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#ku hye sun
danykha · 5 months
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When a narcissist's little bubble bursts...
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lankaramellipastam · 2 years
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hollisonceagain · 2 months
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february nostalgia day 06: seo inguk - we were happy (feat. ku hye sun)
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9823678 · 5 months
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original song : Ku Hye Sun , happy birthday to you
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realreckless905 · 1 year
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ramennoodler · 9 months
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Dramas 2023
Just some of my thoughts for some of the dramas of 2023...
-KING THE LAND !!!!! The natural chemistry between the main leads is just so so soooo real that it makes it hard to believe that they're "just friends" in reality; However, at the same time it makes sense, as both Junho and Yoona have been in the entertainment industry and have known each other for a long time (2pm and SNSD go wayyyy back, IYKYK). I'm kind of surprised it took them this long to meet for a drama project, but as a fan of both 2pm and SNSD, I'm so glad to see them both working together again. There are so many funny moments in this drama and the added sound effects and acting make some of the scenes so funny. I also like the easter eggs added in the drama haha. Definitely a feel-good drama. I ship the main leads..!! They already know each other so well and they're also starting to look the same haha. -See You in My 19th Life This series is based on the webtoon, and the drama was surprisingly not bad. Ahn Bo Hyun and Shin Hye Sun both are great together, and I feel like recently Shin Hye Sun has been typecasted into these somewhat typical bold, fearless characters that are also seemingly reflective of her own personality but in this drama I was able to kind of see somewhat of a different side to her (hard to explain hahah). And Ahn Bo Hyun...he's very versatile as an actor. And finding out that he's now dating Jisoo of BP...super unexpected haha !! The drama itself is somehow comforting with all the characters meshing well together. Pleasant~~
-Celebrity Hmmmmm this one was great but something about the female lead I can't put my finger on.. While I do feel like her acting has improved over the years and I see that in some scenes of this drama as well, there were parts where it just seemed flat but I'm not sure if it's just how her character was written. The storyline itself was definitely interesting nonetheless, and I didn't have much expectations going into it, but it does touch upon the effects of social media in modern times and I liked the mystery/thriller type of vibe.
-D.P. Star-studded cast; haven't watched this yet but excited to pick up where they left off for season 1.
-The Real Has Come The cast is talented and there are strong characters in this drama and lots of twists and funny moments. It's light and funny, but there's 50 episodes so there are definitely times where it's a bit draggy but also that's typical of any family dramas. -Oasis Jang Dong Yoon!!! Hahaha I think the cast did a great job with their portrayals though I feel like Jang Dong Yoon just has such a baby-face and looks like he wouldn't hurt a fly but he looked so cool playing this role as Lee Doo Hak. I liked the old-fashioned style of this drama as it took place in the 80s-90s Korea, so it was really refreshing to see the type of fashion, dialects and overall atmosphere during that time through this drama, and think about how much has changed. There were parts of the drama that felt a little repetitive, but I think overall the cast made up for it. -Apple of My Eye (금이야, 옥이야) Typical family drama, a little predictable but expected haha.
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theinfinitedivides · 4 months
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he's gone.
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kdramasource · 6 months
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SON SEOK-KU 손석구 for Lerici Korea October 2023 | 📸 Shin Sun-hye
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world-smitten · 1 year
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2022 Kdrama End of Year Roundup
I wasn't going to do an end of year round up because I didn't finish anything this year (🙃), but reading everyone's 2022 roundups was so fun and inspiring that I thought I'd throw my hat in the ring. This is less a review of anything and more a series of rambling thoughts about the different dramas I bounced around this year.
My Name is Kim Sam Soon (2005): Kim Sun-ah is one of my favourite actresses and after watching her amazing turn in Children of Nobody, I hopped onto her starmaking drama, My Name is Kim Sam Soon. The first episode is perfect - razor sharp writing and comedic performances, and the most endearing heroine in Sam Soon. She's a hot mess but a very adult hot mess, with a strange dignity about her even as she rushes from one humiliating situation to another. Her chemistry with Hyun Bin is charming, although the character himself was not quite as nice. Kim Sam Soon is a character who still feels novel, but pairing her with Hyun Bin's grouchy, aloof, grabby love interest felt regressive, like the writers wanted to have their cake and eat it. I dropped it not just because I was lazy, but because the relationship didn't seem like a fun journey. But man, that first episode really is so good.
2521: Kim Tae-ri's performance as Na Hee-do has to be seen to be believed. Na hee-do is an animated character and I mean this in every complimentary sense of the word. Animation is a medium where the artist has exacting control over every image the audience sees, and so the best pieces of character animation will transform even the act of walking - from one imaginary point to another - into something transcendent; Kim Tae-ri's physicality is so finetuned and precise that every gesture she makes feels like something whole and wonderful in itself - she's so good that she elevates every scene into a more vivid, exciting reality. She really didn't need to carry this drama - the cast is solid - but somehow it ended up being that way. She's so good in this that everytime it jumped to the present, I felt lost and even upset at how little of her I could see in Kim So-hyun's Hee-do. Maybe that was the point, but it still hurt lol. I liked looking at Nam Joo-hyuk - he's very pretty and has nice arms. That's really all I can say about him here. I dropped the drama before he and Hee-do got together, but to be honest, watching Hee-do and Yu-rim finally become "friends" felt more rewarding. It's always fun to see Kim Hye-eun - she brings a certain malicious edge to even the most innocuous characters. And the show's art direction was gorgeous. Can't see myself going back to it but I had a great time.
My Liberation Notes: before I knew about kdrama screenwriters and their creative powers, and that it was possible to learn these writers' names and follow their works and idiosyncracies, I knew of Park Hae-young from her terrifying Another Miss Oh which made me wish desperately to never fall in love if being in love meant endless humiliation. I've already talked about how painful it is to watch PHY's shows and My Liberation Notes was no different. I'm sure it's a show that rewards patience; I'm sadly a deeply impatient person. Another Miss Oh had some very good humour to keep me going for 7 episodes; My Mister propelled me through all 16 episodes with its tight storyline and captivating interpersonal drama. My Liberation Notes didn't have any sugar to help the bitter pill go down easier - the pill being a claustrophobic, feverish depiction of adulthood. Setting the story in an autumn where summer has lingered too long meant I could feel the humidity in the back of my throat. I guess I dropped it because it was a little too good. But I might go back to it - all those gifs of Kim Ji-Won and Son Suk-ku look very tantalising.
Extraordinary Attorney Woo: this one is tricky to talk about because I was certain I was going to finish it and love it forever. Episode 1-9 of EAW are practically perfect. I can't speak for the accuracy of its representation, but it's wonderful to hear that Park Eun-bin's performance hit the right chord with many autistic viewers. This really was an excellent ensemble cast - seeing Kang Ki-young in such a measured performance after watching him all these years in comedic supporting, then second lead roles was oddly touching (and this is also the last time I'll ever compliment him, since he might be doing brownface in his next movie in the year of our lord 2023, hope he's proud of himself). Favourite moments: the “Children’s Liberation Army”; "Spring Sunshine" Soo-yeon; Young-woo eating breakfast with Geurami after running away from home; Young-woo's meeting with her mother, played by the immensely gifted Jin Kyung. The series was poised to become my new favourite thing, but episode 11 happened and was so embarassing I dropped the show off the face of the earth. Episode 11 is so baffling, so unexpected, so utterly juvenile compared to what had come before. Listen to this - Young-woo takes on a case of a couple contesting lottery winnings with the husband's friends. She wins but the husband might be a crook. But - uh oh! - he's also abusive. But - uh oh! - he's also cheating on his wife. But - uh oh! - he gets run over by a truck before anyone can bring him to any kind of justice. Even typing this out I'm laughing because it’s just so strange. After previously thoughtful, organic writing, to see the show suddenly fall back into what was comfortable and safe was disappointing to say the least. And the worst part was that it no longer felt like Young-woo's story - as if the narrative had been wrenched out of her hands, which had been carrying the story beautifully all this time. But I think it was unfair of me to judge an episodic show so harshly for one dud, which is why I plan on finishing it. I think 2022 was the year I discovered that I'm a very judgemental viewer.
Little Women: a gothic modern day retelling of Little Women was the last thing I expected to watch this year. Starting the story post-mortem was an interesting choice - "Beth" is already dead and her memory haunts her sisters who can't even remember her name. And her death distorts the characters, as if to challenge the original novel's thesis, to say that poverty breaks rather than builds character. "Marmee" does not pull herself together, but is permanently damaged from the loss and abandons her surviving daughters at the first instance. There's a sense of disturbed girlhood - I'll forever be struck by the image of a corpse wearing a pair of red shoes, and hidden in the wardrobe of a girl's dollhouse. This combination of gothicism with otherwise hardnosed suspense made for a very thrilling, heady watch in places. Ms Go beating up In-joo was easily one of the best things I've seen all year. This woman wears clean sharp lines with her hair in a neat bun, and the moment a vulnerable, desperate young woman offers herself up for punishment, the facade flakes away to reveal an obscene love of cruelty. I was terrified for In-joo, delighted to see a woman who actually delivered on her promise of violence. Park Bo-kyung is a star. If I see another comment talking about how "oh, In-joo and Do-il should've gotten together, they had such great chemistry," I'm going to scream. I'm sure Wi Ha-joon has been wonderful elsewhere, but here, next to Kim Go-eun, who was acting, he was painfully flat. I will finish this one, partly because I’m really intrigued to see how it resolves itself, but also to get another glimpse of my favourite violent woman Ms Go. 
Into the Ring (2020): checked this one out at the very tail end of 2022, and honestly, best decision I made last year. This drama is, on a scene to scene, frame to frame level, the funniest show I've ever watched. It’s full of delightful little quirks from its eccentric cast of characters that it mines for every giggle. Our heroine Goo Se-ra isn’t weird in a cute way, not weird in a quirky way, not weird in a sexy way - just weird. She’s unhinged but also scarily competent, as if all those short-term jobs have accumulated into latent superpowers. Her and Gong-myung are the rare drama couple that actually delight in each other’s company - there were brief moments of intimacy where I was taken aback by how completely I believed in this fictional relationship. It’s a show that needs its brevity and its indestructible heroine, because its world of local politics can be incredibly defeatist. The underdog rarely wins - she’s at least 15 years too late, without connections, wealth or the time to build a strong base within the system. I appreciated the narrative’s bluntness about what it meant to be an effective politician, and at some point, even though she really vexed me in places, I came to understand councilwoman Yoon Hee-soo’s world-weary pragmatism (played by Yoo Da-in who I’ve not seen since Weightlfting Fairy, and who, in hindsight, was wasted there). Also Ahn Nae-sang was hot in this. Yeah, I don’t know either. I’ve only got 2 episodes left and I can’t wait to get back once I’ve finished all my essays.
Offhand, I checked out episode 1 of Why Her? while doing schoolwork, and I love me a morally ambiguous girlboss but when that morally ambiguous girlboss physically assaults a worker - who is both significantly younger than her AND her student - and the show carries on as if nothing is wrong (and even ensures that the student is already emotionally attached to her, meaning that he is never appropriately angry at her for assault...), eyebrows start to rise. Of course there’s an interesting story in there about power imbalances and how powerful women uphold abusive power structures, but I don’t think Why Her? is that story. Oh well. Seo Hyun-jin’s hair is beautiful in this though, the stylists should get a raise.
And that’s it for 2022! Wishing you guys a belated, but very happy new year, and good things in 2023! 🥰🥰
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maximiliano-aedo · 3 months
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IRIS (English Dub)
Kim Hyun-jin (Lee Byung-hun) - Ben Pronsky
Choi Seung-hee (Kim Tae-hee) - Cristina Vee
Kim Sun-hwa (Kim So-yeon) - Erica Lindbeck
Jin Sa-woo (Jung Jo-hoo) - Ray Chase
Pak Chol-yong (Kim Seung-woo) - Kirk Thornton
Mr. Black (Kim Kap-su) - Tony Oliver
Baek San (Kim Yeong-chol) - Doug Stone
Vick (T.O.P) - Khoi Dao
Oh Hyun-ku (Yoon Joo-sang) - Michael Sorich
Yang Jung-in (Kim Hye-jin) - Laura Post
Yang Mi-jung (Hyun Jyu-ni) - Corina Boettger
Park Sang-hyun (Yoon Je-moon) - Mick Lauer
Hwang Tae-sung (Kim Dae-jin) - Bryce Papenbrook
Cho Myung-ho (Lee Jung-gil) - Jamieson Price
Jung Jyun-jun (Jung Han-yong) - Greg Chun
Hong Soo-jin (Myong Ji-yeon) - Amber Lee Connors
Yuki (Karen Miyama) - Jackie Lastra
Eriko Sato (Yuko Fueki) - Jeannie Tirado
Additional Voices - Christopher Corey Smith, Michelle Ruff, Allegra Clark, Karen Strassman, Kyle Hebert, Erik Scott Kimerer, Kira Buckland, Patrick Seitz, Lex Lang, Sandy Fox, Spike Spencer, Michael Sinterniklaas, Matthew David Rudd, Jay Preston, Stephen Weese, Jon Allen, Zeno Robinson, Faye Mata, Sarah Anne Williams, Avery Smithhart
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danykha · 4 months
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lankaramellipastam · 2 years
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kgirl · 3 months
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Boys over Flowers
Korea
Have you look at this?
Lee Min Ho plays Gu Jun Pyo, an arrogant second-generation chaebol and the leader of the F4, the powerful group of boys at Shinhwa High School also including Yoon Ji Hoo (Kim Hyun Joong), So Yi Jung (Kim Bum), and Song Woo Bin (Kim Joon). Geum Jan Di (Ku Hye Sun) is a girl from a regular family who is accepted to Shinhwa High School with a scholarship by chance. Although Jan Di and Jun Pyo do not get along at first, they end up spending more time together and sharing experiences that are completely new to each other
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lana-nfornah98 · 6 months
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Lee Min Ho & Ku Hye Sun On Set Boys Over Flowers
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realreckless905 · 2 years
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listenzaheer · 2 years
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Ku Hye-Sun Age, Wiki, Biography, Husband, Children, Height in feet, Movies, Series, Net Worth & Many More
Ku Hye-Sun Age, Wiki, Biography, Husband, Children, Height in feet, Movies, Series, Net Worth & Many More
Koo Hye-Sun is a famous South Korean actress, model, director, producer, singer, writer, screenwriter and artist. She is one of the best-known artists from South Korea. In the beginning, Koo first gained popularity for her lead role in Hearts of Nineteen. Later, she gained widespread recognition in the television dramas Pure in Heart (2006), The King and I (2007), Boys Over Flowers (2009), Take…
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