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#l. joe
kpopmemories · 2 years
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L. Joe & Niel
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fangerine · 3 months
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"I'm with you till the end of the line."
CAPTAIN AMERICA: THE WINTER SOLDIER (2014) dir. Anthony & Joe Russo
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actaphere · 3 months
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I said I was gonna do it,,, and my spm hyperfixation REALLY got a hold of me this time I think I spent like 1.5 hours on this and all of it was just spent zoning out and being in the most intense hyperfocus of my life to the point where when my friend joined the art stream I was doing for it on discord they were really really concerned at me because I was listening to like reversed mind electric
Anyway here's the art, design by @cherryfennec
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The shading was really fun to do with a crosshatching brush and in general I played around with textures a lot here
Also L hawley
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nobeerreviews · 3 months
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There is something incredibly nostalgic and significant about the annual cascade of autumn leaves.
-- Joe L. Wheeler
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Laura Gemser in Emanuelle in America (1977)
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endofbeginningmp3 · 7 months
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I have an announcement :
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I love him 😌
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kent-farm · 8 months
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Who are all of you?
—Barry Allen, The Flash, “Cause and Effect”
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horseshoemybeloved · 1 year
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Happy late womens day to these lesbians
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lockwoodandcodaily · 1 year
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Cameron’s final audition!
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daddydoddsjr · 1 year
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If the Law and Order people wanted to impress someone on a date, what would they go for?
Pairings || Law and Order SVU characters x GN!Reader
Contents/Warnings || First date fluff, mentions of alcohol, mentions of anxiety sorta
Authors Note || sorry that asks are coming out slowly, i’ve been hyperfixating on a different fandom :’)
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Rafael Barba
Flowers on the first date kinda man
Would take you somewhere expensive
Probably a quiet, fancy restaurant where the two of you could have nice conversations in a calm environment
Refuses to let you pay, not even half
If it’s going well, he’d maybe want to walk around the city afterwards so your conversations can continue
He definitely planned all of this to try to be impressive
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Sonny Carisi
Instead of a restaurant, he’d want to cook for you
His cooking skills are impressive enough
But he also impresses you just by being himself— an attentive listener and a perfect gentleman
Doesn’t mean he’s not freaking out on the inside, though
You can tell
Probably would google how to impress someone on a first date tbh
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Olivia Benson
Hybrid bookstore/coffee shop date
Isn’t really worried about “impressing” you, so she just acts as she normally would
Would want to pay for your coffee though
And unintentionally impresses you by the amount of books she’s read and the conversations she makes
But who wouldn’t be impressed by her in general anyways?
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Amanda Rollins
Paint and sip class !!
She’s confident and isn’t very nervous
The sip part of the class definitely helps calm any nerves that arise
Thinks the paint and sip is fun for a first date
And hopes maybe it’s just a little impressive
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Fin Tutuola
Wouldn’t be great at planning the date himself
Either Olivia helps or you’re the one planning the date
He’s also definitely more nervous than he says he is
Despite this, he impresses you with how funny he is
Also offers to pick you up to go wherever you decide
And pay for anything, or at least split costs if you try to decline his offer
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Joe Velasco
Dinner date at his favourite restaurant
Really, really hopes you like the food as much as he does
Possibly a nightcap afterwards so you’ll have more time to talk and continue the date
He tries a little too hard to impress you by trying to show off his knowledge on any subject you bring up
But you can tell he’s anxious
But the fact that he’s trying so hard is cute
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Elliot Stabler
Central park date
Walking around a bit, sitting and talking on a bench, getting drinks and food from any food carts that are around
Tries to impress you by paying for anything you want and being attentive
He’s a little awkward
And protective despite it being the first date
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arrowsperpetualcringe · 9 months
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finally decided to do smth with those fanmade L sprites
(1/?)
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kpopmemories · 10 months
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L. Joe
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blueautumngrave · 2 months
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WHAT THE FUCK DID AUSTEN DO TO FUCKING GET HOMESICK AT SPACE CAMP AND ITS NO A SIDE EFFECT OF THE COCAINE LIKE IM HAPPY FOR YALL BUT WHAT THE FUCK MAN
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non-un-topo · 1 year
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the-cactus-taco · 1 year
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Apparently it’s supposed to snow where I live by tonight so I took that as an excuse to draw the idiot morons being idiot morons <3
Originally image under the cut
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cantsayidont · 4 months
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Recentish movies of note, or not:
BOTTOMS: Ridiculous "teen" comedy about two gay high school losers, PJ (Rachel Sennott, who also co-wrote with director Emma Seligman) and Josie (Ayo Edebiri), who seize on a rumor about their having been in juvenile detention to start an after-school "self-defense club," in the hope that introducing the school's hottest cheerleaders to the cathartic thrill of girls beating the shit out of each other will finally give these hopeless (and ho-less) virgins a chance to score. So silly that complaining about the stupidity of the plot seems a tad churlish, but the story misses some obvious comedic opportunities, and despite the premise, the film eventually becomes far more interested in cartoonish violence than sex. If you dig the overall vibe, you might not care, but as a gay teen sex comedy, it's ultimately less successful (and less outrageous) than BOOKSMART, even though only one of the latter film's teen loser heroines is gay.
DO REVENGE: Black comedy homage to the teen comedies of the '90s and early '00s, inspired in part by the 1951 movie version of STRANGERS ON A TRAIN, about a disgraced prep school popular girl, Drea (Camila Mendes), who joins forces with gay weirdo Eleanor (Maya Hawke) to avenge herself on her former friends and find out who leaked her sex tape — a plan that involves giving Eleanor a makeover so she can infiltrate the popular kids. Hawke is a delight, Mendes is very good, and the homoerotic tension of their odd relationship makes the movie fun for a while, especially if you appreciate the many self-conscious homages to prior teen movies. However, a major reveal late in the second act makes hash of the already sloppy plot, and the finale is both nonsensical and as antisemitic as STRANGERS ON A TRAIN author Patricia Highsmith, which leaves a sour aftertaste.
IT'S A WONDERFUL KNIFE: Bizarre slasher movie pastiche of IT'S A WONDERFUL LIFE, about a teenage girl named Winnie Carruthers (Jane Widdop of YELLOWJACKETS), who kills the masked serial killer who's been terrorizing the small town of Angel Falls and murdered her best friend (Hana Huggins) at Christmastime. A year later, everyone in town seems to have gotten over it except Winnie, who's miserable. On Christmas Eve, she's magically transported into an alternate timeline where she was never born and the masked slasher has continued murdering people, including Winnie's brother (Aiden Howard). To set things right, Winnie has to stop the villain all over again with the help of Bernie Simon (Jess McLeod), the town outcast and the only one who believes her story. Not scary, gruesome, or suspenseful enough to be much of a horror movie, but there are enough grisly murders to make the comedic holiday fantasy aspects seem a trifle sociopathic, and a late reveal that the killer has supernatural powers beyond just stabbing or slashing people feels like one ingredient too many in an already convoluted plot. The main redeeming feature is that it's ultimately a gay love story, which I wasn't expecting, but appreciated nonetheless.
THE KILL ROOM: Uma Thurman, Samuel L. Jackson, Joe Manganiello, and Maya Hawke go slumming in this dumb black comedy about a handsome hitman named Reggie (Manganiello) who becomes the sensation of the art world after his mob intermediary (Jackson) concocts a scheme to launder Reggie's payments by selling his abstract paintings (under the nom de plume "the Bagman") through a burned-out, Adderall-snorting art dealer (Thurman). Intended satire of the cutthroat vacuity of the art world lacks bite and no part of the plot makes any sense, but sheer star power gets the movie through about half its 80-minute running time before the banality becomes terminal.
POLITE SOCIETY: Silly British action-comedy by Nida Manzoor (creator of WE ARE LADY PARTS) about Ria Khan (Priya Kansara, delightful), a Pakistani teenager who aspires to be a stuntwoman, and her quest to save her flaky art student older sister Lena (Ritu Arya, radiant) from marrying a handsome doctor (Ashay Khanna) who seems a little too good to be true. It looks great, and the characters are very charming, but the story waits much too long to clarify the stakes of the plot: Until the finale, we don't know if Lena is actually in any danger or if Ria is just letting her imagination run away with her, and that uncertainty becomes an unwelcome distraction in the later action sequences. As a result, it feels more like an update of the John Hughes perennial SIXTEEN CANDLES than the over-the-top action movie it obviously aspires to be.
SHIVA BABY: Low-key but vivid comedy of manners, written and directed by Emma Seligman, starring Rachel Sennott as Danielle, a bisexual 20something Jewish girl who secretly pays her bills as a sugar baby. When she goes with her parents (Fred Melamed and Polly Draper) to a shiva, she finds herself trapped with not only her most annoying relatives, but also her disgruntled ex-girlfriend (Molly Gordon), her current sugar daddy (Danny Deferrari), his gorgeous blond wife (Dianna Agron), and their new baby. Seligman milks every awkward nuance of this uncomfortable social situation for maximum dramatic effect, and the tension of the final scene (which is nothing more complicated than the characters trying to squeeze into the back of Danielle's father's minivan) will drive you right up the wall.
VOLEUSES (WINGWOMEN): Is it really possible for a 40-year-old Frenchwoman living in the 21st century to not know that lesbians exist? One wouldn't think so, but watching this jokey buddy-action movie suggests that director/co-writer/star Mélanie Laurent desperately needs some kind of educational intervention in that regard. This is for all intents and purposes a lesbian romance: Master thieves Carole (Laurent) and Alex (Adèle Exarchopoulos) live together, routinely sleep in the same bed, and plan to retire together; they constantly express their love and affection for one another, and when Carole discovers that she's pregnant (the hows of which are never explained), Alex immediately assumes that they'll be moms together. Nonetheless, the story not only attempts to no-homo this cozy domestic scenario, but also presumes that there's no way Carole and Alex's relationship could ever be the de facto marriage it obviously already is — indeed, a crucial story moment involves Carole tearfully wishing she were a man so she could love Alex the way she deserves! If the movie had been made 50+ years ago, this might be poignant, but in 2023, it's just weird, and the resulting cognitive dissonance largely overshadows the thin plot, which concerns Carole and Alex trying to persuade their bitchy, cheerfully murderous employer Marraine (Isabelle Adjani, barely recognizable beneath her big hair and oversized sunglasses) to let them retire, while training a younger woman named Sam (Manon Bresch) to become their driver and the ambiguously defined third in their domestic ménage à trois.
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