In honor of National Hispanic Heritage Month, the New York Transit Museum is highlighting two outstanding Latinx #MTAartists, Nitza Tufiño and Glendalys Medina, in the free online event “Latinx Art in the Subway.” Next Thursday (9/21) at 6 pm, they will be joined in conversation with MTA Arts & Design Director Sandra Bloodwortg, moderated by El Museo del Barrio curator Susanna Temkin.
Nitza Tufiño, “Neo-Boriken” (1990) at 103 St (6) station. Photo: MTA A&D
Glendalys Medina, “Gratitudes off Grand” (2023) at Grand St (L) station. Photo: Osheen Harruthoonyan
Nitza Tufiño, “Westside Views” (1986) at 86 St (1) station. Photo: MTA A&D
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Sovereignty (Eyes In The Dark)
Step into a transcendent realm where ancient wisdom intertwines with futuristic visions, where the boundaries of artistic expression dissolve into a mesmerizing amalgamation of Indigenous futurism, glitch art, abstract painting, and performance. "Sovereignty (Eyes in the Dark)" stands as a radiant testament to the boundless creativity and bold experimentation of its creator.
This maximalist masterpiece, created by an enigmatic artist whose name remains concealed, invites viewers to embark on a transformative journey through the layers of time and space. The canvas serves as a portal, revealing a hypnotic collision of motifs that challenge conventional artistic norms. Indigenous futurism, with its captivating blend of ancestral narratives and speculative futures, forms the core foundation of this creation.
At its heart, "Sovereignty (Eyes in the Dark)" pulses with the vibrant energy of glitch art. Fragmented digital forms intermingle, their pixelated imperfections weaving a narrative of fragmented realities and technological flux. The deliberate juxtaposition of glitches against traditional artistic elements establishes a powerful visual tension, igniting contemplation on the ever-evolving relationship between humanity and technology.
Abstract painting emerges as an elemental force, transcending the canvas' surface. Strokes of color converge and diverge, evoking a sense of chaos and harmony simultaneously. The fluid interplay between vibrant hues and organic forms embodies the artist's exploration of the ethereal nature of existence, where perception melds with the intangible.
Embedded within "Sovereignty (Eyes in the Dark)" is an element of live performance, an ephemeral experience that breathes life into the artwork. The artist's presence becomes an integral part of the piece, engaging viewers in a profound exchange of energy and emotion. Through this immersive interaction, the artwork invites introspection, urging audiences to question their place within the intricate web of past, present, and future.
With each gaze, "Sovereignty (Eyes in the Dark)" reveals hidden depths, a visual symphony of disparate elements coalescing into a harmonious whole. It is an evocative testament to the artist's mastery of multiple mediums and their unwavering commitment to pushing the boundaries of artistic expression. Prepare to surrender to the enigmatic allure of this mesmerizing creation, where indigenous futurism, glitch art, abstract painting, and performance converge to illuminate new dimensions of possibility.
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The curators of Son de Allá y Son de Acá emphasize the importance of creating pathways and fellowship for Mexican-American, Chicanx, and Latinx artists throughout the Southwest.
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