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Paolo Meloni.
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thedarchive · 11 months
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Walter De Maria / The New York Earth Room / 1977
Olafur Eliasson / Riverbed / Louisiana Museum of Modern Art / 2014
Santiago Sierra / Balenciaga ss23 / Paris / 2022
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Zî it | Fictioning/topologising the landscape | in(con)volutions of temporalities and spatialities in mirror installations, 2022 | installation
@glitching_kairos
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lite-blu · 1 year
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The Golden Spiral, Marha Plain, Morocco by Hannsjörg Voth1980-87 photo by Ingrid Amslinger
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ellapitr · 2 years
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Et la fonte des glaces ?
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ilcovodelbikersgrunf · 5 months
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Still life & mushrooms
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francoise-larouge · 2 years
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Land art Bretagne ©FrançoiseLarouge
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ctgraph · 2 days
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vonklein · 6 days
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The woods are staring back.
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masu-projects · 1 year
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Vague places - Termoral spaces // Workshop at HDK-Valand Steneby
Three days outside work with Design BA students from all three departments. The week started with collaborative work in small scale, with mixing materials and for the students to find a method to work together. Wednesday - Friday we worked outside, still in the groups, with full scale spatial work in various materials. The students had collected material in the beginning of the week som there was plenty of wood and fabric to work with. Intense days in the rain. Lots of laughter and hard work.  Truly great days.
Workshop setup:
You will need clothes for outdoor work, we'll be outside regardless of weather.
Monday morning
● 09.00-10.00 Zoom
● Short presentation of MASU, the work for the week and presentation
of the workplace.
● Division into groups 6 (5) if from different departments
Monday afternoon and Tuesday
● Groups gather to build 10 joint sculptures with materials from their
respective department and area of interest.
● Relate to the theme Vague places and temporal spaces.
● The sculptures shall be max. 20 cm high.
● In addition to this, the group needs to gather lots of materials plus
assembly items and tools to build spatially on a 1:1 scale during
Wednesday afternoon, Thursday, and Friday. You can either gather
the material down at the site by the water or in connection in your
workshops.
Wednesday morning
● 09.00
● MASU is invited to your exhibition of all sculptures, all groups
together.
● All groups present the intention with their sculptures.
● The works are grouped in any way in relation to other people's
sculptures, in any place down by the water.
● After the exhibition, each group selects three sculptures from the
entire exhibition.
● The three works are photographed or drawn in different spatial
conditions.
Wednesday afternoon, a process-oriented work on spatial understanding starts.
● The groups will build on a 1:1 scale down on the parking lot with the
materials you have collected.
● Bring materials for documentation.
● We will be outside, so you need to dress for the weather.
Thursday
● 09.00
● Continuous work on site
Friday
● 09.00
● Finishing work in the morning. Presentation, discussion, disassembly
and clearing site
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detournementsmineurs · 6 months
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"Bel Costumé" sculpture de Jean Dubuffet (1973) dans le Jardin des Tuileries, redécouvert pendant Paris Art Basel, octobre 2023.
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mattiasdrawings · 1 year
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Sketchbook drawings // Studio work // 2022
More work, projects, zines ---> www.mattiasg.se
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Antti Laitinen | Broken Landscape IV (detail), 2018 | land art
@laitinen_antti
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johnkmelvin · 11 months
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Recently, I was invited to participate in a Land Art symposium at the Villa Cernigliaro, near Turin in Italy. The Villa and park are historic, having been occupied during WWII, a center during the Anti-Fascist period, then the Fluxus Movement, and much more.  The grounds are modestly manicured, filled with a wide range of plant and tree species, but not exactly the wild nature one finds in the forest.  This built-environment of compounded histories illustrated to me, our collective misunderstanding of current events, namely the inter-connectedness of migrants and climate change.
I was drawn symbolically to the abundance of pine cones mostly from the same type of spruce on the property, and the various sizes depending on age.  My work has become incredibly more meditative and process driven of late, and I often find myself  designing a project around the need to be quiet and think.  I set about unwinding jute rope to the base strands, then fastening to each pine cone, and then braided the cones together into large groupings.   These groupings I suspended from a large beech tree silhouetted by the 19th century Villa
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foxyou-too · 1 year
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Wolfgang Laib
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ellapitr · 2 years
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Le penseur au potager.
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