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#late as usual :B
fiepige · 30 days
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Saw some old vines and got inspired:
So here y'all go, Spiderverse as Vines!
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poorly-drawn-mdzs · 9 months
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It's the 6 month anniversary of this blog! Check out these cool bugs I found.
Part 2 - Part 3
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solcarow · 20 days
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seafood trio portraits !
+ some alts. with spoilers !
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stevebuscemieyes · 1 month
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Late Night With The Devil
March 22 2024
Dir. Cameron Cairnes, Colin Cairnes
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melverie · 9 months
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Both lesson 12 and lesson 19 in NB are actually great reminders that OG timeline Lucifer would absolutely pretend like nothing happened after MC's disappearance and that he is in fact completely unaffected by it all, maybe even distancing and isolating himself entirely from everyone else if he can't keep up the act, meanwhile behind closed doors he is completely falling apart because his pride just won't. let. him. be. vulnerable.
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cakesplice · 1 year
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the ultimate fashionista // valentine's day edition
sans text under the cut
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context in tags 🏷️
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obsob · 2 years
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wizard that makes u nonbinary
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Sirius A, the Wolf Prince! He is a main sequence star in the Canis Major constellation. Also known as the Dog Star.
Art made: (November 2023, April 2019, March 2015)
About Sirius: Space.com article | ESA image
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precatio · 5 days
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need to get into new music IMMEDIATELY does anyone have any recommendations. any genre is fine but preferably something outside what we have historically listened to mainly (heavy metal, metalcore, pop punk)
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chrliekclly · 9 months
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I’m sorry but you camera for the show? What? I’m so high rn I can’t understand this. You see the show happen right. And you do the lights or whatever and the characters are litterally there and have you met the actors? Do u interact with them?? Is the magic of the show ruined for you because you see them go in and out of character???? Does it give you a different perspective on the show? If this is too much for you and you don’t want to interact with this message then ignore!!❤️❤️❤️
im a digital utility (/addt'l 2nd AC), so unless im covering one of the 2nds, i basically just set up all the teradek receivers/monitors so the directors, the DP, and the makeup dept can see wats happening on set without having to be on set (i change A Lot of batteries too)
and ykno, as far as the magic goes, the show had alredy sort of...stopped being as intense of an obsession for me as it used to be b4 i got the job on set, so it ended up being a somewhat natural shift once i got to see behind the curtain
like, dont get me wrong, i still have Mental Issues lmao, i am still not normal abt it, but it used to be so so so much worse nd th show rly consumed basically 100% of my headspace almost nonstop
so because i had kinda wound down b4 getting to work on set, it like...? it revived my love ig? but n a new way, w a new outlook that im happy to have. like, theres ben a change in energy n th past couple seasons anyways, so its felt p normal stepping into it in a new way too
that being said, i will just drop some old tags here:
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deathtodickens · 1 year
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A Bering & Wells Gift Exchange comic story for @lady-adventuress. Happy Palentines Day, friend! There are typos and drawos, even after my very extensive, not-at-all rushed, proof-reading, so, many advance apologies. Thank you for the ideas, I tried to stay in line with mistaken identity/long lost theme. Hope it is enjoyable!
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Myka was seventeen when Emily Lake, her best friend, disappeared. Whisked away into the night by Mrs. Frederic, crying and inconsolable, cursing her father’s name. It was unreal, all of it, from first kiss to final goodbye. But whatever disbelief Myka had held onto, wide awake in her bed most of that night, shattered entirely on her walk to school the next morning.
She remembers hearing the sirens as she’d finally drifted into sleep but there were always sirens. Sirens were never unusual.
She should have known. She should have known.
Emily Lake’s house was burned to the ground. A smoldering pile of charred rubble, surrounded by crime scene tape, police vehicles, and a white Coroner's Office van.
She could only get so close but she could see all she needed to see.
She doesn't remember losing consciousness, though she supposes no one does when they come to. She remembers the spinning. She remembers the falling.
And she remembers waking up in the back of an ambulance with Mrs. Frederic by her side.
//
Myka sees Mrs. Frederic a lot over the years. Not by choice or chance. Not by want for that woman to be in her life. Just by the mere fact that she loves a ghost. A girl that's supposed to be dead.
Burned up in a house fire.
Buried in the ground.
They'd pulled two bodies from the rubble of Emily Lake's house, too badly burned for an open casket. Too unknown and unrelated to anyone of means to have a proper burial.
Myka went to Emily's memorial at the high school. She listened as others spoke about a girl they knew nothing about. And while she grew angry at their forced tears and fabricated associations to a dead girl they never knew, she, herself, had absolutely nothing to say about it.
Her best friend, Emily Lake, had died in a fire.
Some girl she loves, called Helena, arose from her ashes.
//
Myka sees Mrs. Frederic once when she's nineteen. This time she hasn't passed out. She's at a cafe on her college campus, listening to music through a set of headphones, and drawing in her sketchbook.
Mrs. Frederic sets a flyer down on the table in front of Myka and takes a seat in the chair across from her.
She doesn't wait for Myka to remove her headphones or even acknowledge her presence.
"This is not cute," the older woman tells her while gesturing down at the paper. "This is too close."
Myka eyes the flyer. It isn't hers per se but she'd been hired by someone on campus to draw it for an upcoming event. It's a very simple drawing of two women holding hands, but one of those women looks a lot like herself and the other looks a lot like someone she used to know.
"You don't like my art?" Myka sighs, turning her attention back to her sketchbook.
"She's dead," Mrs. Frederic recites, not at all for the first time.
Myka puffs out a soft laugh, glances up at Mrs. Frederic, and says, "And yet here you are. Again."
"It isn't safe yet, Myka."
Myka drops her pencil. "When will it be?"
Mrs. Frederic looks away from Myka, over her shoulder, out of a window. She says, without ever turning back, "I told you to forget her. She told you to forget her. You know the consequences of not doing that. You've seen what they're capable of."
"I don't know anything. I certainly don't know the consequences or who they are."
"And believe me when I tell you that you do not want to."
"Is it witness protection?"
"Do I look like I work for the Marshal's office, Ms. Bering? Do our interactions scream Federal Government to you?"
Myka eyes Mrs. Frederic up and down but says nothing at all. In response, she receives a huff of annoyance from the older woman across from her.
"The amount of time I have spent running interference between you and that girl is both baffling and exhausting."
That makes Myka smile. Just a little.
"Finish school, Ms. Bering. Keep your head down. Stop this," Mrs. Frederic taps the paper on the table, "and forget her." She stands and turns then adds, just over her shoulder, "I won't be repeating myself."
Myka sits back in her chair, smiles softly up at the other woman, and says, "Let's do this again sometime, hm?"
Mrs. Frederic rolls her eyes up and sighs. Then turns and walks away.
//
When Myka graduates college at twenty-two, she catches a glimpse of Mrs. Frederic in the hallway of the auditorium where her commencement ceremony is to take place. She is mentally and emotionally preparing herself to fend off all of that woman's criticisms, about what she should and shouldn't be drawing, about how she should and should not be living her life, about who she should and should not be remembering.
But Mrs. Frederic never approaches her. She disappears into the crowd.
Myka has always just assumed that she is being watched, that Mrs. Frederic is watching her. But Mrs. Frederic has never, before now, allowed herself to be seen in return.
//
Myka starts dating a boy named Sam when she is twenty-five years old. Sam doesn't remind her of Helena and it's the thing she likes most about him. It's easy. He's nice. They have fun together.
Myka doesn't see Mrs. Frederic the entire two years they are dating. And somehow, somewhere inside of her, she's a little sad about that.
//
Sam is killed in an accident when Myka is twenty-eight.
They had been broken up for a year at that point but they were still close. Still really good friends with a shared love of art and creating, still collaborating to make what dreams they may have into reality.
A lot of Myka's art shifts back into dark places and in those dark places comes reminders of dark histories. Of grief and sadness. Of love and loss. Of all the pain suffered and endured and, mostly, overcome when the perfect person comes along and holds your hand through it all.
For years, that had been Emily.
Helena.
They'd suffered and endured. They'd held hands through it all. Comforted each other, whenever the other needed it most. Together, they'd imagine themselves on fantastic journeys. The innumerable marks on their skin, souvenirs from their mishaps and adventures.
Myka hasn't cried in so long but she cries the night Sam dies. She cries hard and long, for hours and hours. And when she's all cried out over Sam, she starts crying all over again for Emily Lake.
For the girl named Helena whose last name she doesn't even know. She cries until she falls asleep, then wakes up and does it all over again the next day. She does this for a whole week until the day of Sam's funeral and she doesn't know who she cries for more, Sam, Helena, or herself.
It's been nearly four years since their last encounter but Myka isn't surprised when Mrs. Frederic appears. After the casket is lowered and the crowd dispersed, she steps to Myka's side and stands there just beside her for several moments in silence.
And when Mrs. Frederic has decided she's had enough of the quiet, she says, "You did try. I'll give you that."
Myka doesn't know why but this comment, a simple and useless recognition from the woman who gives almost nothing at all, makes her full belly laugh, crying tears of laughter until she can cry no more.
//
Myka is almost thirty when she almost dies of a heart attack. And then, immediately after that, almost dies by large-toe bludgeoning.
"I'm glad to see you attempting to move on with your life."
"Oh, fuck!" Myka drops a mixing bowl of cooke dough and the very thin, suddenly sharp lip of that bowl lands square on her big toe. When she turns to Mrs. Frederic, in her kitchen somehow, she swears that woman is smiling.
Even if just barely.
"That's a new trick." Myka growls, calming her racing heart.
"New to whom? You seem to be an expert in the field of accidental self-inflicted wounds."
"I mean you. In my kitchen. Inside of my apartment." Myka sighs. "How did you get in here?"
"Certainly not by working at the Marshal's office." Mrs. Frederic quirks a singular brow in Myka's direction.
"Certainly not." Myka mimics, lowering herself to the ground, to clean the cookie dough from tile floor. "What have I done now?"
"I've seen the draft of your very telling graphic memoir. I thought we were clear on the lines that should not be crossed."
Myka stops cleaning. "Speaking of lines that should not be crossed, I won't bother asking how you've seen something that exists solely on my computer." She stands and crosses her arms and tells Mrs. Frederic, "It doesn't mean anything to anyone except me. Nobody else would know it's her and it's not like it's going to bring her back."
"Myka."
Myka laughs softly, "Wow. First name basis? I have definitely crossed a line."
"The problem is, that is exactly what could happen. It could bring her back. Give her no choice but to return."
"She has a choice now? Because that's not what it looked like when you dragged her away."
"I did not drag her. I simply urged her to move forward, faster. You saw, with your own eyes, what the result would have been had she lingered with you. Two homes might have burned that night and your family--"
"I have a lot of respect for you, Mrs. Frederic, despite your constant intrusions. But please, do not talk about my family."
"Fair enough," Mrs. Frederic concedes after a sigh.
"You know, I thought I'd have more hope over time. That she was alive. That she'd one day come back. That I could go to her. Or that holding on to her the way I do would eventually mean something. Anything.
"But after all this time, I find myself more often grieving Emily's death. Because it's the only thing that's real in my mind, it's the only thing that happened.
"Helena is just... she's an old memory that I struggle to keep alive. Ten minutes in one night in the entirety of my life. And I don't even know if anything about those ten minutes is real. If it even means anything. If it's worth holding on to."
Mrs. Frederic watches Myka in thoughtful silence.
"I do know that I never want to forget the way she makes me feel. They way she always made me feel. As Emily, before Helena. She taught me so much. She helped me open up. She opened up to me.
"If I can't talk about her, in a book about my life, there is no book.
"She was my best friend and I loved her. I do what I love because of her and having known her and loved her, for the little time that I was able to, still impacts my life today. Every single day."
Myka gestures to Mrs. Frederic and smiles.
"You, Mrs. Frederic, are living proof of that." She pauses to laugh and adds, "Or the most prolific stalker the world has ever seen."
The older woman remains quiet, pensive. And for a second, one tiny fraction of a second, Myka thinks she's going to show some kind of emotion. Sympathy. Sadness. Contentedness. Amusement? At this point, Myka would even take her usual dose of exhaustion. But Mrs. Frederic's face remains a facade of unconvinced underwhelm and boredom.
Her words, however, belie genuine emotion.
"I have a story for you."
Myka arches a brow. "How suspicious."
"Two little girls grew up together, lived similar lives with similar fathers, who mistreated them in very similar ways. In a single night, they had the nerve to fall in love, right in front of my eyes. A youthful, foolish love that should have ended a decade ago. And yet, here I stand, an intermediary between two foolish girls who refuse to let each other go. Even as they risk their very ends.
"One of those girls is the daughter of a dangerous man who once had the power to demand ungodly things be done to the families of even more dangerous people.
"And the other girl, Ms. Bering, is you."
Myka breathes in slowly. Breathes out one long steady breath.
"I have... so much work to do. And yet, for some reason, I spend, have spent, most of my time intervening in various shenanigans between the two of you."
"Me, living my life like a normal human being, not constantly under threat by some faceless boogie man, is not shenanigans."
Mrs. Frederic ignores Myka's interjection and goes on.
"Intercepting every little whim of the heart you two decide to try and throw out into the world, in order to find each other without blatantly finding each other, when you both know, very well, that is the last thing you should be doing."
"She's... she's trying to find me?"
"Not the point," Mrs. Frederic cuts in. "The point is that she should not be. She knows that. Nor should you be and you know that. Because they could leverage you to get to her to get to her father. They have tried and they will continue to try. And I will continue exhausting myself to keep you two safe because that is what I am, unfortunately, obligated to do.
"No matter how hard you make the task. No matter how many times you want to laugh in the face of it, believe me when I say that he is not worth either of you dying."
Myka remains quiet. She stills. When Mrs. Frederic says no more, Myka takes in another steadying breath and says, "If I didn't know any better, I'd say you actually care about me."
"I care to keep you alive. And her. Until such a time that I no longer have to care about keeping either of you anything for the foreseeable future."
"I do appreciate what you supposedly do, Mrs. Frederic, but in all of our time together, I have never, at any point, felt unsafe or watched by anyone but you."
"And you are welcome for that."
That, to Myka, is the most unnerving thing she has ever heard Mrs. Frederic say to her. In all of their time.
"So what, her dad was some sort of mob boss's hit man?"
"That's a close enough analogy."
"Why didn't you just tell me all of that from the beginning?"
"You were a child. You're no longer a child. I've seen what you've survived. Even if I myself don't find it amusing, I do understand why you laugh when threatened. Now, do you understand the gravity of this ongoing situation?"
Myka nods, "I do."
"I don't believe you."
Myka rolls her eyes. "I understand that I'm supposed to stop doing what I love to do most, drawing and telling stories about my own life, because you want this to end, sooner rather than later."
"No," Mrs. Frederic corrects, "because your life could end, sooner rather than later. You would not have a life to draw or tell stories about."
Myka breathes in deep.
"I am not asking you to give up your passion, Myka, I'm simply reminding you to be mindful, as your passion influences art that grows in popularity, about how much personal information you impress upon it.
"Or one day you'll turn around and it won't be me standing behind you."
//
Myka is thirty-two years old when Mrs. Frederic appears in a bookstore for one of Myka's book signings and, for whatever reason, that woman chooses to stand in line. Myka catches sight of her when she's at least eight people back, and after three more signings, she motions for Mrs. Frederic to come forward.
To Myka's surprise, the woman does.
Nothing about the way she looks has changed, except that she seems a little less baffled, a little less exhausted. Her visits had slowed, once more, as Myka's preoccupation with Helena's absence continued to wane over time.
"I could have waited," the woman tells Myka.
"The looming anticipation of your next threat was too much for me to handle." Myka smiles. "How is our girl?"
The older woman sighs heavily. All of that exhaustion and bafflement returning to her expression. But Myka is surprised, more than that, when Mrs. Frederic answers her genuinely.
"Insistent. Stubborn."
Myka smiles at the thought of Emily/Helena interacting with Mrs. Frederic in these little ways she occasionally interacts with Mrs. Frederic. A thing she used to think about often but doesn't think about so much anymore.
"Thank you," Myka says softly, lowering her head to face the table below and wiping away a stray tear. When she looks back up to Mrs. Frederic, she adds, "I appreciate knowing she hasn't changed one bit."
Mrs. Frederic reaches into her purse and pulls out a copy of Myka's book. She sets it on the table in front of Myka, who smiles wide.
"You bought my book."
"A birthday gift," Mrs. Frederic says, "for our very insistent friend."
//
Myka is thirty-four when Mrs. Frederic unexpectedly sits beside her on a park bench then holds an envelope out in front of her. And for the first time, in a long time, Myka isn't startled. She almost expects that other woman's arrival.
She says to the older woman, without ever looking at her, "I don't know what they're paying you but I'm sure it's not enough."
Myka doesn't immediately take that envelope but she can see that her name is on the front. She can see that the handwriting is Emily's. Recognizable in comparison to all of the old notes she has stashed away from high school.
Still, she straightens in her seat and asks, "We're on writing terms now?"
"Proof of life."
"Seventeen years ago, you told me she died." Myka cautiously takes the envelope. "You told me to forget about her."
"And nearly two decades later, look where that has gotten us."
"You've suggested on several occasions that I'd be murdered."
"I resisted the urge myself on many of those occasions."
"A joke?"
Mrs. Frederic arches a brow. The playfulness of that expression, Myka finds, is unnerving at best.
"You said they are dangerous people."
"They were."
"They were?"
"We're on the cusp of a resolution."
"A resolution? With very dangerous people? More dangerous than the man who committed heinous crimes against them?"
Mrs. Frederic nods and simply says, "Even dangerous people grow old."
"Then I guess I feel comforted that you haven't aged a day since we met."
Myka can see Mrs. Frederic suppressing a smile.
"You know, in all these years that I've come to know you, Mrs. Frederic, you don't strike me as the type to negotiate with, much less protect, a man who has done ungodly things to anyone. Dangerous people included."
"You refer to her father as a man, which is something I haven't done in over three decades." A pause follows a thoughtful sigh as Mrs. Frederic turns away from Myka and says. "Still, I find even calling him the monster that he is to be too generous."
Myka gives a subtle, understanding nod.
"The thing you may or may not have come to understand, without the proper context, is that some very terrible people are more valuable to when they are alive, worthless when they are dead, when the survival of many more good people depends on what they know. My employers find value in his living, so he remains alive and, by default, protected."
"And Helena? Where does she come into all of this talk of value and worth?"
"She is her father's collateral damage." Mrs. Frederic turns to Myka. "From the moment she was born, he has been using her existence to further his malintent. Without her, he would already be dead."
Myka can feel her blood rising.
"He had money. He had custody. He had power. He doesn't have any of those things now and I promise you, Myka Bering, that he is not worth the energy you will burn being angry at him."
Myka doesn't quite let the anger go. But she breathes a little steadier now.
//
Weeks later, Myka finds a Post-It note on her refrigerator door that she didn't place there and doesn't recall seeing the night before.
It reads: Answer the call. - F
Within the hour, Myka's cell phone rings. No name or number appears on the screen. And when she answers, it's with a tease. She says, "It only took you twenty years to realize you could threaten me over the phone instead of constantly sneaking up on me in public?"
"I told Irene," a soft, distantly familiar voice starts, "you'd tire of her appearing act sooner than most."
The voice hits her hard. Harder than the combined weight of every moment in her past that she has felt sorrow or grief or loneliness beyond measure. She has to steady her hands to not drop the phone. She has to steady her breathing to not fall to the floor.
"Helena?"
Soft breathing turns to soft laughter which turns to soft crying, on both ends of that line.
"Is that really you?"
"It really is."
Myka sits before she falls, carefully lowering herself to the kitchen floor. Clutching that phone in her hands. Her back to the cabinet doors. Her legs folded up before her.
She decides to start off small and easy.
"Hi."
And is rewarded beyond measure.
"Hello again, my love."
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solangeloficawards · 2 months
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Why was Archery Wishes by Rasiaa put under best au! rather than best canon compliant!?
it looks like it most likely just got mixed up when cross referencing our spreadsheets  ¯\_(ツ)_/¯
user error on our part, my bad but it does happen, sorry about that!!
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i AM a violent dog i DO know why i bite
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dumb-doll-lips · 9 months
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Ugh. I’m so grumpy. Had plans to get fucked today. And like it’s totally not the time for my period but like am spotting some and like while it wouldn’t be my fave, this guy is very not about fucking me then.
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transingthoseformers · 5 months
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I feel like i read this fic. I think Megatron got pounced by the Elite Trine to sireing their bits. One of the Waves calculated the seeker's needed higher energon amounts to be effective and not get shot down and die from runing on fumes. The suden switch from starvation to enough fuel kicked all the seekers into immediate heat.
oh Meggsie oh no. Ssidfu ohb I no Meggsie, my mind is being very literal right now.
That'd make sense on why now , especially since in g1 they're almost always having a thing regarding energon and have a tendency to overdo it when they actually get some, which. Well. We see the effects here but there's probably other ones too.
Starscream, Thundercracker, and Skywarp may not always get along but they do agree on some stuff
Wait that's because you probably have read a very similar fic except it wasn't heat it was post war peace
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spaciebabie · 6 months
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Bro why not make the whimpering yourself? You’ve gathered a handful of simps who share the same want ! And you are an artist so you can practically create whatever you want, yeah?
no time :[
like i have a lot of suggestive and borderline nsfw art i have thought of in regards 2 him but i just. have no time 2 sit down and actually draw it
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