#la révolution icons

[vivian-bleached]

Critique Album: aespa — Drama

Si vous cherchez la révolution dans la K-pop et que vous décidez de jeter votre dévolue sur aespa, passez votre chemin. Du moins, cette révolution annoncée ne se passe pas vraiment du côté du groupe féminin de la S.M Entertainment qui, trois ans après leurs débuts officiels, peine à se renouveler à être consistant en matière de qualité musicale.

Pourtant hormis "Black Mamba", l'avenir du quatuor se promettait d'être aussi radieux que celui de ses prédécesseurs, en particulier : de Red Velvet et f(x). En effet, le groupe sud-coréen avait été un des seuls a proposer un premier essai plus que satisfaisant. Savage représentait un mélange de formule plus que parfaite d'un Yoo Young-jin au sommet de son art avec une des propositions "SMP" les mieux exécutée de la décennie ou encore de l'électro-pop cyberpunk. S'ensuit d'un mini-album - Girls - sans intérêt ainsi que d'un autre - My World - plus convaincant mais moins excentrique que Savage. Drama quant à lui, peine à convaincre. L'album fait pâle figure et ne trouve pas la posture adéquate : il n'est pas aussi éclectique que pouvait être Savage avec des pistes comme "YEPPI YEPPI", "I'll Make You Cry", "ICONIC" ou sa piste éponyme mais n'est pas non plus aussi fin dans son approche de diversification de formule comme peut l'être aujourd'hui My World. Drama est dans un entre-deux inconsistant.

La piste-titre nous rappèle que pour le meilleur ou pour le pire, aespa est un groupe SM qui se laisse parfois tenter dans quelques "expérimentations farfelues". Cependant on peine à trouver un intérêt à cette chanson ayant été en partie composée par No Identity, co-producteur du dernier album de la chanteuse sud-coréenne Lim Kim. La seule partie qu'on pourrait retenir est possiblement le bridge qui est en toute honnêteté plutôt efficace. Pour ce qui est du reste du projet, les membres essayent tant bien que mal de tenir les bâtisses d'un mur qui s'effondre. La situation est moins pathétique qu'elle ne pouvait l'être lors de la sortie de Girls mais est suffisamment alarmante pour que l'on se questionne de la solidité de leur futur premier album déjà en cours de préparation. En effet, les pistes s'enchaînent sans qu'on ait la conviction d'être porté dedans. "Trick or Trick" est sans le moindre doute la piste la plus solide d'entre-elles, elle est mieux composée, interprétée et vaut la peine qu'on tende l'oreille pour l'écouter attentivement. Pour ce qui est des autres, ignorez les. Dans le lot nous avons des pistes au mieux moyennes et dans le pire des cas, totalement ringardes.

"Don't Blink" est une piste sans relief qui de ses deux minutes quarante, ne nous propose strictement rien d'intéressant mis à part son vide apparant. "Hot Air Balloon" et "YOLO" sonnent comme des rejets d'anciens albums des f(x) et "You" est une ballade soporifique qui détonne complètement du reste de l'album.

[heartsbreaking]

i am now the sole possessor of screencaps of gaia weiss in la révolution and one day i will make icons and i will be all powerful.

#i did hella screencapping today #twas nice #*[ OOC ] . . . a treatise on the effects of caffeine

[behindfairytales]

icons of Gaia Weiss in La Révolution (s1) as Marianne

#gaia weiss icons #larevolutionedit #gaiaweissedit #period fc #la révolution #marianne #gaia weiss #la revolution netflix #rp icons #icons #rpg resource #*icons #*mine

[zuzcreation]

Icons of Marilou Aussilloux as Elise de Montargis in La Révolution (x6)

#marilou aussilloux #elise de montargis #la révolution #icons #200x200 #perioddramaedit #echodesplaines #100disorders #y: 2020

[robespapier]

Stick man with the skinniest legs, but stick man with a well-rounded butt??!

not sure about pairing his iconic stripped coat with bottle green culottes, but I approve of the pink ribbons.

source: Rossignol, un citoyen de la Révolution (1988), a comic book aimed at kids published by Messidor - La Farandole, owned by the French Communist Party.

Script by Jean Ollivier, drawings by Christian Gaty, and colouring by Marie-Paule Alluard.

#frev #robespierre #rossignol: un citoyen de la révolution #thank you marie-paule for the pink ribbons

[daniel-levy-chemisier]

LE CORBUSIER Charles Edouard Jeanneret-Gris (1887-1965), connu sous le nom de Le Corbusier est le fils d'un riche émailleur de montres qui aimerait bien que son fils suive ses traces. Mais ce destin ne convient pas au jeune homme qui participe déjà à plusieurs chantiers et décore quelques villas en Suisse. En 1908 il s'installe à Paris et entre chez Auguste Perret. Suisse et mal voyant d'un œil il échappe à la guerre de 14/18 et commence à travailler sur le concept de "l'unité d'habitation". Il pense qu'un certain radicalisme permettra d'accéder à une ville plus rationnelle. Dans le manifeste "Vers une architecture publié en 1925, le costume masculin apparaît en tête de liste des objectifs types de la révolution qui doit être menée. "Tant que le costume n'aura pas été transformé, la révolution ne sera jamais faite." écrit-il. " La femme nous a précédé. Elle a réalisé la réforme de son costume...La mode masculine est encore, empesée empanachée, non adaptée au travail, ne permettant pas de concilier caractère pratique et élégance." Pour Le Corbusier, le costume, qui ne doit pas entraver les mouvements, doit s’adapter à la vie moderne et être réalisé dans des tissus qui ne se chiffonnent pas. Il adoptera d'ailleurs, une sorte d'uniforme, inchangé au cours des années et choisi avec soin : un costume neutre, sombre, presque toujours gris, un nœud papillon, plus pratique que la cravate, des lunettes rondes et toujours un chapeau. Jean Petit raconte qu'un jour il accompagne Le Corbusier qui désire acheter un pyjama chez un chemisier : " Je voudrais un pyjama sombre, uni, de fortes couleurs sans revers, sans bordure à filet blanc. Nous n'avons pas cela Monsieur. Nous n'avons qu'avec filet blanc. Répond le vendeur. Le Corbusier s’offusque : vous les chemisiers, vous n'avez pas encore inventé un pyjama seyant, pour qu'on n'ait pas toujours l'air d'être dans une chambre à coucher de théâtre ! Mais Monsieur, on les fait toujours comme cela." Le Corbusier repartira sans pyjama ! #daniellevychemisier #lecorbusier #icone #àlafrançaise Merci @ze_french_do_it_better pour ce texte. (à Daniel Lévy) https://www.instagram.com/p/CY9bIM-MU1P/?utm_medium=tumblr

#daniellevychemisier #lecorbusier #icone #àlafrançaise

[fishing-for-blood]

Tag 9 people you’d like to get to know/catch up with! I was tagged by @joyandeggs and @ginrose19 thank you guys so much 😭 

Three ships: I don’t really do ships, I just actively support loving canon couples when they exist? Like Izumi and Sig Curtis type? Harley and Ivy maybe? Actually why are established stable loving canon couples so few and far between? I don’t care for the buildup/romantic tension plots at all. I like stability. Anyway I’m largely neutral towards most ships otherwise.

Last song: uhhhhGeorge Gershwin’s Rhapsody in Blue, cause sometimes you just gotta listen to an iconic 17 minute long jazz instrumental while conducting an imaginary orchestra in your car on your way to work??

Last movie: ahaha oh god. The only movie I recall watching in the past... 3ish years, and I swear by this, La Révolution française This really bad but brutally historically accurate 4 hour long movie of the French revolution in French from like the 1989s. Played a drinking game on the 4th of July (you know, to get in the spirit of... guillotines. Patriotically) and some of the prompts were ‘every time a severed head appears’ or ‘every time king Louis XVI looks like he’s lost, confused and deeply uncomfortable’

Currently reading: Just got Riddler: Year of the Villain #1 yesterday so. That? Otherwise I’ve been keeping up with OPM and kinda BNHA as they update now.

Currently watching: presentation on B cell trafficking in inflamed skin via zoom. Cause I’m answering these on the clock actually 👀 

Currently consuming: Yoghurt and an apple. I eat the same exact thing every day for luch ± some carrots. 

Currently craving: Pumpkin Spice anything 

Tagging: @freedomaboveallelse @handlewcaare @gottahaveguts @nonsenseandm3mes @stolen-ass-name @aro-zagreus If ya want! sorry if y’all were already tagged in this before. I am Very Behind The Times™ 

#the number of riddler comic I own is stupid and i just keep buying more asdfghjkl #I am always on my riddler bs #I just never talk about it cause its like my base state of existence #Ari and Zag I feel like theres a 90% chance yall been tagged in this already and if so I'm sorry pls ignore 😭 #Joy!! and Ginrose!! thank you guys for the tag!! #tagged

[porlockstompf]

Reading de Nacht Reading 2019

                              my favourite books of the year

my overall favourite book of the year:

martin hägglund "this life why mortality makes us free" (2019)

postcyberpunkstompf:

01 ken liu (ed) "broken stars: contemporary chinese sf in translation" (2019)

02 cory doctorow "radicalized" (2019) 03 dave hutchinson "the return of the incredible exploding man" (2019)   + dave hutchinson "nomads" (2019)   + dave hutchinson "thumbprints" (1978)   + dave hutchinson "torn air" (1980)   + dave hutchinson "the push" (2009)   + dave hutchinson "the villages" (2002)   ... damn that elusive "paradise equation" (1981) ... 04 tade thompson "rosewater" (2016)   + tade thompson "rosewater insurrection" (2019)   + tade thompson "rosewater redemption" (2019) 05 desirina boskovich (ed) "lost transmissions: the secret history of sf & f" (2019)

06 hannu rajaniemi & jacob weisman (eds) "the new voices of science fiction" (2019) 07 gardner dozois (ed) "the very best of the best: 35 years of the year's best science fiction" (2019) 08 jonathan strahan (ed) "the best science fiction & fantasy of the year, volume thirteen" (2019) 09 robert markeley "kim stanley robinson modern masters of sf" (2019) 10 allan kaster (ed) "the year's top hard sf stories 3" (2019)

11 olivier girard (ed) "bifrost 96 la revue des mondes imaginaires: william gibson" (2019) 12 mario guglielminetti "web is over. parabola ed esplosione di ubuweb, l'antiprofilo" (2019) 13 bryan thomas schmidt (ed) "infinite stars: dark frontiers" (2019) 14 baoshu "the redemption of time" [2011] (2019) 15 cixin liu "the supernova era" [2003] (2019)

16 l. x. beckett "gamechanger" (2019) 17 gareth l powell "fleet of knives" (2019) 18 chen qiufan "waste tide" [2013] (2019) 19 derek künsken "the quantum garden" (2019) 20 gregory benford "rewrite: loops in the timescape" (2019)

21 james s.a. corey "tiamat's wrath" (2019)   + james s.a. corey "auberon" (2019) 22 jim al-khalili "sunfall" (2019) 23 peter f hamilton "salvation lost"  (2019) 24 neal asher "the warship" (2019) 25 jonathan strahan (ed) "mission critical" (2019)

26 jack mcdevitt "octavia gone" (2019) 27 elizabeth bear "ancestral night" (2019) 28 ian mcdonald "moon rising" (2019) 29 carmen maria machado (ed) "the best american sf & f 2019" (2019) 30 valerie valdes "chilling effect" (2019) 31 simon morden "bright morning star" (2019)      + s. j. morden "no way" (2019) 32 neil stephenson "fall or, dodge in hell" (2019) 33 graham edwards "string city" (2019)

klassikstompf:

01 arno schmidt "bottom's dream" [1970] (2016) ... & still reading ...

02 jorge luis borgès "borgès restored (the author's preferred translations)" (2016) 03 julie orringer "the flight portfolio" (2019)   + julie orringer "the invisible bridge" (2010) 04 pola oloixarac "savage theories" (2017)   + pola oloixarac "dark constellations" (2019) 05 simon critchley "memory theatre" (2014)

06 gabriel josipovici "hotel andromeda" (2014) 07 david keenan "for the good times" (2019) 08 wg sebald "vertigo" [1990] (1999)   + wg sebald "the emmigrants" [1992] (1996)   + wg sebald "the rings of saturn" [1995] (1998)   + wg sebald "austerlitz" (2001) 09 luis chitarroni "the no variations "diary of an unfinished novel" [2007] (2013) 10 julián ríos "larva: a midsummer night's babel" [1983] (1991)

11 césar aira "birthday" [2001] (2019)   + césar aira "three novels" [1990-2000-1997] (2018) 12 tom mole "the secret life of books" (2019) 13 lucy ives "loudermilk or the real poet or the origin of the world" (2019) 14 lászló krasznahorkai "baron wenckheim's homecoming" [2016] (2019) 15 lucy ellmann "ducks, newburyport" (2019)

16 lars iyer "nietzsche & the burbs" (2019) 17 d harlan wilson "the psychotic dr. schreber" (2019) 18 andrew gallix (ed) "we'll never have paris" (2019) 19 chris kelso (ed) "i transgress" (2019) 20 john crowley "the solitudes" [1987] (2007)   + john crowley "love & sleep" (1994)   + john crowley "daemonomania" (2000)   + john crowley "endless things" (2007) ... (the aegypt cycle)

polarstompf:

01 carlos ruiz zafón "the labyrinth of the spirits" [2017] (2018)

02 volker kutscher "the fatherland files" [2012] (2019) 03 andrea camilleri "the overnight kidnapper" [2015] (2019)   + andrea camilleri "the other end of the line" [2016] (2019) 04 mick herron "joe country" (2019)   + mick herron "this is what happened" (2018)   + mick herron "nobody walks" (2015) 05 john le carré "agent running the field" (2019)

06 guillaume musso "la vie secrète des écrivains" (2019) 07 luke mccallin "the man from berlin" (2013)   + luke mccallin "the pale house" (2014)   + luke mccallin "the divided city" (2016) 09 henry porter "brandenburg" [2005] (2019)   + henry porter "firefly" (2018)   + henry porter "white hot silence" (2019) 10 mitch silver "the bookworm" (2018)   + mitch silver "in secret service" (2007)

11 alan judd "the accidental agent" (2019) 12 philip kerr "metropolis" (2019) 13 ian rankin "westwind" (2019) 14 jo nesbø "the knife" (2019) 15 david hewson "devil's fjord" (2019)

16 barry forshaw "crime fiction: a reader's guide" (2019) 17 a.a. dhand "one way out" (2019) 18 martin holmén "clinch: the stockholm trilogy 01" (2016)   + martin holmén "down for te count: the stockholm trilogy 02" (2017)   + martin holmén "slugger: the stockholm trilogy 03" (2019) 19 michael kestemont "de zwarte koning" (2019) 20 soren sveistrup "the chestnut man" [2018] (2019)

21 tim mason "the darwin affair" (2019) 22 patrick conrad "good night, charlie" (2019) 23 chris pavone "the paris diversion" (2019) 24 dov aflon "a long night in paris" (2019) 25 arne dahl "hunted" [2017] (2019)

                                  RIP ANDREA CAMILLERI !

gedächtnisstompf:

01 martin hägglund "this life: why mortality makes us free" (2019) /                            "this life: secular faith & spiritual freedom" (2019)

02 derrida "la vie la mort: séminaire (1975-1976)" (2019) 03 jean-luc nancy "derrida, suppléments”  (2019) 04 jean-françois bouthors et jean-luc nancy "démocratie! hic et nunc" (2019) 05 hannah arendt "de vrijheid om vrij te zijn" (2019)      + hannah arendt "nous autres réfugiés" (2019)

06 mckenzie wark "capital is dead": is this something worse?" (2019) 07 johan schokker & tim schokker      "extimiteit: jacques lacan's terugkeer naar freud" (2000) 08 gerhard richter & ann schmock (eds) "give the word:      responses to werner hamacher's 95 theses on philology"    (2019) 09 ranja n gosh "philosophy & poetry: continental perspectives" (2019) 10 shoshana zuboff "the age of surveillance capitalism" (2019)

11 kate zambrano "screen tests: stories & other writing" (2019) 12 daniele carluccio "roland barthes lecteur" (2019) 13 jean-clet martin "la philosophie de gilles deleuze" (2019) 14 mitchell dean & daniel zamora  "le dernier homme et la fin de la révolution:          foucault après mai 68" (2019) 15 arnon grunberg "vriend & vijand: decadentie, ondergang & verlossing" (2019)

16 kwami anthony appiah      "de leugens die ons verbinden: een nieuwe kijk op identiteit" [2018] (2019) 17 quentin meillassoux "science fiction & extro-science fiction" (2015) 18 roberto calasso "het onbenoembare verleden" [2017] (2019) 19 lydia davis "essays" (2019) 20 denise riley "time lived, without its flow" (2019)

poesisstompf:

zoë skoulding "footnotes to water" (2019)

platterstompf:

01 rick moody "on celestial music, and other adventures in listening" (2012)

02 yann courtiau "frictions:   ce que la littérature a fait à la musique et ce que la musique a en a fait" (2019) 03 vivien goldman "revenge of the she-punks:      a feminist music history from poly styrene to pussy riot" (2019) 04 garrígos, triana & guerra "god save the queens: pioneras del punk" (2019) 05 jon savage "this searing light, the sun & everything else:      joy division the oral history" (2019)

06 richard beck "trains, jesus, and murder: the gospel according to johnny cash" 07 mark lanegan "sleevenotes" (2019) 08 jason williamson "jason williamson's house party: sleaford mods 2014-2019" (2019) 09 gallix, hill, & rose (eds) "love bites: fiction inspired by pete shelley" (2019) 10 greg laurie "johnny cash the redemption of an american icon" (2019)

11 marc vos & toon loenders "siglo xx:     opdat de dood ons levend vindt & het leven ons niet doodt" (2019) 12 david sandilands & david keenan "go ahead & drop the bomb      (memorial device pamflet)" (2019) 13 guillaume belhomme "pop fin de siècle" (2019) 14 chris bohn (ed) "the wire" (magazine) (2019) 15 sylvain sylvain "there's no bones in ice cream:      sylvain sylvain's story of the new york dolls" (2018)

16 debbie harry "face it" (2019) 17 jaime gonzalo "poder freak: una crónica de la contracultura vol III" (2014) 18 matthew bower & samantha davies "talisman angelical" (2017) 19 darryl w bullock "the world's worst records: an arcade of audio atrocity vol I" (2013)   + darryl w bullock "the world's worst records: another arcade of audio atrocity vol II" (2015) 20 steve zisson (ed) "a punk rock future" (2019) /      ivar muñoz-rojas "underground babilonia" (2019)

bilderstompf:

01 didier ottinger "bacon en toutes lettres" (2019)

02 antoni tàpies "cap braços cames cos" (2012)   + antoni tàpies "mahlerei und graphik" (2011) 03 laura oldfield ford "savage messiah" (2019) 04 fred vermorel "dead fashion girl: a situationist detective story" (2019) 05 françois schuiten & jaco van dormael "le dernier pharaon" (2019)

06 ken krimstein "the three escapes of hannah arendt: the tyranny of truth" (2018) 07 erik bindervoet & saskia pfaeltzer "aldus sprach nietzsche's zuster" (2019) 08 anthony n fragola & roch c smith "the erotic dream machine: interviews with alain robbe-grillet on his films" (2006)

cyclostompf:

01 bernard chambaz "petite philosophie du vélo" (2019)

02 filip osselaer "de man die doodging (vervolgens mosselen bestelde,      de rekening vroeg en verdween): el tarangu, josé manuel fuente" (2019) 03 peter schmink "de cultus van het lijden: een vrije oefening" (2006) 04 laurent willame "les lieux sacrés du cyclisme:     15 pélérinages à faire avant de crever" (2019) 05 jonas heyerick (ed) "bahamontes: uit liefde voor de stiel" [magazine] (2019)

06 johnny vansevenant "1969, het jaar van eddy merckx" (2019) 07 edwin winkels "la vuelta: heroïsche verhalen uit de ronde van spanje" (2019) 08 frederik baeckelandt "fausto coppi (les héros 04)" (2019) 09 harry pearson "the beast, the emperor & the milkman:      a bone-shaking tour through cycling’s flemish heartlands" (2019) 10 peter cossins "the yellow jersey / le maillot jaune" (2019)

11 thijs zonneveld "het panini album" (2019) 12 thijs zonneveld "de fiets, de fiets & nog veel meer sportverhalen" (2019) 13 willy vangenechten "hoe word je een wielerfan (en blijf je er een)?" (2019)

some wissenschaftstompf & autres divertissements ...:

01 robert macfarlane "underland: a deep time journey" (2019)

02 george van hal & ans hekkenberg "het kosmisch rariteitenkabinet" (2019) 03 josey waley-cohen "only connect: the difficult second quiz book" (2019)

… tsundoku !

may your home be safe from tigers, leroy, x HNY!

... the annual out of control TBR pile ...

postcyberpunkstompf

ada hoffmann "the outside" (2019) adrian tchaikovsky "children of ruin" (2019) alastair reynolds "shadow captain" (2019) + alastair reynolds "permafrost" (2019) annalee newitz "the future of another timeline" (2019) charlie jane anders "the city in the middle of the night" (2019) farah mendlesohn "the pleasant profession of robert a heinlein" (2019)gareth l powell "ragged alice" (2019) greg egan "perihelion summer" (2019) ian creasey "the shapes of strangers" (2019) jo walton "lent" (2019)

kameron hurley "the light brigade" (2019) karl schroeder "stealing words" (2019) megan o'keefe "velocity weapon" (2019) neil clarke (ed) "the eagle has landed: 50 years of lunar sf" (2019) nina allan "the silverwind" (2019) paul di filippo "aeota" (2019) peter swirski "stanislaw lem: philosopher of the future" (2019) + peter swirski & waclaw m osadnik (eds) "lemography: stanislaw lem in the eyes of the world" (2019) richard kadrey "the grand dark" (2019) rudy rucker "million mile road trip" (2019) simon ings "the smoke" (2019)

klassikstompf

alex landragin "crossings" (2019) enrique vila-matas "mac's problem" [2017] (2019) joseph scapellato "the made-up man" (2019) kevin breatnach "tunnelvision" (2019) michel houellebecq "serotonin" (2019) nell zink "doxology" (2019) roberto bolaño "the spirit of science fiction: a novel" (2019) samanta schweblin "mouthful of birds" (2019) sergio pitol "mephisto's waltz: selected short stories" (2019) will eaves "murmur" (2019)

polarstompf

johan op de beek "het complot van laken" (2019) jon steinhagen "the hanging artist" (2019) juli zeh "empty hearts" (2019) max hertzberg "operation oskar" (2019) + max hertzberg "berlin centre" (2019) peter robinson "many rivers to cross" (2019) tony belloto "bellini & the sphinx" [1995] (2019)

.

.

.

#2019 #rewind #reading #lecture #librarything

[zevlogofamiserable]

Meta #7: Parallels

I’ve seen people drawing parallels between the “revolution” in Les Misérables and the situation in Chili (many Latinx Americans in my modest following and in the Les Mis fandom in general, from what I see; that’s very interesting. Also I saw a great art on @domedomini​ Instagram about it) or to Hong Kong protests (some protestors sang Do You Hear the People Sing) and before, the Tiananmen Square events in China. (Here are nice art works and posts about it). I bet there are many more parallels drawn with other countries (tell me about them!!) and I think it says a lot about what resonates today from the novel. And what is tragically ironic is that… … what happens in Les Misérables isn’t so well remembered… nor is it so important in French history. I mean… it was more or less a FAIL. And as Grantaire explained in their vlog “Vive les Révolutions”, we have a big history of FAIL in terms of revolutions but like, this one in particular… my friend who studied insurrectional literature of the XIXthe century calls it a “fart”. (And it’s in between two other revolts which had more results… it’s an ironic or romantic choice from Hugo, people probably wrote very well about it. I dunno).

Well, when it comes to France, we have this imagerie of LA REVOLUTION (1789) which happens before Les Mis, well… yes it’s recent and the imagery is everywhere, yes, but still. Most of the characters weren’t born at that time, right? And then, if you’re a leftist, you’re obviously super into LA COMMUNE DE PARIS (1871) which was hella bloody and happened way later and Victor Hugo actually hated it (bleh), while it’s a very interesting moment in history. That’s why the characters of ZeVlog mention it more (well, Grantaire especially, but they also mostly sing songs of La Commune… just because… There are more! And they’re prettier to be honest. Try singing Dansons la Carmagnole (a 1789 song)... it kinda sucks).

The latest song of a Misérable by Grantaire and Prouvaire

There’s also Mai 1968 which is very important for students although it wasn’t only a student movement but a massive social movement in France. All of this happens way later. And is way more widely remembered than the bloody “fart” that happens in The Brick.

Literature is so random.

I also have to tell you that we know so little about the Brick’s revolution in France that when the musical movie came out (which is actually widely despised because French people have no taste and don’t like musicals that much ahah), everybody thought these bloody Americans were appropriating and shitting on our 1789 revolution.

AHAHAH. Ah.

So our imagery of it… well… Obviously there are reasons why it’s all mixed up… like Les Mis fashion with blue red white “cocardes” and stuff is very 1789, but still… we don’t know much about it, that’s all. It’s just not something we study a lot and I find very ironic it’s this moment that inspired… well the most iconic revolution in French literature. Written by a dude who later hated La Commune. ...  Blergh.

Victor Hugo being a Commune hater

When I rediscovered Les Mis myself, it was after having heavily studied Russian literature, and thus, the very heavy nihilist, anarchist discourses that run through it. Russian literature as we study it is mostly composed of XIXth century/XXth century books and a large part of it is all about revolutions and terrorism and resistance and all that. And, to be honest, I recognized that spirit when I reread the ABC parts in Les Mis. It’d be apolitical to say it’s “universal”, and situations widely change the meaning of a revolution, but this “revolutionary idealist youth” spirit is running through all these books and echoes in real life. I don’t think Hugo is a good inspiration for a revolution as a man. There’s really propaganda in France about his work and point of view, making him seem like a highly leftist, revolutionary man for his time while he wasn’t that hardcore/badass/leftist BUT…

I feel like what the fandom gets from his work, queering it or racebending his characters with postcolonial discourses in mind, is way more important now than what he wrote.

Keep being great, guys.

#les mis meta #meta #Les Misérables #Les Miserables #les mis #les mis fandom #Zevlog #zevlogofamiserable #les amis #les amis de l'abc

[x--daughters-of-darkness--x]

Alissa White-Gluz as Marie Antoinette by @timtronckoe (2019)

Described by her brother, Emperor Joseph II, as “honest and lovable,” Marie Antoinette was an Austrian princess and the wife of King Louis XVI. She remains one of the most iconic characters in Versailles’ rich history. She arrived at the French Court aged only fifteen. From the time of her marriage to the Dauphin Louis, heir to the throne, she found it difficult to adapt to French customs and when she became Queen, she committed more and more blunders, often unwittingly, which gradually alienated public opinion, helping to tarnish her image in a most disastrous way. In 1793, Marie Antoinette was convicted by the Revolutionary Tribunal of high treason and executed by guillotine on the Place de la Révolution. (x)

#Alissa White Gluz #Marie Antoinette #© Tim Tronckoe #PORTRAITS book #AWG edits #DoD Creations #DoD edits #PORTRAITS Historic Figures

[dayinseoul]

Baby

Diva (idols) au | Y/N x Namjoon

>> After an already successful career as THEM Entertainment’s adorable and virtuous idol. Last year, Baby took control of her image and portrayed herself the way she always wanted, as “the good girl gone bad”.

With fortune in her future, there’s no limit to how high Baby will fly... and yet all it took was one unfortunate night for her company to become wrapped up in rival company, Day & Night Entertainment’s politics. Will the starlet come out on top in the end, or is there a more intimate future in the horizon? <<

(Au will contain swearing, alcohol/drugs and sexual themes)

AU Theme Song ~ Slow Dancing in the Dark Night In Seoul (Playlist)

The Companies: THEM Ent. & Day & Night Ent.

Part One: Daddies & Newborns

Part Two: Korean Artist Awards Ceremony

Part Three: Devil’s Purchase

Part Four: Ride and/or Die

Part Five: House Arrest

Part Six: The Waiting Game

Part Seven: Family Reunion

Part Eight: Mysterious Meeting

Part Nine: Explain Yourself

Part Ten: Take Two

Part Eleven: Long Time No See

Part Twelve: Revealed

Part Thirteen: Business is Business

Part Fourteen: No Love

Part Fifteen: Death Wish

Part Sixteen: Becoming One

Part Seventeen: Soon

Part Eighteen: BTS

Part Nineteen: Get Over It

Part Twenty: The Plan

Part Twenty-One: Begin

Part Twenty-Two: Airplane Mode

Part Twenty-Three: Star Power

Part Twenty-Four: Human

Part Twenty-Five: Rooftop, droptop

Part Twenty-Six: I Thought I Knew

Part Twenty-Seven: Be Honest

Part Twenty-Eight: Yoonmin?

Part Twenty-Nine: Reflection

Part Thirty: Tomorrow Today

Part Thirty-One: Jealousy

Part Thirty-Two: Red

Part Thirty-Three: Slow Dancing

Part Thirty-Four: Trivia: Love

Part Thirty-Five: You & Me

Part Thirty-Six: Play It Off

Part Thirty-Seven: Seoul

Part Thirty-Eight: Calm

Part Thirty-Nine: Controversy

Part Fourty: Interrogation Room

Part Fourty-One: Stigma

Part Fourty-Two: Sad Times

Part Fourty-Three: Supporting Cast

Part Fourty-Four: I Hurt Me

Part Fourty-Five: Professional

Part Fourty-Six: You & Me

Part Fourty-Seven: Team Player

Part Fourty-Eight: Wednesday

Part Fourty-Nine: Vive La Révolution

Part Fifty: whoami

Part Fifty-One: Man Up

Part Fifty-Two: What’s Your Secret?

Part Fifty-Three: Badbye

Part Fifty-Four: Get Exposed Nerd

Part Fifty-Five: Idol Or Icon

Part Fifty-Six: Purple

Part Fifty-Seven: Us

Part Fifty-Eight: New Face

Part Fifty-Nine: Road To Recovery

Epilogue: Future

> FYI ~ Some photo edits used, credit to owners but if there’s issues, contact me directly & I’ll amend it x <

Creative rights reserved © dayinseoul | 2020 — No reposting work and/or modifying of any form on any medium is allowed. No translations allowed.

#bts au #bts social media au #bts idol au #bts imagine #bts fanfic #bts fic #bts one shot #bts #bangtan au #bangtan #y/n x namjoon #reader x namjoon #dayinseoul #baby

[oculus-dawes]

Red Wheelbarrow

Why does no one talk about the absolute fuckin power move that is Elliot tricking a hypochondriac rapist into thinking he had an STI. That was so iconic and thoughtful. Vive la révolution

#red wheelbarrow #i love this book #red wheelbarrow companion book #I'm sad we didn't see more Carla in the show #mr robot #mr. robot #elliot alderson #i love my boy #robot stop drawing dicks challenge #and when Carla got her hormones at the end #my HEART

[aion-rsa]

The Creeping Reality of V for Vendetta

https://ift.tt/2pIaT0k

It's not the Fifth of November yet but that doesn't mean we can't consider how V for Vendetta's dystopian future is closer than ever.

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Remember, remember the fifth of November, the gunpowder, treason, and plot. I know of no reason why the gunpowder treason should ever be forgot.

These are the words that have accompanied hundreds of Guy Fawkes Day celebrations ever since that eponymous Catholic failed to blow up Parliament in 1605. But for many millions the world over, the poem is now synonymous with V for Vendetta, a shockingly subversive studio movie that was released in 2006. More than a decade later that film’s success at celebrating radical political ideas can still be felt by the fact that a movie which glorifies terrorist action (blowing up Parliament and Big Ben) is considered a classic in many circles, and is routinely viewed at the beginning of every November by movie fans the world over. It’s almost a fitting bit of irony that the film’s iconic visage of uncivil disobedience—the sleek and sexy reworking of a Guy Fawkes mask on Hugo Weaving’s face—has similarly become ubiquitous with anarchists, counterculture subversives, and online hackers, who all wear the trademarked Halloween item… that they helpfully purchase from the very capitalist friendly Warner Brothers’ merchandising arm on Amazon.

Nevertheless, the film is always worth remembering on Nov. 5 (or any other day), because director James McTeigue and the Wachowskis’ best screenplay to date succeeded at shrewdly adapting the V for Vendetta graphic novel to the big screen. Alan Moore purists might forever remain skeptical of such praise since by reimagining a seminal anti-Thatcher ‘80s hit piece, the Wachowskis essentially reworked the entire narrative as a brutally anti-Bush allegory (and reconfigured Weaving’s V and Natalie Portman’s Evey as a surprisingly convincing star-crossed pair of lovers from The Phantom of the Opera mold). In the process, Moore’s V went from being the poster child for anarchy to a defender of classical liberalism.

But on its own cinematic terms, V for Vendetta combines slick R-rated action movie set-pieces (that are appropriately theatrical for a comic book adaptation) alongside some pointed criticism of the U.S. government circa 2006, specifically in regard to the War on Terror and the persecution of minorities in right-wing media (remember folks: as recently as 2004, a president ran a successful national campaign by pledging to make a constitutional amendment that banned gay marriage). The film may have unintentionally also endorsed the use of torture for political radicalization, but that’s neither here nor there.

Watch V For Vendetta on Amazon

Just as sweeping as its brava rebranding of Tchaikovsky’s “1812 Overture,” V for Vendetta remains a pop culture artifact about the anxieties felt on the left in the waning years of George W. Bush’s presidency. And with it being so specifically fitted to those critiques, it should in theory seem very dated in the third year of President Donald Trump's tenure in the White House.

Yet, if one looks around, it becomes apparent that we are tiptoeing ever closer to the dystopian future that V for Vendetta warned so vehemently against…

A Government for the People That Watches the People

One of the most chilling (and familiar) beats of dystopian hell envisioned in V for Vendetta is the Orwellian presence of a Big Brother. The film’s cartoonish dictator, High Chancellor Adam Sutler, is clearly meant to resemble Adolf Hitler. However, the filmmakers also selected John Hurt for the role of the tyrant who stripped away his country’s civil liberties. This canny casting recalls George Orwell’s Nineteen Eighty-Four since Hurt starred in the actual 1984 adaptation of that book.

And like that story’s infamous Big Brother, Sutler’s Britain is under constant surveillance by roaming trucks that are eavesdropping on every dinner table, phone, or digital conversation amongst its citizens. This is an obvious allusion to the U.S. PATRIOT Act, which provided extraordinary freedom to government agencies to pursue suspected terrorists in October 2001 (less than two months removed from the shadow of 9/11). And its encroachment on civil liberties was as disquieting in 2006 as it is in 2019—after it was extended twice during the Obama administration.

As a U.S. senator in 2005, Barack Obama spoke precisely about reforming the law: “We don’t have to settle for a PATRIOT Act that sacrifices our liberties or our safety—we can have one that secures both.” Yet elements of the PATRIOT Act were only allowed to temporarily expire in its June 2015 extension due to the maneuvers of Senator Rand Paul. Meanwhile Obama, a president I greatly admire, continued to run afoul of civil liberties groups and privacy advocates.

In fact, it was during his administration that Edward Snowden, a former contractor for the National Security Agency, unleashed a cascade of classified documents that showed the NSA was secretly utilizing a global system of surveillance that was gathering massive amounts of information about the private correspondence of both American and foreign citizens. Initially, the White House’s reaction was to brand Snowden as “not a patriot” (he currently lives outside the reach of extradition in Russia) and to suggest that the American people simply needed to become “comfortable” with the NSA’s mass bulk collection of millions’ phone records. 

But eventually the Obama White House reversed course, first by appointing a panel to quell concerns of “distorted” information in the press about the “drip, drip” and “Big Brother” perception the U.S. government ascertained overnight. Subsequently, Obama pivoted closer to the side of civil liberties (especially after a U.S. federal judge ruled the bulk collection was probably unconstitutional). In June 2015, the NSA lost the carte blanche authority to collect millions of Americans’ phone records via the White House supported USA Freedom Act (the NSA now needs a targeted warrant from the FISA court).

So, all is well that ends well in this particular case, right? Maybe, except Snowden is still living in exile and considered a traitor by many government officials, the PATRIOT Act persists, the aforementioned parts that Paul was able to see expire were reinstated by the USA Freedom Act, telecommunications companies can still stockpile Americans’ bulk data, which the FISA Court allows access to with a secret warrant, and it is so easy to imagine a scenario where a president less constitutionally minded would not choose to introduce a bill after an intelligence agency was caught with its hand in the wiretapped cookie jar. Or one who would seek to expand its powers further when the PATRIOT Act comes up for renewal again.

In fact, given many of the strongest political winds at the moment, it seems that for every step forward, we’re about to take 50 goosesteps back.

Video of V For Vendetta - 3 - Control Through Fear

The Spread of Misinformation

Another hallmark of any good dystopian yarn is a state-run media arm that inundates and brainwashes a public via the spread of propaganda. Hence one of the most exciting moments in V for Vendetta is when the titular anti-hero invades and commandeers what is clearly intended to be a stand-in for Fox News, using their ability to infest every home in England to now instead offer a rousing cry of “vive la révolution!”

Of course even in 2006, it was unfair to conflate Fox News with being a government-run puppet of the Republican National Party or the Bush administration. In many ways, the tail wags the dog with Fox News setting the Republican Party's agenda, especially now that its standard-bearer prefers getting his news from Fox & Friends as opposed to his own intelligence agencies. By contrast, V for Vendetta simplified mass media misinformation for the sake of narrative brevity. Indeed, the point about the dangers of media misinformation are only more pronounced now than they were 10 years ago.

read more: The Best Dystopian Movies and TV Shows

As broadcaster Edward R. Murrow once prophesized in 1958, “For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities, which must indeed be faced if we are to survive.” At the time, Murrow was musing about the decline of broadcast news during a period where there were only three channels on television. Today with the increasingly endless variety of media resources in a post-internet and post-social media world, the dissemination of lies and falsehoods is greater than even the Wachowskis’ paranoia could imagine during the pre-iPhone naiveté of 2006.

With more information than ever at folks’ fingertips, the desire to insulate one’s self in a media echo chamber has ironically become only more desirable for millions.

To use V’s veiled punching bag of Fox News as an example, a University of Maryland study in 2010 found that Fox News viewers were more misinformed about factual information than those who consumed their primary news stories from any other major resource. Also, misinformation is arguably more dangerous to public discourse than even uninformed voters, because the misinformed are often more confident in clinging to discredited information.

Nine years later, it’s now a lot easier to fall down the rabbit hole of innuendo and ideological fanaticism (i.e. lies) than it was in the age when cable news reigned supreme. The more people become insulated in partisan echo chambers, the easier it is to create the effect of a brainwashed society hinted at in V for Vendetta—government run or otherwise.

Consider that Frank Luntz, a Republican pollster and once frequent Fox News commentator, showcased this bizarre resistance to reality  among a group of Donald Trump supporters. Preferring a particular political candidate for president was their right, but when Luntz emphatically proved the future Republican nominee Trump lied about how many Syrian refugees President Obama attempted to bring into the U.S. in 2016—for the record it was 10,000 refugees while Trump falsely asserted it was 250,000—the reaction was apathy, including comments like “he’d let in as many as possible” and “what is in his heart?”

Luntz further found that only three of the 29 Trump supporters sampled believe that Obama is a Christian. One even insisted that he believed Obama was sworn into office in 2009 on a Quran. Also the general consensus was to prefer news from far right-wing leaning media like Breitbart (a site that willfully sided with the Trump campaign over its own reporters, even in an incident of alleged physical assault) and talk radio while anything considered “mainstream media” was to be viewed with hostile skepticism and outright denial. This was years before a fanatical Trump supporter, who watched the president call all non-right-wing media “the enemy of the people,” mailed several pipe bombs to CNN in addition to those of nearly a dozen of Trump's political opponents and critics.

Additionally, Steve Bannon, the former executive chairman of Breitbart News LLC, was hired by Donald Trump to be his campaign's CEO, further muddying the waters of collusion between political leaders and the partisan, extremist media they court--although after Bannon fell out of favor with the mercurial president, Breitbart happily threw him to the wolves and fired the fallen Trump advisor from his returned chairman role, all to curry favor with the veritably lying and tweeting president.

In this current climate of media tribalization, it is far easier for a demagogue like Sutler to lie his way to power and to then retain it.

Video of Opening scene from V for Vendetta

Persecution of Minorities

V for Vendetta begins with a blunt and on-the-nose depiction of the kind of politics that High Chancellor Adam Sutler and his Norsefire Party represent. Roger Allam’s Lewis Prothero is obviously meant to be a cross between Howard Beale and Joseph Goebbels when we hear his televised voice before even realizing we’re watching Natalie Portman and Hugo Weaving’s robed introductions.

From the very first frame, Prothero, and by extension the political party he represents, hisses his disdain for those inherently responsible for all of the problems in the world: “Immigrants, Muslims, homosexuals, terrorists, diseased-ridden degenerates, they had to go! Strength through unity, unity through faith!”

read more: The Best Sci-Fi Movies on Netflix

Drawing a parallel between the nativist bigotry represented by V for Vendetta and the current disintegration of the Republican Party is like tracing with a ruler. While V for Vendetta’s fears about the persecution of the LGBT community turned out to be thankfully unfounded in the Obama Years with “Don’t Ask Don’t Tell” repealed and gay marriage now the law of the land, everything else Prothero espoused hatred for is again in the national conversation… except with even less nuance. This includes how the Trump adiministration is targeting people who identify as transexual as Other, beginning with banning them from the military.

It would almost be redundant to bring up how Donald Trump—the preferred president of David Duke, a former Grand Wizard of the KKK, and Neo Nazis everywhere—suggested in 2015 that we should ignore the Constitution and founding tenets of this country by creating a religious litmus test for entry while banning all Muslims (which he has now made a restricted version of the law of the land via executive order). So let’s just focus on what the man who once inferred he did not know what the KKK represented. While on CNN in 2016, the GOP candidate said, “I think Islam hates us.” For the record, this also insinuated merit to Anderson Cooper’s question about whether Trump believed Islam was “at war with the West?” 

Let this sink in: The President of the United States insinuated that a religion of 1.6 billion people (that’s roughly 23 percent of the global population) is at war with the United States. It certainly gives his voters a boogeyman to fear in the shape of nearly three million fellow American neighbors. In the 2018 midterms, he shifted the focus back to his original boogeyman when he turned the media's attention to an “invasion” of South American refugees from a crumbling caravan a thousand miles away walking through Mexico on foot.

V for Vendetta features flashbacks of Sutler rounding up British Muslims, and gay and lesbian citizens to be taken to camps. While Trump has not suggested anything quite that drastic for Muslims (yet), he campaigned pretty damn close to it in regards to undocumented immigrants. And then he acted on it as president, supporting and then attempting to defend a policy designed to ruin immigrant families by locking children in cages. This makes good on a campaign launched by the claim that a majority of undocumented migrants are “rapists,” which in turn led to millions of Trump supporters chanting “build a Wall.”

One imagines that if Prothero was a real person, he’d have been in the bleachers right next to them, talking about how he also agrees about shipping off minorities in a “humane” way to a place where they’d be “happy.”

“He’s Completely Single-Minded and Has No Regard for Political Process”

Ultimately, however, the easiest way to glimpse our ever growing flirtation with Sutler’s future is to see how parts of our culture already march to the sound of the fictional character’s bark. Midway through V for Vendetta, V surmises that Sutler’s career began with “a deeply religious man and a member of the conservative party. He’s completely single-minded and has no regard for political process. The more power he obtains, the more obvious his zealotry and the more aggressive his supporters become.”

Obviously, the Wachowski Siblings, as well as Alan Moore before them, were revisiting the rise of Adolf Hitler in a modern context. I would not suggest that it is a 1:1 comparison, but so much of how V describes Sutler could be used at this very moment to detail the popularity of Donald Trump.

In terms of political process, one only has to look at the Republican president’s woefully dishonest campaign promises and then often fractured policy, be it rounding up illegal immigrants or now claiming he has the power to revoke birthright citizenship without a Constutional amendment, despite it being enshrined in the 14th Amendment. In 2016, he ranted and raved about how he plans to immediately deport 12 million people living in America without due process, a claim he echoed in 2018 by playing ignorant to due process. Even Bill O’Reilly once called him out on that fact, pointing out in 2016 that under the Constitution, anyone detained on American soil (i.e. not just crossing the border) has the right to be processed in our judicial system—a harrowing (and impossible) feat if it is to be immediately implemented around 12 million times. Yet Trump just shrugged the facts off, repeating, “They’re here illegally,” as if repetition and magical thinking will make it constitutionally sound or at all humane.

Then again, Trump’s entire rhetorical approach has already been documented as operating on a fourth grade reading level, and it is as effective as the emphatic leader of V for Vendetta’s fictional conservative party. Increasingly, folks cheer when he suggests attacking cornerstones of American life like the freedom of the press. Much like how Sutler reacted to a political TV parody that made him look the fool, the Donald let his thin skin show when he suggested, with the utmost earnestness, that one of the things he wants most is to “open up libel laws.”

Even if the Supreme Court settled long ago in 1964 that you need to prove an organization reported inaccurate information it knew to be false with malicious intent, Trump would like to be able to sue “The New York Times [when they write] a hit-piece which is a total disgrace or when The Washington Post, which is there for other reasons, writes a hit-piece. We can sue them and win money instead of having no chance of winning, because they’re totally protected.”

His whining about the press suggests a chip on his shoulder worthy of when Sutler had a late night comedian disappeared into one of Creedy’s black bags.

Yet these are applause lines for supporters who are indeed embracing V’s visions of a dystopic 21st century where the more power Trump receives, the more aggressive they become. With almost every Trump rally during the heated primaries, there seemed to be another attack, another beating, and another protest devolving into chaos. In January 2016, Trump told an Iowa crowd, “There may be somebody with tomatoes in the audience. If you see somebody getting ready to throw a tomato, knock the crap out of them, would you?... I promise you, I will pay for the legal fees.”

Two months later in North Carolina, a black man was sucker punched by a Trump supporter as he was being escorted by police out of the facility, and it was captured on video. Despite visual confirmation of an unprompted burst of violence from a white supporter toward an African American protestor, Trump lied to his supporters when he said, “It was a guy who was swinging.” He then condoned the violence by saying, “I thought it was very, very appropriate… that’s what we need a little bit more of.” He then later would not refute the alleged attacker’s claims that the protestor was a member of ISIS.

After his ascendency to the White House, many emphatic supporters of Trump have become more violent instead of less so. When a visceral orgy of far-right politics converged on Charlottesville, Virginia in 2017, Neo Nazis, Neo Confederates, and card carrying members of the KKK celebrated an event titled "Unite the Right," including a number of supporters dressed in President Trump's preferred golfing attire as they marched with torches and chanted "The Jews will not replace us," word-for-word the same cries made by Nazis at 1930s rallies. The following day, one such far-right extremist drove his car into a crowd of counterprotestors, killing 32-year-old Heather Heyer. The following week, Trump gave rhetorical cover to racist supporters by saying "there were very fine people on both sides." A year later, a Trump enthusiast sent bombs to Trump critics. A year after that, a far-right terrorist opened fire in a Walmart in El Paso, Texas, killing 22 people and injuring another 24.

Eventually, this is going to devolve into something even more tragic and reminiscent of the 1930s.

How is this anger growing right now in a country that actually has seen a growth in job creation, GDP, and access to healthcare while a decrease in the deficit and unemployment over the last six years of Obama's presidency and then increasingly so in the Trump years? There is an obvious racial and deplorable component for a number of voters in this country from the David Duke mold. Still, there are also reasons for justifiable anger with a cataclysmic income inequality gap and stagnant wages, the undeniable stench of money in politics, and the ever modern and unending anxiety of the new century: the threat of terrorism. But demagogues like Sutler and Trump are exploiting these fears and frustrations with such ridiculous ease, and building it on a foundation of hate, nationalism, and bigotry, that it seems almost fictional.

But if you think all of this is slanted, partisan hooey, watch V’s impassioned plea for the people of England to set aside their fear and face an ugly reality inside their culture. Then admit that it is not prescient for the direction our country is headed in.

Video of V for Vendetta: The Revolutionary Speech (HD)

So yes, Americans are closer than ever to achieving the dystopian future imagined for England in V for Vendetta. That’s something to remember, remember for the fifth of November.

A version of this article first ran on March 17, 2016.

David Crow is the Film Section Editor at Den of Geek. He’s also a member of the Online Film Critics Society. Read more of his work here. You can follow him on Twitter @DCrowsNest.

Read and download the Den of Geek NYCC 2019 Special Edition Magazine right here!

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Feature

Books

David Crow

Nov 5, 2019

V For Vendetta

The Wachowskis

Natalie Portman

Hugo Weaving

from Books https://ift.tt/2JjXiVW

#aion-rsa #Books

[behindfairytales]

icons of Marilou Aussilloux in La Révolution (s1) as Élise de Montargis

+17 icons added to the pack on the source link

#marilou aussilloux icons #larevolutionedit #marilouaussillouxedit #period fc #la révolution #élise de montargis #marilou aussilloux #la revolution netflix #rp icons #icons #rpg resource #*icons #*mine

[n5869]

Le plus récent Disney Lena Belle

Alors je portais des choses qui étaient propres mais un peu amusant,, rappelant un très disco '70s chemise de coton indien à rayures avec filetage métallique que animé une présentation à Rome. a uni ses forces avec le XeniaTchoumitcheva éblouissante du Tessin, qui est devenu NewFashion le icon. Encore une fois, il avait indiqué que peu importe comment me stérile peut me, financièrement ou psychologiquement, il y avait toujours quelqu'un qui a des choses bien pires. il a fait de grands progrès et a réussi à obtenir Disney Mickey Mouse le soutien de certains des acteurs clés de l'industrie, Blom said. 'sur une base quotidienne, nos clients étaient expédition nous Disney 6 Médailles Disney Pixar Cars Magasin Officiel de fiançailles coûteux, et nos opérateurs CAO concevrions une bande de mariage courbe qui alignerait avec les courbes uniques de leur bague de fiançailles Le résultat :. 'le DDRC est une étape proactive pour permettre entreprises que ce soit à petite échelle ou grande pour avoir les moyens de tester tout colis et de gagner la confiance que les disney sejour pas cher cultivées en laboratoire ne sont pas mélangés avec des Disney Mini Peluche Tsum Tsum Dumbo Endormi Magasin Officiel naturels. 'L'échange mutuel d'idées est une chose courante pour nous. Dans la poussière Kreations les principaux points de concepteur tactiles sont une révolution Disney Vêtements de Noël stylistique et ré-interprétation des canons classiques des collections contemporains; une expérience extraordinaire sans compromis, un impact visuel et émotionnel fort; les pièces dédiées à une clientèle attentive et exigeante qui luttent et capturé par cette magie précieuse. Pour la troisième année consécutive Diamonds Leo Schachter en tête de liste, avec les exportations nettes de 328 millions $ en 2013. Nous parlons de 40 à 80 pour cent de réduction de disney Marc Jacobs, Jimmy Choo, Mulberry, et plus. Galaxie, $313, par Karin Jacobsen 12. Ma maison d'enfance a été rempli avec mur tissages et main-Tourner la poterie fabriquée par ma mère, un artiste-tourner-art instructeur qui a perfectionné ses embarcations dans les années 1970. Une fois de plus il travaillait sa magie de santé mentale. le Capini Collier est inspiré de la pratique ancienne de Vêtements Disney porter des dents de requin necklaces.né à Hawaï au Chinois- et américano-coréenne parents, son amour de manière Lum a été instillé dans son à un âge précoce par sa mère. Pour plus d'informations sur la collecte ou à l'achat d'une paire de journée disney pas cher hackwithdesignhouse : Shinola Maker Série avec Ouvrages en cuir Minnesota : Rejoignez Shinola et Nathan O'Malley des ouvrages en cuir au Minnesota pour a hands-on regarder dans le O'Malley Belt décisions et une discussion sur ce que cela signifie d'être un Américain Maker dans la société d'aujourd'hui. Le Award- bague gagnante est inspirée par le grand-père de HeaLer Moore. ticket eurodisney pas cher est l'un des motifs de signature de disney, et a été la signature originale de la maison de mode florentin et un précurseur du célèbre logo GG.

www.boutiqusedisney.com/

[feministories]

🇺🇸 Part.9 of my “French Revolution meets Hamilton” project.

We’re near the end of this project! 😭

To close the Women’s part, I simply HAD to draw Olympe de Gouges, one of the icons of French feminists. To play this fierce, independent, and smart woman, I also HAD to choose actress Aïssa Maïga.

Born Marie Gouze in 1748, she reinvented herself as Olympe de Gouges when she arrived in pre-revolutionary Paris. 

She is most famous for her Declaration of the Rights of Woman and the Female Citizen in which she notably wrote: "Women have the right to mount the scaffold, they must also have the right to mount the speaker's rostrum". (History will prove her damn wrong about that).

But Olympe did not limit her activism to women’s struggles and championed the causes of social justice and civil rights on behalf of all the disenfranchised and underprivileged: children, the poor, the unemployed, the slaves...

As the Revolution evolved into an state of fear and suspicion (France was pretty much at war with everyone in Europe, and had to restrain a civil war led by a counter-revolutionary opposition), Olympe was soon considered as a dangerous agitator.

Her writings and personality got her arrested and sentenced to death in 1793.  As she walked up to the guillotine, she declared: "Children of the fatherland, you will avenge my death."

🇫🇷  Part.9 de mon projet “Revisitons la Révolution Française avec nos acteurs racisés”.

On s’approche de la fin de ce projet ! 😭 

Pour clôturer la partie des femmes, je DEVAIS dessiner Olympe de Gouges, icône des féministes françaises. Pour jouer cette femme intense, indépendante, et intelligente, je me devais aussi de choisir l’actrice Aïssa Maïga.

Née Marie Gouze en 1748, elle se réinventa en tant qu’Olympe de Gouges quand elle arriva dans le Paris pré-Révolutionnaire.

Elle est surtout célèbre pour sa Déclaration des droits de la femme et de la citoyenne dans laquelle elle a notamment écrit : “La Femme a le droit de monter sur l’échafaud ; elle doit avoir également celui de monter à la Tribune.” (L’Histoire lui prouvera tout le contraire).

Mais Olympe n’a pas limité son activisme à la seule cause des femmes, et a défendu de nombreuses causes de justice sociale et de droits civiques au nom des personnes défavorisées et privées de leurs droits civils : les enfants, les pauvres, les chômeurs, les esclaves...

À mesure que la Révolution se transformait en état de peur et de suspicion (la France était alors en guerre contre pratiquement l’Europe entière, et devait aussi contrôler une guerre civile menée par l’opposition contre-révolutionnaire), Olympe fut rapidement considérée comme une dangereuse agitatrice.

Ses écrits et sa personnalité la firent arrêter et condamner à mort en 1793. En marchant vers la guillotine, elle déclara : “Enfants de la Patrie, vous vengerez ma mort.”

#French Revolution #hamilton musical #aissa maiga #olympe de gouges #works #illustrated ladies #Révolution française