystar04 · 7 months
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Alice Cartelet/Mira Konohata pfps
Like/reblog if you want to use it
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anime-ships-all-good · 7 months
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Sakurai Mikage x Inose Mai
Asteroid in Love
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sihasbi-kun · 11 months
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Happy birthday Ao Manaka from Asteroid in Love
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akudzava · 2 years
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music: EXSCOOB - QUIET WORLD
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ay-asterisms · 1 year
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I found a scholarship and the basis for it is you have to pitch an idea for an episode of your favourite anime, so all I have to decide now is which anime and what idea
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nijigasakilove · 7 months
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So much good Yuri this season we’re feasting. Such a cute and hilarious premiere. We have the cutest MC of the season wrapped up already. Umika is absolutely adorable and makes this the sweetest watch of the season too.
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Entire episode feels like a nonstop sugar rush. Just pure and unadulterated wholesome entertainment. I love the telepathy gimmick that Yuu uses. It’s such an intimate and intense way of communicating and removing all barriers between Umika and Yuu
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The art is beyond beautiful, the designs are stellar(pun intended) and there’s just an overwhelming feeling of joy that I got from these first 23 minutes. I love getting 4koma adaptations. There’s just a certain level of energy and dynamism they bring and this didn’t let me down at all.
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The theme of both girls being aliens and not truly fitting in on earth also makes things really interesting. Of course, you can view that as an analogy for loners and outsiders in general who just don’t feel like they belong as well.
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Reminds me of a mix between koisuru asteroid and Teppen. I’m looking forward to seeing this one play out. It will definitely be comfy watch of the season.
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animehouse-moe · 1 year
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Oshi No Ko Episode 1: Overhyped To The Moon, Or, Crucifying An Adaptation
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A release schedule that's had the first episode in the works for a month in the making. Ninety minutes of content to start. An Akasaka story. This first episode, and its subsequent reaction, is like throwing a dud of a bomb and everybody pretending that it went off. But why? Well, even though I'm a fan of Akasaka's work, and even if I suggested the license to various publishers through their suggestion channels, I feel like an explanation is owed to the overhyped mess that appeared today.
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A Nine Point Three Six on MAL. You know, the website where FMA:B reigns supreme and anything that challenges it is review bombed into oblivion? The site where the next highest rated anime is at a 9.11? Yeah, that MAL.
This is Doga Kobo's highest rated series, by Over One Point Three points. That's the Akasaka Difference™, and it's insane.
Let me dispel any preconceptions you might have about it. It is nowhere near that number. It's nowhere near A-1's adaptation of Love Is War. Oshi No Ko does have an interesting, if not abrasive, story for its first episode. But that can't carry it that high. It's story can't get rid of the limitations that Doga Kobo has, it can't get rid of flaky and flat direction, it can't get rid of shallow work that relies on the individual.
So, allow me to paint a more accurate picture of this first episode, starting at the bottom. Doga Kobo is... a studio. Not a particularly outstanding one, and one that hasn't had any "big" titles in its repertoire for a long time now. Arguably, their most memorable titles such as Plastic Memories, which are the poster children of the studio, are well out of their prime now. The majority of their higher rated series are 5 or even 10+ years old now. Stuff like Yuru Yuri, stuff like Nozaki-Kun, stuff like... stuff like. Would you consider New Game? Or Gabriel Dropout? I guess really, they only have Plastic Memories for the average anime fan.
They're not a studio that you entrust with big projects or names. Not that they can't deliver adaptations that make full use of and more of their source material like Nozaki-Kun, but that was almost a decade ago now. It's been over a year since Doga Kobo had an anime that was over a 7 in score, and I'd be surprised if their average score for the last 5 years could punch above a 7.3 (side note: excluding Oshi No Ko, it can't. It doesn't even break 7, it sits at 6.99).
Alright alright I swear on my life this is the last piece of Doga Kobo/OnK slander before I start getting to the episode itself. That would be the director. A career Doga Kobo in-house man, Hiramaki Daisuke has had forays into other studios for an episode or two and even some storyboarding, but has stayed close to home for his biggest projects. You know, big works like An Angel Flew Down To Me, or Selection Project (which is another Idol Anime), or Koisuru Asteroid... Also, you might be wondering, "Why is the direction so bad at times, and so much better at others?". Well, to the astute and curious people out there that had the same thoughts as me, it's because there's Five people credited with episode direction for it. So, odds are you're picking up on the direction changes that are of issue with the episode. I'd have to find proper time frames and everything to give real answers, but I'd say there's probably two episode directors in this first episode that offer solid direction. Anyways, point made, moving on.
The first half is painful. At a glance you might think "oh this isn't too bad", but when you get into it, in a single sitting, it's hard to get through. The direction and delivery is incredibly flat, and it relies totally on the energy that the quality VAs bring in.
It's a lot of single character and focus frames that suck any originality or uniqueness from the content, and causes it to feel like it's just droning on as we suffer an onslaught of dialogue that's ill-equipped to match the visuals.
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I could pull hundreds of these layouts from the first half of the episode alone. Conversation bounces back and forth between incredibly static characters, closeups that can hide detail, and any number of other tricks. Of course, it's not that it's all terrible or lazy, but that the overwhelming direction is of this lazy and flat nature.
And this is where the core issue arises. As a visual adaptation, it's plain rough. The character designs are alright, if not a pretty big overgeneralization of the art of Oshi No Ko, and the art is solid enough, but it has nothing to give itself a leg to stand on. The direction is limp, the animation only in bursts, and the whole appeal is almost nonexistent to the manga.
They use transitions rather than animation or more creative cuts, they reserve everything for a few moments in the episode, it's just something that can't hold a candle to what the manga can do with its medium.
Just look at this stunning animation. Doesn't it just scream quality work? I wish I could give more examples (I could find a good few if I wanted to slog through 90 minutes again), but Doga Kobo is crafty with it. They very rarely show full characters in motion, and hardly is there more than one person moving in a scene.
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I've said it a lot, but it really is just bad enough that I have to say it a few times. I wouldn't have to, if people were to take it at face value, but as it closes in on a 9.5 on MAL it's impossible to separate.
Now, I wouldn't say that all of it is bad. The second half of the episode seems to pick up on the fact that it's meant to do something, but that thought only appears... about 35% of the time.
Thankfully, that 35% appears awfully close to each other, and we get stuff like Ai's Idol scenes. They're well choreographed, and incredibly well animated compared to the rest of the episode. It's fluid, it's creative, and there's lots of moving parts to it. I just wish there was more of that quality in the rest of the episode.
Truthfully I think it's a good example of where the talent and ability comes from in the episode. The idol part has a measuring stick. You can find similar direction in real idol performances, and the flair/impact frames are found later on in the episode (most likely from the same animator).
What I can say at the end of it all, is that this clip is as good as it gets, by a pretty large margin. The direction adds emotion to the clip, the animation heightens it, and the anime original aspect of the music and choreography is the icing on the cake. But in reality? I'd say it's good. Not great, not outstanding, and certainly not worth its outrageous score on MAL.
Oshi No Ko has good pieces, but not a good whole. You can take parts of it out and say "yeah, I think the layout for this scene is really solid and makes use of the full frame afforded by an anime vs a manga panel", but you don't watch an anime in pieces, you watch it as an episode, a total experience. So yeah, you'll get some nice pieces like below, but you're trading off everything I've already talked about and then some for it.
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Is it really worth it? Is it really worth that insane score that lords it over other entries this season like Heavenly Delusion, Demon Slayer, Hells Paradise, Skip and Loafer, MahoYome or GWitch? I think the obvious answer is no. Akasaka's story certainly has charm and talent within, but as an adaptation, I really had no interest in most of everything that Doga Kobo gave it, especially considering that they dropped content from the first volume still.
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