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jbuffyangel · 23 days

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One: Arrow 2x02 Review (Identity)

I often think if I was online in Season 2, and joined the fandom earlier, then my viewing experience would have been completely different. I would've been more confident Oliver and Felicity were going to happen. But I was not, so I spent the majority of the season flip flopping between confidence and feeling like I was hallucinating the whole thing.

But “Identity” is one of those episodes an Olicity shipper can point to and say, “Yes!!! I AM RIGHT!!! There is something going on with these two.” Oliver and Felicity are nowhere near ready defining what that “something” is, and neither was I, but this episode is a core building block of their relationship and the new direction the writers were taking the show.

And it’s so much damn fun.

Let’s dig in…

Olicity

Oliver is having a rough week. His mother is in prison for “helping” to destroy the Glades which killed many and injured more. It is not a fun time to have the last name Queen. Oliver is trying in earnest to make a difference in the city not only as The Arrow (I’m just calling him that. I don’t care if they’ve done it officially order not), but also as Oliver Queen.

Blood (what a horrifically bad last name), the new Alderman, is not letting the Queens get off that easily and is raking Oliver over the coals in the press. People hate him because Oliver is the poster boy for everything wrong in the city. Since he operates under a secret identity, Oliver can’t really say “Lighten up. I am literally saving your asses on a nightly basis.”

Is this treatment unfair? Yes. We know Oliver did everything he could stop the Undertaking. Is this treatment fair because Oliver’s family were accomplices in the Undertaking? Yes. Sins of the father (and mother).

The good news is Oliver is trying to make a difference not just as The Arrow but as Oliver Queen. Oliver assures Blood he’s his own man and commits to hosting a benefit so all the elites in Starling City can see how the other half live and actually do something about it. Blood balks at Oliver writing a check, but agrees to the benefit – which is just a bunch of rich people writing more checks, so I didn’t really follow him round that logic bend, but whatever. Blood agrees to the benefit because he believes Oliver Queen can be the face of the new rich regime in Starling City – the kind that gives a crap about other people.

Oliver is also embracing his new role as CEO at Queen Consolidated, which means he needs a secretary to schedule the meetings and make all the coffee.

Source: @yet-i-remain-quiet

The whole scene has a snap, crackle and pop that quite frankly Season 1 was severely lacking. I’m all for dark and twisty, but can we inject a little levity once and awhile?

Source: @yet-i-remain-quiet

Felicity is rightfully furious with Oliver for promoting (or demoting) her into a job she absolutely does not want. His reasoning is Felicity needs a secret identity to cover up why they are talking all the time. This pretty much boils down to Oliver not wanting to take an elevator down eighteen floors several times a day. I have lived with a heterosexual man for twenty years and he avoids stairs like the plague, so nothing has ever been more accurate on this show.

Let’s break this down a little further, shall we? You have a phone, Oliver. You could just call Felicity. Not every conversation has to be in person. Also, to answer the question of why he’s talking to Felicity Smoak all the time, I feel certain people would just assume they are hooking up. I mean… he is Oliver Queen.

But nope, Felicity must be within fifteen feet of him ALL DAY LONG. For business reasons and business reasons only. Absolutely has nothing to do with Felicity’s sexy little dresses. NOPE! Nothing to see here folks.

The blasé way Oliver refuses her resignation only infuriates Felicity more. He offers her a new fancy computer to entice her, but then asks her to make dinner reservations with it. Something Oliver could Google.

I’m not coming down on secretaries and neither is Felicity. I was a secretary or administrative assistant as they like to call it nowadays for many years. You have to be smart, organized, great communication skills… yada yada yada. But asking Felicity Smoak, TECH GENIUS, to be a secretary is tantamount to asking me to be a Tech genius. That math ain’t mathing.

Oliver argues they all have jobs they don’t want. He’s CEO, Felicity is a secretary and Diggle -

Diggle: It could be worse. My secret identity is his black driver.

HA!! The accuracy. Just a healthy reminder of racial inequalities. Oliver’s withering stare only makes it better.

Let’s examine Felicity’s decision a little closer. She could just quit or absolutely refuse and return to her desk in the IT department. Oliver isn’t really going to fire her. Instead, Felicity acquiesces and makes the damn dinner reservation. Oliver is not the only one who prefers closer proximity.

But she is never EVER bringing Oliver Queen coffee.

From a practical standpoint, it would be weird for Oliver to hang out in the IT department and talk shop. A private office where they can CEO & secretary by day to cover up their crime fighting activities does make a lot of sense. He doesn’t have to explain why Felicity is by his side all the time.

The whole scene has “I want to rip your clothes off” energy, which is just fabulous. But most importantly, this job change moves Felicity into every facet of Oliver’s life – both day and night. The writers don’t need to search for reasons for these two to be in a scene together. There’s only so many bullet ridden computers Felicity can fix. Ultimately, this means more scenes with Stephen Amell for Emily Bett Rickards. She might not be number two on the call sheet, but Emily is clocking more time with Arrow’s lead. That’s all I’m saying.

This is not the end of the Olicity fighting!!!

Oliver has a run in with the cops and Laurel, while he’s trying to stop China White and Bronze Tiger from stealing the FEMA medicine trucks intended for the Glades’ hospital. Oliver is shot in the leg, which just adds to his annoyance that his efforts to save this damn city were thwarted by his ex-girlfriend and Walmart Wolverine.

Diggle: Why because this time it’s Laurel leading the charge?

Diggle makes an unsarcastically snarky remark about Laurel, which sets Oliver off, and he yells at John.

Source: Paige

AND FELICITY YELLS RIGHT BACK.

She refuses to let Oliver take his frustrations out on Diggle, particularly when he’s being an insensitive jackass.

Felicity: You don’t get to jump down his throat just because you happen to be having a lousy week. Ok? You’re pissed he invoked the almighty Laurel. You’re not the only one whose love life is taking it on the chin.

Oliver has been incessantly brining up Carly all episode and Felicity is furious he hasn’t noticed how upset Diggle looks whenever he does. They broke up and Oliver is too self-involved to notice.

There are so many things I love about this moment. Felicity grabs Oliver’s arm to force him to listen and there’s a glorious look of shock on Oliver’s face when she does because nobody, and I do mean nobody, ever talks to him like this. Not even John. But Oliver doesn’t move Felicity’s hand away.

Felicity also makes a snarky comment about Laurel. That “almighty Laurel” not very subtle. Perhaps, we are seeing a little jealousy seep through? It’s true Oliver twists himself into a pretzel for Laurel Lance, often to the detriment of the mission. I’m sure Felicity and Diggle are tired of the off again and on-again rollercoaster of Lauriver – much like the audience. Oliver’s hyperfocus on his weekly soap opera with Laurel must be aggravating at this point – particularly when he’s oblivious to his best friend’s pain.

Finally, I love the way Oliver calls after Felicity, the gentle way he drags out her name syllable by syllable, as she storms off. Between Oliver’s attitude this week and the new job – Felicity needs a break. She holds Oliver accountable and takes the space she needs.

Oliver’s no good, very bad day continues when he’s forced to choose between the benefit with Blood and saving the next FEMA shipment to the hospital. Of course, Oliver chooses the hood and with Diggle & Felicity’s help is able stop China White and Bronze Tiger.

China White: You’ll never be anything but a criminal to them, which means you’ll never be a hero.

Oliver: As long as the city is safe, it doesn’t matter.

Oliver Queen is doing all of this for the right reasons. His heart is in the right place even if his execution isn’t always perfect. As predicated, Blood chews him up in the press for missing the benefit. More proof that Oliver is a selfish elitist no different than his parents. It stings, particularly since Oliver valiantly tried to straddle the line between his two personas. He sullied the Queen family name more by missing the hospital benefit because he was too busy saving the hospital as The Arrow. But nobody will acknowledge the good The Arrow does because he’s a criminal.

Source: @crisistemporal

Oliver doesn’t complain. He just sits at his desk, alone and brooding, taking punch after punch as he watches the news coverage about who he truly is as a person. And it’s all lies.

Source: @yet-i-remain-quiet

But then we hear a “click, click, click” of Felicity’s heels. There are no further discussions. No more arguments. No apologies. She simply sets down a cup of coffee and firmly whispers to Oliver -

Source: @yet-i-remain-quiet

It’s just one cup of coffee, but it says so much. Oliver may drive Felicity crazy with his stubbornness, and he can be an insensitive jackass sometimes, but his heart is in the right place. Felicity knows everything Oliver does for the city. She knows who he truly is, and Felicity knows Oliver doesn’t deserve what’s being said about him. This cup of coffee is more than a peace offering. It’s empathy.

Oliver’s surprise shifts into a soft smile because he knows with that single word from Felicity, he is forgiven for all the ways he’s failed this week. On the surface, it’s a small gesture. A kindness. But on a deeper level, it’s Felicity believing in Oliver. The world may be against him, but he always has one person in his corner – even when he infuriates her. Its why Felicity took the secretary job. She believes in Oliver.

Source: @yet-i-remain-quiet

The smile fades a little as Oliver gazes after Felicity as she walks out. He watches her for longer than necessary, a look of tenderness and, perhaps, concern. One cup of coffee shouldn’t mean so much. But it does. It means everything. Oliver is clearly not oblivious to his feelings for Felicity, but he is far from admitting them. Falling in love with the unattainable is cause for great concern.

Oliver and Diggle

Felicity was more upset about Oliver’s insensitivity than John was, but they are dudes, so it’s not totally surprising. Also, Diggle is just used to Oliver being somewhat self-absorbed in his own pain. For the most part, it doesn’t bother him, but Oliver constantly bringing up Carly was salt in an open wound.

What’s sweet about the whole thing is Oliver was really trying to be a good friend. He was trying to think about John and be supportive of his relationship. His inability to read Diggle’s reaction means Oliver is still very much in the training wheels portion of his emotionally-sensitive-man development.

Does anyone care that Diggle and Carly broke up? I don’t. I’m thrilled. They had the heat of cardboard and I really need Arrow to focus on chemistry in ALL their ships, please and thank you. Plus, the whole dating your sibling’s significant other thing is weird. Please be done with that kind of storyline.

Diggle: I guess I couldn’t hate him and love her at the same time. You are not the only one reconciling two sides of himself.

It’s not just being Oliver Queen’s right hand man that’s interfering with John’s love life. His obsession with killing Deadshot overshadowed whatever it was he felt for Carly. If you care more about killing someone than loving someone that really sums up the relationship. It’s time to be done.

Diggle’s snarky comment about Laurel was said in part to get a rise out of Oliver. Behold his success. It was a completely passive aggressive remark. Oliver is not the only one who can pour salt into an open wound.

I also believe Diggle is not quite over the whole “You always choose Laurel” fight of Season 1. Both Diggle and Felicity’s comments about Laurel in this episode have less to do with her and more to do with Oliver’s reactions to Laurel. Oliver is upset Laurel isn’t panting every time The Arrow shows up and neither Felicity or Diggle have the patience for this toxic train wreck anymore.

Diggle reassures Oliver that he’s not the only person struggling with duality and John doesn’t always get it right either. The breakup is not Oliver’s fault. Being too wrapped up in his own suffering to see Diggle’s is his fault, however and OLIVER APOLOGIZES. The power of Felicity Smoak is real.

Diggle: We’re dangerous close to hug territory.

The boys aren’t ready to hug yet but give it time my friends. Give it time.

Oliver and Roy

This episode has one of my favorite Oliver and Roy scenes. After getting arrested AGAIN, Oliver tries to talk some sense into Roy, but this time he uses a different tactic – personal experience.

It’s rare Oliver gets to emote like this, and Stephen Amell chewed up this scene. Oliver rarely speaks about his feelings and his explanations for wearing the hood often involve other people. Yes, it’s to honor his father. It’s to save the city. It’s to honor Tommy. But what is the emotion fueling Oliver Queen?

Anger. Still waters run deep my friends. Under that calm, seemingly emotionless, demeanor is a man filled with rage. Oliver Queen was born to privilege and his experiences on Lian Yu woke him up to the unfairness of life. He sees the injustices the weak, poor and vulnerable suffer every day. What makes Oliver Queen a hero is he is DOING something about it. He will be the justice in an unjust world. Oliver is not just saving a city. He’s saving himself. The split persona, man and hood, is the only way Oliver is keeping himself a whole person. The hood is an outlet for rage, but it holds Oliver Queen together. Otherwise, he’d lose himself to the darkness.

This is why he confronts Roy. Oliver recognizes himself in Roy Harper and wants to give him direction. A way to channel that anger that’s not going to get him killed. So, The Arrow gives Roy a job – he’s going to be his eyes and ears in The Glades. No more fighting. Just intel.

Unfortunately, Roy chooses to lie to Thea about his deal with The Arrow. So, another break up is probably coming up soon.

Lian Yu

Oliver is reeling from shock after killing someone for the first time. Slade is rightfully concerned.

Slade: I’ve seen men in war with that look in their eyes. The one that says he’s split into someone else. Someone he doesn’t even recognize. If someone doesn’t talk to him, it’ll tear him up.

Oliver is rightfully concerned about his actions. He is questioning the morality behind it. Shado assures him that he was saving her life, but Oliver is not so sure. Was it completely necessary to kill that man? No, it wasn’t and deep-down Oliver knows that. What came out of him was unbridled rage and that has him scared.

Shado takes it upon herself to lead Oliver to the river where she washes off the blood. It feels like a baptism – the split between selves is being anointed and blessed. She argues that an island cannot make Oliver into something he is not.

Shado: Everyone has a demon inside of them… opposing forces inside all of us. The darkness the light. The killer and the hero.

Oliver may feel he is two people now, but the duality was always there – he’s just more aware of it. Every person has the power for good and evil. Our life is the culmination of choices. The cosmic balance sheet is for God alone to judge.

Oliver is right to be concerned, but the fact that he is concerned, is further proof that he is still a good man. Evil people rarely reflect on right or wrong because they don’t care.

Speaking of duality, how uber creepy was Slade this episode? It completely wigged me out the way he watched Oliver and Shado by the river post coital. Sure, everyone mostly had their clothes on, but it has STALKER written all of over it.

Also, Slade advising Oliver women are a distraction who will get him killed did not feel ultraistic in nature. Slade is clearly in love with Shado and Oliver is completely oblivious to it. There is a darkness lurking underneath Slade and Oliver’s friendship, one that is glaringly obvious when compared to the present-day scenes with John Diggle.

Laurel Lance

Ugh. Laurel. She finally explains why she hates the Vigilante so much. She blames him for Tommy’s death.

Laurel: You didn’t save him. You were too busy fighting a meaningless duel with Malcolm Merlyn. And when people, people you told me you would protect, needed your help you weren’t there. I don’t think you wear that hood because you’re a hero. I think you wear it to hide that you’re a coward.

Yes, Oliver was fighting Malcolm Merlyn on a rooftop while Tommy was saving Laurel’s ass at CNRI, but the duel was hardly meaningless. He was fighting Merlyn for the remote control to the earthquake machine.

You know what? The details don't even matter. I don’t need to defend Oliver against something this stupid.

The only reason Tommy was in the Glades was to save Laurel. If Laurel just listened to Oliver, then Tommy would be alive today. Laurel is projecting all her guilt onto the Hood because it’s too emotionally devasting to be the reason the love of her life is dead. That part of it I understand and sympathize.

My main source of frustration is with Oliver because he just CANNOT let it go with this woman. He has a pathological need for her approval. Oliver doesn’t want Laurel to know he’s the Hood, but he absolutely wants her validation. Oliver used the Hood all last season as a mechanism to build a relationship with Laurel that he couldn’t have as Oliver Queen.

Now that Laurel is good with Oliver again, he’s obsessed with making her buddies with the Hood. She is only going to like one half of you at a time Oliver. It's fine. Who cares?

The Hood even tells Laurel he would have gladly given his life for Tommy. WHY DIDN’T THIS RAISE AN ALARM WITH LAUREL?

I don’t recall Tommy and the Hood being too chummy. In fact, Tommy was adamant Laurel have nothing to do with that guy because he was dangerous. So, the Hood arguing he also lost a friend and would have given his life for Tommy should set off some bells in Ms. Assistant District Attorney. The longer Laurel goes without figuring out who Oliver Queen is the stupider she looks.

She does get something right. Laurel knows telling the Hood to stay away will only make him come around again and Oliver plays right into her hands. Only this time Laurel has the whole precinct waiting for the Hood. We’re supposed to be worried but there will be a trick arrow to get him out of this jam.

Stray Thoughts

How much do you love that Felicity is using a counting method to control her Freudian slips?

I hate China White. I know we’re supposed to love her because COMICS, but every episode with her in it is so stupid from a bad guy perspective.

“I had a secret entrance installed when I ran the club.” Ok, but did Oliver install it himself? Did he pay off the contractor? I have questions.

“He has this way of seducing you. Making you feel like he’s some guardian angel. But he’s not. He causes chaos and death.” Well that went dark rather quickly.

WHY IS LAUREL THERE? (My notes, which we can apply to pretty much any scene with this character). Why was Laurel with the cops out in the field trying to arrest the Hood? That doesn’t feel like a normal Assistant DA duties.

“It seems someone has broken our coffee maker. Violently.” Oliver loves Felicity's sass. Look at that smile. He’s such a fool for this woman.

“It really weirds me out to no end that you refer to yourself in the third person like that.” Diggle had some golden one-liners this episode.

“Crucifixion has such a bad reputation. The Romans used it to punish people who acted against the public good.” A clear sign someone is a total whack job is when they argue the benefits of Crucifixion. IS THIS GUY FOR REAL????!!! See, what we’re not going to do is wax poetically about the way the Romans tortured people.

Diggle wore a mask, but then he took it off in front of China White, which was spectacularly stupid unless she already knows Oliver is the Vigilante. I don't remember if she does.

See? We don’t need to kill. We have trick arrows!

Oliver finds the hozen in cave with the skulls of Japanese soldiers from WWII. That’s super gross. The gift shop story was better.

“You can take a beating. There’s a difference.” But he’s the Parkour Prince!

Ok, enough with the RED arrows. We get it.

Listen to the Watchover podcast reaction to 2x02 (hasn’t posted yet but it will soon!)

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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

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jbuffyangel · 3 months

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Second Chance: Arrow 1x18 Review (Salvation)

The villain of the week is one step ahead of Felicity in "Salvation" which gives Oliver the opportunity to be there for HER, as they race to save Roy Harper's life.

And oh holy cow is there Lance family drama y'all. WOW. Scandalous.

Let's dig in...

Olicity

This is one of Arrow’s more suspenseful episodes. Felicity goes toe to toe with the villain of the week and she more than meets her match. This results in one of Arrow's cooler action sequences and some iconic Olictiy moments.

But first, we must work out.

Of all the times Felicity watches Oliver working out, this is my favorite. Emily Bett Richard’s face is hilarious.

Her comic skills are so on point and she brings a much needed levity to the show. But do not deny this woman her dramatic work. She can bring her A game anytime - as we will soon see.

Oliver is off to threaten (or kill?) a dirty real estate developer named John Nichols, who doesn’t mind skipping code requirements if it means saving a buck. Oliver fed up with this guy killing people in the Glades and he’s on the List, so hasta la vista, baby. (Do not deny my my nineties cliché remarks. They bring me comfort and joy.)

Unfortunately (or fortunately?) someone else beats Oliver to it and kidnaps Nichols. Oliver is strangely displeased. I mean... what's the difference? Felicity and I share a brain sometimes, so she asks Oliver on my behalf.

Source: @andjustforthismoment

These two are in their own rom com and we’re just along for the ride. The way he growls “They don’t show my level of restraint,” at Felicity is a lot. Is it really necessary to stand that close to her Oliver? No it’s not. I SEE YOU SIR.

The man who kidnapped Nichols executes him on live television which was super creepy. He definitely has a Heath Ledger as the Joker vibe to him. (Nobody said the comparisons to the Dark Knight are unfair.)

Felicity is unable to crack his encryption code because he’s a former cyber crusader called “The Savior” and the NSA has been searching for him for years. His real name is Joseph Falk and he erased his existence after his wife was murdered in the Glades.

When he failed to get justice for his wife's death, the Savior took matters into his own hands - not unlike our favorite vigilante. His cyber skills are no joke and give Felicity a real run for her money. She is unable to track him down before he kills Nichols, which leads to a hilarious if frustrated exchange between Felicity and Oliver.

Source: @yet-i-remain-quiet

JUST GET MARRIED.

Things go from bad to worse for Felicity when Falk kidnaps the district attorney. His crime was not prosecuting the person who murdered Falk’s wife. If we were on the fence as to whether Nichols should live or die, then the district attorney snaps us out of the moral grey zone. Prosecutors choose not try cases all of the time for lack of evidence. It doesn’t mean they should die for it.

Source: msr-olicity-love

Oliver's impatience only heightens Felicity's stress, but she finally gets a location. It’s the middle of the day which means Oliver can’t hood up. So he grabs the motorcycle and his super sexy brown jacket to hunt Falk down and save the DA.

This leads to one of my favorite Arrow action scenes. Falk is not at the location Felicity sends Oliver to, which means he has to sprint across town and leap between buildings to next location. Felicity is completely flummoxed because she doesn't understand how this guy is moving locations. Oliver screaming at her over comms is not particularly helpful either.

Unfortunately, Team Arrow loses and Falk murders the DA on live television, which is completely traumatizing to Felicity who has never seen anyone die before.

Oliver returns home to find Felicity alone in the dark, twirling one of his arrows in her hands. Oliver immediately wants to know where Diggle is because he’s probably wondering why John left Felicity all alone in the dark.

Felicity: I asked him to leave me alone in my loud voice.

Source: @westallenolicitygifs

Oliver isn’t going to do the same. He immediately reassures Felicity that it wasn’t her fault (because it isn’t). This is the price of the life they’ve chosen to live. It’s a very lonely one as Oliver knows all too well.

Source: @jamiedornaniseverything

Felicity is understandably feeling defeatist, so it’s one of the rare times she says it’s better to be alone. Oliver doesn’t have much to say in return, but notice how the scene is shot. The entire bunker is dark except for the brightly backlit desk lamp. Oliver and Felicity are the only thing we see in the darkness.

Felicity also mentions her relationship status, which feels like an oddly placed comment. Umm… ok? SHE’S SINGLE AND HETEROSEXUAL GUYS!

I love receiving pieces to the Felicity Smoak puzzle, but this comment felt very out of context. “Hey I’m sad, but I wouldn’t know how to talk to my boyfriend about fighting crime. Good thing I don’t have one.”

It is NOT the fans who create romantic undertones to Oliver and Felicity’s scenes. The writers make it romantic with conversations like this. It’s very easy to keep a scene like this strictly platonic, but nope! The writers decide it’s super important that Oliver knows *right now* that Felicity is single as she pours her heart out to him in her time of need.

The light is equally important, because this relationship (regardless of romantic or platonic) has to be a two way street. Felicity cannot always help Oliver find the light. He has to help her too.

Oliver does come through Felicity by the end of the episode. Not at first because he is equally struggling with the loneliness of the life he’s chosen. He can’t really advise Felicity against being alone because that’s the choice he’s made for himself. So much so, that Diggle takes him out for a burger and a little therapy session. After the disaster zone his past relationships have left in their wake, Oliver is tapping out. He doesn’t require a life, or entanglements, or feelings.

Diggle: You’ve been home for eight months Oliver, I don’t think you’ve left that island yet.

Diggle, per usual, disagrees. He wants Oliver entangled. He wants Oliver as entangled as he can get. It makes you wonder if he has someone specific in mind.

The Savior puts a big mirror up to Oliver’s face. He is man grieving the loss of his wife and chose to channel that rage and sadness into exacting his brand of justice. Oliver can see himself in Falk and he doesn’t like what he sees.

Being alone leads to exactly that. While Oliver may say he doesn’t want the complexity of relationships and the difficulties they can bring, the reality of living life alone can lead to some pretty terrible results. Falk cut himself off from his humanity. This lead to selecting victims who didn’t deserve to die. If Oliver wants to maintain a moral high ground, make difficult but ultimately right choices, then he needs his humanity fully intact. Humanity requires human contact.

Oliver reaches out to someone first, but it’s not Felicity. It’s L*urel. He wants to have dinner or coffee or whatever because he no longer wants to be on an island. It’s a nice line. It would have more meaning if we saw that dinner or conversation, but we don't.

Instead we see Oliver return home to the bunker, to Felicity and Diggle, and they debrief their latest Team Arrow victory. It would be easy to leave this scene at Felicity’s funny remark about Roy and Thea.

Diggle: You ok?

Oliver: Getting there.

Instead, Oliver acknowledges, more to himself, that he’s feeling better because John was right. Then we actually see this rigid man move and in the cutest way possible - with a little "Psst." It is a small yet definitive step towards his second chance.

Oliver approaches Felicity in the now brightly lit bunker and tells her she is not alone. He is there for her always. Felicity may not have a “boyfriend” to talk to, but she has Oliver.

Then he gently touches her shoulder and lets his hand linger there just long enough to even make Felicity wonder if maybe, just maybe, he means more.

Actions speak louder than words. Oliver may talk about not being on an island anymore with L*urel, but he leaves that island for Felicity.

Roy Harper

What are we doing with Roy Harper? Thus far it’s been a lot of Roy and Thea having the same “make better choices” argument and debate their wildly different economic lots in life. This is all well and good but we eventually need movement on this character and “Unfinished Business” give it to us BIG TIME.

Thea is understandably frustrated when Roy admits he plans to hold up a liquor store because he “owes” people in the Glades and that’s how this town works.

Thea: I got you a job at my brother’s club. You have choices. You don’t have to be a criminal.

Somehow this decision puts Roy in the Savior’s cross hairs. According to Falk, Roy Harper is a gang banger.

Roy has a criminal record and holding up a liquor store with an empty gun is not great, but a freaking death sentence? Calm down crazy. The Savior can’t find bigger fish to fry?

Roy doesn’t make excuses or ask for forgiveness when Falk challenges him to defend himself against his “crimes.” He doesn’t care if he lives or dies (just like someone else we know).

Roy: No one’s gonna miss me. I’m just a waste.

Gut punch. This kid wrecks me. Now Thea is crying in Tommy’s big brotherly-like arms. WE MUST SAVE THE PARKOUR PRINCE!!!

Felicity and Diggle determine Falk is on the old abandoned subway system in Star City, which is why he was moving locations. The Hood finds Roy before Falk can pull the trigger and they engage in a morality debate, which thankfully isn’t broadcasted across the whole city after the feed is cut off. Or maybe the city should have heard Oliver’s arguments.

Oliver: I understand being alone, but it doesn’t give you the right to kill people in cold blood.

The Savior challenges Oliver on the difference between them and, once again, he doesn’t have a lot to say. There's minimal morality wiggle room for Oliver. The only difference between the Savior and the Hood is the people they are choosing. Oliver wasn’t wrong at the beginning of the episode. He has more restraint. He also has a better list of names. The Savior should ask for a couple.

Killing the District Attorney and kidnapping Roy Harper show that Falk is very bad at being judge, jury and executioner. Arrow is putting other vigilantes up against Oliver to show that he is better. There is a good heart under that hood – a potential superhero’s heart. Oliver’s morals and how he measures the sins of others are more just, but that doesn’t make him right. These distinctions we are drawing between Oliver and people like Falk and Helena are merely shades of grey. He is balancing on a very razor thin edge.

Oliver begs Falk to give Roy a second chance, but is forced to put an arrow in him when he refuses. “Salvation” is asking an important question. Who is worthy of a second chance? And who decides who is worthy?

Killing not only ends someone’s life it removes the possibility for change. There is a clear distinction between a man like Nichols and Roy Harper. There should be consequences to sinful actions, but what sins warrant death and what sins warrant forgiveness? Who decides? It’s a question we grapple with constantly in our imperfect legal system and it’s one Oliver Queen must answer as the city’s self appointed protector.

Roy is an easy call to make. He made mistakes, but he is deserving of a second chance. However, the question of whether he is worthy of it can only be answered by Roy Harper. As he pulls the small arrow that saved his life out from his pocket, Roy is illuminated by a bright red light – a not so subtle nod to the Red Arrow.

And thus a hero’s journey begins with a second chance.

The Lance Family

This week on Loving the Lances… Dinah returns home with hopes of resurrecting their dead daughter but family secrets were unearthed instead. Dun dun dunnnnn!!!!

L*urel is on her own show, so I thought I’d give it a proper soap opera name. She never intersects with Oliver’s storyline except when she randomly pops up at the club looking for Tommy, but I digress. In all seriousness, this episode is pretty damn good because some scalding hot tea was spilled!

Dinah is CONVINCED that Sara is alive because she had the exact same baseball cap as the woman in the photo. This is such a weird detail to hang all her hopes on. Does Dinah think Sara was holding the rockets hat in her hand while she was swept out to sea? What’s with the hat? I HAVE QUESTIONS.

Long story short, Sara is truly dead. L*urel finds the woman in the photo. She’s American, spent some time in China and owns a Starling City Rocket’s hat. We’re going to pretend the Chinese Embassy can find some rando in a photo and deliver her name to L*urel in five seconds flat. Also, Oliver confirms once again Sara is dead and he never lies so we’re all good.

But now we can get to the really interesting part of this little Lance drama unfolding before us. L*urel has the same questions about the hat as I do! I am wildly uncomfortable being this much in agreement with her, but here we are.

Dinah came home while Sara was packing for her little get away with Oliver. She watched Sara pack the hat. Dinah told her not to go, but Sara said she was in love and following her heart even though others may not think it is right. Just like Dinah did with Quentin (side note – what’s the story on those two?)

Dinah: So I let her go. I killed my daughter.

HOLY FRIGGIN CRAP! MOMMY KNEW ABOUT THE CHEATING AND NOT ONLY DID SHE NOT SAYING ANYTHING TO L*UREL SHE LET SARA GO ON THE DAMN BOAT!!

This family is so jacked up. They make the Queens look halfway normal. Y’all I don’t even know what to do with this information. HOT. MESS. EXPRESS.

Clearly Dinah is riddled with guilt and is desperate to find Sara alive to erase the terrible decision she made, but she can’t erase it. Just like Oliver can’t.

Somehow this betrayal almost feels worse than what Oliver and Sara did. Alright, maybe that’s too harsh, but it feels just as bad. It feels like Dinah was taking sides and she chose Sara.

I really need a therapy session with these women to unpack all that, but this is Arrow and L*urel doesn’t get that much screen time. The best we’ll get is an awkward hug and L*urel asking her mother to call her sometime.

What L*urel is offering is a generous second chance. Perhaps she’s realized that forgiveness is less painful than holding onto all the anger and hurt. Perhaps Oliver coming home and her mother’s time away made her realize she wants Dinah in her life than not at all. It’s really only a decision L*urel can make, but it’s a chance Dinah needs to jump on. She didn’t stop being a mother when Sara died. L*urel needs her too.

Stray Thoughts

L*urel advises Thea to run from the bad boys. Snort. So it’s a “do what I say, not what I do” type of advice day.

Moira serves Frank up on a platter to Malcolm Merlyn as the person who hired Deadshot. Moira’s hands are getting pretty damn bloody.

It has to be hard on L*urel to see that the only time her parents can be in a room together, affectionately touching, and being on the same team, is when they are searching for Sara. I really felt bad for her this episode. Ugh.

Slade and Oliver ransom the chips for a boat. It goes disastrously. Now Yao Fei is captured again.

Hey! Shado speaks English and can kick ass. Neat!

“Keeps my ears warm.” He jokes!

“I’ll be home in a flash.” Dinah lives in Central City. Season 1 Jen didn’t get that reference, but I am a seasoned professional in the art of comic book references and I totally picked up on it the second time.

“Stay” by Rihanna was playing during Oliver & L*urel’s scene at the end of the episode. This was my song of pain in 2013. The Vampire Diaries used it in a particularly agonizing Stefan and Elena scene as well that year. It's like white hot pokers in my heart.

Listen to the Watchover podcast reaction to 1x18!!!

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