A little bit of Obi-Ewan, or a dash of Alec-enobi?
Too difficult to choose, so how about both? 😉
Happy Wednesday! ☀️☀️
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Kermit the Frog, Ray Liotta, Pepe, and Miss Piggy
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Marilyn Monroe shopping in a men's clothing store on Fifth Avenue in New York, NY (1957). Photographs by Sam Shaw.
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It Ain't Like That - Alice in Chains [''Singles'' movie performance]
Part 2
I love them 🎆
I always say that but never is to much...
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flickr
Williams FW07C / Christophe D'Ansembourg / BEL by Artes Max
Via Flickr:
ESPÍRITU DE MONTJUÏCH 2022 / Circuit de Barcelona
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Professor Laventon needs a raise
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One reason I can rest easy is knowing that they- the legends of tomorrow cast and crew- gave us their all.
They gave us such a diverse cast. They gave us queer and poc characters and storylines unapologetically.
They told us it was okay to say the word “lesbian”- it isn’t a bad word. They took the bury your gays trope and kicked its ass.
They told us that when they imagined a perfect woman- it was a lesbian.
They gave us Muslim characters who never compromised their beliefs.
They gave us redemption time after time again, they told us it was okay to change for the better and to believe in ourselves.
They gave us queer kisses that saved the world- twice! They gave us beebo. They gave us the waverider! They gave us a time moms wedding, pregnancy, and a baby- not necessarily in that order. They gave us the bullet blondes!!
They told us that it was okay to be affectionate with your bros.
They gave us healing and growth.
They gave us an asexual character who said the actual words!
They gave us an AI who taught us what it means to be human.
They gave us a family. They gave us love is love is love is love is love
They didn’t give us heroes- they gave us legends
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Dr. Dre, Easy E, and Betty White, 1989
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Marilyn Monroe at the Will Rogers State Beach, Santa Monica on July 13, 1962. Photo by George Barris.
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Avenge the Fallen
✿ Support me on Ko-fi and get a drawing!✿ Twitter ✿ My TeePublic shop ✿
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‘The Rainbow Book of American Folk Tales and Legends ‘
illustration by Marc Simont (1958)
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