My Friend and I have made a VTM chronicle based around RE:H.
so came to the Idea that one of the existing character plays a mentor role for the group. I chose Dorian. SO I had to do an illustration for this beautiful man
CARA TELEKINESIS PDF FILE >> Leia online
bit.do/fSmfG
Pseudociência
Diferença entre ciência e pseudociência
Pseudociência exemplos
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Feel free to use it as you please. No need for credit this time (however you may leave it if you'd like!)
I know it's not perfect, but I think it's a good jumping point for Lalaloopsy fan art!
(Parts are under the cut + text template and gem variant)
All of this is traced from Boo Scaredy Cat's mini's box. The gem part is based on Charms Seven Carat's large doll's box.
All images are the same size (512 x 512) to make layering them easier.
Play with hue, brightness and saturation to get the colors you like! Also feel free to decorate it as you'd please!
Please note that the "Lalaloopsy" font (LDJ Forever Friends) is a paid font, so if you'd like the text you desire you'd have to a) pay for it, b) trace it from existing Lala buttons or c) recreate it to the best of your ability.
The font I used for the "handwritten" parts is Hanzi Pen SC on FireAlpaca! (which is also the program I used to make this!)
Luis De Jesus Los Angeles is currently showing Laura Krifka: The Game of Patience.
From the press release-
The Game of Patience features new figurative paintings by artist Laura Krifka that depict female and male subjects in intimate moments within carefully constructed interiors. Krifka deftly paints her bare-skinned protagonists reading, drawing, daydreaming, watching, and waiting. The peep of a phallus and the highlight of a thigh gap allude to the pleasure of stillness, supplemented by the visual tension meticulously sculpted throughout the domestic spaces. A notable development in Krifka's content is the genesis of idiosyncratic wallpapers that appear to direct the viewer's gaze rather than lay flat. These imagined patterns create parallel planes of space, shift color and shape inexplicably, and build psychological tension, functioning like maps for the dream logic of each painting.
At the heart of Krifka's practice are post-modern and contemporary critiques of canonical Painting. Krifka treats the false dichotomies of subject and object, male and female, observer and observed as comedic jumping off points before bending or breaking the rules and moving on to more nuanced and poetic concerns. Sensually charged in the pinks, purples, pea-greens, and ochers of afternoon reveries, all the protagonists are depicted in vulnerable situations, and Krifka wanders through paintings with surprising detail and care, in search of consent and a deeper understanding of the nature of desire.