#lawrence sher

[dainpo]

#films #joker #todd phillips #lawrence sher #joaquin phoenix #movies #movie #filmedit #cinematography #cinemapix

[ninjadeathmedia]

Joaquin Phoenix Joker 2019 Directed by Todd Philips Cinematography by Lawrence Sher

#joker 2019 #arthur fleck #the joker #Joaquin Phoenix #dc comics #joaquin phoenix joker #batman #todd phillips #Lawrence Sher

[rickchung]

Black Adam (dir. Jaume Collet-Serra).

Essentially a more serious retelling of Shazam!, the film takes place in the occupied fictional North African nation of Kahndaq (standing in for what was originally Egypt in the comics) where [Dwayne] Johnson’s Teth-Adam, an ancestral mythical figure, is awakened after five thousand years of imprisonment by the same wizards who empowered both him and Billy Batson. He sets off a torrent of mass collateral damage on the streets before his people beg him to free their Middle Eastern country from “Intergang” rule just as others view him as a threat.

#black adam #shazam! #shazam #dwayne johnson #the rock #new line cinema #dc comics #dc films #jaume collet-serra #jaume collet serra #teth adam #teth-adam #warner bros #warner bros. #warner bros. pictures #warner bros pictures #seven bucks #seven bucks productions #lawrence sher #aldis hodge #pierce brosnan #noah centineo #comics #comic books #dc #dceu #dc extended universe #jsa #justice society #justice society of america

[kiki-de-la-petite-flaque]

JOKER (2019)

Cinematography by Lawrence Sher

Directed by Todd Phillips

#Todd Phillips #Lawrence Sher

[comicweek]

The Opening of Black Adam

#Black Adam #the rock #dwayne johnson #teth adam #shazamily #dcu #jaume collet serra #Lawrence Sher #Youtube

[floorman3]

Black Adam Review

Black Adam has been a project in the making for about fifteen years now. Dwayne Johnson was a fan of the DCEU and DC comics in general but he wanted to see a different area of the universe explored as in The Justice Society of America and not Superman and Batman. So he was interested in the whole Black Adam story not to mention he kind of looks like him as well. That’s the birth of this film that…

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#Aldi&039;s Hodge #Black Adam #DCEU #Dwayne The Rock Johnson #Jaume Collett Serra #Lawrence Sher #Noah Centineo #Pierce Brosnan #Quintessa Swindell #Sarah Shahi #Shazam #The Justice Society #Warner Brothers

[filmy420]

#joaquin phoenix #joker #todd phillips #lawrence sher #2010s

[yummycrummy]

MADE THIS A LONG TIME AGO FORGOT I HAD IT..

Djjsgaha I LOVE THEM 🌈

#my little gay boys <3 #thank u sher!!! #lawrence then sneakily gives him a big ol hug #my ocs #asks

[fleckcmscott]

Frills and Thrills

Summary: A typical night becomes anything but typical.

Words: 1,398

Warnings: Swearing

A/N: This piece was inspired by the below behind-the-scenes photo; the cinematography of One From the Heart (thanks, Lawrence Sher!); and this very 80s song. No, I am still not looking forward to the sequel - but I will take a hot Arthur Fleck anytime. 😎 Please enjoy! Special thanks to @sweet-nothings04 for her help and support! A very tardy Christmas piece is on the way!

If you have any thoughts or questions, please comment, feel free to message me, or send me an ask. Requests for Arthur and WWH are open!

"That'll be $43.67."

Arthur counted out the bills in his wallet. Before transferring his three prescriptions to Groves Pharmacy - a brisk nine-minute walk from his Burnley address - he'd called for the beige and blue tablets' prices. With his lack of Gothamcare, he'd hoped they'd be cheaper than at Helms. "Disappointed but not surprised" was that night's journal entry.

He'd try the new insomnia pills first, get a fourteen-day supply of the other two whenever he could. See if a good night's sleep in the bed he was almost used to would encourage positive thoughts, lighten black moods to grey. After all, they'd improved since Y/N. Still there, still a teeter on the edge of an abyss. But with a guide rope in the shape of a woman's hand.

Leaving $2.41 in his pocket, he surrendered exact change. Took the white paper bag with blue lettering. Offered a quiet thanks and sidestepped from the pharmacist's counter.

Y/N waited in the cosmetics section, purse on her shoulder, a passive expression on her face. He recognized the creams on the top shelf, a flicker from when he'd shopped for Penny. The silhouette logo, the black label, the rounded corners of the jar. Anti-wrinkle Oil of Olay, then, when money was too tight, the knock-off poured into her Oil of Olay jar. His subtle subterfuge had gone undetected. Wrinkles continued to form in the usual fashion. He'd continued to save a quarter and make the swap.

As Y/N picked up a pink compact, Arthur slinked behind her to speak in her ear. "You're already pretty."

Giggling, she hung the rouge in its spot between concealer and cream foundation. "You make me blush enough already. Did you get what you needed?"

A crooked half-smile. "I think so." He entwined their fingers and started towards the exit, an attempt to halt any further questions that might lead to med and money talk.

Aisle three's endcap had an Easter display, a thousand plastic wrappers crying out for attention. Jolly Jack chocolate bunnies and Cadbury mini-eggs, pastel baskets and cellophane grass. The plush baby chicks were awfully cute, perfect the kids at the children's clinic. He'd jot a reminder to come back after the holiday, grab some plastic eggs and props at half price.

"My parents used to dress us up and take us to our grandparents for a picnic and Easter egg hunt," Y/N said, crouching to browse a set of die cut decorations. "Do you want to do anything for Easter?"

In spite of his mother watching a televised mass and sharing a bag of jellybeans, the day hadn't ever been personal. The Fleck household was anathema to miracles. Even with the miracle he was currently living, he had no desire to celebrate a victory he didn't believe in. "No. Why?"

"You've got a heavy eye on the Peeps - my little sister likes to put them in cocoa. And I thought you were Catholic. Or at least raised Catholic, with all the prayer candles and icons in your apartment."

The answer came firmer than intended. "Those were Penny's."

"I'm sorry, I shouldn't have assumed. You wouldn't have hung a Madonna over the bed. I bet you weren't responsible for that ugly cat candle, either."

Snorting, he rolled his eyes, recalling all he times he'd dusted his mother's knickknacks. The sculpted candles were the worst. They'd developed a weird film sticker than nicotine stains, and grime stuck in every crevice. On bad days he'd been tempted to throw them out. On good days he'd care for them, because Penny loved them so. Inklings of whimsy in a life of indifference.

The never indifferent woman at his side rose to walk with him. Grove's automatic doors opened and they spilled onto the busy sidewalk.

Two blocks up, a light sprinkling began, lent the pavement a velveteen sheen. With each step that sprinkling grew heavier. From a drizzle to a patter to an outright shower. Puddles formed beneath their feet, threatening shoe seams with leaks. Arthur crumpled his paper bag, shoved it in his tan jacket's pocket, and jerked his hood over his head.

The toe of Y/N's kitten heel skidded past a pool as she hopped to the right. "The weather report didn't mention rain!" she cried, ambles escalating to a jog.

A fierce gust sent sheets of water sideways, whipped the hem of her pleated skirt to flash her thighs. Arthur looped his arm through hers, pulled her into an alley to take refuge under the canary, corner awning of Mott's Spirits. Cigarette smoke drifted from the crowd gathered along the storefront. Her wrinkled nose kept him from lighting up himself.

She gathered the collar of her wool coat. "Well, I'd like us to do something small, if that's all right. It's been years since I've celebrated anything, really. I want to put all that behind me again, like last Christmas. Easter Parade's playing at the Majestic this week. I haven't seen it but the summary sounded like you. A song-and-dance romantic classic."

How could he argue with the sweetness of her reasoning? That he was the reason she wanted to celebrate? He gave a little nod. "I think Tuesdays are half price."

Just then, a bell rang out, crisp and clear despite the downpour. A bicycle messenger sped their way, a dozen plastic bags hanging from the ten-speed's handles. Arthur darted in front of Y/N, sought to protect her from the incoming splash. She yanked him tighter, out of the menace's path.

But it was no use. Muddled water pelted the back of his trousers, liquid ice soaked through white socks. He jolted to his tiptoes, teeth clenched against the stinging cold.

Y/N bent to survey the damage. A groan left her, which quickly became a laugh. "What an asshole," she said, then laughed all the harder. The warmth of it loosened his stance, and he found he had no choice but to join in. She settled back against the shop's window, stuck out her lower lip to blow a damp lock of hair from her forehead. The lock remained in place. "If only I'd had my umbrella."

Neon light from a Gotham Lottery sign spilled across her face. "Winners aren't born. They're made!" was the lotto's slogan, and Arthur had finally found a winning ticket. Orange accentuated the tawny flecks of her irises, rounded the curves of her cheeks. A perfect frame even an imagination as vivid as his couldn't improve.

A drop trickled down his scalp, skimmed the side of his neck, sneaked beneath his collar. He'd caught Easter Parade on television years ago. Studied Astaire's steps, how he'd slipped a diamond ring on the leading lady's finger. What would Y/N look like, Arthur wondered, in a lace bonnet, its ribbons tied under her chin? A hat he could loosen while they kissed, hold as a shield against prying eyes?

A couple of swells like them would make a beautiful pair, better than any Vanderbilt or Wayne.

When his thumb traced her jaw, her full lips parted, as if about to ask for a dance. Dark brows raised, her pupils dilated, full of unquenchable life. The affection in them, the openness. The caring curiosity and eager readiness to accept all of him made him tremble. Her love felt like rain on his skin, and for once he understood why someone might sing in it.

He leaned closer, until her breath brushed his lips. "Kiss me."

Her arms wound about him in an instant, a sudden, welcome pressure on his ribs. He cupped her face. Guiding, following, bracing. Their mouths a messy collision of desire and devotion and dreams. Her frame vibrated against his, the pulse under his fingertips beating to the rhythm of his heart.

At last, a wave of giggles broke them apart. Arthur pushed himself to stretch beyond his shy nature towards the forward, confident instinct he was learning to polish. His eyes flitted between hers, a demure smile adorning his cheeks. "I'd like to make love, if you wouldn't mind."

The blush he caused so easily crept across her face anew. "Last one home is on top," she said, and pressed the tip of her nose to his. "Give me a head start."

With that, Y/N held her purse horizontally above her head and sprinted into the deluge.

~~~~~

Tag list (Let me know if you want to be added!): @harmonioussolve​​​​​ @ithinkimaperson​​​​​ @sweet-nothings04​​​​​ @stephieraptorr​​​​ @rommies​​​​​ @fallenstarsabyss @gruffle1 @another-day-in-chuckletown​ @hhandley80​​​​​ @jokerownsmysoul​​​​​ @rafaelbottom @ralugraphics​​​​​ @iartsometimes​​​​​ @fleckficgirl

#arthur fleck #arthur fleck fanfic #arthur fleck x reader #arthur fleck x female reader #arthur fleck x ofc #joker 2019 #watchwhathappens

[nine-frames]

Joker, 2019.

Dir. Todd Phillips | Writ. Todd Phillips & Scott Silver | DOP Lawrence Sher

#joker #todd phillips #joaquin phoenix #us film #comic book movies #psychological thriller #2010s #10 frames #no title card #sigh. a pointless excercise really.

[junior-stargazer-goke91]

Garden State (2004)

Director: Zach Braff

Cinematographer: Lawrence Sher

#garden state #zach braff #natalie portman

[ufonaut]

Will you please share your black adam thoughts?? I was also very nervous about it and how it would handle the JSA but i actually really liked it! I actually work at a movie theater so i saw it twice already 😂

i'm putting these together because they're all related to my thoughts on black adam 2022 and i thought it'd be more convenient for everybody (even if they're wildly antithetic povs)! i absolutely loved black adam and i think i'm gonna see it again quite literally as soon as i can. given that i only got back approx ten minutes ago, here's some jumbled thoughts right off the bat:

i think what makes or breaks a superhero movie is whether the people involved think comic books are beneath them or not (as the folks over at the mcu often seem to do) and black adam certainly loves comic books with its entire heart and soul and you can tell. from various black reign panel recreations to carter's picture perfect thanagarian ship from hawkman 2002, this is a very sincere and earnest movie with none of the parodic tone i so often despise in superhero media.

VISUALLY GORGEOUS. SIMPLY GORGEOUS. the fact that 99.9% of the film takes place in daylight immediately resolves the lighting issue of all modern cinema but lawrence sher (of joker 2019 fame) as cinematographer simply changes the game with this one. in fact, i can say the same thing about the magnificent use of cgi -- cyclone's powers, in particular, are one of the most beautiful things i've ever had the pleasure of seeing in action.

while there are certainly a few things i disagree with, such as carter's estate and kent seemingly having a chauffeur/butler, i think most of the major changes were unavoidable either in a lost in translation sort of way or simply in order to make this movie palpable to average audiences used to marvel. over all, i felt the jsa's dynamic was captured perfectly and what drew me to the team in the first place is very much still there in a way that's definitely absent from stargirl, for example. they're still a horrible little family made up almost exclusively of weird uncles.

SPEAKING OF. AL PRATT? I SCREAMED.

i thought it was made clear that this isn't the entire team but rather just the members carter chose for this particular mission, which i also enjoyed. and while we're here, to touch on some of the points from the anon, i don't think any marvel-style humour was actually present? or at least, it didn't come across that way to me. i mean, it's a very funny film, i was laughing nearly the whole time (or tearing up! or simply absolutely on the edge of my seat!) but it all felt perfectly natural to me, especially in al's case where it's a clear consequence of powers he's obviously still unused to. the relationship between him & carter is actually exactly the element that made me feel a first spark of recognition like.... man i'm seeing my favourite lil comic book guys up there on the big screen.

ALSO THE LEGEND OF CARTER - KENT GAY HOMOSEXUALITY LIVES ON. OLD FRIEND? CARTER CRYING? YES OKAY OKAY I'M ON BOARD. IT'S NOT CARTER IF HE DOESN'T HAVE A BIZARRE WARRIOR BOND WITH SOMEBODY.

considering i was all set on hating this portrayal of kent, i also can't believe how much i ended up completely utterly loving him. the movie definitely has a knack for making you fall in love with its characters nearly instantly (maxine!!!!!!!!! oh maxine!!!!!!!) because it's so well written but kent's random outfit changes for no reason whatsoever, the bit where he's parading around in a dressing gown on carter's ship, "i'm not that kind of doctor", the entire scene in adrianna's apartment... yeah babey. actually i was losing my entire mind at "i remember the day i saw my first aeroplane...", the way pierce plays him might not have been intended to be hilarious but by god, giffen himself couldn't have done a better job. you can tell he's not all there (and i did also enjoy maxine calling him possessed by fate) and it's precisely how kent should be even in the absence of unnatural youth.

the narrative actually allowing carter to be his usual arrogant asshole self-appointed leader with a heart of gold self was also a welcome bonus, i loved seeing him the way he's always been written at his best and i loved that his sharp edges haven't been dulled any by a script that could've easily gone the sanitized route. his black and white thinking is also something that's always been a part of him and i don't think it's necessarily odd to have him say superheroes don't kill -- superheroes certainly don't kill as easily and indiscriminately as black adam does, not even the jsa.

on that point, the jsa's actions are clearly framed to be in the wrong? i loved black adam's arc, i thought mr the rock was acting his little heart out and succeeding like never before but we're also definitely pushed to be on his side to begin with. adrianna and amon are the moral centre of the movie and they certainly stand with black adam! the movie doesn't simply co-opt anti imperialist languages for the hell of it, the jsa is plainly told they're coming here with a us-centric pov and helping nothing & nobody in the name of some nebulous form of justice. i thought it was definitely abundantly clear that the conversation opened around a colonized kahndaq does not condemn adam's actions against intergang etc.

FINALLY, MY THOUGHTS ON THE FATE HELMET AT THE END? HERE'S HOW JARED STEVENS CAN STILL WIN.

this got long enough but god, i really did love it. i loved black adam. i loved the jsa. a respectful, loving, beautiful cinematic adaptation like i never thought we'd ever get.

#asks #anon #black adam #jsa

[jokerownsmysoul]

‘‘The opening of Joker where we find him in his sort of employment center and he's putting on his make up. That intimacy, that physical proximity to Joaquin here makes a huge difference. We're telling the story of Arthur Fleck so everything is about his world. So even the guys that are around talking, all this sort of other clowns that are getting ready, they're all in the periphery, right? So everything here is meant to stay with Arthur, physically close to him. When we cut to the next scene which is when we find him out in Gotham Square with his going out of business sign, we now make conscious effort to get further away. Now he's part of a much bigger world, we're distant from him, we are seeing the world the way others see him, which is like a speck ― a Fleck, for that matter. Just in the middle of a sea of other people.’’

― Lawrence Sher on filming Joker (x)

#ugh I loved this part so much 🤎 #<everything is about his world> 🥹 #Need it in my lil blog #So so beautiful 🥹 #Not exactly a commentary but I think I'll use this tag anyway #Commentary #I've been so busy and tired this week this lil interview lighted up my evening I've to admit #You can tell we've been lacking of contents for too long #Arthur Fleck #I love the pun about the speck - fleck that is so adorable and lovely

[popculturebrain]

‘Joker 2’ Cinematographer ‘Never Even Met’ the Real Lady Gaga on Set, Called Her ‘Lee’ While Filming: ‘I Didn’t Know Her at All’

Lawrence Sher, the Oscar-nominated cinematographer for “Joker,” revealed on “The Trenches Talk” podcast that he “never even met” Lady Gaga on the set of the sequel, “Joker: Folie à Deux,” because she was presumably in character the whole time (via IndieWire).

Subscribe to the Pop Culture Brain Daily newsletter for more stories like this!

[comicweek]

Black Adam vs Intergang

Directed by Jaume Collet-Serra Written by Adam Sztykiel Rory Haines Sohrab Noshirvani Cinematography Lawrence Sher Edited by Mike Sale John Lee

#Black Adam #Teth Adam #dwayne johnson #The Rock #jaume collet serra #Lawrence Sher #DCEU #DCU #dc comics #Youtube

[nem0c]

Vietnam War - Galaxy Science Fiction Magazine, June 1968

Sourced from: http://natsmusic.net/articles_galaxy_magazine_viet_nam_war.htm

Transcript Below

We the undersigned believe the United States must remain in Vietnam to fulfill its responsibilities to the people of that country.

Karen K. Anderson, Poul Anderson, Harry Bates, Lloyd Biggle Jr., J. F. Bone, Leigh Brackett, Marion Zimmer Bradley, Mario Brand, R. Bretnor, Frederic Brown, Doris Pitkin Buck, William R. Burkett Jr., Elinor Busby, F. M. Busby, John W. Campbell, Louis Charbonneau, Hal Clement, Compton Crook, Hank Davis, L. Sprague de Camp, Charles V. de Vet, William B. Ellern, Richard H. Eney, T. R. Fehrenbach, R. C. FitzPatrick, Daniel F. Galouye, Raymond Z. Gallun, Robert M. Green Jr., Frances T. Hall, Edmond Hamilton, Robert A. Heinlein, Joe L. Hensley, Paul G. Herkart, Dean C. Ing, Jay Kay Klein, David A. Kyle, R. A. Lafferty, Robert J. Leman, C. C. MacApp, Robert Mason, D. M. Melton, Norman Metcalf, P. Schuyler Miller, Sam Moskowitz, John Myers Myers, Larry Niven, Alan Nourse, Stuart Palmer, Gerald W. Page, Rachel Cosgrove Payes, Lawrence A. Perkins, Jerry E. Pournelle, Joe Poyer, E. Hoffmann Price, George W. Price, Alva Rogers, Fred Saberhagen, George O. Smith, W. E. Sprague, G. Harry Stine (Lee Correy), Dwight V. Swain, Thomas Burnett Swann, Albert Teichner, Theodore L. Thomas, Rena M. Vale, Jack Vance, Harl Vincent, Don Walsh Jr., Robert Moore Williams, Jack Williamson, Rosco E. Wright, Karl Würf.

We oppose the participation of the United States in the war in Vietnam.

Forrest J. Ackerman, Isaac Asimov, Peter S. Beagle, Jerome Bixby, James Blish, Anthony Boucher, Lyle G. Boyd, Ray Bradbury, Jonathan Brand, Stuart J. Byrne, Terry Carr, Carroll J. Clem, Ed M. Clinton, Theodore R. Cogswell, Arthur Jean Cox, Allan Danzig, Jon DeCles, Miriam Allen deFord, Samuel R. Delany, Lester del Rey, Philip K. Dick, Thomas M. Disch, Sonya Dorman, Larry Eisenberg, Harlan Ellison, Carol Emshwiller, Philip José Farmer, David E. Fisher, Ron Goulart, Joseph Green, Jim Harmon, Harry Harrison, H. H. Hollis, J. Hunter Holly, James D. Houston, Edward Jesby, Leo P. Kelley, Daniel Keyes, Virginia Kidd, Damon Knight, Allen Lang, March Laumer, Ursula K. LeGuin, Fritz Leiber, Irwin Lewis, A. M. Lightner, Robert A. W. Lowndes, Katherine MacLean, Barry Malzberg, Robert E. Margroff, Anne Marple, Ardrey Marshall, Bruce McAllister, Judith Merril, Robert P. Mills, Howard L. Morris, Kris Neville, Alexei Panshin, Emil Petaja, J. R. Pierce, Arthur Porges, Mack Reynolds, Gene Roddenberry, Joanna Russ, James Sallis, William Sambrot, Hans Stefan Santesson, J. W. Schutz, Robin Scott, Larry T. Shaw, John Shepley, T. L. Sherred, Robert Silverberg, Henry Slesar, Jerry Sohl, Norman Spinrad, Margaret St. Clair, Jacob Transue, Thurlow Weed, Kate Wilhelm, Richard Wilson, Donald A. Wollheim.

#sf #vietnam war #galaxy science fiction