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#le mans 2021
opelman · 2 months
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ELMS Spa 2021
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ELMS Spa 2021 by Ste Tit
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nyckismysunshine · 1 year
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2021 24 Hours of Le Mans | 📸 G-Drive | (16/104)
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inhidingxoxo3637 · 1 year
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Miller x Mir '21
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elastijubilee · 1 year
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Fave Musical Movies (In no exact order mostly):
West Side Story (2021)
The Wizard of Oz (1939)
Grease (1978)
Willy Wonka and the Chocolate Factory (1971)
Singin' in the Rain (1952)
The Music Man (1962)
Little Shop of Horrors (1986)
The Rocky Horror Picture Show (1975)
The Muppets Take Manhattan (1984)
Mary Poppins (1964)
Honorable Mentions:
The Sound of Music (1965)
My Fair Lady (1964)
Chicago (2002)
Les Miserables (2012)
Also, there's plenty of other ones I've liked but those were my faves.
My Most Anticipated New Musical Movies:
Wicked parts 1&2 (2024/2025)
The Color Purple (2023)
Follies (whenever that'll actually be...)
Merrily We Roll Along (sometime in 20 years)
Remake of The King and I (TBA)
Remake of Flower Drum Song? (TBA)
Musical Movies I Need to Watch:
In the Heights (2021)
Sweet Charity (1969)
Cabaret (1972) (yep I've never actually seen it in its entirety)
Jesus Christ Superstar (1973)
Flower Drum Song (1961)
Tik Tik Boom (2021)
An American in Paris (1951)
Umbrellas of Cherbourg (1964) (I've seen The Young Girls of Rochefort ('67) so I have faith in this director)
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longagoitwastuesday · 11 months
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Do you have favorite actors for the various roles in "Cyrano de Bergerac"? I would love to hear your thoughts!
I do! I actually rambled a lot about this while I was watching the different productions I could get my hands on (I tagged it "Cyrano de Bergerac" and "I talk too much").
My favorite productions are the one with José Ferrer and the one with Benoit Solès, and those actors make the best Cyranos in my opinion. Though that's probably something in part beyond the actors' choice, their dynamic with their respective Roxane and Christian are the best ones, I think, and I find how Cyrano moves around these two particular characters at the core of a good Cyrano characterisation.
José Ferrer's use of his voice, which is arguably Cyrano's true most characteristic feature, is unmatched imo (although McAvoy does a very good job with this too), and he manauvers very well several of the different aspects of the character, such as his playfulness, his shittiness and longing. By the end of the play you believe he is the most beautiful man on Earth. Cyrano, however, is a bit pathetic (not just in a "pathos" way), and I'd say Ferrer gives off an air full of dignity very fitting of many scenes, but that eats almost entirely this aspect of Cyrano; Benoit Solès manages this very well, while also playing well with some of the other ones, such as the playfulness, the longing, the pain and the despair. Both Ferrer and Solès are hilarious, tender, a bit shitty, vulnerable, playful and sad. Albeit neither of them portrays 100% what Cyrano is, I think both come pretty close in slightly different flavours, and by the end of the play one ends up being terribly fond of them.
My favourite Roxane is Clara Huet in the production with Benoit Solès, but Mala Powers in the 1950 film is a close second. I think they portray wonderfully Roxane's spunk, and her mix of honest playful cheerfulness and her haughtiness, her intelligence and wit, and how much like Cyrano she is.
I've not come to love for now any Christian as much as I've loved Ferrer, Solès, Huet and Powers, but again I think the Christians in the 1950 film and the Solès productions are very very good. I love the dynamic they have with their Cyranos, especially the one Christian and Cyrano have in the 1950 film, enhanced positively by the added scenes (they actually work so well in showing their developing as friends, their deep love and care for each other!). I don't want to expand too much on this to avoid spoilers (beyond the already known 'Christian dies' ones I mean), but some things they do with both these Christians are a thing of genius, and both feel vulnerable, kind, ready to fight and truly desperate at times; I like when they do that.
There's an Italian production which has a Cyrano I truly enjoy as well, despite how they dumbify him more than I usually like my Christians. His mix of anger and deep pain when he discovers Cyrano's feelings for Roxane were so well made, and his physical presence makes you identify who Christian is even before the play starts.
The Podalydès production has two different Christians. The one in the version on youtube isn't bad, but @ride-a-dromedary likes Éric Ruf a lot. I actually adore him based on the clips and gifs she's posted of him, but I haven't been able to find the version with him online, so I can't know. But he truly seems one of the best. Based on what little I've seen, I love his intense gazes and subtle gestures.
I'm not entirely sold on any Le Bret, De Guiche or Ragueneau yet.
I think the German musical has a decent Ragueneau in vibes, and the 1990 French film does as well. I found his poem made song for what I think is a Spanish production (I'm not sure if it's a fan creation based on the Spanish production), and while I've not been able to find that production online, the song works well in vibes too I think.
The German musical's Le Bret in vibes is very good. He encompasses well his deep love and worry for Cyrano while also being done with his shit. They truly feel like close friends. The 1950 film kind of combines Gaston de Castel-Jaloux and Le Bret into one character, which sadly changes Le Bret's dynamic with Cyrano a bit, but that's a very good Le Bret as well. The one in Solès' production is pretty good too. He has my favourite delivery of the scene in which Le Bret chastises Cyrano for risking his life sending letters.
De Guiche is complicated. I think productions often make him too pathetic and laughable or too bad, so bad it makes the last act kind of not make sense. The 1950 one, the 1990 French one, the Kevin Kline one and the Solès one are all good, but I am not passionate for any of them either.
And basically that's it!
#I'm sorry for such a long reply‚ it wasn't my intention. In fact I tried to keep it short but oops#As an extra I'll say that the Japanese film based on Cyrano‚ Life of an Expert Swordsman‚ has a quite good main trio#The Christian character is pretty‚ noble and kind. The Roxane character is smart and well-versed in poetry and a writer in her own right#I loved when productions enhance these aspects of these characters#Kline isn't a bad Cyrano‚ but he is a bit too unbelievable to me. He is too pretty being too old. I already don't like these characters#being old because it makes it lose some sense (they're idiots in part because they are young) but he is so fit for a ~60yo which is like...#Really? The nose? A young man with the same traits is more believable to be self-conscious and think himself unlovable I'd say#I like that Kline comes off at times as a bit cruel and violent and I think it works well with how he is a lot of fun#But at times he is so much fun it ruins the mood‚ although this is a problem of the production in general and of it being based#on Burgess' translation‚ which is something I could ramble about on its own and that makes me kinda mad#I think Depardieu on the other hand falls short on being fun. He tries so hard it isn't funny and it often feels a bit pathetic to me#but not in the way Cyrano is meant to be. On the other hand‚ I felt Depardieu was too full of himself in this film and was too aware#of being he protagonist. The thing about Cyrano is that he doesn't think he is#All in all‚ the more I watch this film the less I like it and his portrayal of Cyrano. I also don't like their Christian and Roxane#(although she isn't as bad as the Klein production of Roxane‚ who is for me among the worst)#I'm not sold at all on the 2021 Roxane either‚ and this Cyrano is so much the dashing tragic hero that he isn't funny#which is one of Cyrano's main characteristics. So I don't like the 2021 Cyrano a lot either. But that's not due to the acting‚#but because the musical does a poor work at being an adaptation of the play and its characters I'd say#The worst Cyrano out of the ones I've seen is perhaps the one in the Italian production I've mentioned that had a Christian I liked#Their Roxane was awful too but iirc Le Bret was good and Ragueneau was decent#I'm not into the Podalydès Cyrano at all. One of the Cyranos I enjoy the least I must admit. But at least he isn't that Italian one#I conclusion‚ and I always feel kinda sectarian‚ everyone should watch the Benoit Solès version#The José Ferrer film is popular enough not to mention#I talk too much#Cyrano de Bergerac
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viper-motorsports · 2 years
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The Heart of Racing N°23 Aston Martin Vantage AMR GT3 finishes the 2021 IMSA WeatherTech Sports Car Championship season with victory at Road Atlanta’s Petit Le Mans.
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robinfrinjs · 2 years
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le mans 2021 remains the superior le mans
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l1veleak · 2 years
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i dont wanna hear any more “f1 is the pinnacle of motorsport” when this literally exists
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maladaptations · 1 year
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Ice Cream Man HC Vol. 1
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gay-impressionist · 9 months
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Hi! I’m starting to learn French and one thing that’s both cool and weird to me is how everything is gendered in a way (referring to someone/whose saying the statement/etc.) and I was wondering how that relates to people who identity as non-binary or gender fluid in France? Are there equivalents to they/them pronouns or neo pronouns in French?
I do plan on doing my own research about this but I figured since I love your blog and you’re really open about different cultural lgbtq+ communities I’d try here first!
That's an awesome question... with a complicated answer lmao. So buckle up and bear with me !
Basically, you can't be non-binary in French. The community found ways to do it but it's not mainstream. Most of the time, they're going to get misgendered or will have to misgender themselves to get understood.
Some things I'm going to list here are not proper French. Actually, they can even be forbidden in some circumstances, according to the law (the use of inclusive language, and more specifically le point médian, was made illegal in schools in 2021 for ex) or simply because your company etc forbids it. So use this wisely, there is a time and place for inclusive language in France.
That said, things have greatly developed over the last two decades. Which was partly because of the queer community and mainly because of feminists, who are tired of the way French erases women. More and more people are using inclusive language, at least in some circumstances and circles (for ex, i wrote my master's thesis in inclusive language and it was accepted bc i was in a leftist faculty). And inclusive language is debated as a serious issue now, which is saying something.
So, how do you use inclusive language in practice?
There are different ways, as it's informal and mostly new. People are still testing new things and trying out various methods. You can stick to one or alternate or mix them up.
Pronouns
Officially, there isn't a gender neutral pronoun. We don't have an equivalent to they. You're either talking about a man or a woman. If it's both, you use masculine pronouns ("masculine trumps feminine" rule). Same thing if you don't know the gender of the person ("masculin générique").
The most common neopronoun is "iel" (plural : iels), which is obviously a contraction of the masculine pronoun "il" and its feminine equivalent "elle". It works for nb folks or to avoid talking about someone's gender or to refer to a group of men and women. So it's equally used by the queer community and feminists.
I'm pretty sure other neopronouns exist but I can't think of any at the top of my head.
Choosing the right words
Sometimes, inclusive language is just about learning to use alternatives.
Instead of using gendered words, you can choose to use gender-neutral words or words "épicènes", aka words which are identical in their feminine and masculine form. For ex, instead of "homme politique" or "femme politique", you can use "personnalité politique". Personnalité is a feminine word but it's actually gender-neutral as you can use it for women and men alike. "Élève" (student) is épicène, as a female student and a male student are both referred to as "élève". Although épicène words as a gender-neutral option only work in their plural form, as you have to choose either a feminine or masculine article for the singular ("les élèves" is inclusive but it can only be "un" or "une" élève).
As good as this method is, it can be quite limitating. Your vocabulary will be drastically reduced and it can be quite hard to master that kind of speech so you can reach the point where you don't have to think everything over for ages before you open your mouth.
With oral French, you can take it a step further by choosing words that sound the same even if they have a different spelling. Ex, friend is "ami" or "amie" but it's pronounced the same way so if you say it out loud, people can't know how you're gendering it (as long as there isn't a gendered article/word with it ofc).
It avoids misgendering people but the downside is that, as masculine is considered neutral in French, people will often think : no gender specified = masculine. Not even because they're sexist or whatever, it's just so ingrained in our brains that it's a knee-jerk reaction.
That's also why most feminists often prefer to use explicitly feminine words when talking about women. For ex, they prefer the word "autrice" to "auteure" (female writer) because the second one sounds the same as its masculine version "auteur". And as previously mentionned, out loud, people will assume by default you're talking about a man. It's a big debate though, lots of women prefer words that sound masculine - going as far as refusing to use feminine words at all! Which sounds cool and gender-bending as fuck but in reality comes from feminine words traditionally seen as less legitimate and serious. Even today, if you look up the word empress "impératrice" in a French dictionary, the first definition that comes up is "wife of an emperor". "Woman ruling a country" comes second. Using a masculine title to refer to women can also be a way to mock them and show they're not welcome (a french deputy got fined in 2014 because he called the female president of the national assembly "Madame le président" and refused to use the feminine title "Madame la présidente").
Recently the tendency and official guidelines have been to feminize words, so I'd say go with that by default, but respect other people's choice if they specify how they want to be called.
Anyway I'm getting off-track but what I meant was that in French, if you avoid talking about gender, you're automatically erasing women (and nb people). So if you want to include everyone, you need to make it obvious.
Inclusivity as a statement
The most common way to make women and men equally visible is the "point médian" rule, which you can also use to refer to non-binary people as it avoids picking a specific gender.
Basically, it means pasting together the masculine and feminine forms of a word and using dots/middle dots/hyphens/parentheses/capital letters to create an inclusive word. For ex, instead of saying acteur (♂️) or actrice (♀️) for actor, you'll write "acteur.ice". For the plural form, there are two schools of thought : either you separate the feminine and masculine form AND the suffix used to signify the plural, or you don't. Aka, "acteur.ice.s" or "acteur.ices". Personally I prefer the second option because less dots makes it easier to read and faster to write, but it's an individual choice, both work.
There are two major downsides to this method : it only works in writing + it isn't doable for every word, as feminine and masculine words can be quite different and pasting them together that way would be unintelligible. Ex, "copain" and "copine" (friend or boyfriend/girlfriend depending on the context) would give something like "cop.ain.ine"...
You can work around that by choosing alternative words (as previously stated!). And it's still a pretty good method, especially as it works for any type of word (adjectives etc). Some people argue that it's hard to read and ugly but personally I think it's just a matter of habit (although it does pose a problem for people using screen readers). Be aware that it is the most controversial version of inclusive writing, as it's the furthest structure from how languages typically work.
If you don't like dots or want an alternative for oral speech, you can also straight up create new words that sound both feminine and masculine, making them gender-neutral. To use the previous example, "copain" and "copine" become "copaine".
Obviously, this only works if it's obvious which words they're based on. I think it's a great way to make French more inclusive but I'd advise against using it with uninitiated people as it would probably confuse them more than anything. This method is still quite niche.
An inclusive, yet binary language
As you've probably figured out, inclusive language remains quite binary in the way we approach it. It's more about making things both masculine and feminine than transcending gender and creating gender-neutral alternatives. Probably because inclusive language was more often a will to stop women from being erased rather than a non-binary friendly gesture.
Which means, there are also some rules that were created to avoid the "masculine trumps feminine rule" but don't allow room for non-binarity at all. I'll still explain them because they're interesting and you might encounter them at some point.
The proximity rule ("règle de proximité") is one of these. It existed in Ancient Greek and Latin but was dropped in Modern French in favor of the masculine trumps feminine rule. Basically, you gender things according to what's closest in the sentence instead of systematically using masculine words to gender a mixed group. For ex, instead of saying "Les hommes et les femmes sont beaux" you say "Les hommes et les femmes sont belles", as the subject "femmes" is closer to the adjective "beau/belle" than "hommes".
Another method is to systematically use both masculine and feminine words (which I personally find excruciating to write and read). Meaning, instead of writing "Les étudiants mangent à la cantine" (students eat at the cafeteria), you'll write "Les étudiantes et les étudiants mangent à la cantine".
This is mainly for the subject of the sentence : adjectives and such are gendered according to the masculine trumps feminine rule. The point is to explicitly include women, not to make the sentence unintelligible or gender-neutral.
When following this method, you also have to pay attention to whether you put the feminine subject first or the masculine. The rule is to follow alphabetical order. For ex, in "l'égalité entre les femmes et les hommes", "femmes" comes first because F comes before H. But in "Les auteurs et les autrices de roman", "auteurs" comes first because E comes before R. Etc.
This method is common as it's the only inclusive language you can get away with, given that it's a valid way of speaking French. It's even mandatory in some situations now, like in job descriptions for the french administration, in the spirit of gender equality.
So, how do I gender a non-binary person?
In short, you can use the pronoun iel + avoid gendered words and/or use the point médian and/or make up new words.
But keep in mind that if you're not talking to someone familiar with these rules, you'll have some explaining to do. And looots of people are still very anti inclusive language, because they're sexist and/or transphobic, ignorant, language purists, etc. A few years ago it was the thing to be angry about for conservatives and anti-feminists so it's still very controversial. But if you're in a trans inclusive queer space or talking with intersectionnal leftists, go for it !
I hope I covered everything (fellow french, don't hesitate to comment!) and didn't put you to sleep lmao. If you want to see some examples, you can look it up on Wikipedia or check #bagaitte on tumblr (it's the french queer tag) 😉
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opelman · 4 months
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Duqueine M30 - D08 - Nissan / Leonard Weiss / DEU / Thorsten Kratz / DEU / WTM POWERED BY PHOENIX
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Duqueine M30 - D08 - Nissan / Leonard Weiss / DEU / Thorsten Kratz / DEU / WTM POWERED BY PHOENIX by Artes Max Via Flickr: European Le Mans Series 2021 / Circuit de Barcelona
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nyckismysunshine · 1 year
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Nyck congratulated Antonio on his pole position | 24h Le Mans 2021 Hyperpole
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inhidingxoxo3637 · 2 years
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fruity-pontmercy · 24 days
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My Les Mis spotify playlist masterpost
aight guys the last time i updated these was like in 2022 and god knows I love my Les Mis playlists so i felt like it’d be good to remake it
Les Mis but Fixed- just regular old Les Mis, but with a bit of extra spice :)
Les Mis but none of the songs are from Les Mis- name speaks for itself, a les mis jukebox musical style collaborative playlist that I started in 2021 and man… some of you guys are hilarious
Les Amis de l’ABC- obligatory amis playlist what can I say
The NEW ultimate ExR playlist- just a wonderful playlist for everyone to add their Enjoltaire coded songs
Feuilly’s Mixtape- Look I just think Feuilly’s the kind of guy that just collects records and cds and cassettes and stuff- i need to know what his music taste is like I just do.
the noodle and the lark- obligatory marisette playlist that is pure vibes
A courferre playlist- it’s… a courferre playlist
Jehanparnasse- it’s… a jehanparnasse playlist
Clairvoyance- an angsty ExR plylist for one specific AU i made two years ago but man i love this playlist
All That’s Left of Us vibes- this playlist is old and I cant vouch for its quality but what i CAN vouch for is the QUALITY of the All That’s Left of Us webseries which you should totally watch!
And that’s it for now! :))
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lizaluvsthis · 3 months
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PART 2 HYPERFIXATION FOR SMG4: Mario looks at SMG4's browser history
Okay last one...(f-cking photos has a limit)
Previous hyperfixation (read first)
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So it is true that SMG3 does torture SMG4's life by ruining his day(come back from the episode you used to be cool where smg3 said "usual")
Since the word "usual" is used from SMG3's statement after we learned from that episode where he "considered killing" him. Directly to smg4.
SPOILER...
Seems like SMG3 DOES love to put out a good show where he still makes smg4 suffer the most mildest things with apparent reasons of constant teasing for the man and Three just enjoys it.
(If SMG4 did things to ruin his life so badly, by smg4 doing so in purpose, then so should SMG3 WILL and would ruin his day back.)
Worst thing SMG3 would think of, is forgiving SMG4. Because why in hell would he do that after everything?
Not only... SMG3 hides behind his secret, and mentioning WOTFI 2021 where SMG3 said something along the lines with "try and make him cry" is and definitely puts on that SMG3 still concealed himself from his inner shell as his emotional break down to cover up the sensitive emotion he has.
And that it'd be so out of character and sudden to forgive smg4 just like that, he'd be in the usual doings of "Hell no f-cking way I'd do that just now, why would I forgive this assh-le for ruining my life?"
Because thats an emotional baggage for SMG3 to cope on, he livestreams himself on twitch to play random ass games for his stress relief because of him. SMG4 has been stuck with him for like- a decade now and this is sh-t ass ruining him
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if you all shouldve noticed just now, smg4 hasnt apologized EVERYTHING to SMG3 yet. Because he wasn't sure how "emotions" and "actions" could play out from his character after he did those "assumable" things to break SMG3's dreams.
Thats simple. He's a very difficult man to comprehend with his own self thoughts, he's overwhelmed at himself to where it breaks him. If SMG3 is socially awkward to talking or making new friends, then so SMG4 is the one whos difficult to solve the problem with his causes (like saying sorry wasnt very easy for him to put out)
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Cause all smg4 did was focus on his meme contents from doing what he loves, he broke three for being famous, and his cafe, with also his dreams on starting his own production, not to ALSO mention his damage to SMG3.
If smg3 would even still forgave him for doing all of that om purpose without even realizing. But to smg3, he didn't want to say he'll forgive SMG4 instead. He still recovers from each and everything from that.
Because he'd seen how fragile SMG4 is at this part. SMG4 could only rely with making his contents to get money off from youtube, to THEN paying the expenses for whatever waterbills, electricbills, his loans from the property he's paying for, foods from groceries.
Literally EVERYTHING.... he's been trying to provide and same this goes on with SMG3 where he started his coffee shop, the one who works two jobs as a twitch streamer and a cafe owner. (The reason why SMG3 gets money from thats how he could afford everything just by double timing his job)
Since smg4 doesnt know sh-t with jobs, SMG3 is up ahead him, smart enough to think. While SMG4's knowledge is a bit too unstable without any of his college experience since he didn't like school then he hates studying.
Studying helps you learn countless of things even tho its a hard challenge to try, you still need to learn either way to know bits of facts. SMG4 dropped out and didn't graduate from college, but did SMG3 continued college?
That remains unknown, but we do know for a fact he is twice as smarter than SMG4 and Mario. (God what a fabulous b-tch.)
The reason why college is important is that you can set a course of what you'd want to get a job you'd be capable of loving from. And knowing that SMG3 pays atleast too many stuff by marketing and selling or trading or who knows what from the internet to make him get that much of advantage to get enough money.
SMG3 improvised his skills to survive
And so if SMG4 could do the same he'd probably have the same braincells as his boyfriend/j
- (whoops I just realized that I moved the topic to college but eh-)
Anyway following on with our focused topic.
If SMG4 couldnt admit that he'd say sorry to SMG3, then there would be a constant loop of the friends not understanding each other.
I still have a feeling that SMG3 could almost understand, like he could see through what SMG4 has been feeling. But he couldnt show that emotion to four- it'd look WEIRD. for him. Better yet is that- SMG4 would most likely be the optimisstic one to show symapthy, but still- SMG3 is an empathetic man for SMG4.
Just so is SMG4 when he cant understand how his actions can cause consequences like smg3 for example, SMG3 didn't even do much damage to SMG4 after everything. Because what SMG3 thinks is that he- deserved it. Everything to him from what he had done to smg4- willl be always pointed at him as he only sees himself as the bad guy.
Like oh man- how assumable can smg4 be when smg3 gets something that he finally wishes to have for? Attention. And he's been the one saying "thats what we do for each other right?" When SMG4 did it his way while SMG3 has finally moved on. Like SMG4... I see you as the person who've been causing a lot by i mean ALOT. Of problems.
Four suffers because of this cause he never understands how relationships or just by general actions work, because he never had someone close to him to guide his way for understanding.
They both were literally born from a USB and then came down there to explore their new selves.
Not even once SMG4 thought about- "why did I do that to him? I should say sorry... If only I didnt destroy his cafe nor even his productions"
Its because FOUR WAS SO AFRAID. In repeat. Lets repeat this again.
Three cant forgive SMG4 because he's been having alot of thoughts from his head that would lead to the death of him.
And SMG4 cant apologize cause he's unaware of what would happen if he did. He would overthink about this... and better yet- Three's motions are unrecognizable so Four would keep on missing his chances if he'd want to say it. He wondered that if he told sorry to smg3, he'd be the one to blamed more and three would be more pissed. Because they both wanted to forget the past.
But the past is already apart of them, a memory they both went through together...
So... well- theres my fixating- :)))))
@b-r-i-n-g-x .
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robinfrinjs · 2 years
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If Robin gets a Porsche LMDh seat I will finally buy a scale model again
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