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#leigh crain
gracegordongreene · 1 month
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Samantha Sloyan and favorite television show/series ↪ requested by @baubeautyandthegeek
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whoreofthecottage · 2 months
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(mostly) soft Haunting of Hill House gifs for @baubeautyandthegeek
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baubeautyandthegeek · 2 months
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Haunted Houses And Haunted People – Hugh Crain/Olivia Crain/Leigh Crain/Poppy Hill
A/N: Day 4 of @polyamships Multiamory March.
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^ GIF made for me by @whoreofthecottage
“Sometimes I wonder if the house is finished with us…” Olivia’s voice is a murmur and Leigh glances up with a look close to panic. Hugh and Olivia, her sweet sweet loves, had taken her in after she lost Steve to the house, the thought of either or both going back spiked fear in her heart. “You can’t possibly mean to go back!” “No… no she doesn’t… she doesn’t mean that. It’s only… it’s only that we may have brought one of the ghosts home with us.” Hugh speaks quickly, smoothing a hand against Leigh’s back even as he watches Poppy coo something to Olivia, kissing her hairline tenderly before cupping the woman’s face in her hands where Olivia had been close to fleeing the room. “The… redhead?” Hugh sounds unsure of the woman’s name. “Poppy.” Olivia speaks the name softly. “Is that her name then, Poppy?” Leigh asks, inspecting the photo Hugh points out, her smile soft, voice softer. “She looks… lovely.” “She is.” Olivia’s smile is soft, her touch resting so gently on Poppy’s back that the woman flickers into view, Hugh frowning even as he watches Leigh move to cup a soft cheek in her hand, finally seeing Poppy himself, watching with interest as Leigh smooths a thumb over a cheekbone. “Hello Poppy.” “So… just to be clear… I have my wife…. My younger lover and now… a ghost?” “A beauty.” Leigh speaks softly, firmly. “You have two beautiful women… and… me, I guess.” “Aw sugar, you are a beauty too.” Poppy coos and Leigh smiles, leaning to kiss her gently. “Thank you.” Later, much later, Hugh will come back from checking on his family, Shirley and Theo, the last of their children who live. Nell had, as they all expected, moved away, far away, with Arthur. Finally finding peace. Shirley and Theo stuck close. They felt their missing pieces keenly but Hugh smiles as he watches Olivia rest, Poppy curled around her on one side, Leigh on the other. This, he thinks, he could learn to love the sight of, even if he’s unsure how best to hug a ghost. He will learn, he thinks, he will learn as he had learnt to love Leigh’s brightly sweet nature, as he had learnt to love Olivia and her wilder side. He will learn, he will love and he will live.
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scaredsofmyguitar · 2 years
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I take back what I said about hating the random time jump, Leigh’s monologue is so good. it’s a great mix of haunting and hilarious
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lilyflowerhere · 3 months
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The age appropriate their much older
main character relative
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Fear Street part 3: 1666 (2021), Leigh Janiak//“Memory I.”, George Seferis//Rosario Castellanos//Piri, Dreamcatcher//“Select passages from The Holy Writ of Us,” from Simulacra, Airea D. Matthews//Remote Sympathy, Catherine Chidgey//The Haunting of Hill House (2018), Mike Flanagan//The Haunting of Bly Manor (2020), Mike Flanagan
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ojcobsessed · 2 years
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GQ: In the New York Post, you called yourself “the go-to guy for toxic men.” Was any part of you hesitant about playing another rich San Francisco jerk just a couple of years after The Invisible Man?
Oliver Jackson-Cohen: Not really, because I think that there's something really interesting in the complexities of these men. There are so many layers to them that you get to explore. I don't know if I've ever made a decision, specifically in the past, like four or five years, that has been about, "Oh God, how's this going to look?" I'd rather play someone like James than play the friendly neighbor, do you know what I mean?
The season really puts James through the wringer. I think we see him both cry and seem like he might kill someone in every episode. You've spoken about having a hard time closing the door on roles that are emotionally wrenching like this. Was that the case with Surface?
I think so. I'm probably a therapist's dream because there is a part of me that's like, "If it doesn't hurt, it doesn't count." I'm not interested in faking it. It probably sounds incredibly clichéd and probably a little bit fucked up, but I feel like I learn so much about myself by going through these emotional turmoils. I guess this one was taxing, but then every job is taxing to a certain extent.
TV shows don’t generally shoot in the order that we see. Given how much it changes over the season, what were the challenges for you and Gugu and keeping your characters’ relationship straight from day to day?
We actually managed to shoot most of the season in order, apart from Episode 6, where we just went away for three weeks, but even that was kept in sequence. It's the episode where James is telling Sophie everything about their lives [before the start of the series], and they were so generous that, by this point, I’d made all the decisions about the backstory, all of the little things that they'd done and that happened to them. And they let me just sit in front of Gugu, and they put two cameras on us, and they filmed us for, like, 45-minute takes.
I just improvised this whole story, but it was all the story that I knew. And it was the first time for her, hearing it. So that was incredible, to be able to start at the beginning — not too dissimilar to this documentary called Tell Me Who I Am, which inspired the show.
That level of collaboration is unusual in TV or film.
Yeah. I mean, I've watched the season once, like this [partially covering his eyes], but what was quite remarkable is that they've kept so much of all the stuff that we improvised as well. Working with people like that, who embrace what you bring to the table as much as being respectful of what you need to bring on their end, it’s very lucky.
Luke, your character in Hill House, has issues with substance abuse, and you've said you wanted to avoid clichés about it that tend to appear in pop culture. What research did you do with or around the recovery community to make sure that what you and Mike Flanagan created together was truthful?
Well, quite a lot. It was an interesting prep period, for Luke. When they offered it to me, I watched a bunch of documentaries. Then I thought, "No, no, no, this isn't the right way. I don't want to play an addict, because these are people." Playing Luke was not about playing a heroin addict. It was about playing someone that had been so deeply traumatized that he had no choice but to end up in this place, and that it wasn't his fault. No one fucking wakes up one morning and goes, "I know what I want to do.”
Let’s stay in the horror realm with The Invisible Man. It’s amazing how much I felt not just that there's a presence in the room with [Elisabeth Moss’s] Cecilia, but that it is specifically Adrian — it still seemed like you even when you're not on screen. Because it’s not always just special effects or a stand-in: you were there!
In that sexy green suit, yep. Lizzie is such an incredible talent and I just wanted to support that as much as I could. I mean, she's more than capable of doing it without me, but it just felt like the right thing to do all the stuff that I could do. I mean, some of the stuff were [stunt performers] doing it. I'm glad that you say that: we did want this constant looming threat, so I'm glad that it's achieved.
But that sexy green suit was horrific. Never ever say yes to green spandex. Ever.
You did a similar thing on The Haunting Of Bly Manor, in the scenes where Miles [Benjamin Evan Ainsworth] is possessed by your character, Peter. Do you ever get stressed out working with children, particularly on something that scary?
I think there's always a concern when you are working with kids: you don't want them exposed to anything. Ben and Amelie [Bea Smith, who plays Miles’s sister Flora] were just so incredible, and their moms were with them the whole time. We tried to make their experience as uplifting and as fun as possible. But with Ben, I would sit on set with him, and I would do the scene, and then he would copy what I did. Then I would just sit by the monitor, in his eye line. I mean, kids at that age, they're such brilliant mimics, you know what I mean?
Apparently I love to do stuff like that offscreen. Maybe I shouldn't be an actor. It felt very, very important for the story, as with Invisible Man. Whether or not people will notice that, I don't care, but I feel like all this minutiae hopefully adds up to something in the end.
When I was going back through your older press, it was impossible not to notice the dates on all those pieces about The Invisible Man: it really was the last big movie to come out pre-COVID, and your first big splashy Hollywood movie. What was it like for you to have the movie and lockdown happen right on top of each other?
It was mad. Like, it was really quite mad. I remember getting home from the press tour and then four days later the world shut down. But it was exciting in a weird way. Even as quarantine was happening, I remember Universal pivoting quite quickly to say, "We are going to release this at home and people are going to stream it for like 700 bucks.” It became this thing that people were doing, watching at home even though it had just come out.
So I feel so proud of that movie. But my dad just had passed away, and three days later I went on a press tour for The Invisible Man. The whole press tour, it was like, "What is happening?"
Then I got home. The movie was this huge success. My family was a mess. And then the world shut down. From March to September was such a bizarre time — for everyone, of course. That's why when the quarantine lifted in September and I went and did The Lost Daughter, it came at such an important time for me personally, with what had happened that year. It was life-affirming stuff, being in Greece with all these people that I respect so much and just having a laugh — and being with any people when we hadn't been for so long.
Your director on The Last Daughter, Maggie Gyllenhaal, is, of course, a prolific actress. Leigh Whannell also has a background in acting. How does it change your process when you and your director can relate as peers in that way?
It's like a completely different language that's spoken, because there's such an understanding. Maggie’s a phenomenal actor, but I think an even more phenomenal director and writer. She said this very early on: "I hire people that I trust. So whatever it is that you are going to do, it's going to work, but what flavors do we want to bring?" On set, she's like, "Why don't we do this? Why don't we do this? This is nuts, but why not?" And so it becomes this playful thing, this quite fun exercise.
One day on set — it's a small thing, but it was post-lockdown. My dad bod was in full swing. And then I got to Greece and was like, "Oh, shit." And I was like, "No, I feel like my character just, like, wears tank tops all the time." And then we got to set and Maggie was like, "You look great. Why don't we try it without that? You look great." She's been in this situation so many times, and knows what it feels like. And so she’s able to approach her actors with such care, which is not always the case, you know?
I think we've covered all your darkest roles, so let's move to a very light one: Mr. Malcolm's List, which is out now. You had previously played the same character, Lord Cassidy, in a short film version. Had you followed the project’s journey from that iteration to feature film?
[Director] Emma Holly Jones I'd met because she was a hostess at a bar in L.A. when I was living there. I was like, "Oh my God, you're English. Right, let's be friends." I was 22. We were babies. And so she called me in 2018 and said, "Listen, there's this movie that I'm trying to make, it's just a short, will you come and help me out?" Of course. And then she was like, "We're making it into a movie." And I feel like you hear this quite a lot: "No, we're going to make it into a movie." And then she fucking did. I'm so incredibly proud and happy to be a part of it. I think it's important to champion first-time directors, and specifically first-time female directors.
Is Regency rom-com a genre that you spend a lot of time with as a viewer or a reader?
Not really, but I think that was the appeal. I've done this Emily Brontë movie, which comes out later in the year. I knew nothing about Emily Brontë or Wuthering Heights — or very little. It’s the same with something like Mr. Malcolm's List. I'm familiar with it all, but it's not in my wheelhouse. So there was something very exciting about jumping into those worlds, and they're so fun.
Given the rough stuff that you do most of the time, how did it feel knowing this was coming up on your schedule?
I loved it. Like, I really, really loved it. Because I went from The Lost Daughter to Malcolm's List and then went into this Emily Brontë thing, which is pretty harrowing. So it was this magical moment. There's something really incredible about being able to go to set every day, and your main focus is to figure out what makes you laugh the most. Working with Zawe Ashton, who I think is comedic perfection, it was just such a joy building that dynamic [with her character, Julia] of utter co-dependence — these two cousins who need each other but hate each other.
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cherrybombca · 2 years
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Kaz Brekker and Theodora Crain: the traumatized brunettes with emotional support gloves that I love so dearly
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becoach-a · 7 months
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my main thought about leigh is that . . . she definitely wouldn't get back with steve right away, or even shortly after. steve watched her worry about her fertility, presumably blame herself for their lack of conception, etc . . . while knowing he had gotten a vasectomy and never told her. they were trying for a baby for over two years, and he didn't tell her? like he let her try and try and time everything and he got a vasectomy before they even met . . . yeah. her trust is going to be hard to win back.
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storiescrafted · 1 year
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HALLOWEEN STARTER CALL.
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“i don’t think shirley likes me very much,”   truthfully,  she’s found it difficult to make inroads with most of the crains  —  not entirely surprising,  given the stories steven’s told her,  but disappointing all the same.  so what’s @rotless​?  a target of opportunity in her attempt to form any real connection?  maybe.  and maybe a strange choice,  really,  but...  here they are.   “is that...  is that just me?  is it in my head?”
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adveanture · 1 year
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tswift tag drops:  steven crain,  the haunting of hill house pt. 2
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   the  crains.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   olivia.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   hugh.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   shirley.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   theo.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   luke.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   nell.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   leigh.
╰   ––––––– ✧   STEVEN  CRAIN!      :      ft.   janet.
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flanaganfilm · 1 year
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hi mike, saw someone say your ask box was open and i came running! have you ever had any ideas as to how the crain family would be getting on now a few years later/what they're doing? it's always in the back of my mind wondering if creators also wonder about those sort of things themselves once their project has ended. thanks so much & hope you have a great day!
I do think about that. Quite a lot, actually.
The Crains took on lives of their own for me. I'd never written long form before, so it was the first time I lived with the same characters for that long, and for such extended arcs. Here's where I think they are, a few years later:
Shirley: I think that Shirley and her husband overcame her disclosure of infidelity. She'd been closed off for so long, after the series ended I think she found some peace in her life and opened herself up to her marriage. I think she also began to find kindness again. They ran the funeral home together, but Shirley found purpose in helping people handle grief and loss with empathy and kindness. Her oldest would be just about ready to start college now, and I think that would have her looking back and realizing that she always remembered her childhood as seemingly endless... but now she sees just how fast it truly goes by.
Luke: Luke stayed sober. He's six years into it now, and it's gone so well that he's also become a sponsor. That doesn't mean he's immune to the struggle, far from it. He still walks up to that edge sometimes. Oddly, it's in those moments that the "Twin Thing" kicks in... and he feels an inexplicable and complete sense of love. He knows that's Nell's, and that always pulls him back from the brink. He never did find Joey, or find out what happened to her. And sometimes he still wakes up with nightmares that he's on the floor of the Red Room, or that Joey visits him with her runny-egg eyes. But no matter how hard it gets, he feels what Nell feels for him... and that always pulls him through.
Theo: Theo and Trish got married, and moved far away from New England. They currently live in Portland. She still works with children, but enjoys a much smaller patient pool. She specializes in the kids who are hardest to reach, and she's sought after for her unique and uncanny ability to connect with them. She doesn't wear gloves anymore, but she still avoids the very crowded places. She and Trish take long hikes, grow their own pot, and travel frequently and spontaneously. They're considering a surrogate... and if it's a girl, they're going to name her Eleanor.
Steven: Steve and Leigh have two kids, and are thinking they might stop there. He never wrote about what happened at Hill House, but he still writes. Science fiction. Leigh recommended the genre as a way for him to focus on the future, not the past. He likes it a lot. It's pulpy, but it's earnest. He maintains Hill House, as it is his responsibility, but he doesn't enter the property beyond the gates. He has a rotating collection of people service the property itself, always during the day, and only for a few hours at a time.
Hill House stands quietly and silently in the hills. There is something different about it. Still the same energy, but without the malice. Steve assumes this is because of Hugh, Nellie and Olivia, who maybe curb the most malicious energies of the house from within. While shadows still walk in the windows at night, there are no living souls there to see them. Mostly, Steven imagines the spirits inside spend most of their days sleeping. And if they cannot sleep, he imagines Mrs. Dudley singing softly to them on the wind.
There is grief, for all of them. There are nightmares. Horrible dreams of moldy rooms and phantom hands. They meet twice a year, usually without spouses, to catch up and raise a glass to Nell, and their parents. There is a lot of healing still to do, a lot of therapy, a lot of introspection. But there is peace, too. There is love. There is forgiveness.
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artisticlegshake · 10 months
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THE DANCE AWARDS ORLANDO RESULTS 2023
TEEN SOLOS:
1st Ian Stegeman - WOODBURY JP!
2nd Gracyn French - P21 JP!
2nd Cami Voorhees - EVOLVE JP!
3rd Bella Rose Penrose - EVOLVE JP!
3rd Nathaniel Chua - THE NINE JP!
4th Giselle Gandarilla - STARS JP!
5th Ellen Grace Plansen - DWDE JP!
6th Harper Snell - SOUTHERN STRUTT JP!
6th Samantha Cascudo - MIAMI DANCE COMPANY JP!
6th Shaunaughsey Meagher - THE NINE JP!
6th Tristan Gerzon - EDX JP!
6th Kynadi Crain - JEAN LEIGH JP!
6th Avery Reyes - P21 JP!
6th Hayley Marshall - TRUE DANCE JP!
7th Naima Abram - SPOTLITE JP!
7th Kate Roman - CDC JP!
7th Caitlyn Polis - THE VISION JP!
7th Tim Zvifel - VLAD’S JP!
8th Logan Gallinger - EDX JP!
8th Balbina Cueva Toussaint - ALE MANCILLAS JP!
8th Catherine Clayton - STARS JP!
8th Onna Williams - EVOLVE JP!
8th Eve Schmeichel - EDX JP!
8th Richie Granese - P21 JP!
8th Sophie Garcia - STARS JP!
8th Ava D’Ambrosio - WESTCHESTER JP!
9th Nevaeh Covington - THE NINE JP!
9th Noa Levkov - EDX JP!
9th Stella Eberts - P21 JP!
9th Elyse Wingertsahn - EVOLVE JP!
9th Adina Rooney - STUDIO 412 JP!
9th Madeleine Matos - MIAMI DANCE COMPANY JP!
9th Joli DuQuenne - THE STUDIO PROJECT JP!
9th Maya Loureiro - P21 JP!
10th Kendyl Fay - P21 JP!
10th Alessia Pedone - VLAD’S JP!
10th Hudson Heath - WEST FLORIDA JP!
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baubeautyandthegeek · 2 months
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The Key To Happiness – Shasta/Georgina Stanton, Beverly Keane/Erin Greene, Tamerlane Usher/Candy (Verna), Shirley Crain/Leigh Crain, Sarah/Maggie.
A/N: Part 4/4 for @fluffbruary day 22. Last gif made for me by @whoreofthecottage
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Keys, the key to a home can mean many things to many people. For many it means hope. The twist of Sarah’s key in the door lights a lamp in Maggie’s view, the woman is quiet even now, setting her book down and letting the door closed before flipping the lock closed, checking everything is safely locked down before moving to settle beside Maggie and welcome the woman into her lap, the two content to sit in silence, comfortable in one another’s arms. Shirley Crain’s key unlocking the door means Leigh will be treated to tales of sweet kids and sad people who need help. All things that Leigh loves to listen to, she’s content here, loved and happy to look after the children whilst Shirley works. The offer of a key for Shasta means everything. She is welcomed, finally, home. Home to Georgina Stanton, home to love and care and a chance to really, truly live. She is quiet the first time she uses it, slipping into the hospice, then the elevator, making her way up alone to Stanton’s rooms, letting herself in and locking the door behind her, curling into Stanton’s lap when the woman beckons her, content to sit, sharing a small roll of weed, the two settling into one another’s orbit like it’s natural. Erin’s key, gifted in a moment of fear by Beverly Keane, rarely touches the door. This time, when the storms are due, she lets herself in, the key clicking in the lock even as she locks it shut, moving closer and pulling a trembling Beverly into her arms, kissing her silent, promising she’s safe. Tamerlane’s fingers close around the key as she paces, waiting for Candy, her Candy, the woman she loves most, to come home. People have always thought Candy was still just a hooker, but that hasn’t been true since Bill left. She never pays anymore and spends most nights sleeping in Candy’s arms. Candy is quiet when she lets herself in, locking them in and smiling softly when she turns to see Tamerlane still twisting the key in her hands, then Tamerlane’s hands move, unfurling to reveal the key, her voice soft, hopeful. “I’d like you to stay…” Candy’s smile, quick, bright, warm is reward enough even as the woman’s lips cover her own. “I’ll stay Darling, as long as you want me.”
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scaredsofmyguitar · 2 years
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steve is such a dick!! he profited off of the others’ trauma which he didn’t believe, didn’t even pay for luke’s rehab because his ass is broke, and he’s making snide remarks at an addict who’s trying to get better? what is this man’s problem??
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tylerposey · 2 years
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IT’S FOLLOW FOREVER TIME
I recently noticed my follower count had hit 90k and I can’t believe people are still choosing to follow my stupid ass blog? I’m not really here as often as I’d like to be anymore but to have this support is still pretty mind-blowing. Thank you to everyone who’s been with me from the start and those that have only recently started following. It really does mean a lot.
You guys make my dashboard the best. I love you! — Dan 😇
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