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confessedlyfannish · 14 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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greenglowsgold · 10 months

Text

The List.

Based on the Cass Apocalyptic Series.

The first part of this has been rumbling around in my brain ever since that Super Sad Scene a month ago, but yesterday’s update gave me the other side of the coin, so to speak, and finally pulled it all together.

@somerandomdudelmao thanks for the fuel, friend

-----

Donatello’s days have become a series of checklists, as of late.

No, that’s not exactly true. His days have always been about lists: what he’s done, what he can delegate to someone else, what still needs doing. But these days he’s been doing less and listing more, piling tasks from the first category onto the second as fast as he can manage, hoping he has enough time to empty the queue.

The full catalog is written out in a series of files, reorganized for accessibility to the layperson and meticulously up-to-date as of yesterday. He meant to run through it again this morning, ensure all the relevant instruction manuals were attached to each item and double check his protocols, but he wasn’t… he couldn’t…

He’s going to die tonight.

It irritates him, his own miscalculation of the timing more than the stark presence of his oncoming demise. The latter has been inevitable for quite some time, long enough that he’s gotten used to the idea. But he thought he had another week or two, and he doesn’t like being proven wrong. He wonders if his brothers know.

Probably not. They know it’s bad now, obviously, because they’ve piled him with pillows and blankets and surrounded him on all sides, and Leo has finally gone quiet. But they trust him, they’ve always trusted him, even when they shouldn’t, so if he swears he’ll last a few more days, they’ll believe him. He thinks. He’s pretty sure. If they knew it was tonight, he doubts they would choose to sleep through it. Donnie thinks about waking them up, but only for a moment. He’d like to say it’s a noble act, to leave them in peace a little bit longer, but the truth is he’s just too fucking tired to move.

There’s something settled bone-deep in his chest, a heaviness that sits on him like a stone, a peine forte et dure pressing him down and down, stopping his voice and his breath and his heart. He wonders if this is what dying usually feels like, or if it’s unique to the Kraang. Raph would know.

He cranes his neck to the right, to catch Raph’s face out of the corner of his eye. Raph’s working eye is half-open, staring down at the floor. Donnie could ask him. (He won’t. Let him fall asleep.) The movement of his head is so slight it doesn’t even catch Raph’s attention. He’s too tired for anything more. He’s so goddamn tired.

His lists are out of reach at the moment, with his physical interfaces back in the lab and his ninpo locked behind a wall of oh-god-it-sounds-too-exhausting-to-even-try, but he memorized them all long ago.

Raphael: Maintenance (delegated to Casey, who has it well in hand). Plans (tucked away in a dedicated folder, long term, but someday they’ll have the materials, and Raph will have a proper body again, someday). Honey (yes, he passed that along last week).

Raph has access to the tracking programs, so he can keep an eye on everyone himself, even when Donnie can’t pull up locations or vitals for him anymore. He has his own space in the base once more, somewhere to close a door when he needs to (he insists he doesn’t, but Donnie isn’t a fool). He has more excuses to spend time with Casey, who’s taking over his upkeep. Donnie hopes it fills in some gaps for both of them.

He runs through the list, double checks each item. It’s his last chance to make sure he hasn’t forgotten anything important.

He looks down, finds Mikey.

There’s a stockpile of the anti-aging serum in his safe, the formula in his database, plans for the permanent solution clearly labeled. As long as they have his lab, his systems, Mikey will be as young as his years. He’s walked him through the greenhouse, even if most of it is controlled by the computer system. Mikey misses the world being green; it’ll do him good to spend more time around the plants. He has his tea, his candles. He has Draxum, who by now should have received a — mildly — threatening message warning him not to pull any disappearing acts anytime soon. He has their ancestors, just a short call away.

Donnie’s sure Mikey will call on him soon. He doesn’t plan to stray far.

Up a bit. To the left. Leo.

The arm — Leo knows how to take care of it, as does Casey.

The passwords — reset, something even Leo will be able to remember without resorting to blackmail.

The schedule — reshuffled for the next few days, he’ll have a hard enough time sleeping as it is.

The photos — everything they have, even the embarrassing ones. He even managed a couple of prints, and one precious shot from their pre-apocalypse days, something for Leo to tuck into a pouch and carry with him, when they’re not around.

Raph, Mikey, Leo. He doesn’t think he’s missed anything. Donnie lets his head fall back, too exhausted to hold it up any longer.

Is it enough?

His mind stretches further out. He’s unraveling.

What about April? Her prescription is up to date, they just checked a month ago. She has the latest in his combat tech, which has kept her safe in the field this long, so he has no reason to think it will falter now. He’s leaving her a few extra pieces, since he won’t be able to use them anymore. Leo will find the time for a movie night once in a while, he’s certain, even if his taste in Jupiter Jim movies is horrendous. They still have coffee; he’d die before he let that particular supply run out. He will, actually.

Casey. Fuck, Donnie’s gonna miss his birthday. But he did plan for this, his protocols will kick in. The mask is finished, everything is in place. He’s reconfigured his workstations, fit them for a tiny human instead of a seven-foot turtle. Casey has a better head for mechanics than any of his brothers ever did. Kid likes to be useful, so Donnie’s left him as much use as he can. He’s taught him everything Casey can learn and left instructions for more, when he’s a little older and wiser. His family will take care of him, they’ll make sure he gets there.

The base. It has to hold, to give them somewhere safe. The infrastructure is sound, and they have people to manage repair work. Supplies are decent, the most critical items in stock, everything that can be made renewable is. Their allies — Leo handles interpersonal issues and leadership, but Donnie’s checked the list with a pragmatist’s eye, left notes and rankings for priority. Security is the largest concern, but he’s spent nearly half his time with his assistants since his self-diagnosis (he could have spent it with his family), running them through the programs and adjustments, trying to bring them up to somewhere in the realm of his own expertise (a fool’s errand, but still). They’ve been rigorously instructed, they understand that the little things like sleep are secondary concerns. It has to hold.

Is it enough? For them to be okay?

He’s done everything he can. He can’t do any more. So it has to be enough.

Donnie blinks, and for a moment isn’t certain his eyes will open again at the end of it. But they do. At least one more time, they obey him.

Raph. Mikey. Leo. April. Casey. Home. He rolls back through the list. It’s his last chance. He can’t miss anything.

Mikey’s hand tightens unconsciously around his wrist, fingers meeting easily on either side. Donnie feels only the echo of the pressure.

Raph. Mikey. Leo. April. Casey. Home.

Something bright sparks at the edges of his vision before it fades. The last gasps of a dying brain, he supposes. Synapses firing one last time before they’re snuffed out.

Raph.

Mikey.

Leo.

April.

Casey.

Home.

Light.

There’s light.

It hurts.

He thought dying would stop the pain, but it’s risen to a fever pitch instead. His brother’s arms are gone, but the disease wraps around him in their place, consumes him. It rages like a wildfire, burning through his center until pieces start to flake away like ash.

Oh, this is what it does, what it was built for. The Kraang could have killed him in a lot of different ways. He’d wondered why they chose this one.

He hasn’t planned for it. This is something he didn’t even know to fear.

It’s bright and it hurts but it’s quiet as he crumbles, folds in on himself like a black hole in the utter silence of outer space. It’s quiet enough that the voice that breaks through does so clear as a bell.

His head turns to follow the sound, instinct. He’s lost half his field of vision, but what’s left is enough. He looks, and finds Casey.

Casey looks at him, at him, not the body. Donnie opens his mouth to ask a question — What are you doing here? How? Why? — but something else sloughs out instead. Not blood. He doesn’t have that anymore.

Casey calls his name once more and starts running.

Donnie’s questions fold back into his mind. His mouth clicks shut, he swallows back the putrid rot and pushes himself up. His arms are shattered but they’ll have to hold him. They have to. Because Casey is here and he needs something, which means Donnie missed something, which means he isn’t done.

His spirit disagrees with him, doesn’t see the logic. His arms don’t hold.

Casey reaches to catch him as he falls, and the touch ruptures him instead. He scatters. Into the air and the ground and Casey. For a moment, he’s just pieces, fumbling around and latching onto anything that welcomes them, and Casey does that. They flow into him. They’re him. They’re…

He’s…

Casey, he’s…

Donatello pulls himself back together. Most of himself, anyway. The infection hasn’t followed him but the damage persists. He’s run through with cracks and crevices, shaking bits away into infinity with every movement. But there’s more of him here than not.

Unexpectedly, Donnie is not gone. He’s still dead, but that’s fine, he planned for that one.

Casey has him now. He wraps himself around Donnie in layers, helps hold him together with a kind of sheer will that makes up for any lack of mystic knowledge in spades. Casey asks him to stay, and Donnie takes up the task like Sisyphus sizing up the hill. This time, this time I’ll do it right.

Even better, Casey has taken him to another time, one where all of Donnie’s long-term plans are now completely-fucking-reasonable plans. Casey’s going to fix it, so Donnie can fix everything else. Whatever else needs it. He hasn’t really asked. And he knows he’s missed something, but he doesn’t think too hard about what, not yet.

First thing’s first: he needs a body.

It’s so simple to accomplish that it seems like the universe is mocking him. Just a quick 1-2-3, ticking off the list. It feels almost stupid, like running back through the early levels of a video game after unlocking all the ultimate weapons and burning through enemies and obstacles, laughing, shit, did I used to think this was hard?

In no time at all, his own face has formed in front of him.

In no time at all, he’s gasping.

It’s only been a few hours since he last breathed air, but he’s missed it.

Another thing he’s missed? Functional musculature. Casey slams into him and Donnie is startled to find that it doesn’t knock him over. His arms and legs look like actual limbs again, not fragile little sticks disguising themselves as such. He stands, dragging Casey along without a second thought. The weight barely registers. It’s amazing.

The power trip is heady, but it only lasts a few minutes before reality kicks it in the ass and pulls him back down to earth.

We lost, Casey says.

They’re dead, Casey says.

It wasn’t enough, Casey does not say, but Donnie hears it just as clearly.

All those plans, the preparations, the precautions and protocols, they only borrowed a year or two before they fell apart. He sees the timeline spiral out before him, tighter and tighter until it collapses in on itself, rendered all the more insignificant from his own point of perception. He was alive yesterday. His family is dead today.

Everything he did, it wasn’t enough. Of course it wasn’t. He was stupid to think otherwise.

(Raph. Mikey. Leo. April. Casey. Casey’s still here. It was enough for him, at least.)

It cuts at him a little, to have been so wrong. But he’s strong again, now. He can take the wound. More importantly, he has another chance to get it right.

Donnie breathes. His chest expands smoothly, easily. The air doesn’t rattle in his lungs. He’s alive, he’s a genius, he can fix anything.

He pulls up a list.

#rottmnt #cass apocalyptic series #Rise of the TMNT #fic I write #*looks at the word count* haha. anyway. i'm normal.#Donnie's expressions when he looks at his family one last time are so fuckin good they're so clear #I looked at him and I was like 'oh cool I can literally read his mind'#which may or may not be true (you tell me) but holy shit was it effective #(please @god let the formatting of this post hold)

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